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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 14 246 it is the complementary color RGB 79 241 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 14 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 14 246 shade: RGB 181 14 241, RGB 198 32 255, RGB 215 50 255, RGB 232 68 255 and RGB 249 86 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 14 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 14 246 shade: RGB 176 14 246, RGB 159 0 227, RGB 142 0 208, RGB 125 0 189 and RGB 108 0 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 14 246 shade: RGB 176 14 246, RGB 239 14 246, RGB 246 14 191, RGB 246 14 128 and RGB 246 14 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 14 246 shade: RGB 176 14 246, RGB 113 14 246, RGB 51 14 246 and RGB 14 14 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 14 246 shade matches the following richer shades: RGB 176 14 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 14 246 shade: RGB 176 14 246, RGB 168 34 226, RGB 160 54 206, RGB 152 74 186 and RGB 144 95 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 14 246 shade: RGB 49 14 246, RGB 111 14 246, RGB 173 14 246, RGB 235 14 246 and RGB 246 14 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 14 246 shade: RGB 122 6 171, RGB 150 8 211, RGB 176 14 246, RGB 189 54 248 and RGB 202 93 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 14 246 shade: RGB 176 14 246, RGB 246 14 41 and RGB 14 246 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 14 246 shade: RGB 176 14 246, RGB 246 173 14 and RGB 14 246 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 14 246 shade: RGB 176 14 246, RGB 246 14 41, RGB 87 246 14 and RGB 14 246 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 14 246 shade: RGB 176 14 246, RGB 246 56 14, RGB 87 246 14 and RGB 14 204 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 94 / 0 / 4

HEX #B00EF6

RGB 176 14 246

HSL 281.9, 0.93%, 0.51%

LAB 47.23, 84.79, -77.62

 

Complementary color

CMYK 67 / 0 / 96 / 5

HEX #4FF109

RGB 79 241 9

HSL 101.9, 0.93%, 0.49%

LAB 84.27, -74.76, 80.03

 

CMYK 25 / 94 / 0 / 5

HEX #B50EF1

RGB 181 14 241

HSL 284.14, 0.89%, 0.5%

LAB 47.61, 84.51, -74.16

 

CMYK 22 / 87 / 0 / 0

HEX #C620FF

RGB 198 32 255

HSL 284.66, 1%, 0.56%

LAB 52.13, 86.74, -74.52

 

CMYK 16 / 80 / 0 / 0

HEX #D732FF

RGB 215 50 255

HSL 288.29, 1%, 0.6%

LAB 56.04, 85.49, -68.07

 

CMYK 9 / 73 / 0 / 0

HEX #E844FF

RGB 232 68 255

HSL 292.62, 1%, 0.63%

LAB 60.35, 83.48, -61.01

 

CMYK 2 / 66 / 0 / 0

HEX #F956FF

RGB 249 86 255

HSL 297.87, 1%, 0.67%

LAB 64.97, 80.95, -53.48

 

CMYK 28 / 94 / 0 / 4

HEX #B00EF6

RGB 176 14 246

HSL 281.9, 0.93%, 0.51%

LAB 47.23, 84.79, -77.62

 

CMYK 30 / 100 / 0 / 11

HEX #9F00E3

RGB 159 0 227

HSL 282.03, 1%, 0.45%

LAB 42.64, 80.59, -74.49

 

CMYK 32 / 100 / 0 / 18

HEX #8E00D0

RGB 142 0 208

HSL 280.96, 1%, 0.41%

LAB 38.38, 75.07, -70.63

 

CMYK 34 / 100 / 0 / 26

HEX #7D00BD

RGB 125 0 189

HSL 279.68, 1%, 0.37%

LAB 34.05, 69.47, -66.72

 

CMYK 36 / 100 / 0 / 33

HEX #6C00AA

RGB 108 0 170

HSL 278.12, 1%, 0.33%

LAB 29.64, 63.77, -62.73

 

CMYK 28 / 94 / 0 / 4

HEX #B00EF6

RGB 176 14 246

HSL 281.9, 0.93%, 0.51%

LAB 47.23, 84.79, -77.62

 

CMYK 3 / 94 / 0 / 4

HEX #EF0EF6

RGB 239 14 246

HSL 298.19, 0.93%, 0.51%

LAB 57.38, 93.64, -60.69

 

CMYK 0 / 94 / 22 / 4

HEX #F60EBF

RGB 246 14 191

HSL 314.22, 0.93%, 0.51%

LAB 55.75, 87.69, -31.96

 

CMYK 0 / 94 / 48 / 4

HEX #F60E80

RGB 246 14 128

HSL 330.52, 0.93%, 0.51%

LAB 53.46, 81.64, 1.77

 

CMYK 0 / 94 / 73 / 4

HEX #F60E42

RGB 246 14 66

HSL 346.55, 0.93%, 0.51%

LAB 52.17, 78.15, 37.39

 

CMYK 28 / 94 / 0 / 4

HEX #B00EF6

RGB 176 14 246

HSL 281.9, 0.93%, 0.51%

LAB 47.23, 84.79, -77.62

 

CMYK 54 / 94 / 0 / 4

HEX #710EF6

RGB 113 14 246

HSL 265.6, 0.93%, 0.51%

LAB 38.69, 78.55, -91.98

 

CMYK 79 / 94 / 0 / 4

HEX #330EF6

RGB 51 14 246

HSL 249.57, 0.93%, 0.51%

LAB 33.29, 75.51, -101.11

 

CMYK 94 / 94 / 0 / 4

HEX #0E0EF6

RGB 14 14 246

HSL 240, 0.93%, 0.51%

LAB 31.95, 74.9, -103.39

 

CMYK 28 / 94 / 0 / 4

HEX #B00EF6

RGB 176 14 246

HSL 281.9, 0.93%, 0.51%

LAB 47.23, 84.79, -77.62

 

CMYK 28 / 94 / 0 / 4

HEX #B00EF6

RGB 176 14 246

HSL 281.9, 0.93%, 0.51%

LAB 47.23, 84.79, -77.62

 

CMYK 26 / 85 / 0 / 11

HEX #A822E2

RGB 168 34 226

HSL 281.88, 0.77%, 0.51%

LAB 45.58, 76.69, -69.06

 

CMYK 22 / 74 / 0 / 19

HEX #A036CE

RGB 160 54 206

HSL 281.84, 0.61%, 0.51%

LAB 45.04, 65.42, -58.54

 

CMYK 18 / 60 / 0 / 27

HEX #984ABA

RGB 152 74 186

HSL 281.79, 0.45%, 0.51%

LAB 45.8, 50.81, -45.77

 

CMYK 13 / 42 / 0 / 35

HEX #905FA5

RGB 144 95 165

HSL 282, 0.28%, 0.51%

LAB 48.05, 32.72, -29.97

 

CMYK 80 / 94 / 0 / 4

HEX #310EF6

RGB 49 14 246

HSL 249.05, 0.93%, 0.51%

LAB 33.18, 75.46, -101.3

 

CMYK 55 / 94 / 0 / 4

HEX #6F0EF6

RGB 111 14 246

HSL 265.09, 0.93%, 0.51%

LAB 38.46, 78.4, -92.37

 

CMYK 30 / 94 / 0 / 4

HEX #AD0EF6

RGB 173 14 246

HSL 281.12, 0.93%, 0.51%

LAB 46.78, 84.42, -78.38

 

CMYK 4 / 94 / 0 / 4

HEX #EB0EF6

RGB 235 14 246

HSL 297.16, 0.93%, 0.51%

LAB 56.71, 93.02, -61.81

 

CMYK 0 / 94 / 20 / 4

HEX #F60EC4

RGB 246 14 196

HSL 312.93, 0.93%, 0.51%

LAB 55.98, 88.26, -34.5

 

CMYK 29 / 96 / 0 / 33

HEX #7A06AB

RGB 122 6 171

HSL 282.18, 0.93%, 0.35%

LAB 32.28, 64.74, -58.93

 

CMYK 29 / 96 / 0 / 17

HEX #9608D3

RGB 150 8 211

HSL 281.97, 0.93%, 0.43%

LAB 40.18, 75.71, -69.38

 

CMYK 28 / 94 / 0 / 4

HEX #B00EF6

RGB 176 14 246

HSL 281.9, 0.93%, 0.51%

LAB 47.23, 84.79, -77.62

 

CMYK 24 / 78 / 0 / 3

HEX #BD36F8

RGB 189 54 248

HSL 281.75, 0.93%, 0.59%

LAB 52.1, 78.79, -70.73

 

CMYK 19 / 63 / 0 / 2

HEX #CA5DF9

RGB 202 93 249

HSL 281.92, 0.93%, 0.67%

LAB 59.18, 66.7, -59.79

 

CMYK 28 / 94 / 0 / 4

HEX #B00EF6

RGB 176 14 246

HSL 281.9, 0.93%, 0.51%

LAB 47.23, 84.79, -77.62

 

CMYK 0 / 94 / 83 / 4

HEX #F60E29

RGB 246 14 41

HSL 353.02, 0.93%, 0.51%

LAB 51.91, 77.43, 50.95

 

CMYK 94 / 0 / 67 / 4

HEX #0EF650

RGB 14 246 80

HSL 137.07, 0.93%, 0.51%

LAB 85.29, -79.65, 63.63

 

CMYK 28 / 94 / 0 / 4

HEX #B00EF6

RGB 176 14 246

HSL 281.9, 0.93%, 0.51%

LAB 47.23, 84.79, -77.62

 

CMYK 0 / 30 / 94 / 4

HEX #F6AD0E

RGB 246 173 14

HSL 41.12, 0.93%, 0.51%

LAB 75.77, 16.06, 77.43

 

CMYK 94 / 0 / 30 / 4

HEX #0EF6AD

RGB 14 246 173

HSL 161.12, 0.93%, 0.51%

LAB 86.51, -65.07, 21.72

 

CMYK 28 / 94 / 0 / 4

HEX #B00EF6

RGB 176 14 246

HSL 281.9, 0.93%, 0.51%

LAB 47.23, 84.79, -77.62

 

CMYK 0 / 94 / 83 / 4

HEX #F60E29

RGB 246 14 41

HSL 353.02, 0.93%, 0.51%

LAB 51.91, 77.43, 50.95

 

CMYK 65 / 0 / 94 / 4

HEX #57F60E

RGB 87 246 14

HSL 101.12, 0.93%, 0.51%

LAB 85.99, -74.65, 81.07

 

CMYK 94 / 0 / 11 / 4

HEX #0EF6DB

RGB 14 246 219

HSL 173.02, 0.93%, 0.51%

LAB 87.54, -53.96, -0.68

 

CMYK 28 / 94 / 0 / 4

HEX #B00EF6

RGB 176 14 246

HSL 281.9, 0.93%, 0.51%

LAB 47.23, 84.79, -77.62

 

CMYK 0 / 77 / 94 / 4

HEX #F6380E

RGB 246 56 14

HSL 10.86, 0.93%, 0.51%

LAB 54.5, 69.23, 63.47

 

CMYK 65 / 0 / 94 / 4

HEX #57F60E

RGB 87 246 14

HSL 101.12, 0.93%, 0.51%

LAB 85.99, -74.65, 81.07

 

CMYK 94 / 17 / 0 / 4

HEX #0ECCF6

RGB 14 204 246

HSL 190.86, 0.93%, 0.51%

LAB 76.03, -27.02, -32.31

 

Description

Color code: RGB 176 14 246 | qconv.com Color code: RGB 176 14 246 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 14 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 14 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 94 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 94% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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