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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176.1 201 175 it is the complementary color RGB 78.9 54 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176.1 201 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176.1 201 175 shade: RGB 181.1 201 170, RGB 198.1 219 189, RGB 215.1 237 208, RGB 232.1 255 227 and RGB 249.1 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176.1 201 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176.1 201 175 shade: RGB 176.1 201 175, RGB 159.1 183 156, RGB 142.1 165 137, RGB 125.1 147 118 and RGB 108.1 129 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176.1 201 175 shade: RGB 177 201 176, RGB 184 201 176, RGB 191 201 176, RGB 198 201 176 and RGB 201 198 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176.1 201 175 shade: RGB 177 201 176, RGB 176 201 182, RGB 176 201 189, RGB 176 201 195 and RGB 176 200 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176.1 201 175 shade matches the following richer shades: RGB 177 201 176, RGB 167 212 165, RGB 158 223 155, RGB 148 233 144 and RGB 138 244 133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176.1 201 175 shade: RGB 177 201 176, RGB 187 191 187, RGB 197 180 198, RGB 207 169 208 and RGB 216 158 219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176.1 201 175 shade: RGB 191 201 176, RGB 184 201 176, RGB 177 201 176, RGB 176 201 182 and RGB 176 201 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176.1 201 175 shade: RGB 129 168 127, RGB 153 185 152, RGB 177 201 176, RGB 201 218 201 and RGB 226 235 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176.1 201 175 shade: RGB 176.1 201 175, RGB 176 198 201 and RGB 201 176 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176.1 201 175 shade: RGB 176.1 201 175, RGB 176 177 201 and RGB 201 176 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176.1 201 175 shade: RGB 176.1 201 175, RGB 176 198 201, RGB 200 176 201 and RGB 201 180 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176.1 201 175 shade: RGB 176.1 201 175, RGB 176 190 201, RGB 200 176 201 and RGB 201 187 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 13 / 21

HEX #B0C9AF

RGB 176.1 201 175

HSL 117.46, 0.19%, 0.74%

LAB 78.53, -13.31, 10.18

 

Complementary color

CMYK 1 / 33 / 0 / 69

HEX #4E3650

RGB 78.9 54 80

HSL 297.46, 0.19%, 0.26%

LAB 26.38, 16.24, -11.45

 

CMYK 10 / 0 / 15 / 21

HEX #B5C9AA

RGB 181.1 201 170

HSL 98.52, 0.22%, 0.73%

LAB 78.76, -12.44, 13.24

 

CMYK 10 / 0 / 14 / 14

HEX #C6DBBD

RGB 198.1 219 189

HSL 101.8, 0.29%, 0.8%

LAB 85.18, -12.42, 12.41

 

CMYK 9 / 0 / 12 / 7

HEX #D7EDD0

RGB 215.1 237 208

HSL 105.31, 0.45%, 0.87%

LAB 91.5, -12.42, 11.62

 

CMYK 9 / 0 / 11 / 0

HEX #E8FFE3

RGB 232.1 255 227

HSL 109.07, 1%, 0.95%

LAB 97.73, -12.42, 10.86

 

CMYK 2 / 0 / 4 / 0

HEX #F9FFF6

RGB 249.1 255 246

HSL 99.33, 1%, 0.98%

LAB 99.35, -3.51, 3.61

 

CMYK 12 / 0 / 13 / 21

HEX #B0C9AF

RGB 176.1 201 175

HSL 117.46, 0.19%, 0.74%

LAB 78.53, -13.31, 10.18

 

CMYK 13 / 0 / 15 / 28

HEX #9FB79C

RGB 159.1 183 156

HSL 113.11, 0.16%, 0.66%

LAB 71.99, -13.37, 11.01

 

CMYK 14 / 0 / 17 / 35

HEX #8EA589

RGB 142.1 165 137

HSL 109.07, 0.13%, 0.59%

LAB 65.34, -13.44, 11.88

 

CMYK 15 / 0 / 20 / 42

HEX #7D9376

RGB 125.1 147 118

HSL 105.31, 0.12%, 0.52%

LAB 58.55, -13.52, 12.81

 

CMYK 16 / 0 / 23 / 49

HEX #6C8163

RGB 108.1 129 99

HSL 101.8, 0.13%, 0.45%

LAB 51.61, -13.62, 13.81

 

CMYK 12 / 0 / 12 / 21

HEX #B1C9B0

RGB 177 201 176

HSL 117.6, 0.19%, 0.74%

LAB 78.61, -12.82, 9.78

 

CMYK 8 / 0 / 12 / 21

HEX #B8C9B0

RGB 184 201 176

HSL 100.8, 0.19%, 0.74%

LAB 79.1, -10.38, 10.54

 

CMYK 5 / 0 / 12 / 21

HEX #BFC9B0

RGB 191 201 176

HSL 84, 0.19%, 0.74%

LAB 79.6, -7.9, 11.33

 

CMYK 1 / 0 / 12 / 21

HEX #C6C9B0

RGB 198 201 176

HSL 67.2, 0.19%, 0.74%

LAB 80.13, -5.39, 12.15

 

CMYK 0 / 1 / 12 / 21

HEX #C9C6B0

RGB 201 198 176

HSL 52.8, 0.19%, 0.74%

LAB 79.58, -2.73, 11.4

 

CMYK 12 / 0 / 12 / 21

HEX #B1C9B0

RGB 177 201 176

HSL 117.6, 0.19%, 0.74%

LAB 78.61, -12.82, 9.78

 

CMYK 12 / 0 / 9 / 21

HEX #B0C9B6

RGB 176 201 182

HSL 134.4, 0.19%, 0.74%

LAB 78.68, -12.07, 6.65

 

CMYK 12 / 0 / 6 / 21

HEX #B0C9BD

RGB 176 201 189

HSL 151.2, 0.19%, 0.74%

LAB 78.86, -10.75, 3.14

 

CMYK 12 / 0 / 3 / 21

HEX #B0C9C3

RGB 176 201 195

HSL 165.6, 0.19%, 0.74%

LAB 79.01, -9.58, 0.14

 

CMYK 12 / 0 / 0 / 21

HEX #B0C8C9

RGB 176 200 201

HSL 182.4, 0.19%, 0.74%

LAB 78.9, -7.86, -3.25

 

CMYK 12 / 0 / 12 / 21

HEX #B1C9B0

RGB 177 201 176

HSL 117.6, 0.19%, 0.74%

LAB 78.61, -12.82, 9.78

 

CMYK 21 / 0 / 22 / 17

HEX #A7D4A5

RGB 167 212 165

HSL 117.45, 0.35%, 0.74%

LAB 80.75, -23.69, 18.55

 

CMYK 29 / 0 / 30 / 13

HEX #9EDF9B

RGB 158 223 155

HSL 117.35, 0.52%, 0.74%

LAB 83.13, -33.58, 26.95

 

CMYK 36 / 0 / 38 / 9

HEX #94E990

RGB 148 233 144

HSL 117.3, 0.67%, 0.74%

LAB 85.3, -42.96, 35.34

 

CMYK 43 / 0 / 45 / 4

HEX #8AF485

RGB 138 244 133

HSL 117.3, 0.83%, 0.74%

LAB 87.87, -52.15, 43.98

 

CMYK 12 / 0 / 12 / 21

HEX #B1C9B0

RGB 177 201 176

HSL 117.6, 0.19%, 0.74%

LAB 78.61, -12.82, 9.78

 

CMYK 2 / 0 / 2 / 25

HEX #BBBFBB

RGB 187 191 187

HSL 120, 0.03%, 0.74%

LAB 76.93, -2.13, 1.52

 

CMYK 1 / 9 / 0 / 22

HEX #C5B4C6

RGB 197 180 198

HSL 296.67, 0.14%, 0.74%

LAB 75.2, 9.3, -6.91

 

CMYK 0 / 19 / 0 / 18

HEX #CFA9D0

RGB 207 169 208

HSL 298.46, 0.29%, 0.74%

LAB 73.67, 20.59, -14.56

 

CMYK 1 / 28 / 0 / 14

HEX #D89EDB

RGB 216 158 219

HSL 297.05, 0.46%, 0.74%

LAB 72.34, 31.62, -22.52

 

CMYK 5 / 0 / 12 / 21

HEX #BFC9B0

RGB 191 201 176

HSL 84, 0.19%, 0.74%

LAB 79.6, -7.9, 11.33

 

CMYK 8 / 0 / 12 / 21

HEX #B8C9B0

RGB 184 201 176

HSL 100.8, 0.19%, 0.74%

LAB 79.1, -10.38, 10.54

 

CMYK 12 / 0 / 12 / 21

HEX #B1C9B0

RGB 177 201 176

HSL 117.6, 0.19%, 0.74%

LAB 78.61, -12.82, 9.78

 

CMYK 12 / 0 / 9 / 21

HEX #B0C9B6

RGB 176 201 182

HSL 134.4, 0.19%, 0.74%

LAB 78.68, -12.07, 6.65

 

CMYK 12 / 0 / 6 / 21

HEX #B0C9BC

RGB 176 201 188

HSL 148.8, 0.19%, 0.74%

LAB 78.83, -10.94, 3.64

 

CMYK 23 / 0 / 24 / 34

HEX #81A87F

RGB 129 168 127

HSL 117.07, 0.19%, 0.58%

LAB 65.12, -21.45, 16.97

 

CMYK 17 / 0 / 18 / 27

HEX #99B998

RGB 153 185 152

HSL 118.18, 0.19%, 0.66%

LAB 72.05, -17.26, 13.21

 

CMYK 12 / 0 / 12 / 21

HEX #B1C9B0

RGB 177 201 176

HSL 117.6, 0.19%, 0.74%

LAB 78.61, -12.82, 9.78

 

CMYK 8 / 0 / 8 / 15

HEX #C9DAC9

RGB 201 218 201

HSL 120, 0.19%, 0.82%

LAB 85.39, -8.83, 6.41

 

CMYK 4 / 0 / 4 / 8

HEX #E2EBE1

RGB 226 235 225

HSL 114, 0.2%, 0.9%

LAB 92.14, -4.78, 3.8

 

CMYK 12 / 0 / 13 / 21

HEX #B0C9AF

RGB 176.1 201 175

HSL 117.46, 0.19%, 0.74%

LAB 78.53, -13.31, 10.18

 

CMYK 12 / 1 / 0 / 21

HEX #B0C6C9

RGB 176 198 201

HSL 187.2, 0.19%, 0.74%

LAB 78.37, -6.81, -4.03

 

CMYK 0 / 12 / 7 / 21

HEX #C9B0BB

RGB 201 176 187

HSL 333.6, 0.19%, 0.74%

LAB 74.23, 10.87, -2.29

 

CMYK 12 / 0 / 13 / 21

HEX #B0C9AF

RGB 176.1 201 175

HSL 117.46, 0.19%, 0.74%

LAB 78.53, -13.31, 10.18

 

CMYK 12 / 12 / 0 / 21

HEX #B0B1C9

RGB 176 177 201

HSL 237.6, 0.19%, 0.74%

LAB 72.82, 4.44, -12.27

 

CMYK 0 / 12 / 12 / 21

HEX #C9B0B1

RGB 201 176 177

HSL 357.6, 0.19%, 0.74%

LAB 73.96, 9.16, 2.79

 

CMYK 12 / 0 / 13 / 21

HEX #B0C9AF

RGB 176.1 201 175

HSL 117.46, 0.19%, 0.74%

LAB 78.53, -13.31, 10.18

 

CMYK 12 / 1 / 0 / 21

HEX #B0C6C9

RGB 176 198 201

HSL 187.2, 0.19%, 0.74%

LAB 78.37, -6.81, -4.03

 

CMYK 0 / 12 / 0 / 21

HEX #C8B0C9

RGB 200 176 201

HSL 297.6, 0.19%, 0.74%

LAB 74.54, 13.07, -9.5

 

CMYK 0 / 10 / 12 / 21

HEX #C9B4B0

RGB 201 180 176

HSL 9.6, 0.19%, 0.74%

LAB 74.95, 6.83, 4.77

 

CMYK 12 / 0 / 13 / 21

HEX #B0C9AF

RGB 176.1 201 175

HSL 117.46, 0.19%, 0.74%

LAB 78.53, -13.31, 10.18

 

CMYK 12 / 5 / 0 / 21

HEX #B0BEC9

RGB 176 190 201

HSL 206.4, 0.19%, 0.74%

LAB 76.24, -2.58, -7.18

 

CMYK 0 / 12 / 0 / 21

HEX #C8B0C9

RGB 200 176 201

HSL 297.6, 0.19%, 0.74%

LAB 74.54, 13.07, -9.5

 

CMYK 0 / 7 / 12 / 21

HEX #C9BBB0

RGB 201 187 176

HSL 26.4, 0.19%, 0.74%

LAB 76.74, 3.08, 7.34

 

Description

Color code: RGB 176.1 201 175 | qconv.com Color code: RGB 176.1 201 175 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176.1 red, 201 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176.1 201 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 13 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 13% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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