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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176.1 180.8 136 it is the complementary color RGB 78.9 74.2 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176.1 180.8 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176.1 180.8 136 shade: RGB 181.1 180.8 131, RGB 198.1 198.8 150, RGB 215.1 216.8 169, RGB 232.1 234.8 188 and RGB 249.1 252.8 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176.1 180.8 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176.1 180.8 136 shade: RGB 176.1 180.8 136, RGB 159.1 162.8 117, RGB 142.1 144.8 98, RGB 125.1 126.8 79 and RGB 108.1 108.8 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176.1 180.8 136 shade: RGB 176 180 136, RGB 180 173 136, RGB 180 161 136, RGB 180 149 136 and RGB 180 137 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176.1 180.8 136 shade: RGB 176 180 136, RGB 164 180 136, RGB 152 180 136, RGB 140 180 136 and RGB 136 180 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176.1 180.8 136 shade matches the following richer shades: RGB 176 180 136, RGB 188 196 120, RGB 200 212 104, RGB 213 227 89 and RGB 225 243 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176.1 180.8 136 shade: RGB 176 180 136, RGB 163 165 151, RGB 151 149 167, RGB 139 133 183 and RGB 126 118 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176.1 180.8 136 shade: RGB 180 161 136, RGB 180 173 136, RGB 176 180 136, RGB 164 180 136 and RGB 152 180 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176.1 180.8 136 shade: RGB 138 144 90, RGB 159 165 110, RGB 176 180 136, RGB 193 196 161 and RGB 209 212 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176.1 180.8 136 shade: RGB 176.1 180.8 136, RGB 136 180 149 and RGB 167 136 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176.1 180.8 136 shade: RGB 176.1 180.8 136, RGB 136 176 180 and RGB 180 136 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176.1 180.8 136 shade: RGB 176.1 180.8 136, RGB 136 180 149, RGB 140 136 180 and RGB 180 136 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176.1 180.8 136 shade: RGB 176.1 180.8 136, RGB 136 180 163, RGB 140 136 180 and RGB 180 136 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 25 / 29

HEX #B0B488

RGB 176.1 180.8 136

HSL 66.29, 0.23%, 0.62%

LAB 72.22, -9.17, 22.34

 

Complementary color

CMYK 34 / 38 / 0 / 53

HEX #4E4A77

RGB 78.9 74.2 119

HSL 246.29, 0.23%, 0.38%

LAB 33.8, 13.29, -24.92

 

CMYK 0 / 0 / 28 / 29

HEX #B5B483

RGB 181.1 180.8 131

HSL 59.64, 0.25%, 0.61%

LAB 72.52, -7.93, 25.5

 

CMYK 0 / 0 / 25 / 22

HEX #C6C696

RGB 198.1 198.8 150

HSL 60.86, 0.3%, 0.68%

LAB 79.03, -8.15, 24.44

 

CMYK 1 / 0 / 22 / 15

HEX #D7D8A9

RGB 215.1 216.8 169

HSL 62.13, 0.38%, 0.76%

LAB 85.43, -8.33, 23.43

 

CMYK 1 / 0 / 20 / 8

HEX #E8EABC

RGB 232.1 234.8 188

HSL 63.46, 0.54%, 0.83%

LAB 91.73, -8.49, 22.47

 

CMYK 1 / 0 / 18 / 1

HEX #F9FCCF

RGB 249.1 252.8 207

HSL 64.85, 0.91%, 0.9%

LAB 97.95, -8.63, 21.56

 

CMYK 3 / 0 / 25 / 29

HEX #B0B488

RGB 176.1 180.8 136

HSL 66.29, 0.23%, 0.62%

LAB 72.22, -9.17, 22.34

 

CMYK 2 / 0 / 28 / 36

HEX #9FA275

RGB 159.1 162.8 117

HSL 64.85, 0.2%, 0.55%

LAB 65.58, -9, 23.42

 

CMYK 2 / 0 / 32 / 43

HEX #8E9062

RGB 142.1 144.8 98

HSL 63.46, 0.19%, 0.48%

LAB 58.82, -8.8, 24.57

 

CMYK 1 / 0 / 38 / 50

HEX #7D7E4F

RGB 125.1 126.8 79

HSL 62.13, 0.23%, 0.4%

LAB 51.9, -8.53, 25.8

 

CMYK 1 / 0 / 45 / 57

HEX #6C6C3C

RGB 108.1 108.8 60

HSL 60.86, 0.29%, 0.33%

LAB 44.82, -8.17, 27.1

 

CMYK 2 / 0 / 24 / 29

HEX #B0B488

RGB 176 180 136

HSL 65.45, 0.23%, 0.62%

LAB 71.99, -8.79, 22.04

 

CMYK 0 / 4 / 24 / 29

HEX #B4AD88

RGB 180 173 136

HSL 50.45, 0.23%, 0.62%

LAB 70.43, -3.54, 19.95

 

CMYK 0 / 11 / 24 / 29

HEX #B4A188

RGB 180 161 136

HSL 34.09, 0.23%, 0.62%

LAB 67.25, 2.94, 15.56

 

CMYK 0 / 17 / 24 / 29

HEX #B49588

RGB 180 149 136

HSL 17.73, 0.23%, 0.62%

LAB 64.14, 9.55, 11.2

 

CMYK 0 / 24 / 24 / 29

HEX #B48988

RGB 180 137 136

HSL 1.36, 0.23%, 0.62%

LAB 61.11, 16.24, 6.89

 

CMYK 2 / 0 / 24 / 29

HEX #B0B488

RGB 176 180 136

HSL 65.45, 0.23%, 0.62%

LAB 71.99, -8.79, 22.04

 

CMYK 9 / 0 / 24 / 29

HEX #A4B488

RGB 164 180 136

HSL 81.82, 0.23%, 0.62%

LAB 71.09, -13.36, 20.65

 

CMYK 16 / 0 / 24 / 29

HEX #98B488

RGB 152 180 136

HSL 98.18, 0.23%, 0.62%

LAB 70.24, -17.8, 19.36

 

CMYK 22 / 0 / 24 / 29

HEX #8CB488

RGB 140 180 136

HSL 114.55, 0.23%, 0.62%

LAB 69.47, -22.08, 18.16

 

CMYK 24 / 0 / 20 / 29

HEX #88B490

RGB 136 180 144

HSL 130.91, 0.23%, 0.62%

LAB 69.39, -22.02, 13.67

 

CMYK 2 / 0 / 24 / 29

HEX #B0B488

RGB 176 180 136

HSL 65.45, 0.23%, 0.62%

LAB 71.99, -8.79, 22.04

 

CMYK 4 / 0 / 39 / 23

HEX #BCC478

RGB 188 196 120

HSL 66.32, 0.39%, 0.62%

LAB 77, -14.44, 37.22

 

CMYK 6 / 0 / 51 / 17

HEX #C8D468

RGB 200 212 104

HSL 66.67, 0.56%, 0.62%

LAB 82.04, -19.32, 51.46

 

CMYK 6 / 0 / 61 / 11

HEX #D5E359

RGB 213 227 89

HSL 66.09, 0.71%, 0.62%

LAB 86.9, -22.6, 63.85

 

CMYK 7 / 0 / 70 / 5

HEX #E1F349

RGB 225 243 73

HSL 66.35, 0.88%, 0.62%

LAB 91.95, -26.36, 75.41

 

CMYK 2 / 0 / 24 / 29

HEX #B0B488

RGB 176 180 136

HSL 65.45, 0.23%, 0.62%

LAB 71.99, -8.79, 22.04

 

CMYK 1 / 0 / 8 / 35

HEX #A3A597

RGB 163 165 151

HSL 68.57, 0.07%, 0.62%

LAB 67.23, -3.29, 7

 

CMYK 10 / 11 / 0 / 35

HEX #9795A7

RGB 151 149 167

HSL 246.67, 0.09%, 0.62%

LAB 62.39, 4.36, -9.16

 

CMYK 24 / 27 / 0 / 28

HEX #8B85B7

RGB 139 133 183

HSL 247.2, 0.26%, 0.62%

LAB 57.73, 13.21, -25.41

 

CMYK 37 / 41 / 0 / 22

HEX #7E76C7

RGB 126 118 199

HSL 245.93, 0.42%, 0.62%

LAB 53.51, 22.41, -41.2

 

CMYK 0 / 11 / 24 / 29

HEX #B4A188

RGB 180 161 136

HSL 34.09, 0.23%, 0.62%

LAB 67.25, 2.94, 15.56

 

CMYK 0 / 4 / 24 / 29

HEX #B4AD88

RGB 180 173 136

HSL 50.45, 0.23%, 0.62%

LAB 70.43, -3.54, 19.95

 

CMYK 2 / 0 / 24 / 29

HEX #B0B488

RGB 176 180 136

HSL 65.45, 0.23%, 0.62%

LAB 71.99, -8.79, 22.04

 

CMYK 9 / 0 / 24 / 29

HEX #A4B488

RGB 164 180 136

HSL 81.82, 0.23%, 0.62%

LAB 71.09, -13.36, 20.65

 

CMYK 16 / 0 / 24 / 29

HEX #98B488

RGB 152 180 136

HSL 98.18, 0.23%, 0.62%

LAB 70.24, -17.8, 19.36

 

CMYK 4 / 0 / 38 / 44

HEX #8A905A

RGB 138 144 90

HSL 66.67, 0.23%, 0.46%

LAB 58.12, -11.1, 27.98

 

CMYK 4 / 0 / 33 / 35

HEX #9FA56E

RGB 159 165 110

HSL 66.55, 0.23%, 0.54%

LAB 66.06, -11.16, 27.85

 

CMYK 2 / 0 / 24 / 29

HEX #B0B488

RGB 176 180 136

HSL 65.45, 0.23%, 0.62%

LAB 71.99, -8.79, 22.04

 

CMYK 2 / 0 / 18 / 23

HEX #C1C4A1

RGB 193 196 161

HSL 65.14, 0.23%, 0.7%

LAB 78.11, -7, 17.26

 

CMYK 1 / 0 / 12 / 17

HEX #D1D4BB

RGB 209 212 187

HSL 67.2, 0.23%, 0.78%

LAB 84.09, -5.35, 12.02

 

CMYK 3 / 0 / 25 / 29

HEX #B0B488

RGB 176.1 180.8 136

HSL 66.29, 0.23%, 0.62%

LAB 72.22, -9.17, 22.34

 

CMYK 24 / 0 / 17 / 29

HEX #88B495

RGB 136 180 149

HSL 137.73, 0.23%, 0.62%

LAB 69.5, -21.08, 11.09

 

CMYK 7 / 24 / 0 / 29

HEX #A788B4

RGB 167 136 180

HSL 282.27, 0.23%, 0.62%

LAB 60.89, 19.94, -18.65

 

CMYK 3 / 0 / 25 / 29

HEX #B0B488

RGB 176.1 180.8 136

HSL 66.29, 0.23%, 0.62%

LAB 72.22, -9.17, 22.34

 

CMYK 24 / 2 / 0 / 29

HEX #88B0B4

RGB 136 176 180

HSL 185.45, 0.23%, 0.62%

LAB 69.17, -12.46, -6.45

 

CMYK 0 / 24 / 2 / 29

HEX #B488B0

RGB 180 136 176

HSL 305.45, 0.23%, 0.62%

LAB 62.04, 23.59, -14.52

 

CMYK 3 / 0 / 25 / 29

HEX #B0B488

RGB 176.1 180.8 136

HSL 66.29, 0.23%, 0.62%

LAB 72.22, -9.17, 22.34

 

CMYK 24 / 0 / 17 / 29

HEX #88B495

RGB 136 180 149

HSL 137.73, 0.23%, 0.62%

LAB 69.5, -21.08, 11.09

 

CMYK 22 / 24 / 0 / 29

HEX #8C88B4

RGB 140 136 180

HSL 245.45, 0.23%, 0.62%

LAB 58.49, 11.05, -22.53

 

CMYK 0 / 24 / 7 / 29

HEX #B488A7

RGB 180 136 167

HSL 317.73, 0.23%, 0.62%

LAB 61.74, 21.92, -9.85

 

CMYK 3 / 0 / 25 / 29

HEX #B0B488

RGB 176.1 180.8 136

HSL 66.29, 0.23%, 0.62%

LAB 72.22, -9.17, 22.34

 

CMYK 24 / 0 / 9 / 29

HEX #88B4A3

RGB 136 180 163

HSL 156.82, 0.23%, 0.62%

LAB 69.84, -18.27, 3.9

 

CMYK 22 / 24 / 0 / 29

HEX #8C88B4

RGB 140 136 180

HSL 245.45, 0.23%, 0.62%

LAB 58.49, 11.05, -22.53

 

CMYK 0 / 24 / 14 / 29

HEX #B4889A

RGB 180 136 154

HSL 335.45, 0.23%, 0.62%

LAB 61.35, 19.65, -3.03

 

Description

Color code: RGB 176.1 180.8 136 | qconv.com Color code: RGB 176.1 180.8 136 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176.1 red, 180.8 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176.1 180.8 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 25 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 25% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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