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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176.1 111 24 it is the complementary color RGB 78.9 144 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176.1 111 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176.1 111 24 shade: RGB 181.1 111 19, RGB 198.1 129 38, RGB 215.1 147 57, RGB 232.1 165 76 and RGB 249.1 183 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176.1 111 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176.1 111 24 shade: RGB 176.1 111 24, RGB 159.1 93 5, RGB 142.1 75 0, RGB 125.1 57 0 and RGB 108.1 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176.1 111 24 shade: RGB 175 110 24, RGB 175 70 24, RGB 175 29 24 and RGB 175 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176.1 111 24 shade: RGB 175 110 24, RGB 175 151 24, RGB 158 175 24, RGB 117 175 24 and RGB 77 175 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176.1 111 24 shade matches the following richer shades: RGB 175 110 24 and RGB 191 113 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176.1 111 24 shade: RGB 175 110 24, RGB 159 108 40, RGB 143 106 56, RGB 127 103 72 and RGB 111 101 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176.1 111 24 shade: RGB 175 29 24, RGB 175 69 24, RGB 175 110 24, RGB 175 150 24 and RGB 160 175 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176.1 111 24 shade: RGB 102 65 14, RGB 139 87 19, RGB 175 110 24, RGB 211 133 29 and RGB 228 153 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176.1 111 24 shade: RGB 176.1 111 24, RGB 59 175 24 and RGB 49 24 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176.1 111 24 shade: RGB 176.1 111 24, RGB 24 175 110 and RGB 110 24 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176.1 111 24 shade: RGB 176.1 111 24, RGB 59 175 24, RGB 24 89 175 and RGB 140 24 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176.1 111 24 shade: RGB 176.1 111 24, RGB 24 175 34, RGB 24 89 175 and RGB 175 24 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 86 / 31

HEX #B06F18

RGB 176.1 111 24

HSL 34.32, 0.76%, 0.39%

LAB 52.59, 19.38, 54.06

 

Complementary color

CMYK 66 / 38 / 0 / 9

HEX #4E90E7

RGB 78.9 144 231

HSL 214.32, 0.76%, 0.61%

LAB 59.32, 6.5, -50.18

 

CMYK 0 / 39 / 90 / 29

HEX #B56F13

RGB 181.1 111 19

HSL 34.05, 0.81%, 0.39%

LAB 53.22, 21.47, 56.33

 

CMYK 0 / 35 / 81 / 22

HEX #C68126

RGB 198.1 129 38

HSL 34.1, 0.68%, 0.46%

LAB 59.76, 19.51, 56.47

 

CMYK 0 / 32 / 74 / 16

HEX #D79339

RGB 215.1 147 57

HSL 34.16, 0.66%, 0.53%

LAB 66.23, 17.81, 55.7

 

CMYK 0 / 29 / 67 / 9

HEX #E8A54C

RGB 232.1 165 76

HSL 34.21, 0.77%, 0.6%

LAB 72.63, 16.34, 54.55

 

CMYK 0 / 27 / 62 / 2

HEX #F9B75F

RGB 249.1 183 95

HSL 34.26, 0.93%, 0.67%

LAB 78.96, 15.05, 53.24

 

CMYK 0 / 37 / 86 / 31

HEX #B06F18

RGB 176.1 111 24

HSL 34.32, 0.76%, 0.39%

LAB 52.59, 19.38, 54.06

 

CMYK 0 / 42 / 97 / 38

HEX #9F5D05

RGB 159.1 93 5

HSL 34.26, 0.94%, 0.32%

LAB 45.94, 21.54, 52.99

 

CMYK 0 / 47 / 100 / 44

HEX #8E4B00

RGB 142.1 75 0

HSL 31.67, 1%, 0.28%

LAB 39.23, 24.04, 48.8

 

CMYK 0 / 54 / 100 / 51

HEX #7D3900

RGB 125.1 57 0

HSL 27.34, 1%, 0.25%

LAB 32.47, 26.62, 43.33

 

CMYK 0 / 64 / 100 / 58

HEX #6C2700

RGB 108.1 39 0

HSL 21.65, 1%, 0.21%

LAB 25.7, 29.06, 36.7

 

CMYK 0 / 37 / 86 / 31

HEX #AF6E18

RGB 175 110 24

HSL 34.17, 0.76%, 0.39%

LAB 52.21, 19.45, 53.69

 

CMYK 0 / 60 / 86 / 31

HEX #AF4618

RGB 175 70 24

HSL 18.28, 0.76%, 0.39%

LAB 43.6, 40.69, 46.48

 

CMYK 0 / 83 / 86 / 31

HEX #AF1D18

RGB 175 29 24

HSL 1.99, 0.76%, 0.39%

LAB 37.95, 56.1, 41.67

 

CMYK 0 / 86 / 86 / 31

HEX #AF1818

RGB 175 24 24

HSL 0, 0.76%, 0.39%

LAB 37.54, 57.26, 41.32

 

CMYK 0 / 37 / 86 / 31

HEX #AF6E18

RGB 175 110 24

HSL 34.17, 0.76%, 0.39%

LAB 52.21, 19.45, 53.69

 

CMYK 0 / 14 / 86 / 31

HEX #AF9718

RGB 175 151 24

HSL 50.46, 0.76%, 0.39%

LAB 62.77, -3.27, 62.4

 

CMYK 10 / 0 / 86 / 31

HEX #9EAF18

RGB 158 175 24

HSL 66.75, 0.76%, 0.39%

LAB 68.02, -23.25, 66.14

 

CMYK 33 / 0 / 86 / 31

HEX #75AF18

RGB 117 175 24

HSL 83.05, 0.76%, 0.39%

LAB 65.36, -39.89, 62.84

 

CMYK 56 / 0 / 86 / 31

HEX #4DAF18

RGB 77 175 24

HSL 98.94, 0.76%, 0.39%

LAB 63.59, -53.02, 60.61

 

CMYK 0 / 37 / 86 / 31

HEX #AF6E18

RGB 175 110 24

HSL 34.17, 0.76%, 0.39%

LAB 52.21, 19.45, 53.69

 

CMYK 0 / 41 / 96 / 25

HEX #BF7108

RGB 191 113 8

HSL 34.43, 0.92%, 0.39%

LAB 54.97, 24.52, 60.62

 

CMYK 0 / 37 / 86 / 31

HEX #AF6E18

RGB 175 110 24

HSL 34.17, 0.76%, 0.39%

LAB 52.21, 19.45, 53.69

 

CMYK 0 / 32 / 75 / 38

HEX #9F6C28

RGB 159 108 40

HSL 34.29, 0.6%, 0.39%

LAB 49.8, 14, 44.43

 

CMYK 0 / 26 / 61 / 44

HEX #8F6A38

RGB 143 106 56

HSL 34.48, 0.44%, 0.39%

LAB 47.54, 8.92, 33.41

 

CMYK 0 / 19 / 43 / 50

HEX #7F6748

RGB 127 103 72

HSL 33.82, 0.28%, 0.39%

LAB 45.19, 5.06, 21.09

 

CMYK 0 / 9 / 21 / 56

HEX #6F6558

RGB 111 101 88

HSL 33.91, 0.12%, 0.39%

LAB 43.35, 1.61, 8.8

 

CMYK 0 / 83 / 86 / 31

HEX #AF1D18

RGB 175 29 24

HSL 1.99, 0.76%, 0.39%

LAB 37.95, 56.1, 41.67

 

CMYK 0 / 61 / 86 / 31

HEX #AF4518

RGB 175 69 24

HSL 17.88, 0.76%, 0.39%

LAB 43.41, 41.17, 46.32

 

CMYK 0 / 37 / 86 / 31

HEX #AF6E18

RGB 175 110 24

HSL 34.17, 0.76%, 0.39%

LAB 52.21, 19.45, 53.69

 

CMYK 0 / 14 / 86 / 31

HEX #AF9618

RGB 175 150 24

HSL 50.07, 0.76%, 0.39%

LAB 62.5, -2.73, 62.18

 

CMYK 9 / 0 / 86 / 31

HEX #A0AF18

RGB 160 175 24

HSL 65.96, 0.76%, 0.39%

LAB 68.17, -22.39, 66.33

 

CMYK 0 / 36 / 86 / 60

HEX #66410E

RGB 102 65 14

HSL 34.77, 0.76%, 0.23%

LAB 30.97, 11.53, 35.22

 

CMYK 0 / 37 / 86 / 45

HEX #8B5713

RGB 139 87 19

HSL 34, 0.76%, 0.31%

LAB 41.77, 16.13, 44.69

 

CMYK 0 / 37 / 86 / 31

HEX #AF6E18

RGB 175 110 24

HSL 34.17, 0.76%, 0.39%

LAB 52.21, 19.45, 53.69

 

CMYK 0 / 37 / 86 / 17

HEX #D3851D

RGB 211 133 29

HSL 34.29, 0.76%, 0.47%

LAB 62.26, 22.64, 62.28

 

CMYK 0 / 33 / 76 / 11

HEX #E49936

RGB 228 153 54

HSL 34.14, 0.76%, 0.55%

LAB 69.14, 19.95, 60.32

 

CMYK 0 / 37 / 86 / 31

HEX #B06F18

RGB 176.1 111 24

HSL 34.32, 0.76%, 0.39%

LAB 52.59, 19.38, 54.06

 

CMYK 66 / 0 / 86 / 31

HEX #3BAF18

RGB 59 175 24

HSL 106.09, 0.76%, 0.39%

LAB 63.06, -57.41, 59.93

 

CMYK 72 / 86 / 0 / 31

HEX #3118AF

RGB 49 24 175

HSL 249.93, 0.76%, 0.39%

LAB 24.96, 54.12, -73.71

 

CMYK 0 / 37 / 86 / 31

HEX #B06F18

RGB 176.1 111 24

HSL 34.32, 0.76%, 0.39%

LAB 52.59, 19.38, 54.06

 

CMYK 86 / 0 / 37 / 31

HEX #18AF6E

RGB 24 175 110

HSL 154.17, 0.76%, 0.39%

LAB 63.33, -52.05, 23.18

 

CMYK 37 / 86 / 0 / 31

HEX #6E18AF

RGB 110 24 175

HSL 274.17, 0.76%, 0.39%

LAB 31.95, 60.45, -61.93

 

CMYK 0 / 37 / 86 / 31

HEX #B06F18

RGB 176.1 111 24

HSL 34.32, 0.76%, 0.39%

LAB 52.59, 19.38, 54.06

 

CMYK 66 / 0 / 86 / 31

HEX #3BAF18

RGB 59 175 24

HSL 106.09, 0.76%, 0.39%

LAB 63.06, -57.41, 59.93

 

CMYK 86 / 49 / 0 / 31

HEX #1859AF

RGB 24 89 175

HSL 214.17, 0.76%, 0.39%

LAB 38.61, 13.24, -51.38

 

CMYK 20 / 86 / 0 / 31

HEX #8C18AF

RGB 140 24 175

HSL 286.09, 0.76%, 0.39%

LAB 36.6, 65.01, -54.16

 

CMYK 0 / 37 / 86 / 31

HEX #B06F18

RGB 176.1 111 24

HSL 34.32, 0.76%, 0.39%

LAB 52.59, 19.38, 54.06

 

CMYK 86 / 0 / 81 / 31

HEX #18AF22

RGB 24 175 34

HSL 123.97, 0.76%, 0.39%

LAB 62.48, -62.23, 56.56

 

CMYK 86 / 49 / 0 / 31

HEX #1859AF

RGB 24 89 175

HSL 214.17, 0.76%, 0.39%

LAB 38.61, 13.24, -51.38

 

CMYK 0 / 86 / 6 / 31

HEX #AF18A5

RGB 175 24 165

HSL 303.97, 0.76%, 0.39%

LAB 41.97, 69.6, -39.23

 

Description

Color code: RGB 176.1 111 24 | qconv.com Color code: RGB 176.1 111 24 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176.1 red, 111 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176.1 111 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 86 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 86% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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