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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 78 245 it is the complementary color RGB 80 177 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 78 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 78 245: RGB 180 78 240, RGB 197 96 255, RGB 214 114 255, RGB 231 132 255 and RGB 248 150 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 78 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 78 245: RGB 175 78 245, RGB 158 60 226, RGB 141 42 207, RGB 124 24 188 and RGB 107 6 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 68 / 0 / 4

HEX #AF4EF5

RGB 175 78 245

HSL 274.85, 0.89%, 0.63%

LAB 53.12, 66.78, -67.5

 

Complementary color

CMYK 55 / 0 / 94 / 31

HEX #50B10A

RGB 80 177 10

HSL 94.85, 0.89%, 0.37%

LAB 64.3, -53.33, 63.7

 

CMYK 25 / 68 / 0 / 6

HEX #B44EF0

RGB 180 78 240

HSL 277.78, 0.84%, 0.62%

LAB 53.43, 66.71, -64.17

 

CMYK 23 / 62 / 0 / 0

HEX #C560FF

RGB 197 96 255

HSL 278.11, 1%, 0.69%

LAB 59.39, 65.47, -62.8

 

CMYK 16 / 55 / 0 / 0

HEX #D672FF

RGB 214 114 255

HSL 282.55, 1%, 0.72%

LAB 64.6, 60.98, -54.36

 

CMYK 9 / 48 / 0 / 0

HEX #E784FF

RGB 231 132 255

HSL 288.29, 1%, 0.76%

LAB 69.97, 56.56, -45.75

 

CMYK 3 / 41 / 0 / 0

HEX #F896FF

RGB 248 150 255

HSL 296, 1%, 0.79%

LAB 75.44, 52.3, -37.06

 

CMYK 29 / 68 / 0 / 4

HEX #AF4EF5

RGB 175 78 245

HSL 274.85, 0.89%, 0.63%

LAB 53.12, 66.78, -67.5

 

CMYK 30 / 73 / 0 / 11

HEX #9E3CE2

RGB 158 60 226

HSL 275.42, 0.74%, 0.56%

LAB 46.96, 66.92, -66.88

 

CMYK 32 / 80 / 0 / 19

HEX #8D2ACF

RGB 141 42 207

HSL 276, 0.66%, 0.49%

LAB 40.93, 66.51, -65.89

 

CMYK 34 / 87 / 0 / 26

HEX #7C18BC

RGB 124 24 188

HSL 276.59, 0.77%, 0.42%

LAB 35.14, 65.18, -64.35

 

CMYK 37 / 96 / 0 / 34

HEX #6B06A9

RGB 107 6 169

HSL 277.18, 0.93%, 0.34%

LAB 29.71, 62.47, -62.01

 

CMYK 29 / 68 / 0 / 4

HEX #AF4EF5

RGB 175 78 245

HSL 274.85, 0.89%, 0.63%

LAB 53.12, 66.78, -67.5

 

CMYK 18 / 69 / 0 / 4

HEX #C74CF4

RGB 199 76 244

HSL 283.93, 0.88%, 0.63%

LAB 55.93, 72.2, -62.25

 

CMYK 7 / 69 / 0 / 4

HEX #E34CF4

RGB 227 76 244

HSL 293.93, 0.88%, 0.63%

LAB 59.92, 77.99, -55.64

 

CMYK 0 / 69 / 5 / 4

HEX #F44CE9

RGB 244 76 233

HSL 303.93, 0.88%, 0.63%

LAB 61.9, 79.87, -46.21

 

CMYK 0 / 69 / 16 / 4

HEX #F44CCD

RGB 244 76 205

HSL 313.93, 0.88%, 0.63%

LAB 60.61, 75.84, -32.45

 

CMYK 29 / 68 / 0 / 4

HEX #AF4EF5

RGB 175 78 245

HSL 274.85, 0.89%, 0.63%

LAB 53.12, 66.78, -67.5

 

CMYK 29 / 68 / 0 / 84

HEX #1D0D29

RGB 29 13 41

HSL 274.29, 0.52%, 0.11%

LAB 6.41, 14.81, -15.67

 

CMYK 28 / 68 / 0 / 64

HEX #421D5C

RGB 66 29 92

HSL 275.24, 0.52%, 0.24%

LAB 19.27, 30.44, -30.69

 

CMYK 29 / 68 / 0 / 44

HEX #662E8F

RGB 102 46 143

HSL 274.64, 0.51%, 0.37%

LAB 31.26, 42.98, -43.69

 

CMYK 28 / 68 / 0 / 24

HEX #8B3EC2

RGB 139 62 194

HSL 275, 0.52%, 0.5%

LAB 42.5, 55.32, -55.81

 

CMYK 29 / 68 / 0 / 4

HEX #AF4EF5

RGB 175 78 245

HSL 274.85, 0.89%, 0.63%

LAB 53.12, 66.78, -67.5

 

CMYK 0 / 69 / 53 / 4

HEX #F44C73

RGB 244 76 115

HSL 346.07, 0.88%, 0.63%

LAB 57.69, 66.15, 15.49

 

CMYK 69 / 0 / 57 / 4

HEX #4CF468

RGB 76 244 104

HSL 130, 0.88%, 0.63%

LAB 85.62, -70.24, 54.26

 

CMYK 29 / 68 / 0 / 4

HEX #AF4EF5

RGB 175 78 245

HSL 274.85, 0.89%, 0.63%

LAB 53.12, 66.78, -67.5

 

CMYK 0 / 30 / 69 / 4

HEX #F4AB4C

RGB 244 171 76

HSL 33.93, 0.88%, 0.63%

LAB 75.38, 18.13, 57.89

 

CMYK 69 / 0 / 30 / 4

HEX #4CF4AB

RGB 76 244 171

HSL 153.93, 0.88%, 0.63%

LAB 86.59, -59.32, 22.96

 

CMYK 29 / 68 / 0 / 4

HEX #AF4EF5

RGB 175 78 245

HSL 274.85, 0.89%, 0.63%

LAB 53.12, 66.78, -67.5

 

CMYK 0 / 69 / 53 / 4

HEX #F44C73

RGB 244 76 115

HSL 346.07, 0.88%, 0.63%

LAB 57.69, 66.15, 15.49

 

CMYK 39 / 0 / 69 / 4

HEX #95F44C

RGB 149 244 76

HSL 93.93, 0.88%, 0.63%

LAB 87.78, -54.63, 68.7

 

CMYK 69 / 0 / 16 / 4

HEX #4CF4CD

RGB 76 244 205

HSL 166.07, 0.88%, 0.63%

LAB 87.31, -51.75, 6.38

 

CMYK 29 / 68 / 0 / 4

HEX #AF4EF5

RGB 175 78 245

HSL 274.85, 0.89%, 0.63%

LAB 53.12, 66.78, -67.5

 

CMYK 0 / 64 / 69 / 4

HEX #F4574C

RGB 244 87 76

HSL 3.93, 0.88%, 0.63%

LAB 58.58, 59.46, 39.1

 

CMYK 39 / 0 / 69 / 4

HEX #95F44C

RGB 149 244 76

HSL 93.93, 0.88%, 0.63%

LAB 87.78, -54.63, 68.7

 

CMYK 69 / 5 / 0 / 4

HEX #4CE9F4

RGB 76 233 244

HSL 183.93, 0.88%, 0.63%

LAB 85.17, -36.68, -17.24

 

Description

Color code: RGB 175 78 245 | qconv.com Color code: RGB 175 78 245 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 78 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 78 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 68 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 68% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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