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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 74 217 it is the complementary color RGB 80 181 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 74 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 74 217 shade: RGB 180 74 212, RGB 197 92 231, RGB 214 110 250, RGB 231 128 255 and RGB 248 146 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 74 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 74 217 shade: RGB 175 74 217, RGB 158 56 198, RGB 141 38 179, RGB 124 20 160 and RGB 107 2 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 74 217 shade: RGB 175 74 217, RGB 213 74 217, RGB 217 74 182, RGB 217 74 143 and RGB 217 74 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 74 217 shade: RGB 175 74 217, RGB 136 74 217, RGB 98 74 217 and RGB 74 74 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 74 217 shade matches the following richer shades: RGB 175 74 217, RGB 182 56 234 and RGB 189 39 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 74 217 shade: RGB 175 74 217, RGB 167 92 199, RGB 160 110 181, RGB 153 127 163 and RGB 145 145 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 74 217 shade: RGB 98 74 217, RGB 136 74 217, RGB 174 74 217, RGB 212 74 217 and RGB 217 74 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 74 217 shade: RGB 132 36 172, RGB 158 44 206, RGB 175 74 217, RGB 190 108 224 and RGB 205 142 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 74 217 shade: RGB 175 74 217, RGB 217 74 88 and RGB 74 217 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 74 217 shade: RGB 175 74 217, RGB 217 174 74 and RGB 74 217 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 74 217 shade: RGB 175 74 217, RGB 217 74 88, RGB 117 217 74 and RGB 74 217 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 74 217 shade: RGB 175 74 217, RGB 217 103 74, RGB 117 217 74 and RGB 74 188 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 66 / 0 / 15

HEX #AF4AD9

RGB 175 74 217

HSL 282.38, 0.65%, 0.57%

LAB 50.71, 62.63, -55.59

 

Complementary color

CMYK 56 / 0 / 79 / 29

HEX #50B526

RGB 80 181 38

HSL 102.38, 0.65%, 0.43%

LAB 65.67, -53.71, 58.8

 

CMYK 15 / 65 / 0 / 17

HEX #B44AD4

RGB 180 74 212

HSL 286.09, 0.62%, 0.56%

LAB 51.1, 62.75, -52.09

 

CMYK 15 / 60 / 0 / 9

HEX #C55CE7

RGB 197 92 231

HSL 285.32, 0.74%, 0.63%

LAB 57.36, 62.43, -52.71

 

CMYK 14 / 56 / 0 / 2

HEX #D66EFA

RGB 214 110 250

HSL 284.57, 0.93%, 0.71%

LAB 63.63, 61.9, -53.16

 

CMYK 9 / 50 / 0 / 0

HEX #E780FF

RGB 231 128 255

HSL 288.66, 1%, 0.75%

LAB 69.22, 58.54, -46.94

 

CMYK 3 / 43 / 0 / 0

HEX #F892FF

RGB 248 146 255

HSL 296.15, 1%, 0.79%

LAB 74.66, 54.31, -38.29

 

CMYK 19 / 66 / 0 / 15

HEX #AF4AD9

RGB 175 74 217

HSL 282.38, 0.65%, 0.57%

LAB 50.71, 62.63, -55.59

 

CMYK 20 / 72 / 0 / 22

HEX #9E38C6

RGB 158 56 198

HSL 283.1, 0.56%, 0.5%

LAB 44.48, 62.65, -54.81

 

CMYK 21 / 79 / 0 / 30

HEX #8D26B3

RGB 141 38 179

HSL 283.83, 0.65%, 0.43%

LAB 38.38, 62.07, -53.64

 

CMYK 23 / 88 / 0 / 37

HEX #7C14A0

RGB 124 20 160

HSL 284.57, 0.78%, 0.35%

LAB 32.53, 60.45, -51.86

 

CMYK 24 / 99 / 0 / 45

HEX #6B028D

RGB 107 2 141

HSL 285.32, 0.97%, 0.28%

LAB 27, 57.54, -49.32

 

CMYK 19 / 66 / 0 / 15

HEX #AF4AD9

RGB 175 74 217

HSL 282.38, 0.65%, 0.57%

LAB 50.71, 62.63, -55.59

 

CMYK 2 / 66 / 0 / 15

HEX #D54AD9

RGB 213 74 217

HSL 298.32, 0.65%, 0.57%

LAB 56.14, 71.13, -46.62

 

CMYK 0 / 66 / 16 / 15

HEX #D94AB6

RGB 217 74 182

HSL 314.69, 0.65%, 0.57%

LAB 55.1, 66.69, -28.15

 

CMYK 0 / 66 / 34 / 15

HEX #D94A8F

RGB 217 74 143

HSL 331.05, 0.65%, 0.57%

LAB 53.63, 61.69, -7.52

 

CMYK 0 / 66 / 52 / 15

HEX #D94A69

RGB 217 74 105

HSL 346.99, 0.65%, 0.57%

LAB 52.59, 57.96, 13.64

 

CMYK 19 / 66 / 0 / 15

HEX #AF4AD9

RGB 175 74 217

HSL 282.38, 0.65%, 0.57%

LAB 50.71, 62.63, -55.59

 

CMYK 37 / 66 / 0 / 15

HEX #884AD9

RGB 136 74 217

HSL 266.01, 0.65%, 0.57%

LAB 45.83, 54.4, -63.72

 

CMYK 55 / 66 / 0 / 15

HEX #624AD9

RGB 98 74 217

HSL 250.07, 0.65%, 0.57%

LAB 42.01, 47.42, -70.11

 

CMYK 66 / 66 / 0 / 15

HEX #4A4AD9

RGB 74 74 217

HSL 240, 0.65%, 0.57%

LAB 40.19, 43.87, -73.16

 

CMYK 19 / 66 / 0 / 15

HEX #AF4AD9

RGB 175 74 217

HSL 282.38, 0.65%, 0.57%

LAB 50.71, 62.63, -55.59

 

CMYK 22 / 76 / 0 / 8

HEX #B638EA

RGB 182 56 234

HSL 282.47, 0.81%, 0.57%

LAB 50.35, 74.28, -65.76

 

CMYK 25 / 85 / 0 / 1

HEX #BD27FC

RGB 189 39 252

HSL 282.25, 0.97%, 0.57%

LAB 51.03, 83.5, -74.69

 

CMYK 19 / 66 / 0 / 15

HEX #AF4AD9

RGB 175 74 217

HSL 282.38, 0.65%, 0.57%

LAB 50.71, 62.63, -55.59

 

CMYK 16 / 54 / 0 / 22

HEX #A75CC7

RGB 167 92 199

HSL 282.06, 0.49%, 0.57%

LAB 51.83, 48.34, -43.59

 

CMYK 12 / 39 / 0 / 29

HEX #A06EB5

RGB 160 110 181

HSL 282.25, 0.32%, 0.57%

LAB 53.99, 32.66, -29.9

 

CMYK 6 / 22 / 0 / 36

HEX #997FA3

RGB 153 127 163

HSL 283.33, 0.16%, 0.57%

LAB 56.68, 16.77, -15.45

 

CMYK 1 / 1 / 0 / 43

HEX #919192

RGB 145 145 146

HSL 240, 0%, 0.57%

LAB 60.2, 0.2, -0.54

 

CMYK 55 / 66 / 0 / 15

HEX #624AD9

RGB 98 74 217

HSL 250.07, 0.65%, 0.57%

LAB 42.01, 47.42, -70.11

 

CMYK 37 / 66 / 0 / 15

HEX #884AD9

RGB 136 74 217

HSL 266.01, 0.65%, 0.57%

LAB 45.83, 54.4, -63.72

 

CMYK 20 / 66 / 0 / 15

HEX #AE4AD9

RGB 174 74 217

HSL 281.96, 0.65%, 0.57%

LAB 50.58, 62.41, -55.82

 

CMYK 2 / 66 / 0 / 15

HEX #D44AD9

RGB 212 74 217

HSL 297.9, 0.65%, 0.57%

LAB 55.99, 70.9, -46.86

 

CMYK 0 / 66 / 16 / 15

HEX #D94AB7

RGB 217 74 183

HSL 314.27, 0.65%, 0.57%

LAB 55.14, 66.83, -28.67

 

CMYK 23 / 79 / 0 / 33

HEX #8424AC

RGB 132 36 172

HSL 282.35, 0.65%, 0.41%

LAB 36.26, 59.68, -52.97

 

CMYK 23 / 79 / 0 / 19

HEX #9E2CCE

RGB 158 44 206

HSL 282.22, 0.65%, 0.49%

LAB 43.55, 68.5, -60.96

 

CMYK 19 / 66 / 0 / 15

HEX #AF4AD9

RGB 175 74 217

HSL 282.38, 0.65%, 0.57%

LAB 50.71, 62.63, -55.59

 

CMYK 15 / 52 / 0 / 12

HEX #BE6CE0

RGB 190 108 224

HSL 282.41, 0.65%, 0.65%

LAB 59.02, 51.48, -46.2

 

CMYK 11 / 39 / 0 / 9

HEX #CD8EE7

RGB 205 142 231

HSL 282.47, 0.65%, 0.73%

LAB 68.09, 39.2, -35.76

 

CMYK 19 / 66 / 0 / 15

HEX #AF4AD9

RGB 175 74 217

HSL 282.38, 0.65%, 0.57%

LAB 50.71, 62.63, -55.59

 

CMYK 0 / 66 / 59 / 15

HEX #D94A58

RGB 217 74 88

HSL 354.13, 0.65%, 0.57%

LAB 52.23, 56.68, 23.3

 

CMYK 66 / 0 / 46 / 15

HEX #4AD975

RGB 74 217 117

HSL 138.04, 0.65%, 0.57%

LAB 77.5, -59.4, 38.23

 

CMYK 19 / 66 / 0 / 15

HEX #AF4AD9

RGB 175 74 217

HSL 282.38, 0.65%, 0.57%

LAB 50.71, 62.63, -55.59

 

CMYK 0 / 20 / 66 / 15

HEX #D9AE4A

RGB 217 174 74

HSL 41.96, 0.65%, 0.57%

LAB 73.23, 5.04, 55.64

 

CMYK 66 / 0 / 20 / 15

HEX #4AD9AE

RGB 74 217 174

HSL 161.96, 0.65%, 0.57%

LAB 78.54, -48.18, 10.12

 

CMYK 19 / 66 / 0 / 15

HEX #AF4AD9

RGB 175 74 217

HSL 282.38, 0.65%, 0.57%

LAB 50.71, 62.63, -55.59

 

CMYK 0 / 66 / 59 / 15

HEX #D94A58

RGB 217 74 88

HSL 354.13, 0.65%, 0.57%

LAB 52.23, 56.68, 23.3

 

CMYK 46 / 0 / 66 / 15

HEX #75D94A

RGB 117 217 74

HSL 101.96, 0.65%, 0.57%

LAB 78.4, -54.13, 59.19

 

CMYK 66 / 0 / 7 / 15

HEX #4AD9CA

RGB 74 217 202

HSL 173.71, 0.65%, 0.57%

LAB 79.24, -41.22, -3.8

 

CMYK 19 / 66 / 0 / 15

HEX #AF4AD9

RGB 175 74 217

HSL 282.38, 0.65%, 0.57%

LAB 50.71, 62.63, -55.59

 

CMYK 0 / 53 / 66 / 15

HEX #D9674A

RGB 217 103 74

HSL 12.17, 0.65%, 0.57%

LAB 57.02, 42.6, 37.31

 

CMYK 46 / 0 / 66 / 15

HEX #75D94A

RGB 117 217 74

HSL 101.96, 0.65%, 0.57%

LAB 78.4, -54.13, 59.19

 

CMYK 66 / 13 / 0 / 15

HEX #4ABCD9

RGB 74 188 217

HSL 192.17, 0.65%, 0.57%

LAB 71.17, -23.13, -24.02

 

Description

Color code: RGB 175 74 217 | qconv.com Color code: RGB 175 74 217 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 74 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 74 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 66 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 66% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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