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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 35 175 it is the complementary color RGB 80 220 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 35 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 35 175: RGB 180 35 170, RGB 197 53 189, RGB 214 71 208, RGB 231 89 227 and RGB 248 107 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 35 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 35 175: RGB 175 35 175, RGB 158 17 156, RGB 141 0 137, RGB 124 0 118 and RGB 107 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 0 / 31

HEX #AF23AF

RGB 175 35 175

HSL 300, 0.67%, 0.41%

LAB 43.38, 68.72, -42.95

 

Complementary color

CMYK 64 / 0 / 64 / 14

HEX #50DC50

RGB 80 220 80

HSL 120, 0.67%, 0.59%

LAB 78.15, -64.08, 56.11

 

CMYK 0 / 81 / 6 / 29

HEX #B423AA

RGB 180 35 170

HSL 304.14, 0.67%, 0.42%

LAB 43.96, 68.95, -39.01

 

CMYK 0 / 73 / 4 / 23

HEX #C535BD

RGB 197 53 189

HSL 303.33, 0.58%, 0.49%

LAB 49.61, 70.35, -41.05

 

CMYK 0 / 67 / 3 / 16

HEX #D647D0

RGB 214 71 208

HSL 302.52, 0.64%, 0.56%

LAB 55.44, 71, -42.6

 

CMYK 0 / 61 / 2 / 9

HEX #E759E3

RGB 231 89 227

HSL 301.69, 0.75%, 0.63%

LAB 61.38, 71.16, -43.8

 

CMYK 0 / 57 / 1 / 3

HEX #F86BF6

RGB 248 107 246

HSL 300.85, 0.91%, 0.7%

LAB 67.37, 70.99, -44.76

 

CMYK 0 / 80 / 0 / 31

HEX #AF23AF

RGB 175 35 175

HSL 300, 0.67%, 0.41%

LAB 43.38, 68.72, -42.95

 

CMYK 0 / 89 / 1 / 38

HEX #9E119C

RGB 158 17 156

HSL 300.85, 0.81%, 0.34%

LAB 37.97, 66.26, -40.37

 

CMYK 0 / 100 / 3 / 45

HEX #8D0089

RGB 141 0 137

HSL 301.7, 1%, 0.28%

LAB 32.85, 62.6, -37.07

 

CMYK 0 / 100 / 5 / 51

HEX #7C0076

RGB 124 0 118

HSL 302.9, 1%, 0.24%

LAB 28.36, 56.67, -32.48

 

CMYK 0 / 100 / 7 / 58

HEX #6B0063

RGB 107 0 99

HSL 304.49, 1%, 0.21%

LAB 23.76, 50.59, -27.72

 

CMYK 0 / 80 / 0 / 31

HEX #AF23AF

RGB 175 35 175

HSL 300, 0.67%, 0.41%

LAB 43.38, 68.72, -42.95

 

CMYK 0 / 80 / 13 / 32

HEX #AE2297

RGB 174 34 151

HSL 309.86, 0.67%, 0.41%

LAB 41.81, 65.15, -31.08

 

CMYK 0 / 80 / 27 / 32

HEX #AE227F

RGB 174 34 127

HSL 320.14, 0.67%, 0.41%

LAB 40.69, 61.96, -18.13

 

CMYK 0 / 80 / 40 / 32

HEX #AE2268

RGB 174 34 104

HSL 330, 0.67%, 0.41%

LAB 39.82, 59.38, -5.1

 

CMYK 0 / 80 / 53 / 32

HEX #AE2251

RGB 174 34 81

HSL 339.86, 0.67%, 0.41%

LAB 39.13, 57.32, 8.49

 

CMYK 0 / 80 / 0 / 31

HEX #AF23AF

RGB 175 35 175

HSL 300, 0.67%, 0.41%

LAB 43.38, 68.72, -42.95

 

CMYK 0 / 80 / 0 / 11

HEX #E22DE2

RGB 226 45 226

HSL 300, 0.76%, 0.53%

LAB 55.62, 83.94, -52.41

 

CMYK 0 / 82 / 0 / 91

HEX #160416

RGB 22 4 22

HSL 300, 0.69%, 0.05%

LAB 2.85, 8.99, -6.43

 

CMYK 0 / 79 / 0 / 71

HEX #490F49

RGB 73 15 73

HSL 300, 0.66%, 0.17%

LAB 16.7, 34.73, -21.87

 

CMYK 0 / 80 / 0 / 51

HEX #7C197C

RGB 124 25 124

HSL 300, 0.66%, 0.29%

LAB 30.49, 52.52, -32.9

 

CMYK 0 / 80 / 0 / 31

HEX #AF23AF

RGB 175 35 175

HSL 300, 0.67%, 0.41%

LAB 43.38, 68.72, -42.95

 

CMYK 0 / 64 / 80 / 32

HEX #AE3E22

RGB 174 62 34

HSL 12, 0.67%, 0.41%

LAB 42.09, 44.33, 40.35

 

CMYK 80 / 0 / 32 / 32

HEX #22AE76

RGB 34 174 118

HSL 156, 0.67%, 0.41%

LAB 63.28, -49.02, 18.8

 

CMYK 0 / 80 / 0 / 31

HEX #AF23AF

RGB 175 35 175

HSL 300, 0.67%, 0.41%

LAB 43.38, 68.72, -42.95

 

CMYK 0 / 0 / 80 / 32

HEX #AEAE22

RGB 174 174 34

HSL 60, 0.67%, 0.41%

LAB 69.03, -15.51, 65.05

 

CMYK 80 / 0 / 0 / 32

HEX #22AEAE

RGB 34 174 174

HSL 180, 0.67%, 0.41%

LAB 64.7, -34.3, -10.18

 

CMYK 0 / 80 / 0 / 31

HEX #AF23AF

RGB 175 35 175

HSL 300, 0.67%, 0.41%

LAB 43.38, 68.72, -42.95

 

CMYK 0 / 64 / 80 / 32

HEX #AE3E22

RGB 174 62 34

HSL 12, 0.67%, 0.41%

LAB 42.09, 44.33, 40.35

 

CMYK 80 / 0 / 80 / 32

HEX #22AE22

RGB 34 174 34

HSL 120, 0.67%, 0.41%

LAB 62.28, -60.84, 56.41

 

CMYK 80 / 16 / 0 / 32

HEX #2292AE

RGB 34 146 174

HSL 192, 0.67%, 0.41%

LAB 56.04, -20.35, -23.3

 

CMYK 0 / 80 / 0 / 31

HEX #AF23AF

RGB 175 35 175

HSL 300, 0.67%, 0.41%

LAB 43.38, 68.72, -42.95

 

CMYK 0 / 40 / 80 / 32

HEX #AE6822

RGB 174 104 34

HSL 30, 0.67%, 0.41%

LAB 50.7, 22.67, 48.59

 

CMYK 80 / 0 / 80 / 32

HEX #22AE22

RGB 34 174 34

HSL 120, 0.67%, 0.41%

LAB 62.28, -60.84, 56.41

 

CMYK 80 / 40 / 0 / 32

HEX #2268AE

RGB 34 104 174

HSL 210, 0.67%, 0.41%

LAB 43.21, 4.05, -43.41

 

Description

Color code: RGB 175 35 175 | qconv.com Color code: RGB 175 35 175 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 35 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 35 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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