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Color name
RGB 175 128 143

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 128 143 it is the complementary color RGB 80 127 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 128 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 128 143 shade: RGB 180 128 138, RGB 197 146 157, RGB 214 164 176, RGB 231 182 195 and RGB 248 200 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 128 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 128 143 shade: RGB 175 128 143, RGB 158 110 124, RGB 141 92 105, RGB 124 74 86 and RGB 107 56 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 128 143 shade: RGB 174 126 141, RGB 174 126 128 and RGB 174 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 128 143 shade: RGB 174 126 141, RGB 174 126 154, RGB 174 126 167, RGB 168 126 174 and RGB 155 126 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 128 143 shade matches the following richer shades: RGB 174 126 141, RGB 191 109 135, RGB 208 92 129, RGB 225 75 123 and RGB 242 58 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 128 143 shade: RGB 174 126 141, RGB 157 143 147, RGB 140 160 153, RGB 123 177 160 and RGB 106 194 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 128 143 shade: RGB 174 126 168, RGB 174 126 155, RGB 174 126 142, RGB 174 126 129 and RGB 174 136 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 128 143 shade: RGB 134 84 100, RGB 158 101 119, RGB 174 126 141, RGB 190 151 164 and RGB 206 177 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 128 143 shade: RGB 175 128 143, RGB 174 168 126 and RGB 126 161 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 128 143 shade: RGB 175 128 143, RGB 142 174 126 and RGB 126 142 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 128 143 shade: RGB 175 128 143, RGB 174 168 126, RGB 126 174 158 and RGB 126 132 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 128 143 shade: RGB 175 128 143, RGB 166 174 126, RGB 126 174 158 and RGB 134 126 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 18 / 31

HEX #AF808F

RGB 175 128 143

HSL 340.85, 0.23%, 0.59%

LAB 58.54, 20.47, -0.91

 

Complementary color

CMYK 37 / 0 / 12 / 50

HEX #507F70

RGB 80 127 112

HSL 160.85, 0.23%, 0.41%

LAB 49.56, -19.66, 3.1

Pantone® 625 C

CMYK 0 / 29 / 23 / 29

HEX #B4808A

RGB 180 128 138

HSL 348.46, 0.26%, 0.6%

LAB 58.95, 21.58, 2.64

 

CMYK 0 / 26 / 20 / 23

HEX #C5929D

RGB 197 146 157

HSL 347.06, 0.31%, 0.67%

LAB 65.64, 20.88, 1.76

 

CMYK 0 / 23 / 18 / 16

HEX #D6A4B0

RGB 214 164 176

HSL 345.6, 0.38%, 0.74%

LAB 72.22, 20.25, 0.96

 

CMYK 0 / 21 / 16 / 9

HEX #E7B6C3

RGB 231 182 195

HSL 344.08, 0.51%, 0.81%

LAB 78.69, 19.68, 0.21

 

CMYK 0 / 19 / 14 / 3

HEX #F8C8D6

RGB 248 200 214

HSL 342.5, 0.77%, 0.88%

LAB 85.06, 19.15, -0.5

 

CMYK 0 / 27 / 18 / 31

HEX #AF808F

RGB 175 128 143

HSL 340.85, 0.23%, 0.59%

LAB 58.54, 20.47, -0.91

 

CMYK 0 / 30 / 22 / 38

HEX #9E6E7C

RGB 158 110 124

HSL 342.5, 0.2%, 0.53%

LAB 51.7, 21.19, -0.06

 

CMYK 0 / 35 / 26 / 45

HEX #8D5C69

RGB 141 92 105

HSL 344.08, 0.21%, 0.46%

LAB 44.71, 22, 0.89

 

CMYK 0 / 40 / 31 / 51

HEX #7C4A56

RGB 124 74 86

HSL 345.6, 0.25%, 0.39%

LAB 37.58, 22.92, 1.99

 

CMYK 0 / 48 / 37 / 58

HEX #6B3843

RGB 107 56 67

HSL 347.06, 0.31%, 0.32%

LAB 30.3, 23.94, 3.34

 

CMYK 0 / 28 / 19 / 32

HEX #AE7E8D

RGB 174 126 141

HSL 341.25, 0.23%, 0.59%

LAB 57.89, 20.9, -0.72

 

CMYK 0 / 28 / 26 / 32

HEX #AE7E80

RGB 174 126 128

HSL 357.5, 0.23%, 0.59%

LAB 57.54, 18.9, 6.28

 

CMYK 0 / 28 / 28 / 32

HEX #AE7E7E

RGB 174 126 126

HSL 0, 0.23%, 0.59%

LAB 57.49, 18.61, 7.36

 

CMYK 0 / 28 / 19 / 32

HEX #AE7E8D

RGB 174 126 141

HSL 341.25, 0.23%, 0.59%

LAB 57.89, 20.9, -0.72

 

CMYK 0 / 28 / 11 / 32

HEX #AE7E9A

RGB 174 126 154

HSL 325, 0.23%, 0.59%

LAB 58.28, 23.08, -7.65

 

CMYK 0 / 28 / 4 / 32

HEX #AE7EA7

RGB 174 126 167

HSL 308.75, 0.23%, 0.59%

LAB 58.71, 25.44, -14.48

 

CMYK 3 / 28 / 0 / 32

HEX #A87EAE

RGB 168 126 174

HSL 292.5, 0.23%, 0.59%

LAB 58.32, 24.74, -19.13

 

CMYK 11 / 28 / 0 / 32

HEX #9B7EAE

RGB 155 126 174

HSL 276.25, 0.23%, 0.59%

LAB 57.02, 20.37, -21.23

 

CMYK 0 / 28 / 19 / 32

HEX #AE7E8D

RGB 174 126 141

HSL 341.25, 0.23%, 0.59%

LAB 57.89, 20.9, -0.72

 

CMYK 0 / 43 / 29 / 25

HEX #BF6D87

RGB 191 109 135

HSL 340.98, 0.39%, 0.59%

LAB 55.85, 35.69, 0.03

 

CMYK 0 / 56 / 38 / 18

HEX #D05C81

RGB 208 92 129

HSL 340.86, 0.55%, 0.59%

LAB 54.71, 49.47, 2.18

 

CMYK 0 / 67 / 45 / 12

HEX #E14B7B

RGB 225 75 123

HSL 340.8, 0.71%, 0.59%

LAB 54.52, 61.58, 5.82

 

CMYK 0 / 76 / 52 / 5

HEX #F23A75

RGB 242 58 117

HSL 340.76, 0.88%, 0.59%

LAB 55.27, 71.66, 10.86

 

CMYK 0 / 28 / 19 / 32

HEX #AE7E8D

RGB 174 126 141

HSL 341.25, 0.23%, 0.59%

LAB 57.89, 20.9, -0.72

 

CMYK 0 / 9 / 6 / 38

HEX #9D8F93

RGB 157 143 147

HSL 342.86, 0.07%, 0.59%

LAB 60.71, 5.93, -0.24

 

CMYK 13 / 0 / 4 / 37

HEX #8CA099

RGB 140 160 153

HSL 159, 0.1%, 0.59%

LAB 64.17, -8.45, 1.26

 

CMYK 31 / 0 / 10 / 31

HEX #7BB1A0

RGB 123 177 160

HSL 161.11, 0.26%, 0.59%

LAB 68.16, -21.45, 3.03

 

CMYK 45 / 0 / 14 / 24

HEX #6AC2A6

RGB 106 194 166

HSL 160.91, 0.42%, 0.59%

LAB 72.5, -33.18, 5.9

 

CMYK 0 / 28 / 3 / 32

HEX #AE7EA8

RGB 174 126 168

HSL 307.5, 0.23%, 0.59%

LAB 58.74, 25.62, -15

 

CMYK 0 / 28 / 11 / 32

HEX #AE7E9B

RGB 174 126 155

HSL 323.75, 0.23%, 0.59%

LAB 58.31, 23.26, -8.18

 

CMYK 0 / 28 / 18 / 32

HEX #AE7E8E

RGB 174 126 142

HSL 340, 0.23%, 0.59%

LAB 57.92, 21.06, -1.26

 

CMYK 0 / 28 / 26 / 32

HEX #AE7E81

RGB 174 126 129

HSL 356.25, 0.23%, 0.59%

LAB 57.56, 19.05, 5.74

 

CMYK 0 / 22 / 28 / 32

HEX #AE887E

RGB 174 136 126

HSL 12.5, 0.23%, 0.59%

LAB 59.99, 12.98, 10.91

 

CMYK 0 / 37 / 25 / 47

HEX #865464

RGB 134 84 100

HSL 340.8, 0.23%, 0.43%

LAB 41.73, 23.15, -0.51

 

CMYK 0 / 36 / 25 / 38

HEX #9E6577

RGB 158 101 119

HSL 341.05, 0.23%, 0.51%

LAB 49.38, 25.55, -0.47

 

CMYK 0 / 28 / 19 / 32

HEX #AE7E8D

RGB 174 126 141

HSL 341.25, 0.23%, 0.59%

LAB 57.89, 20.9, -0.72

 

CMYK 0 / 21 / 14 / 25

HEX #BE97A4

RGB 190 151 164

HSL 340, 0.23%, 0.67%

LAB 66.34, 16.65, -1.24

 

CMYK 0 / 14 / 10 / 19

HEX #CEB1BA

RGB 206 177 186

HSL 341.38, 0.23%, 0.75%

LAB 74.9, 11.94, -0.71

 

CMYK 0 / 27 / 18 / 31

HEX #AF808F

RGB 175 128 143

HSL 340.85, 0.23%, 0.59%

LAB 58.54, 20.47, -0.91

 

CMYK 0 / 3 / 28 / 32

HEX #AEA87E

RGB 174 168 126

HSL 52.5, 0.23%, 0.59%

LAB 68.4, -4.63, 22.53

 

CMYK 28 / 7 / 0 / 32

HEX #7EA1AE

RGB 126 161 174

HSL 196.25, 0.23%, 0.59%

LAB 64.15, -8.89, -10.66

 

CMYK 0 / 27 / 18 / 31

HEX #AF808F

RGB 175 128 143

HSL 340.85, 0.23%, 0.59%

LAB 58.54, 20.47, -0.91

 

CMYK 18 / 0 / 28 / 32

HEX #8EAE7E

RGB 142 174 126

HSL 100, 0.23%, 0.59%

LAB 67.67, -20.01, 21.15

 

CMYK 28 / 18 / 0 / 32

HEX #7E8EAE

RGB 126 142 174

HSL 220, 0.23%, 0.59%

LAB 58.82, 1.71, -18.7

 

CMYK 0 / 27 / 18 / 31

HEX #AF808F

RGB 175 128 143

HSL 340.85, 0.23%, 0.59%

LAB 58.54, 20.47, -0.91

 

CMYK 0 / 3 / 28 / 32

HEX #AEA87E

RGB 174 168 126

HSL 52.5, 0.23%, 0.59%

LAB 68.4, -4.63, 22.53

 

CMYK 28 / 0 / 9 / 32

HEX #7EAE9E

RGB 126 174 158

HSL 160, 0.23%, 0.59%

LAB 67.41, -19.42, 3.06

 

CMYK 28 / 24 / 0 / 32

HEX #7E84AE

RGB 126 132 174

HSL 232.5, 0.23%, 0.59%

LAB 56.08, 7.49, -22.89

 

CMYK 0 / 27 / 18 / 31

HEX #AF808F

RGB 175 128 143

HSL 340.85, 0.23%, 0.59%

LAB 58.54, 20.47, -0.91

 

CMYK 5 / 0 / 28 / 32

HEX #A6AE7E

RGB 166 174 126

HSL 70, 0.23%, 0.59%

LAB 69.39, -10.94, 23.76

 

CMYK 28 / 0 / 9 / 32

HEX #7EAE9E

RGB 126 174 158

HSL 160, 0.23%, 0.59%

LAB 67.41, -19.42, 3.06

 

CMYK 23 / 28 / 0 / 32

HEX #867EAE

RGB 134 126 174

HSL 250, 0.23%, 0.59%

LAB 55.12, 13.52, -24.32

 

Description

Color code: RGB 175 128 143 | qconv.com Color code: RGB 175 128 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 128 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 128 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 18 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 18% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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