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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 117 188 it is the complementary color RGB 80 138 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 117 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 117 188: RGB 180 117 183, RGB 197 135 202, RGB 214 153 221, RGB 231 171 240 and RGB 248 189 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 117 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 117 188: RGB 175 117 188, RGB 158 99 169, RGB 141 81 150, RGB 124 63 131 and RGB 107 45 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 38 / 0 / 26

HEX #AF75BC

RGB 175 117 188

HSL 289.01, 0.35%, 0.6%

LAB 57.53, 34.91, -28.29

 

Complementary color

CMYK 42 / 0 / 51 / 46

HEX #508A43

RGB 80 138 67

HSL 109.01, 0.35%, 0.4%

LAB 52.16, -33.5, 31.98

 

CMYK 2 / 36 / 0 / 28

HEX #B475B7

RGB 180 117 183

HSL 297.27, 0.31%, 0.59%

LAB 57.89, 35.51, -24.83

 

CMYK 2 / 33 / 0 / 21

HEX #C587CA

RGB 197 135 202

HSL 295.52, 0.39%, 0.66%

LAB 64.53, 34.77, -25.21

 

CMYK 3 / 31 / 0 / 13

HEX #D699DD

RGB 214 153 221

HSL 293.82, 0.5%, 0.73%

LAB 71.08, 34.06, -25.57

 

CMYK 4 / 29 / 0 / 6

HEX #E7ABF0

RGB 231 171 240

HSL 292.17, 0.7%, 0.81%

LAB 77.52, 33.4, -25.91

 

CMYK 3 / 26 / 0 / 0

HEX #F8BDFF

RGB 248 189 255

HSL 293.64, 1%, 0.87%

LAB 83.74, 32.03, -24.32

 

CMYK 7 / 38 / 0 / 26

HEX #AF75BC

RGB 175 117 188

HSL 289.01, 0.35%, 0.6%

LAB 57.53, 34.91, -28.29

 

CMYK 7 / 41 / 0 / 34

HEX #9E63A9

RGB 158 99 169

HSL 290.57, 0.29%, 0.53%

LAB 50.75, 35.69, -27.98

 

CMYK 6 / 46 / 0 / 41

HEX #8D5196

RGB 141 81 150

HSL 292.17, 0.3%, 0.45%

LAB 43.87, 36.49, -27.61

 

CMYK 5 / 52 / 0 / 49

HEX #7C3F83

RGB 124 63 131

HSL 293.82, 0.35%, 0.38%

LAB 36.89, 37.25, -27.15

 

CMYK 4 / 60 / 0 / 56

HEX #6B2D70

RGB 107 45 112

HSL 295.52, 0.43%, 0.31%

LAB 29.84, 37.86, -26.49

 

CMYK 7 / 38 / 0 / 26

HEX #AF75BC

RGB 175 117 188

HSL 289.01, 0.35%, 0.6%

LAB 57.53, 34.91, -28.29

 

CMYK 1 / 38 / 0 / 26

HEX #BB75BC

RGB 187 117 188

HSL 299.15, 0.35%, 0.6%

LAB 58.9, 38.7, -26.06

 

CMYK 0 / 38 / 6 / 26

HEX #BC75B1

RGB 188 117 177

HSL 309.3, 0.35%, 0.6%

LAB 58.59, 36.99, -20.24

 

CMYK 0 / 38 / 12 / 26

HEX #BC75A6

RGB 188 117 166

HSL 318.59, 0.35%, 0.6%

LAB 58.2, 35.07, -14.52

 

CMYK 0 / 38 / 18 / 26

HEX #BC759A

RGB 188 117 154

HSL 328.73, 0.35%, 0.6%

LAB 57.8, 33.1, -8.19

 

CMYK 7 / 38 / 0 / 26

HEX #AF75BC

RGB 175 117 188

HSL 289.01, 0.35%, 0.6%

LAB 57.53, 34.91, -28.29

 

CMYK 7 / 38 / 0 / 6

HEX #DE95EF

RGB 222 149 239

HSL 288.67, 0.74%, 0.76%

LAB 71.73, 42.15, -34.36

 

CMYK 6 / 37 / 0 / 86

HEX #211623

RGB 33 22 35

HSL 290.77, 0.23%, 0.11%

LAB 9.14, 8.61, -6.85

 

CMYK 7 / 37 / 0 / 66

HEX #503656

RGB 80 54 86

HSL 288.75, 0.23%, 0.27%

LAB 26.78, 18.03, -14.76

 

CMYK 7 / 38 / 0 / 46

HEX #805589

RGB 128 85 137

HSL 289.62, 0.23%, 0.44%

LAB 42.6, 27.27, -21.88

 

CMYK 7 / 38 / 0 / 26

HEX #AF75BC

RGB 175 117 188

HSL 289.01, 0.35%, 0.6%

LAB 57.53, 34.91, -28.29

 

CMYK 0 / 37 / 38 / 26

HEX #BC7675

RGB 188 118 117

HSL 0.85, 0.35%, 0.6%

LAB 57.01, 27.35, 12.12

 

CMYK 38 / 0 / 22 / 26

HEX #75BC93

RGB 117 188 147

HSL 145.35, 0.35%, 0.6%

LAB 70.77, -31.38, 13.82

 

CMYK 7 / 38 / 0 / 26

HEX #AF75BC

RGB 175 117 188

HSL 289.01, 0.35%, 0.6%

LAB 57.53, 34.91, -28.29

 

CMYK 0 / 7 / 38 / 26

HEX #BCAF75

RGB 188 175 117

HSL 49.01, 0.35%, 0.6%

LAB 71.31, -3.89, 31.44

 

CMYK 38 / 0 / 7 / 26

HEX #75BCAF

RGB 117 188 175

HSL 169.01, 0.35%, 0.6%

LAB 71.45, -25.31, -0.47

 

CMYK 7 / 38 / 0 / 26

HEX #AF75BC

RGB 175 117 188

HSL 289.01, 0.35%, 0.6%

LAB 57.53, 34.91, -28.29

 

CMYK 0 / 37 / 38 / 26

HEX #BC7675

RGB 188 118 117

HSL 0.85, 0.35%, 0.6%

LAB 57.01, 27.35, 12.12

 

CMYK 31 / 0 / 38 / 26

HEX #82BC75

RGB 130 188 117

HSL 109.01, 0.35%, 0.6%

LAB 70.87, -32.49, 30.09

 

CMYK 38 / 1 / 0 / 26

HEX #75BBBC

RGB 117 187 188

HSL 180.85, 0.35%, 0.6%

LAB 71.52, -21.68, -7.47

 

CMYK 7 / 38 / 0 / 26

HEX #AF75BC

RGB 175 117 188

HSL 289.01, 0.35%, 0.6%

LAB 57.53, 34.91, -28.29

 

CMYK 0 / 26 / 38 / 26

HEX #BC8B75

RGB 188 139 117

HSL 18.59, 0.35%, 0.6%

LAB 62.03, 15.72, 19.07

 

CMYK 31 / 0 / 38 / 26

HEX #82BC75

RGB 130 188 117

HSL 109.01, 0.35%, 0.6%

LAB 70.87, -32.49, 30.09

 

CMYK 38 / 12 / 0 / 26

HEX #75A6BC

RGB 117 166 188

HSL 198.59, 0.35%, 0.6%

LAB 65.5, -10.69, -16.5

 

Description

Color code: RGB 175 117 188 | qconv.com Color code: RGB 175 117 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 117 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 117 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 38 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 38% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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