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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 10 26 it is the complementary color RGB 80 245 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 10 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 10 26 shade: RGB 180 10 21, RGB 197 28 40, RGB 214 46 59, RGB 231 64 78 and RGB 248 82 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 10 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 10 26 shade: RGB 175 10 26, RGB 158 0 7, RGB 141 0 0, RGB 124 0 0 and RGB 107 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 10 26 shade: RGB 173 10 25 and RGB 173 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 10 26 shade: RGB 173 10 25, RGB 173 10 70, RGB 173 10 114, RGB 173 10 158 and RGB 144 10 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 10 26 shade matches the following richer shades: RGB 173 10 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 10 26 shade: RGB 173 10 25, RGB 158 24 37, RGB 143 39 49, RGB 128 54 61 and RGB 114 69 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 10 26 shade: RGB 173 10 113, RGB 173 10 70, RGB 173 10 26, RGB 173 37 10 and RGB 173 80 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 10 26 shade: RGB 95 5 14, RGB 134 7 20, RGB 173 10 25, RGB 212 12 31 and RGB 241 24 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 10 26 shade: RGB 175 10 26, RGB 157 173 10 and RGB 10 91 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 10 26 shade: RGB 175 10 26, RGB 26 173 10 and RGB 10 26 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 10 26 shade: RGB 175 10 26, RGB 157 173 10, RGB 10 173 157 and RGB 26 10 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 10 26 shade: RGB 175 10 26, RGB 108 173 10, RGB 10 173 157 and RGB 75 10 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 85 / 31

HEX #AF0A1A

RGB 175 10 26

HSL 354.18, 0.89%, 0.36%

LAB 36.75, 59.61, 39.58

 

Complementary color

CMYK 67 / 0 / 7 / 4

HEX #50F5E5

RGB 80 245 229

HSL 174.18, 0.89%, 0.64%

LAB 88.29, -45.62, -4.72

 

CMYK 0 / 94 / 88 / 29

HEX #B40A15

RGB 180 10 21

HSL 356.12, 0.89%, 0.37%

LAB 37.8, 60.81, 43.46

 

CMYK 0 / 86 / 80 / 23

HEX #C51C28

RGB 197 28 40

HSL 355.74, 0.75%, 0.44%

LAB 42.54, 62.92, 39

 

CMYK 0 / 79 / 72 / 16

HEX #D62E3B

RGB 214 46 59

HSL 355.36, 0.67%, 0.51%

LAB 47.71, 63.92, 34.67

 

CMYK 0 / 72 / 66 / 9

HEX #E7404E

RGB 231 64 78

HSL 354.97, 0.78%, 0.58%

LAB 53.17, 64.15, 30.89

 

CMYK 0 / 67 / 61 / 3

HEX #F85261

RGB 248 82 97

HSL 354.58, 0.92%, 0.65%

LAB 58.84, 63.87, 27.66

 

CMYK 0 / 94 / 85 / 31

HEX #AF0A1A

RGB 175 10 26

HSL 354.18, 0.89%, 0.36%

LAB 36.75, 59.61, 39.58

 

CMYK 0 / 100 / 96 / 38

HEX #9E0007

RGB 158 0 7

HSL 357.34, 1%, 0.31%

LAB 32.45, 56.11, 43.61

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 94 / 86 / 32

HEX #AD0A19

RGB 173 10 25

HSL 354.48, 0.89%, 0.36%

LAB 36.31, 59.06, 39.56

 

CMYK 0 / 94 / 94 / 32

HEX #AD0A0A

RGB 173 10 10

HSL 0, 0.89%, 0.36%

LAB 36.22, 58.8, 46.39

 

CMYK 0 / 94 / 86 / 32

HEX #AD0A19

RGB 173 10 25

HSL 354.48, 0.89%, 0.36%

LAB 36.31, 59.06, 39.56

 

CMYK 0 / 94 / 60 / 32

HEX #AD0A46

RGB 173 10 70

HSL 337.91, 0.89%, 0.36%

LAB 37.01, 61, 12.58

 

CMYK 0 / 94 / 34 / 32

HEX #AD0A72

RGB 173 10 114

HSL 321.72, 0.89%, 0.36%

LAB 38.4, 64.76, -13.55

 

CMYK 0 / 94 / 9 / 32

HEX #AD0A9E

RGB 173 10 158

HSL 305.52, 0.89%, 0.36%

LAB 40.52, 70.24, -37.35

 

CMYK 17 / 94 / 0 / 32

HEX #900AAD

RGB 144 10 173

HSL 289.33, 0.89%, 0.36%

LAB 36.3, 67.72, -53.42

 

CMYK 0 / 94 / 86 / 32

HEX #AD0A19

RGB 173 10 25

HSL 354.48, 0.89%, 0.36%

LAB 36.31, 59.06, 39.56

 

CMYK 0 / 94 / 86 / 32

HEX #AD0A19

RGB 173 10 25

HSL 354.48, 0.89%, 0.36%

LAB 36.31, 59.06, 39.56

 

CMYK 0 / 85 / 77 / 38

HEX #9E1825

RGB 158 24 37

HSL 354.18, 0.74%, 0.36%

LAB 34.1, 52.81, 29.33

 

CMYK 0 / 73 / 66 / 44

HEX #8F2731

RGB 143 39 49

HSL 354.23, 0.57%, 0.36%

LAB 32.95, 44.02, 19.66

 

CMYK 0 / 58 / 52 / 50

HEX #80363D

RGB 128 54 61

HSL 354.32, 0.41%, 0.36%

LAB 33.06, 32.67, 11.6

 

CMYK 0 / 39 / 36 / 55

HEX #724549

RGB 114 69 73

HSL 354.67, 0.25%, 0.36%

LAB 34.63, 19.92, 5.8

 

CMYK 0 / 94 / 35 / 32

HEX #AD0A71

RGB 173 10 113

HSL 322.09, 0.89%, 0.36%

LAB 38.36, 64.66, -12.98

 

CMYK 0 / 94 / 60 / 32

HEX #AD0A46

RGB 173 10 70

HSL 337.91, 0.89%, 0.36%

LAB 37.01, 61, 12.58

 

CMYK 0 / 94 / 85 / 32

HEX #AD0A1A

RGB 173 10 26

HSL 354.11, 0.89%, 0.36%

LAB 36.32, 59.08, 39.03

 

CMYK 0 / 79 / 94 / 32

HEX #AD250A

RGB 173 37 10

HSL 9.94, 0.89%, 0.36%

LAB 38.25, 53.03, 47.64

 

CMYK 0 / 54 / 94 / 32

HEX #AD500A

RGB 173 80 10

HSL 25.77, 0.89%, 0.36%

LAB 45.14, 34.63, 52.2

 

CMYK 0 / 95 / 85 / 63

HEX #5F050E

RGB 95 5 14

HSL 354, 0.9%, 0.2%

LAB 18.25, 37.88, 22.07

 

CMYK 0 / 95 / 85 / 47

HEX #860714

RGB 134 7 20

HSL 353.86, 0.9%, 0.28%

LAB 27.49, 48.84, 31.1

 

CMYK 0 / 94 / 86 / 32

HEX #AD0A19

RGB 173 10 25

HSL 354.48, 0.89%, 0.36%

LAB 36.31, 59.06, 39.56

 

CMYK 0 / 94 / 85 / 17

HEX #D40C1F

RGB 212 12 31

HSL 354.3, 0.89%, 0.44%

LAB 44.74, 69, 47.01

 

CMYK 0 / 90 / 81 / 5

HEX #F1182D

RGB 241 24 45

HSL 354.19, 0.89%, 0.52%

LAB 51.32, 75.17, 47.95

 

CMYK 0 / 94 / 85 / 31

HEX #AF0A1A

RGB 175 10 26

HSL 354.18, 0.89%, 0.36%

LAB 36.75, 59.61, 39.58

 

CMYK 9 / 0 / 94 / 32

HEX #9DAD0A

RGB 157 173 10

HSL 65.89, 0.89%, 0.36%

LAB 67.33, -22.97, 67.91

 

CMYK 94 / 47 / 0 / 32

HEX #0A5BAD

RGB 10 91 173

HSL 210.18, 0.89%, 0.36%

LAB 38.84, 10.28, -49.85

 

CMYK 0 / 94 / 85 / 31

HEX #AF0A1A

RGB 175 10 26

HSL 354.18, 0.89%, 0.36%

LAB 36.75, 59.61, 39.58

 

CMYK 85 / 0 / 94 / 32

HEX #1AAD0A

RGB 26 173 10

HSL 114.11, 0.89%, 0.36%

LAB 61.77, -62.47, 61.1

 

CMYK 94 / 85 / 0 / 32

HEX #0A1AAD

RGB 10 26 173

HSL 234.11, 0.89%, 0.36%

LAB 23.07, 51.06, -75.7

 

CMYK 0 / 94 / 85 / 31

HEX #AF0A1A

RGB 175 10 26

HSL 354.18, 0.89%, 0.36%

LAB 36.75, 59.61, 39.58

 

CMYK 9 / 0 / 94 / 32

HEX #9DAD0A

RGB 157 173 10

HSL 65.89, 0.89%, 0.36%

LAB 67.33, -22.97, 67.91

 

CMYK 94 / 0 / 9 / 32

HEX #0AAD9D

RGB 10 173 157

HSL 174.11, 0.89%, 0.36%

LAB 63.66, -40.35, -2.26

 

CMYK 85 / 94 / 0 / 32

HEX #1A0AAD

RGB 26 10 173

HSL 245.89, 0.89%, 0.36%

LAB 21.78, 57, -77.84

 

CMYK 0 / 94 / 85 / 31

HEX #AF0A1A

RGB 175 10 26

HSL 354.18, 0.89%, 0.36%

LAB 36.75, 59.61, 39.58

 

CMYK 38 / 0 / 94 / 32

HEX #6CAD0A

RGB 108 173 10

HSL 83.93, 0.89%, 0.36%

LAB 64.24, -42.71, 64.15

 

CMYK 94 / 0 / 9 / 32

HEX #0AAD9D

RGB 10 173 157

HSL 174.11, 0.89%, 0.36%

LAB 63.66, -40.35, -2.26

 

CMYK 57 / 94 / 0 / 32

HEX #4B0AAD

RGB 75 10 173

HSL 263.93, 0.89%, 0.36%

LAB 25.95, 59.49, -70.78

 

Description

Color code: RGB 175 10 26 | qconv.com Color code: RGB 175 10 26 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 10 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 10 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 85 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 85% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - Доставка суши и роло...
Link: http://tomsk.mirsushi.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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