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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175.1 216.8 141 it is the complementary color RGB 79.9 38.2 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175.1 216.8 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175.1 216.8 141 shade: RGB 180.1 216.8 136, RGB 197.1 234.8 155, RGB 214.1 252.8 174, RGB 231.1 255 193 and RGB 248.1 255 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175.1 216.8 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175.1 216.8 141 shade: RGB 175.1 216.8 141, RGB 158.1 198.8 122, RGB 141.1 180.8 103, RGB 124.1 162.8 84 and RGB 107.1 144.8 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175.1 216.8 141 shade: RGB 175 217 140, RGB 195 217 140, RGB 216 217 140, RGB 217 197 140 and RGB 217 176 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175.1 216.8 141 shade: RGB 175 217 140, RGB 154 217 140, RGB 140 217 147, RGB 140 217 168 and RGB 140 217 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175.1 216.8 141 shade matches the following richer shades: RGB 175 217 140, RGB 173 229 128, RGB 172 242 115 and RGB 171 254 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175.1 216.8 141 shade: RGB 175 217 140, RGB 176 204 153, RGB 177 192 165, RGB 178 180 177 and RGB 180 167 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175.1 216.8 141 shade: RGB 215 217 140, RGB 195 217 140, RGB 175 217 140, RGB 154 217 140 and RGB 140 217 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175.1 216.8 141 shade: RGB 131 196 78, RGB 153 206 109, RGB 175 217 140, RGB 196 227 171 and RGB 218 237 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175.1 216.8 141 shade: RGB 175.1 216.8 141, RGB 140 217 198 and RGB 217 140 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175.1 216.8 141 shade: RGB 175.1 216.8 141, RGB 140 175 217 and RGB 217 140 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175.1 216.8 141 shade: RGB 175.1 216.8 141, RGB 140 217 198, RGB 182 140 217 and RGB 217 140 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175.1 216.8 141 shade: RGB 175.1 216.8 141, RGB 140 213 217, RGB 182 140 217 and RGB 217 144 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 35 / 15

HEX #AFD88D

RGB 175.1 216.8 141

HSL 93.01, 0.5%, 0.7%

LAB 82.15, -26.91, 33

 

Complementary color

CMYK 30 / 66 / 0 / 55

HEX #4F2672

RGB 79.9 38.2 114

HSL 273.01, 0.5%, 0.3%

LAB 24.69, 34.57, -36.22

 

CMYK 17 / 0 / 37 / 15

HEX #B4D888

RGB 180.1 216.8 136

HSL 87.25, 0.51%, 0.69%

LAB 82.39, -25.77, 35.92

 

CMYK 16 / 0 / 34 / 8

HEX #C5EA9B

RGB 197.1 234.8 155

HSL 88.35, 0.66%, 0.76%

LAB 88.71, -25.74, 34.81

 

CMYK 15 / 0 / 31 / 1

HEX #D6FCAE

RGB 214.1 252.8 174

HSL 89.47, 0.95%, 0.84%

LAB 94.95, -25.69, 33.74

 

CMYK 9 / 0 / 24 / 0

HEX #E7FFC1

RGB 231.1 255 193

HSL 83.13, 1%, 0.88%

LAB 96.97, -18.09, 27.12

 

CMYK 3 / 0 / 17 / 0

HEX #F8FFD4

RGB 248.1 255 212

HSL 69.63, 1%, 0.92%

LAB 98.53, -9.33, 19.81

 

CMYK 19 / 0 / 35 / 15

HEX #AFD88D

RGB 175.1 216.8 141

HSL 93.01, 0.5%, 0.7%

LAB 82.15, -26.91, 33

 

CMYK 20 / 0 / 39 / 22

HEX #9EC67A

RGB 158.1 198.8 122

HSL 91.8, 0.41%, 0.63%

LAB 75.72, -26.98, 34.14

 

CMYK 22 / 0 / 43 / 29

HEX #8DB467

RGB 141.1 180.8 103

HSL 90.62, 0.34%, 0.56%

LAB 69.2, -27.05, 35.32

 

CMYK 24 / 0 / 48 / 36

HEX #7CA254

RGB 124.1 162.8 84

HSL 89.47, 0.32%, 0.48%

LAB 62.55, -27.07, 36.53

 

CMYK 26 / 0 / 55 / 43

HEX #6B9041

RGB 107.1 144.8 65

HSL 88.35, 0.38%, 0.41%

LAB 55.79, -27.04, 37.72

 

CMYK 19 / 0 / 35 / 15

HEX #AFD98C

RGB 175 217 140

HSL 92.73, 0.5%, 0.7%

LAB 82.18, -27.17, 33.56

 

CMYK 10 / 0 / 35 / 15

HEX #C3D98C

RGB 195 217 140

HSL 77.14, 0.5%, 0.7%

LAB 83.51, -19.83, 35.54

 

CMYK 0 / 0 / 35 / 15

HEX #D8D98C

RGB 216 217 140

HSL 60.78, 0.5%, 0.7%

LAB 85.06, -11.82, 37.86

 

CMYK 0 / 9 / 35 / 15

HEX #D9C58C

RGB 217 197 140

HSL 44.42, 0.5%, 0.7%

LAB 79.94, -1.18, 31.18

 

CMYK 0 / 19 / 35 / 15

HEX #D9B08C

RGB 217 176 140

HSL 28.05, 0.5%, 0.7%

LAB 74.63, 9.92, 24.07

 

CMYK 19 / 0 / 35 / 15

HEX #AFD98C

RGB 175 217 140

HSL 92.73, 0.5%, 0.7%

LAB 82.18, -27.17, 33.56

 

CMYK 29 / 0 / 35 / 15

HEX #9AD98C

RGB 154 217 140

HSL 109.09, 0.5%, 0.7%

LAB 80.95, -34.45, 31.71

 

CMYK 35 / 0 / 32 / 15

HEX #8CD993

RGB 140 217 147

HSL 125.45, 0.5%, 0.7%

LAB 80.35, -37.84, 27.18

 

CMYK 35 / 0 / 23 / 15

HEX #8CD9A8

RGB 140 217 168

HSL 141.82, 0.5%, 0.7%

LAB 80.75, -34.12, 16.75

 

CMYK 35 / 0 / 13 / 15

HEX #8CD9BC

RGB 140 217 188

HSL 157.4, 0.5%, 0.7%

LAB 81.2, -30.12, 6.8

 

CMYK 19 / 0 / 35 / 15

HEX #AFD98C

RGB 175 217 140

HSL 92.73, 0.5%, 0.7%

LAB 82.18, -27.17, 33.56

 

CMYK 24 / 0 / 44 / 10

HEX #ADE580

RGB 173 229 128

HSL 93.27, 0.66%, 0.7%

LAB 85.24, -35.06, 43.46

 

CMYK 29 / 0 / 52 / 5

HEX #ACF273

RGB 172 242 115

HSL 93.07, 0.83%, 0.7%

LAB 88.69, -42.69, 53.81

 

CMYK 33 / 0 / 59 / 0

HEX #ABFE67

RGB 171 254 103

HSL 92.98, 0.99%, 0.7%

LAB 91.92, -49.31, 62.8

 

CMYK 19 / 0 / 35 / 15

HEX #AFD98C

RGB 175 217 140

HSL 92.73, 0.5%, 0.7%

LAB 82.18, -27.17, 33.56

 

CMYK 14 / 0 / 25 / 20

HEX #B0CC99

RGB 176 204 153

HSL 92.94, 0.33%, 0.7%

LAB 78.88, -18.54, 22.38

 

CMYK 8 / 0 / 14 / 25

HEX #B1C0A5

RGB 177 192 165

HSL 93.33, 0.18%, 0.7%

LAB 75.92, -10.1, 11.87

 

CMYK 1 / 0 / 2 / 29

HEX #B2B4B1

RGB 178 180 177

HSL 100, 0.02%, 0.7%

LAB 73.08, -1.26, 1.27

 

CMYK 5 / 12 / 0 / 25

HEX #B4A7BE

RGB 180 167 190

HSL 273.91, 0.15%, 0.7%

LAB 70.22, 9.02, -10.08

 

CMYK 1 / 0 / 35 / 15

HEX #D7D98C

RGB 215 217 140

HSL 61.56, 0.5%, 0.7%

LAB 84.98, -12.21, 37.74

 

CMYK 10 / 0 / 35 / 15

HEX #C3D98C

RGB 195 217 140

HSL 77.14, 0.5%, 0.7%

LAB 83.51, -19.83, 35.54

 

CMYK 19 / 0 / 35 / 15

HEX #AFD98C

RGB 175 217 140

HSL 92.73, 0.5%, 0.7%

LAB 82.18, -27.17, 33.56

 

CMYK 29 / 0 / 35 / 15

HEX #9AD98C

RGB 154 217 140

HSL 109.09, 0.5%, 0.7%

LAB 80.95, -34.45, 31.71

 

CMYK 35 / 0 / 32 / 15

HEX #8CD993

RGB 140 217 147

HSL 125.45, 0.5%, 0.7%

LAB 80.35, -37.84, 27.18

 

CMYK 33 / 0 / 60 / 23

HEX #83C44E

RGB 131 196 78

HSL 93.05, 0.5%, 0.54%

LAB 72.8, -40.52, 51.53

 

CMYK 26 / 0 / 47 / 19

HEX #99CE6D

RGB 153 206 109

HSL 92.78, 0.5%, 0.62%

LAB 77.29, -33.88, 42.59

 

CMYK 19 / 0 / 35 / 15

HEX #AFD98C

RGB 175 217 140

HSL 92.73, 0.5%, 0.7%

LAB 82.18, -27.17, 33.56

 

CMYK 14 / 0 / 25 / 11

HEX #C4E3AB

RGB 196 227 171

HSL 93.21, 0.5%, 0.78%

LAB 86.81, -20.05, 24.06

 

CMYK 8 / 0 / 15 / 7

HEX #DAEDCA

RGB 218 237 202

HSL 92.57, 0.49%, 0.86%

LAB 91.57, -12.42, 14.85

 

CMYK 19 / 0 / 35 / 15

HEX #AFD88D

RGB 175.1 216.8 141

HSL 93.01, 0.5%, 0.7%

LAB 82.15, -26.91, 33

 

CMYK 35 / 0 / 9 / 15

HEX #8CD9C6

RGB 140 217 198

HSL 165.19, 0.5%, 0.7%

LAB 81.44, -27.96, 1.83

 

CMYK 0 / 35 / 6 / 15

HEX #D98CCD

RGB 217 140 205

HSL 309.35, 0.5%, 0.7%

LAB 67.96, 39.06, -21.45

 

CMYK 19 / 0 / 35 / 15

HEX #AFD88D

RGB 175.1 216.8 141

HSL 93.01, 0.5%, 0.7%

LAB 82.15, -26.91, 33

 

CMYK 35 / 19 / 0 / 15

HEX #8CAFD9

RGB 140 175 217

HSL 212.73, 0.5%, 0.7%

LAB 70.35, -1.69, -25.02

 

CMYK 0 / 35 / 19 / 15

HEX #D98CAF

RGB 217 140 175

HSL 332.73, 0.5%, 0.7%

LAB 66.98, 34.13, -6.14

 

CMYK 19 / 0 / 35 / 15

HEX #AFD88D

RGB 175.1 216.8 141

HSL 93.01, 0.5%, 0.7%

LAB 82.15, -26.91, 33

 

CMYK 35 / 0 / 9 / 15

HEX #8CD9C6

RGB 140 217 198

HSL 165.19, 0.5%, 0.7%

LAB 81.44, -27.96, 1.83

 

CMYK 16 / 35 / 0 / 15

HEX #B68CD9

RGB 182 140 217

HSL 272.73, 0.5%, 0.7%

LAB 64.73, 30.4, -33.4

 

CMYK 0 / 35 / 27 / 15

HEX #D98C9F

RGB 217 140 159

HSL 345.19, 0.5%, 0.7%

LAB 66.53, 31.8, 2.2

 

CMYK 19 / 0 / 35 / 15

HEX #AFD88D

RGB 175.1 216.8 141

HSL 93.01, 0.5%, 0.7%

LAB 82.15, -26.91, 33

 

CMYK 35 / 2 / 0 / 15

HEX #8CD5D9

RGB 140 213 217

HSL 183.12, 0.5%, 0.7%

LAB 80.84, -21.63, -9.19

 

CMYK 16 / 35 / 0 / 15

HEX #B68CD9

RGB 182 140 217

HSL 272.73, 0.5%, 0.7%

LAB 64.73, 30.4, -33.4

 

CMYK 0 / 34 / 35 / 15

HEX #D9908C

RGB 217 144 140

HSL 3.12, 0.5%, 0.7%

LAB 66.97, 27.17, 13.5

 

Description

Color code: RGB 175.1 216.8 141 | qconv.com Color code: RGB 175.1 216.8 141 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175.1 red, 216.8 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175.1 216.8 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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