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Color name
RGB 174 171 19

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 171 19 it is the complementary color RGB 81 84 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 171 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 171 19 shade: RGB 179 171 14, RGB 196 189 33, RGB 213 207 52, RGB 230 225 71 and RGB 247 243 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 171 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 171 19 shade: RGB 174 171 19, RGB 157 153 0, RGB 140 135 0, RGB 123 117 0 and RGB 106 99 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 171 19 shade: RGB 174 171 19, RGB 174 129 19, RGB 174 87 19, RGB 174 45 19 and RGB 174 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 171 19 shade: RGB 174 171 19, RGB 135 174 19, RGB 93 174 19, RGB 51 174 19 and RGB 19 174 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 171 19 shade matches the following richer shades: RGB 174 171 19 and RGB 190 186 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 171 19 shade: RGB 174 171 19, RGB 158 156 35, RGB 143 141 50, RGB 127 126 66 and RGB 111 111 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 171 19 shade: RGB 174 86 19, RGB 174 127 19, RGB 174 169 19, RGB 138 174 19 and RGB 96 174 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 171 19 shade: RGB 100 98 11, RGB 137 134 15, RGB 174 171 19, RGB 211 207 23 and RGB 231 228 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 171 19 shade: RGB 174 171 19, RGB 19 174 45 and RGB 107 19 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 171 19 shade: RGB 174 171 19, RGB 19 174 169 and RGB 169 19 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 171 19 shade: RGB 174 171 19, RGB 19 174 45, RGB 19 24 174 and RGB 174 19 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 171 19 shade: RGB 174 171 19, RGB 19 174 91, RGB 19 24 174 and RGB 174 19 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 89 / 32

HEX #AEAB13

RGB 174 171 19

HSL 58.84, 0.8%, 0.38%

LAB 68.15, -14.37, 67.77

 

Complementary color

CMYK 66 / 64 / 0 / 7

HEX #5154EC

RGB 81 84 236

HSL 238.84, 0.8%, 0.62%

LAB 44.44, 45.09, -76.97

 

CMYK 0 / 4 / 92 / 30

HEX #B3AB0E

RGB 179 171 14

HSL 57.09, 0.85%, 0.38%

LAB 68.56, -12.25, 69.1

 

CMYK 0 / 4 / 83 / 23

HEX #C4BD21

RGB 196 189 33

HSL 57.42, 0.71%, 0.45%

LAB 74.98, -13.62, 71.12

 

CMYK 0 / 3 / 76 / 16

HEX #D5CF34

RGB 213 207 52

HSL 57.76, 0.66%, 0.52%

LAB 81.3, -14.78, 71.91

 

CMYK 0 / 2 / 69 / 10

HEX #E6E147

RGB 230 225 71

HSL 58.11, 0.76%, 0.59%

LAB 87.55, -15.76, 71.92

 

CMYK 0 / 2 / 64 / 3

HEX #F7F35A

RGB 247 243 90

HSL 58.47, 0.91%, 0.66%

LAB 93.72, -16.59, 71.46

 

CMYK 0 / 2 / 89 / 32

HEX #AEAB13

RGB 174 171 19

HSL 58.84, 0.8%, 0.38%

LAB 68.15, -14.37, 67.77

 

CMYK 0 / 3 / 100 / 38

HEX #9D9900

RGB 157 153 0

HSL 58.47, 1%, 0.31%

LAB 61.61, -12.91, 64.93

 

CMYK 0 / 4 / 100 / 45

HEX #8C8700

RGB 140 135 0

HSL 57.86, 1%, 0.27%

LAB 54.97, -11.13, 59.42

 

CMYK 0 / 5 / 100 / 52

HEX #7B7500

RGB 123 117 0

HSL 57.07, 1%, 0.24%

LAB 48.18, -9.27, 53.78

 

CMYK 0 / 7 / 100 / 58

HEX #6A6300

RGB 106 99 0

HSL 56.04, 1%, 0.21%

LAB 41.2, -7.35, 47.99

 

CMYK 0 / 2 / 89 / 32

HEX #AEAB13

RGB 174 171 19

HSL 58.84, 0.8%, 0.38%

LAB 68.15, -14.37, 67.77

 

CMYK 0 / 26 / 89 / 32

HEX #AE8113

RGB 174 129 19

HSL 42.58, 0.8%, 0.38%

LAB 56.83, 8.25, 58.79

 

CMYK 0 / 50 / 89 / 32

HEX #AE5713

RGB 174 87 19

HSL 26.32, 0.8%, 0.38%

LAB 46.79, 31.52, 50.88

 

CMYK 0 / 74 / 89 / 32

HEX #AE2D13

RGB 174 45 19

HSL 10.06, 0.8%, 0.38%

LAB 39.45, 50.82, 45.14

 

CMYK 0 / 89 / 89 / 32

HEX #AE1313

RGB 174 19 19

HSL 0, 0.8%, 0.38%

LAB 36.95, 57.86, 43.21

 

CMYK 0 / 2 / 89 / 32

HEX #AEAB13

RGB 174 171 19

HSL 58.84, 0.8%, 0.38%

LAB 68.15, -14.37, 67.77

 

CMYK 22 / 0 / 89 / 32

HEX #87AE13

RGB 135 174 19

HSL 75.1, 0.8%, 0.38%

LAB 66.11, -32.53, 64.91

 

CMYK 47 / 0 / 89 / 32

HEX #5DAE13

RGB 93 174 19

HSL 91.35, 0.8%, 0.38%

LAB 63.87, -48.04, 62.14

 

CMYK 71 / 0 / 89 / 32

HEX #33AE13

RGB 51 174 19

HSL 107.61, 0.8%, 0.38%

LAB 62.53, -58.89, 60.45

 

CMYK 89 / 0 / 84 / 32

HEX #13AE1C

RGB 19 174 28

HSL 123.48, 0.8%, 0.38%

LAB 62.08, -62.7, 57.83

 

CMYK 0 / 2 / 89 / 32

HEX #AEAB13

RGB 174 171 19

HSL 58.84, 0.8%, 0.38%

LAB 68.15, -14.37, 67.77

 

CMYK 0 / 2 / 98 / 25

HEX #BEBA03

RGB 190 186 3

HSL 58.72, 0.97%, 0.38%

LAB 73.59, -15.23, 74.6

 

CMYK 0 / 2 / 89 / 32

HEX #AEAB13

RGB 174 171 19

HSL 58.84, 0.8%, 0.38%

LAB 68.15, -14.37, 67.77

 

CMYK 0 / 1 / 78 / 38

HEX #9E9C23

RGB 158 156 35

HSL 59.02, 0.64%, 0.38%

LAB 62.65, -13.22, 58.57

 

CMYK 0 / 1 / 65 / 44

HEX #8F8D32

RGB 143 141 50

HSL 58.71, 0.48%, 0.38%

LAB 57.19, -11.17, 47.09

 

CMYK 0 / 1 / 48 / 50

HEX #7F7E42

RGB 127 126 66

HSL 59.02, 0.32%, 0.38%

LAB 51.64, -8.76, 32.59

 

CMYK 0 / 0 / 26 / 56

HEX #6F6F52

RGB 111 111 82

HSL 60, 0.15%, 0.38%

LAB 46.12, -5.2, 16.21

 

CMYK 0 / 51 / 89 / 32

HEX #AE5613

RGB 174 86 19

HSL 25.94, 0.8%, 0.38%

LAB 46.58, 32.05, 50.71

 

CMYK 0 / 27 / 89 / 32

HEX #AE7F13

RGB 174 127 19

HSL 41.81, 0.8%, 0.38%

LAB 56.31, 9.36, 58.38

 

CMYK 0 / 3 / 89 / 32

HEX #AEA913

RGB 174 169 19

HSL 58.06, 0.8%, 0.38%

LAB 67.59, -13.34, 67.32

 

CMYK 21 / 0 / 89 / 32

HEX #8AAE13

RGB 138 174 19

HSL 73.94, 0.8%, 0.38%

LAB 66.31, -31.3, 65.15

 

CMYK 45 / 0 / 89 / 32

HEX #60AE13

RGB 96 174 19

HSL 90.19, 0.8%, 0.38%

LAB 64, -47.06, 62.3

 

CMYK 0 / 2 / 89 / 61

HEX #64620B

RGB 100 98 11

HSL 58.65, 0.8%, 0.22%

LAB 40.36, -9.4, 44.23

 

CMYK 0 / 2 / 89 / 46

HEX #89860F

RGB 137 134 15

HSL 58.52, 0.8%, 0.3%

LAB 54.45, -11.69, 56.23

 

CMYK 0 / 2 / 89 / 32

HEX #AEAB13

RGB 174 171 19

HSL 58.84, 0.8%, 0.38%

LAB 68.15, -14.37, 67.77

 

CMYK 0 / 2 / 89 / 17

HEX #D3CF17

RGB 211 207 23

HSL 58.72, 0.8%, 0.46%

LAB 81.04, -16.44, 78.57

 

CMYK 0 / 1 / 81 / 9

HEX #E7E42C

RGB 231 228 44

HSL 59.04, 0.8%, 0.54%

LAB 88.28, -17.85, 80.86

 

CMYK 0 / 2 / 89 / 32

HEX #AEAB13

RGB 174 171 19

HSL 58.84, 0.8%, 0.38%

LAB 68.15, -14.37, 67.77

 

CMYK 89 / 0 / 74 / 32

HEX #13AE2D

RGB 19 174 45

HSL 130.06, 0.8%, 0.38%

LAB 62.17, -61.56, 52.6

 

CMYK 39 / 89 / 0 / 32

HEX #6B13AE

RGB 107 19 174

HSL 274.06, 0.8%, 0.38%

LAB 30.99, 61.11, -62.93

 

CMYK 0 / 2 / 89 / 32

HEX #AEAB13

RGB 174 171 19

HSL 58.84, 0.8%, 0.38%

LAB 68.15, -14.37, 67.77

 

CMYK 89 / 0 / 3 / 32

HEX #13AEA9

RGB 19 174 169

HSL 178.06, 0.8%, 0.38%

LAB 64.38, -36.87, -7.88

 

CMYK 3 / 89 / 0 / 32

HEX #A913AE

RGB 169 19 174

HSL 298.06, 0.8%, 0.38%

LAB 41.15, 70.73, -45.98

 

CMYK 0 / 2 / 89 / 32

HEX #AEAB13

RGB 174 171 19

HSL 58.84, 0.8%, 0.38%

LAB 68.15, -14.37, 67.77

 

CMYK 89 / 0 / 74 / 32

HEX #13AE2D

RGB 19 174 45

HSL 130.06, 0.8%, 0.38%

LAB 62.17, -61.56, 52.6

 

CMYK 89 / 86 / 0 / 32

HEX #1318AE

RGB 19 24 174

HSL 238.06, 0.8%, 0.38%

LAB 23.16, 52.45, -76.14

 

CMYK 0 / 89 / 15 / 32

HEX #AE1394

RGB 174 19 148

HSL 310.06, 0.8%, 0.38%

LAB 40.58, 67.86, -31.2

 

CMYK 0 / 2 / 89 / 32

HEX #AEAB13

RGB 174 171 19

HSL 58.84, 0.8%, 0.38%

LAB 68.15, -14.37, 67.77

 

CMYK 89 / 0 / 48 / 32

HEX #13AE5B

RGB 19 174 91

HSL 147.87, 0.8%, 0.38%

LAB 62.65, -55.68, 32.3

 

CMYK 89 / 86 / 0 / 32

HEX #1318AE

RGB 19 24 174

HSL 238.06, 0.8%, 0.38%

LAB 23.16, 52.45, -76.14

 

CMYK 0 / 89 / 41 / 32

HEX #AE1366

RGB 174 19 102

HSL 327.87, 0.8%, 0.38%

LAB 38.59, 62.51, -5.66

 

Description

Color code: RGB 174 171 19 | qconv.com Color code: RGB 174 171 19 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 171 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 171 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 89 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 89% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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