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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 160 237 it is the complementary color RGB 81 95 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 160 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 174 160 237: RGB 179 160 232, RGB 196 178 251, RGB 213 196 255, RGB 230 214 255 and RGB 247 232 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 160 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 174 160 237: RGB 174 160 237, RGB 157 142 218, RGB 140 124 199, RGB 123 106 180 and RGB 106 88 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 32 / 0 / 7

HEX #AEA0ED

RGB 174 160 237

HSL 250.91, 0.68%, 0.78%

LAB 69.65, 21.41, -36.84

 

Complementary color

CMYK 15 / 0 / 81 / 63

HEX #515F12

RGB 81 95 18

HSL 70.91, 0.68%, 0.22%

LAB 37.8, -16.55, 39.15

 

CMYK 23 / 31 / 0 / 9

HEX #B3A0E8

RGB 179 160 232

HSL 255.83, 0.61%, 0.77%

LAB 69.86, 21.7, -33.75

 

CMYK 22 / 29 / 0 / 2

HEX #C4B2FB

RGB 196 178 251

HSL 254.79, 0.9%, 0.84%

LAB 76.4, 21.13, -33.83

 

CMYK 16 / 23 / 0 / 0

HEX #D5C4FF

RGB 213 196 255

HSL 257.29, 1%, 0.88%

LAB 82.3, 17.35, -26.8

 

CMYK 10 / 16 / 0 / 0

HEX #E6D6FF

RGB 230 214 255

HSL 263.41, 1%, 0.92%

LAB 88.03, 13.06, -17.97

 

CMYK 3 / 9 / 0 / 0

HEX #F7E8FF

RGB 247 232 255

HSL 279.13, 1%, 0.95%

LAB 93.76, 9.13, -9.27

 

CMYK 27 / 32 / 0 / 7

HEX #AEA0ED

RGB 174 160 237

HSL 250.91, 0.68%, 0.78%

LAB 69.65, 21.41, -36.84

 

CMYK 28 / 35 / 0 / 15

HEX #9D8EDA

RGB 157 142 218

HSL 251.84, 0.51%, 0.71%

LAB 62.99, 22.06, -36.84

 

CMYK 30 / 38 / 0 / 22

HEX #8C7CC7

RGB 140 124 199

HSL 252.8, 0.4%, 0.63%

LAB 56.2, 22.79, -36.89

 

CMYK 32 / 41 / 0 / 29

HEX #7B6AB4

RGB 123 106 180

HSL 253.78, 0.33%, 0.56%

LAB 49.27, 23.6, -36.97

 

CMYK 34 / 45 / 0 / 37

HEX #6A58A1

RGB 106 88 161

HSL 254.79, 0.29%, 0.49%

LAB 42.18, 24.53, -37.11

 

CMYK 27 / 32 / 0 / 7

HEX #AEA0ED

RGB 174 160 237

HSL 250.91, 0.68%, 0.78%

LAB 69.65, 21.41, -36.84

 

CMYK 22 / 32 / 0 / 7

HEX #BAA0ED

RGB 186 160 237

HSL 260.26, 0.68%, 0.78%

LAB 70.66, 24.93, -35.2

 

CMYK 16 / 32 / 0 / 7

HEX #C6A0ED

RGB 198 160 237

HSL 269.61, 0.68%, 0.78%

LAB 71.73, 28.53, -33.45

 

CMYK 11 / 32 / 0 / 7

HEX #D3A0ED

RGB 211 160 237

HSL 279.74, 0.68%, 0.78%

LAB 72.96, 32.5, -31.45

 

CMYK 5 / 32 / 0 / 7

HEX #E0A0ED

RGB 224 160 237

HSL 289.87, 0.68%, 0.78%

LAB 74.26, 36.52, -29.35

 

CMYK 27 / 32 / 0 / 7

HEX #AEA0ED

RGB 174 160 237

HSL 250.91, 0.68%, 0.78%

LAB 69.65, 21.41, -36.84

 

CMYK 27 / 33 / 0 / 87

HEX #181621

RGB 24 22 33

HSL 250.91, 0.2%, 0.11%

LAB 7.93, 4.11, -7.31

 

CMYK 26 / 32 / 0 / 67

HEX #3E3954

RGB 62 57 84

HSL 251.11, 0.19%, 0.28%

LAB 25.53, 8.94, -15.53

 

CMYK 27 / 33 / 0 / 47

HEX #635B87

RGB 99 91 135

HSL 250.91, 0.19%, 0.44%

LAB 41.03, 13.5, -23.34

 

CMYK 26 / 32 / 0 / 27

HEX #897EBA

RGB 137 126 186

HSL 251, 0.3%, 0.61%

LAB 55.87, 17.42, -30.01

 

CMYK 27 / 32 / 0 / 7

HEX #AEA0ED

RGB 174 160 237

HSL 250.91, 0.68%, 0.78%

LAB 69.65, 21.41, -36.84

 

CMYK 0 / 32 / 12 / 7

HEX #EDA0D1

RGB 237 160 209

HSL 321.82, 0.68%, 0.78%

LAB 74.67, 35.73, -13.3

 

CMYK 25 / 0 / 32 / 7

HEX #B2EDA0

RGB 178 237 160

HSL 105.97, 0.68%, 0.78%

LAB 88.24, -32.69, 31.46

 

CMYK 27 / 32 / 0 / 7

HEX #AEA0ED

RGB 174 160 237

HSL 250.91, 0.68%, 0.78%

LAB 69.65, 21.41, -36.84

 

CMYK 0 / 27 / 32 / 7

HEX #EDADA0

RGB 237 173 160

HSL 10.13, 0.68%, 0.78%

LAB 76.33, 21.72, 15.92

 

CMYK 32 / 0 / 27 / 7

HEX #A0EDAD

RGB 160 237 173

HSL 130.13, 0.68%, 0.78%

LAB 87.51, -36.39, 23.67

 

CMYK 27 / 32 / 0 / 7

HEX #AEA0ED

RGB 174 160 237

HSL 250.91, 0.68%, 0.78%

LAB 69.65, 21.41, -36.84

 

CMYK 0 / 32 / 12 / 7

HEX #EDA0D1

RGB 237 160 209

HSL 321.82, 0.68%, 0.78%

LAB 74.67, 35.73, -13.3

 

CMYK 5 / 0 / 32 / 7

HEX #E0EDA0

RGB 224 237 160

HSL 70.13, 0.68%, 0.78%

LAB 91.21, -16.32, 35.93

 

CMYK 32 / 0 / 21 / 7

HEX #A0EDBC

RGB 160 237 188

HSL 141.82, 0.68%, 0.78%

LAB 87.81, -33.71, 16.33

 

CMYK 27 / 32 / 0 / 7

HEX #AEA0ED

RGB 174 160 237

HSL 250.91, 0.68%, 0.78%

LAB 69.65, 21.41, -36.84

 

CMYK 0 / 32 / 22 / 7

HEX #EDA0BA

RGB 237 160 186

HSL 339.74, 0.68%, 0.78%

LAB 73.99, 32.16, -1.67

 

CMYK 5 / 0 / 32 / 7

HEX #E0EDA0

RGB 224 237 160

HSL 70.13, 0.68%, 0.78%

LAB 91.21, -16.32, 35.93

 

CMYK 32 / 0 / 11 / 7

HEX #A0EDD3

RGB 160 237 211

HSL 159.74, 0.68%, 0.78%

LAB 88.33, -29.17, 5.08

 

Description

Color code: RGB 174 160 237 | qconv.com Color code: RGB 174 160 237 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 160 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 160 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 32 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 32% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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