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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 158 136 it is the complementary color RGB 81 97 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 158 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 174 158 136: RGB 179 158 131, RGB 196 176 150, RGB 213 194 169, RGB 230 212 188 and RGB 247 230 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 158 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 174 158 136: RGB 174 158 136, RGB 157 140 117, RGB 140 122 98, RGB 123 104 79 and RGB 106 86 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 22 / 32

HEX #AE9E88

RGB 174 158 136

HSL 34.74, 0.19%, 0.61%

LAB 65.93, 2.24, 13.63

 

Complementary color

CMYK 32 / 18 / 0 / 53

HEX #516177

RGB 81 97 119

HSL 214.74, 0.19%, 0.39%

LAB 40.62, -0.42, -14.37

 

CMYK 0 / 12 / 27 / 30

HEX #B39E83

RGB 179 158 131

HSL 33.75, 0.24%, 0.61%

LAB 66.27, 3.47, 16.95

 

CMYK 0 / 10 / 23 / 23

HEX #C4B096

RGB 196 176 150

HSL 33.91, 0.28%, 0.68%

LAB 72.88, 3.07, 15.95

 

CMYK 0 / 9 / 21 / 16

HEX #D5C2A9

RGB 213 194 169

HSL 34.09, 0.34%, 0.75%

LAB 79.38, 2.71, 15.01

 

CMYK 0 / 8 / 18 / 10

HEX #E6D4BC

RGB 230 212 188

HSL 34.29, 0.46%, 0.82%

LAB 85.78, 2.4, 14.12

 

CMYK 0 / 7 / 16 / 3

HEX #F7E6CF

RGB 247 230 207

HSL 34.5, 0.71%, 0.89%

LAB 92.08, 2.11, 13.28

 

CMYK 0 / 9 / 22 / 32

HEX #AE9E88

RGB 174 158 136

HSL 34.74, 0.19%, 0.61%

LAB 65.93, 2.24, 13.63

 

CMYK 0 / 11 / 25 / 38

HEX #9D8C75

RGB 157 140 117

HSL 34.5, 0.17%, 0.54%

LAB 59.17, 2.62, 14.63

 

CMYK 0 / 13 / 30 / 45

HEX #8C7A62

RGB 140 122 98

HSL 34.29, 0.18%, 0.47%

LAB 52.26, 3.07, 15.71

 

CMYK 0 / 15 / 36 / 52

HEX #7B684F

RGB 123 104 79

HSL 34.09, 0.22%, 0.4%

LAB 45.19, 3.61, 16.9

 

CMYK 0 / 19 / 43 / 58

HEX #6A563C

RGB 106 86 60

HSL 33.91, 0.28%, 0.33%

LAB 37.92, 4.29, 18.23

 

CMYK 0 / 9 / 22 / 32

HEX #AE9E88

RGB 174 158 136

HSL 34.74, 0.19%, 0.61%

LAB 65.93, 2.24, 13.63

 

CMYK 0 / 6 / 22 / 32

HEX #AEA488

RGB 174 164 136

HSL 44.21, 0.19%, 0.61%

LAB 67.52, -1.03, 15.85

 

CMYK 0 / 2 / 22 / 32

HEX #AEAA88

RGB 174 170 136

HSL 53.68, 0.19%, 0.61%

LAB 69.13, -4.26, 18.08

 

CMYK 2 / 0 / 22 / 32

HEX #ABAE88

RGB 171 174 136

HSL 64.74, 0.19%, 0.61%

LAB 69.97, -7.55, 19.2

 

CMYK 5 / 0 / 22 / 32

HEX #A5AE88

RGB 165 174 136

HSL 74.21, 0.19%, 0.61%

LAB 69.5, -9.84, 18.49

 

CMYK 0 / 9 / 22 / 32

HEX #AE9E88

RGB 174 158 136

HSL 34.74, 0.19%, 0.61%

LAB 65.93, 2.24, 13.63

 

CMYK 0 / 9 / 22 / 12

HEX #E1CCB0

RGB 225 204 176

HSL 34.29, 0.45%, 0.79%

LAB 83.09, 2.96, 16.63

 

CMYK 0 / 10 / 24 / 92

HEX #151310

RGB 21 19 16

HSL 36, 0.14%, 0.07%

LAB 5.99, 0.24, 1.96

 

CMYK 0 / 10 / 22 / 72

HEX #484138

RGB 72 65 56

HSL 33.75, 0.13%, 0.25%

LAB 27.96, 1.24, 6.58

 

CMYK 0 / 9 / 22 / 52

HEX #7B7060

RGB 123 112 96

HSL 35.56, 0.12%, 0.43%

LAB 47.81, 1.47, 10.45

 

CMYK 0 / 9 / 22 / 32

HEX #AE9E88

RGB 174 158 136

HSL 34.74, 0.19%, 0.61%

LAB 65.93, 2.24, 13.63

 

CMYK 17 / 0 / 22 / 32

HEX #91AE88

RGB 145 174 136

HSL 105.79, 0.19%, 0.61%

LAB 68.07, -17.26, 16.28

 

CMYK 18 / 22 / 0 / 32

HEX #8E88AE

RGB 142 136 174

HSL 249.47, 0.19%, 0.61%

LAB 58.43, 10.28, -19.19

 

CMYK 0 / 9 / 22 / 32

HEX #AE9E88

RGB 174 158 136

HSL 34.74, 0.19%, 0.61%

LAB 65.93, 2.24, 13.63

 

CMYK 22 / 0 / 9 / 32

HEX #88AE9E

RGB 136 174 158

HSL 154.74, 0.19%, 0.61%

LAB 68, -16.21, 4

 

CMYK 9 / 22 / 0 / 32

HEX #9E88AE

RGB 158 136 174

HSL 274.74, 0.19%, 0.61%

LAB 59.83, 15.63, -16.93

 

CMYK 0 / 9 / 22 / 32

HEX #AE9E88

RGB 174 158 136

HSL 34.74, 0.19%, 0.61%

LAB 65.93, 2.24, 13.63

 

CMYK 17 / 0 / 22 / 32

HEX #91AE88

RGB 145 174 136

HSL 105.79, 0.19%, 0.61%

LAB 68.07, -17.26, 16.28

 

CMYK 22 / 12 / 0 / 32

HEX #8899AE

RGB 136 153 174

HSL 213.16, 0.19%, 0.61%

LAB 62.57, -1.34, -12.96

 

CMYK 5 / 22 / 0 / 32

HEX #A588AE

RGB 165 136 174

HSL 285.79, 0.19%, 0.61%

LAB 60.48, 18.02, -15.87

 

CMYK 0 / 9 / 22 / 32

HEX #AE9E88

RGB 174 158 136

HSL 34.74, 0.19%, 0.61%

LAB 65.93, 2.24, 13.63

 

CMYK 22 / 0 / 20 / 32

HEX #88AE8B

RGB 136 174 139

HSL 124.74, 0.19%, 0.61%

LAB 67.55, -19.9, 13.83

 

CMYK 22 / 12 / 0 / 32

HEX #8899AE

RGB 136 153 174

HSL 213.16, 0.19%, 0.61%

LAB 62.57, -1.34, -12.96

 

CMYK 0 / 22 / 2 / 32

HEX #AE88AB

RGB 174 136 171

HSL 304.74, 0.19%, 0.61%

LAB 61.26, 20.55, -12.91

 

Description

Color code: RGB 174 158 136 | qconv.com Color code: RGB 174 158 136 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 158 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 158 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 22 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 22% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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