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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 231 233 it is the complementary color RGB 82 24 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 231 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 231 233: RGB 178 231 228, RGB 195 249 247, RGB 212 255 255, RGB 229 255 255 and RGB 246 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 231 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 231 233: RGB 173 231 233, RGB 156 213 214, RGB 139 195 195, RGB 122 177 176 and RGB 105 159 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 1 / 0 / 9

HEX #ADE7E9

RGB 173 231 233

HSL 182, 0.58%, 0.8%

LAB 87.93, -17.83, -6.95

 

Complementary color

CMYK 0 / 71 / 73 / 68

HEX #521816

RGB 82 24 22

HSL 2, 0.58%, 0.2%

LAB 17.94, 26.91, 16.16

 

CMYK 23 / 0 / 1 / 9

HEX #B2E7E4

RGB 178 231 228

HSL 176.6, 0.52%, 0.8%

LAB 88.07, -17.45, -4.08

 

CMYK 22 / 0 / 1 / 2

HEX #C3F9F7

RGB 195 249 247

HSL 177.78, 0.82%, 0.87%

LAB 94.34, -17.36, -4.65

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 26 / 1 / 0 / 9

HEX #ADE7E9

RGB 173 231 233

HSL 182, 0.58%, 0.8%

LAB 87.93, -17.83, -6.95

 

CMYK 27 / 0 / 0 / 16

HEX #9CD5D6

RGB 156 213 214

HSL 181.03, 0.41%, 0.73%

LAB 81.57, -17.91, -6.41

 

CMYK 29 / 0 / 0 / 24

HEX #8BC3C3

RGB 139 195 195

HSL 180, 0.32%, 0.65%

LAB 75.11, -18, -5.84

 

CMYK 31 / 0 / 1 / 31

HEX #7AB1B0

RGB 122 177 176

HSL 178.91, 0.26%, 0.59%

LAB 68.55, -18.1, -5.26

 

CMYK 34 / 0 / 1 / 38

HEX #699F9D

RGB 105 159 157

HSL 177.78, 0.22%, 0.52%

LAB 61.86, -18.2, -4.64

 

CMYK 26 / 1 / 0 / 9

HEX #ADE7E9

RGB 173 231 233

HSL 182, 0.58%, 0.8%

LAB 87.93, -17.83, -6.95

 

CMYK 25 / 5 / 0 / 9

HEX #AEDDE9

RGB 174 221 233

HSL 192.2, 0.57%, 0.8%

LAB 85.3, -12.49, -10.85

 

CMYK 25 / 9 / 0 / 9

HEX #AED3E9

RGB 174 211 233

HSL 202.37, 0.57%, 0.8%

LAB 82.63, -7.32, -14.84

 

CMYK 25 / 13 / 0 / 9

HEX #AECAE9

RGB 174 202 233

HSL 211.53, 0.57%, 0.8%

LAB 80.25, -2.59, -18.43

 

CMYK 25 / 18 / 0 / 9

HEX #AEC0E9

RGB 174 192 233

HSL 221.69, 0.57%, 0.8%

LAB 77.63, 2.77, -22.4

 

CMYK 26 / 1 / 0 / 9

HEX #ADE7E9

RGB 173 231 233

HSL 182, 0.58%, 0.8%

LAB 87.93, -17.83, -6.95

 

CMYK 24 / 0 / 0 / 89

HEX #161D1D

RGB 22 29 29

HSL 180, 0.14%, 0.1%

LAB 10.09, -3.2, -1.07

 

CMYK 26 / 1 / 0 / 69

HEX #3B4F50

RGB 59 79 80

HSL 182.86, 0.15%, 0.27%

LAB 32.04, -7.44, -3.13

 

CMYK 26 / 1 / 0 / 49

HEX #618283

RGB 97 130 131

HSL 181.76, 0.15%, 0.45%

LAB 52, -11.34, -4.34

 

CMYK 26 / 1 / 0 / 29

HEX #87B4B6

RGB 135 180 182

HSL 182.55, 0.24%, 0.62%

LAB 70.3, -14.41, -5.9

 

CMYK 26 / 1 / 0 / 9

HEX #ADE7E9

RGB 173 231 233

HSL 182, 0.58%, 0.8%

LAB 87.93, -17.83, -6.95

 

CMYK 19 / 25 / 0 / 9

HEX #BCAEE9

RGB 188 174 233

HSL 254.24, 0.57%, 0.8%

LAB 74.09, 16.86, -27.71

 

CMYK 0 / 9 / 25 / 9

HEX #E9D3AE

RGB 233 211 174

HSL 37.63, 0.57%, 0.8%

LAB 85.49, 2.02, 21.12

 

CMYK 26 / 1 / 0 / 9

HEX #ADE7E9

RGB 173 231 233

HSL 182, 0.58%, 0.8%

LAB 87.93, -17.83, -6.95

 

CMYK 0 / 25 / 1 / 9

HEX #E9AEE7

RGB 233 174 231

HSL 302.03, 0.57%, 0.8%

LAB 78.09, 30.77, -20.16

 

CMYK 1 / 0 / 25 / 9

HEX #E7E9AE

RGB 231 233 174

HSL 62.03, 0.57%, 0.8%

LAB 90.93, -9.93, 28.54

 

CMYK 26 / 1 / 0 / 9

HEX #ADE7E9

RGB 173 231 233

HSL 182, 0.58%, 0.8%

LAB 87.93, -17.83, -6.95

 

CMYK 19 / 25 / 0 / 9

HEX #BCAEE9

RGB 188 174 233

HSL 254.24, 0.57%, 0.8%

LAB 74.09, 16.86, -27.71

 

CMYK 0 / 24 / 25 / 9

HEX #E9B0AE

RGB 233 176 174

HSL 2.03, 0.57%, 0.8%

LAB 76.94, 20.48, 9.11

 

CMYK 6 / 0 / 25 / 9

HEX #DBE9AE

RGB 219 233 174

HSL 74.24, 0.57%, 0.8%

LAB 90.04, -14.33, 27.19

 

CMYK 26 / 1 / 0 / 9

HEX #ADE7E9

RGB 173 231 233

HSL 182, 0.58%, 0.8%

LAB 87.93, -17.83, -6.95

 

CMYK 12 / 25 / 0 / 9

HEX #CDAEE9

RGB 205 174 233

HSL 271.53, 0.57%, 0.8%

LAB 75.53, 22.16, -25.37

 

CMYK 0 / 24 / 25 / 9

HEX #E9B0AE

RGB 233 176 174

HSL 2.03, 0.57%, 0.8%

LAB 76.94, 20.48, 9.11

 

CMYK 13 / 0 / 25 / 9

HEX #CAE9AE

RGB 202 233 174

HSL 91.53, 0.57%, 0.8%

LAB 88.87, -20.42, 25.4

 

Description

Color code: RGB 173 231 233 | qconv.com Color code: RGB 173 231 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 231 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 231 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 1 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 1% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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