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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 182.2 198.6 it is the complementary color RGB 82 72.8 56.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 182.2 198.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 182.2 198.6 shade: RGB 178 182.2 193.6, RGB 195 200.2 212.6, RGB 212 218.2 231.6, RGB 229 236.2 250.6 and RGB 246 254.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 182.2 198.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 182.2 198.6 shade: RGB 173 182.2 198.6, RGB 156 164.2 179.6, RGB 139 146.2 160.6, RGB 122 128.2 141.6 and RGB 105 110.2 122.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 182.2 198.6 shade: RGB 174 183 199, RGB 174 176 199, RGB 178 174 199, RGB 185 174 199 and RGB 192 174 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 182.2 198.6 shade: RGB 174 183 199, RGB 174 176 199 and RGB 174 174 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 182.2 198.6 shade matches the following richer shades: RGB 174 183 199, RGB 163 180 210, RGB 151 176 221, RGB 140 173 232 and RGB 129 170 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 182.2 198.6 shade: RGB 174 183 199, RGB 185 186 187, RGB 196 189 176, RGB 207 192 165 and RGB 218 195 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 182.2 198.6 shade: RGB 174 196 199, RGB 174 189 199, RGB 174 183 199, RGB 174 176 199 and RGB 178 174 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 182.2 198.6 shade: RGB 125 139 165, RGB 149 161 182, RGB 174 183 199, RGB 198 204 215 and RGB 222 226 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 182.2 198.6 shade: RGB 173 182.2 198.6, RGB 194 174 199 and RGB 193 199 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 182.2 198.6 shade: RGB 173 182.2 198.6, RGB 199 174 183 and RGB 183 199 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 182.2 198.6 shade: RGB 173 182.2 198.6, RGB 194 174 199, RGB 199 189 174 and RGB 178 199 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 182.2 198.6 shade: RGB 173 182.2 198.6, RGB 199 174 195, RGB 199 189 174 and RGB 174 199 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 8 / 0 / 22

HEX #ADB6C6

RGB 173 182.2 198.6

HSL 218.44, 0.18%, 0.73%

LAB 73.89, 0.12, -9.39

 

Complementary color

CMYK 0 / 11 / 31 / 68

HEX #524838

RGB 82 72.8 56.4

HSL 38.44, 0.18%, 0.27%

LAB 31.4, 0.93, 11.25

 

CMYK 8 / 6 / 0 / 24

HEX #B2B6C1

RGB 178 182.2 193.6

HSL 223.85, 0.11%, 0.73%

LAB 74.11, 0.76, -6.28

 

CMYK 8 / 6 / 0 / 17

HEX #C3C8D4

RGB 195 200.2 212.6

HSL 222.27, 0.17%, 0.8%

LAB 80.62, 0.61, -6.79

 

CMYK 8 / 6 / 0 / 9

HEX #D4DAE7

RGB 212 218.2 231.6

HSL 221.02, 0.3%, 0.87%

LAB 87.02, 0.46, -7.29

 

CMYK 9 / 6 / 0 / 2

HEX #E5ECFA

RGB 229 236.2 250.6

HSL 220, 0.71%, 0.94%

LAB 93.32, 0.31, -7.78

 

CMYK 4 / 0 / 0 / 0

HEX #F6FEFF

RGB 246 254.2 255

HSL 185.33, 1%, 0.98%

LAB 99.15, -2.53, -1.33

 

CMYK 13 / 8 / 0 / 22

HEX #ADB6C6

RGB 173 182.2 198.6

HSL 218.44, 0.18%, 0.73%

LAB 73.89, 0.12, -9.39

 

CMYK 13 / 9 / 0 / 30

HEX #9CA4B3

RGB 156 164.2 179.6

HSL 219.15, 0.14%, 0.66%

LAB 67.25, 0.27, -8.93

 

CMYK 13 / 9 / 0 / 37

HEX #8B92A0

RGB 139 146.2 160.6

HSL 220, 0.1%, 0.59%

LAB 60.49, 0.43, -8.47

 

CMYK 14 / 9 / 0 / 44

HEX #7A808D

RGB 122 128.2 141.6

HSL 221.02, 0.08%, 0.52%

LAB 53.57, 0.6, -8.01

 

CMYK 14 / 10 / 0 / 52

HEX #696E7A

RGB 105 110.2 122.6

HSL 222.27, 0.08%, 0.45%

LAB 46.47, 0.78, -7.54

 

CMYK 13 / 8 / 0 / 22

HEX #AEB7C7

RGB 174 183 199

HSL 218.4, 0.18%, 0.73%

LAB 74.18, 0.1, -9.16

 

CMYK 13 / 12 / 0 / 22

HEX #AEB0C7

RGB 174 176 199

HSL 235.2, 0.18%, 0.73%

LAB 72.34, 3.9, -11.9

 

CMYK 11 / 13 / 0 / 22

HEX #B2AEC7

RGB 178 174 199

HSL 249.6, 0.18%, 0.73%

LAB 72.14, 6.32, -12.18

 

CMYK 7 / 13 / 0 / 22

HEX #B9AEC7

RGB 185 174 199

HSL 266.4, 0.18%, 0.73%

LAB 72.7, 8.67, -11.28

 

CMYK 4 / 13 / 0 / 22

HEX #C0AEC7

RGB 192 174 199

HSL 283.2, 0.18%, 0.73%

LAB 73.29, 11.04, -10.34

 

CMYK 13 / 8 / 0 / 22

HEX #AEB7C7

RGB 174 183 199

HSL 218.4, 0.18%, 0.73%

LAB 74.18, 0.1, -9.16

 

CMYK 13 / 12 / 0 / 22

HEX #AEB0C7

RGB 174 176 199

HSL 235.2, 0.18%, 0.73%

LAB 72.34, 3.9, -11.9

 

CMYK 13 / 13 / 0 / 22

HEX #AEAEC7

RGB 174 174 199

HSL 240, 0.18%, 0.73%

LAB 71.82, 5, -12.69

 

CMYK 13 / 8 / 0 / 22

HEX #AEB7C7

RGB 174 183 199

HSL 218.4, 0.18%, 0.73%

LAB 74.18, 0.1, -9.16

 

CMYK 22 / 14 / 0 / 18

HEX #A3B4D2

RGB 163 180 210

HSL 218.3, 0.34%, 0.73%

LAB 72.95, 0.62, -17.1

 

CMYK 32 / 20 / 0 / 13

HEX #97B0DD

RGB 151 176 221

HSL 218.57, 0.51%, 0.73%

LAB 71.45, 1.88, -25.45

 

CMYK 40 / 25 / 0 / 9

HEX #8CADE8

RGB 140 173 232

HSL 218.48, 0.67%, 0.73%

LAB 70.38, 3.39, -33.17

 

CMYK 47 / 30 / 0 / 5

HEX #81AAF3

RGB 129 170 243

HSL 218.42, 0.83%, 0.73%

LAB 69.39, 5.4, -40.76

 

CMYK 13 / 8 / 0 / 22

HEX #AEB7C7

RGB 174 183 199

HSL 218.4, 0.18%, 0.73%

LAB 74.18, 0.1, -9.16

 

CMYK 1 / 1 / 0 / 27

HEX #B9BABB

RGB 185 186 187

HSL 210, 0.01%, 0.73%

LAB 75.46, -0.16, -0.64

 

CMYK 0 / 4 / 10 / 23

HEX #C4BDB0

RGB 196 189 176

HSL 39, 0.14%, 0.73%

LAB 76.84, 0.2, 7.43

 

CMYK 0 / 7 / 20 / 19

HEX #CFC0A5

RGB 207 192 165

HSL 38.57, 0.3%, 0.73%

LAB 78.28, 0.93, 15.52

 

CMYK 0 / 11 / 29 / 15

HEX #DAC39A

RGB 218 195 154

HSL 38.44, 0.46%, 0.73%

LAB 79.77, 2, 23.6

 

CMYK 13 / 2 / 0 / 22

HEX #AEC4C7

RGB 174 196 199

HSL 187.2, 0.18%, 0.73%

LAB 77.64, -6.82, -4.04

 

CMYK 13 / 5 / 0 / 22

HEX #AEBDC7

RGB 174 189 199

HSL 204, 0.18%, 0.73%

LAB 75.77, -3.11, -6.8

 

CMYK 13 / 8 / 0 / 22

HEX #AEB7C7

RGB 174 183 199

HSL 218.4, 0.18%, 0.73%

LAB 74.18, 0.1, -9.16

 

CMYK 13 / 12 / 0 / 22

HEX #AEB0C7

RGB 174 176 199

HSL 235.2, 0.18%, 0.73%

LAB 72.34, 3.9, -11.9

 

CMYK 11 / 13 / 0 / 22

HEX #B2AEC7

RGB 178 174 199

HSL 249.6, 0.18%, 0.73%

LAB 72.14, 6.32, -12.18

 

CMYK 24 / 16 / 0 / 35

HEX #7D8BA5

RGB 125 139 165

HSL 219, 0.18%, 0.57%

LAB 57.6, 0.89, -15.43

 

CMYK 18 / 12 / 0 / 29

HEX #95A1B6

RGB 149 161 182

HSL 218.18, 0.18%, 0.65%

LAB 65.95, 0.25, -12.28

 

CMYK 13 / 8 / 0 / 22

HEX #AEB7C7

RGB 174 183 199

HSL 218.4, 0.18%, 0.73%

LAB 74.18, 0.1, -9.16

 

CMYK 8 / 5 / 0 / 16

HEX #C6CCD7

RGB 198 204 215

HSL 218.82, 0.18%, 0.81%

LAB 81.89, 0.06, -6.17

 

CMYK 4 / 3 / 0 / 9

HEX #DEE2E8

RGB 222 226 232

HSL 216, 0.18%, 0.89%

LAB 89.74, -0.23, -3.4

 

CMYK 13 / 8 / 0 / 22

HEX #ADB6C6

RGB 173 182.2 198.6

HSL 218.44, 0.18%, 0.73%

LAB 73.89, 0.12, -9.39

 

CMYK 3 / 13 / 0 / 22

HEX #C2AEC7

RGB 194 174 199

HSL 288, 0.18%, 0.73%

LAB 73.46, 11.73, -10.07

 

CMYK 3 / 0 / 13 / 22

HEX #C1C7AE

RGB 193 199 174

HSL 74.4, 0.18%, 0.73%

LAB 79.18, -6.48, 11.82

 

CMYK 13 / 8 / 0 / 22

HEX #ADB6C6

RGB 173 182.2 198.6

HSL 218.44, 0.18%, 0.73%

LAB 73.89, 0.12, -9.39

 

CMYK 0 / 13 / 8 / 22

HEX #C7AEB7

RGB 199 174 183

HSL 338.4, 0.18%, 0.73%

LAB 73.44, 10.54, -1.28

 

CMYK 8 / 0 / 13 / 22

HEX #B7C7AE

RGB 183 199 174

HSL 98.4, 0.18%, 0.73%

LAB 78.44, -10.05, 10.67

 

CMYK 13 / 8 / 0 / 22

HEX #ADB6C6

RGB 173 182.2 198.6

HSL 218.44, 0.18%, 0.73%

LAB 73.89, 0.12, -9.39

 

CMYK 3 / 13 / 0 / 22

HEX #C2AEC7

RGB 194 174 199

HSL 288, 0.18%, 0.73%

LAB 73.46, 11.73, -10.07

 

CMYK 0 / 5 / 13 / 22

HEX #C7BDAE

RGB 199 189 174

HSL 36, 0.18%, 0.73%

LAB 77.04, 0.96, 8.83

 

CMYK 11 / 0 / 13 / 22

HEX #B2C7AE

RGB 178 199 174

HSL 110.4, 0.18%, 0.73%

LAB 78.09, -11.8, 10.12

 

CMYK 13 / 8 / 0 / 22

HEX #ADB6C6

RGB 173 182.2 198.6

HSL 218.44, 0.18%, 0.73%

LAB 73.89, 0.12, -9.39

 

CMYK 0 / 13 / 2 / 22

HEX #C7AEC3

RGB 199 174 195

HSL 309.6, 0.18%, 0.73%

LAB 73.77, 12.7, -7.36

 

CMYK 0 / 5 / 13 / 22

HEX #C7BDAE

RGB 199 189 174

HSL 36, 0.18%, 0.73%

LAB 77.04, 0.96, 8.83

 

CMYK 13 / 0 / 11 / 22

HEX #AEC7B1

RGB 174 199 177

HSL 127.2, 0.18%, 0.73%

LAB 77.89, -12.65, 8.18

 

Description

Color code: RGB 173 182.2 198.6 | qconv.com Color code: RGB 173 182.2 198.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 182.2 green and 198.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 182.2 198.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 8 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 8% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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