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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 111 198 it is the complementary color RGB 82 144 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 111 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 111 198 shade: RGB 178 111 193, RGB 195 129 212, RGB 212 147 231, RGB 229 165 250 and RGB 246 183 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 111 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 111 198 shade: RGB 173 111 198, RGB 156 93 179, RGB 139 75 160, RGB 122 57 141 and RGB 105 39 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 111 198 shade: RGB 173 112 198, RGB 196 112 198, RGB 198 112 176, RGB 198 112 153 and RGB 198 112 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 111 198 shade: RGB 173 112 198, RGB 150 112 198, RGB 127 112 198 and RGB 112 112 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 111 198 shade matches the following richer shades: RGB 173 112 198, RGB 180 96 214, RGB 187 80 230 and RGB 194 64 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 111 198 shade: RGB 173 112 198, RGB 166 128 182, RGB 160 144 166, RGB 153 161 150 and RGB 146 177 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 111 198 shade: RGB 127 112 198, RGB 149 112 198, RGB 172 112 198, RGB 195 112 198 and RGB 198 112 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 111 198 shade: RGB 135 65 163, RGB 156 83 186, RGB 173 112 198, RGB 190 142 210 and RGB 207 171 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 111 198 shade: RGB 173 111 198, RGB 198 112 121 and RGB 112 198 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 111 198 shade: RGB 173 111 198, RGB 198 172 112 and RGB 112 198 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 111 198 shade: RGB 173 111 198, RGB 198 112 121, RGB 138 198 112 and RGB 112 198 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 111 198 shade: RGB 173 111 198, RGB 198 129 112, RGB 138 198 112 and RGB 112 181 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 44 / 0 / 22

HEX #AD6FC6

RGB 173 111 198

HSL 282.76, 0.43%, 0.61%

LAB 56.42, 39.67, -35.74

 

Complementary color

CMYK 43 / 0 / 60 / 44

HEX #529039

RGB 82 144 57

HSL 102.76, 0.43%, 0.39%

LAB 54.06, -36.75, 39.27

 

CMYK 8 / 42 / 0 / 24

HEX #B26FC1

RGB 178 111 193

HSL 289.02, 0.4%, 0.6%

LAB 56.77, 40.14, -32.3

 

CMYK 8 / 39 / 0 / 17

HEX #C381D4

RGB 195 129 212

HSL 287.71, 0.49%, 0.67%

LAB 63.39, 39.37, -32.6

 

CMYK 8 / 36 / 0 / 9

HEX #D493E7

RGB 212 147 231

HSL 286.43, 0.64%, 0.74%

LAB 69.92, 38.62, -32.86

 

CMYK 8 / 34 / 0 / 2

HEX #E5A5FA

RGB 229 165 250

HSL 285.18, 0.89%, 0.81%

LAB 76.36, 37.91, -33.11

 

CMYK 4 / 28 / 0 / 0

HEX #F6B7FF

RGB 246 183 255

HSL 292.5, 1%, 0.86%

LAB 82.21, 34.57, -26.67

 

CMYK 13 / 44 / 0 / 22

HEX #AD6FC6

RGB 173 111 198

HSL 282.76, 0.43%, 0.61%

LAB 56.42, 39.67, -35.74

 

CMYK 13 / 48 / 0 / 30

HEX #9C5DB3

RGB 156 93 179

HSL 283.95, 0.36%, 0.53%

LAB 49.68, 40.48, -35.51

 

CMYK 13 / 53 / 0 / 37

HEX #8B4BA0

RGB 139 75 160

HSL 285.18, 0.36%, 0.46%

LAB 42.85, 41.27, -35.21

 

CMYK 13 / 60 / 0 / 45

HEX #7A398D

RGB 122 57 141

HSL 286.43, 0.42%, 0.39%

LAB 35.96, 41.95, -34.78

 

CMYK 14 / 68 / 0 / 52

HEX #69277A

RGB 105 39 122

HSL 287.71, 0.52%, 0.32%

LAB 29.06, 42.34, -34.11

 

CMYK 13 / 43 / 0 / 22

HEX #AD70C6

RGB 173 112 198

HSL 282.56, 0.43%, 0.61%

LAB 56.63, 39.13, -35.4

 

CMYK 1 / 43 / 0 / 22

HEX #C470C6

RGB 196 112 198

HSL 298.6, 0.43%, 0.61%

LAB 59.34, 46, -30.98

 

CMYK 0 / 43 / 11 / 22

HEX #C670B0

RGB 198 112 176

HSL 315.35, 0.43%, 0.61%

LAB 58.72, 42.74, -19.35

 

CMYK 0 / 43 / 23 / 22

HEX #C67099

RGB 198 112 153

HSL 331.4, 0.43%, 0.61%

LAB 57.94, 39.12, -7.27

 

CMYK 0 / 43 / 34 / 22

HEX #C67082

RGB 198 112 130

HSL 347.44, 0.43%, 0.61%

LAB 57.28, 35.98, 5.12

 

CMYK 13 / 43 / 0 / 22

HEX #AD70C6

RGB 173 112 198

HSL 282.56, 0.43%, 0.61%

LAB 56.63, 39.13, -35.4

 

CMYK 24 / 43 / 0 / 22

HEX #9670C6

RGB 150 112 198

HSL 266.51, 0.43%, 0.61%

LAB 54.19, 32.39, -39.42

 

CMYK 36 / 43 / 0 / 22

HEX #7F70C6

RGB 127 112 198

HSL 250.47, 0.43%, 0.61%

LAB 52.04, 25.98, -42.95

 

CMYK 43 / 43 / 0 / 22

HEX #7070C6

RGB 112 112 198

HSL 240, 0.43%, 0.61%

LAB 50.82, 22.08, -44.96

 

CMYK 13 / 43 / 0 / 22

HEX #AD70C6

RGB 173 112 198

HSL 282.56, 0.43%, 0.61%

LAB 56.63, 39.13, -35.4

 

CMYK 16 / 55 / 0 / 16

HEX #B460D6

RGB 180 96 214

HSL 282.71, 0.59%, 0.61%

LAB 54.99, 52.86, -47.02

 

CMYK 19 / 65 / 0 / 10

HEX #BB50E6

RGB 187 80 230

HSL 282.8, 0.75%, 0.61%

LAB 54.04, 65.28, -57.52

 

CMYK 21 / 74 / 0 / 4

HEX #C240F6

RGB 194 64 246

HSL 282.86, 0.91%, 0.61%

LAB 53.8, 76.04, -66.82

 

CMYK 13 / 43 / 0 / 22

HEX #AD70C6

RGB 173 112 198

HSL 282.56, 0.43%, 0.61%

LAB 56.63, 39.13, -35.4

 

CMYK 9 / 30 / 0 / 29

HEX #A680B6

RGB 166 128 182

HSL 282.22, 0.27%, 0.61%

LAB 58.9, 24.57, -22.83

 

CMYK 4 / 13 / 0 / 35

HEX #A090A6

RGB 160 144 166

HSL 283.64, 0.11%, 0.61%

LAB 61.8, 10.12, -9.39

 

CMYK 5 / 0 / 7 / 37

HEX #99A196

RGB 153 161 150

HSL 103.64, 0.06%, 0.61%

LAB 65.33, -4.96, 4.73

 

CMYK 18 / 0 / 25 / 31

HEX #92B185

RGB 146 177 133

HSL 102.27, 0.22%, 0.61%

LAB 68.93, -18.94, 19.11

 

CMYK 36 / 43 / 0 / 22

HEX #7F70C6

RGB 127 112 198

HSL 250.47, 0.43%, 0.61%

LAB 52.04, 25.98, -42.95

 

CMYK 25 / 43 / 0 / 22

HEX #9570C6

RGB 149 112 198

HSL 265.81, 0.43%, 0.61%

LAB 54.09, 32.1, -39.58

 

CMYK 13 / 43 / 0 / 22

HEX #AC70C6

RGB 172 112 198

HSL 281.86, 0.43%, 0.61%

LAB 56.52, 38.83, -35.59

 

CMYK 2 / 43 / 0 / 22

HEX #C370C6

RGB 195 112 198

HSL 297.91, 0.43%, 0.61%

LAB 59.22, 45.7, -31.18

 

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

CMYK 17 / 60 / 0 / 36

HEX #8741A3

RGB 135 65 163

HSL 282.86, 0.43%, 0.45%

LAB 40.53, 46.05, -40.71

 

CMYK 16 / 55 / 0 / 27

HEX #9C53BA

RGB 156 83 186

HSL 282.52, 0.43%, 0.53%

LAB 48.01, 47.29, -42.22

 

CMYK 13 / 43 / 0 / 22

HEX #AD70C6

RGB 173 112 198

HSL 282.56, 0.43%, 0.61%

LAB 56.63, 39.13, -35.4

 

CMYK 10 / 32 / 0 / 18

HEX #BE8ED2

RGB 190 142 210

HSL 282.35, 0.43%, 0.69%

LAB 65.71, 30.28, -27.94

 

CMYK 6 / 23 / 0 / 13

HEX #CFABDD

RGB 207 171 221

HSL 283.2, 0.42%, 0.77%

LAB 74.58, 22.01, -20.29

 

CMYK 13 / 44 / 0 / 22

HEX #AD6FC6

RGB 173 111 198

HSL 282.76, 0.43%, 0.61%

LAB 56.42, 39.67, -35.74

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 43 / 0 / 30 / 22

HEX #70C68A

RGB 112 198 138

HSL 138.14, 0.43%, 0.61%

LAB 73.33, -39.16, 22.16

 

CMYK 13 / 44 / 0 / 22

HEX #AD6FC6

RGB 173 111 198

HSL 282.76, 0.43%, 0.61%

LAB 56.42, 39.67, -35.74

 

CMYK 0 / 13 / 43 / 22

HEX #C6AC70

RGB 198 172 112

HSL 41.86, 0.43%, 0.61%

LAB 71.34, 1.23, 34.28

 

CMYK 43 / 0 / 13 / 22

HEX #70C6AC

RGB 112 198 172

HSL 161.86, 0.43%, 0.61%

LAB 74.07, -32.17, 4.94

 

CMYK 13 / 44 / 0 / 22

HEX #AD6FC6

RGB 173 111 198

HSL 282.76, 0.43%, 0.61%

LAB 56.42, 39.67, -35.74

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 30 / 0 / 43 / 22

HEX #8AC670

RGB 138 198 112

HSL 101.86, 0.43%, 0.61%

LAB 74.17, -35.1, 37

 

CMYK 43 / 0 / 5 / 22

HEX #70C6BD

RGB 112 198 189

HSL 173.72, 0.43%, 0.61%

LAB 74.51, -28.17, -3.62

 

CMYK 13 / 44 / 0 / 22

HEX #AD6FC6

RGB 173 111 198

HSL 282.76, 0.43%, 0.61%

LAB 56.42, 39.67, -35.74

 

CMYK 0 / 35 / 43 / 22

HEX #C68170

RGB 198 129 112

HSL 11.86, 0.43%, 0.61%

LAB 60.67, 24.67, 20.22

 

CMYK 30 / 0 / 43 / 22

HEX #8AC670

RGB 138 198 112

HSL 101.86, 0.43%, 0.61%

LAB 74.17, -35.1, 37

 

CMYK 43 / 9 / 0 / 22

HEX #70B5C6

RGB 112 181 198

HSL 191.86, 0.43%, 0.61%

LAB 69.87, -17.31, -15.45

 

Description

Color code: RGB 173 111 198 | qconv.com Color code: RGB 173 111 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 111 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 111 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 44 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 44% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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