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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173.7 110.6 19 it is the complementary color RGB 81.3 144.4 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173.7 110.6 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173.7 110.6 19 shade: RGB 178.7 110.6 14, RGB 195.7 128.6 33, RGB 212.7 146.6 52, RGB 229.7 164.6 71 and RGB 246.7 182.6 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173.7 110.6 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173.7 110.6 19 shade: RGB 173.7 110.6 19, RGB 156.7 92.6 0, RGB 139.7 74.6 0, RGB 122.7 56.6 0 and RGB 105.7 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173.7 110.6 19 shade: RGB 174 111 19, RGB 174 69 19, RGB 174 28 19 and RGB 174 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173.7 110.6 19 shade: RGB 174 111 19, RGB 174 153 19, RGB 154 174 19, RGB 112 174 19 and RGB 70 174 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173.7 110.6 19 shade matches the following richer shades: RGB 174 111 19 and RGB 190 114 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173.7 110.6 19 shade: RGB 174 111 19, RGB 159 108 35, RGB 143 105 51, RGB 127 103 66 and RGB 112 100 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173.7 110.6 19 shade: RGB 174 27 19, RGB 174 68 19, RGB 174 110 19, RGB 174 151 19 and RGB 156 174 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173.7 110.6 19 shade: RGB 100 64 11, RGB 137 88 15, RGB 174 111 19, RGB 212 135 24 and RGB 232 155 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173.7 110.6 19 shade: RGB 173.7 110.6 19, RGB 53 174 19 and RGB 48 19 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173.7 110.6 19 shade: RGB 173.7 110.6 19, RGB 19 174 110 and RGB 110 19 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173.7 110.6 19 shade: RGB 173.7 110.6 19, RGB 53 174 19, RGB 19 84 174 and RGB 141 19 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173.7 110.6 19 shade: RGB 173.7 110.6 19, RGB 19 174 32, RGB 19 84 174 and RGB 174 19 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 89 / 32

HEX #AD6E13

RGB 173.7 110.6 19

HSL 35.53, 0.8%, 0.38%

LAB 52.17, 18.42, 55.09

 

Complementary color

CMYK 66 / 39 / 0 / 7

HEX #5190EC

RGB 81.3 144.4 236

HSL 215.53, 0.8%, 0.62%

LAB 59.79, 8.36, -52.2

 

CMYK 0 / 38 / 92 / 30

HEX #B26E0E

RGB 178.7 110.6 14

HSL 35.19, 0.85%, 0.38%

LAB 52.8, 20.54, 57.13

 

CMYK 0 / 34 / 83 / 23

HEX #C38021

RGB 195.7 128.6 33

HSL 35.26, 0.71%, 0.45%

LAB 59.34, 18.52, 57.78

 

CMYK 0 / 31 / 76 / 17

HEX #D49234

RGB 212.7 146.6 52

HSL 35.32, 0.66%, 0.52%

LAB 65.82, 16.78, 57.3

 

CMYK 0 / 28 / 69 / 10

HEX #E5A447

RGB 229.7 164.6 71

HSL 35.39, 0.76%, 0.59%

LAB 72.22, 15.27, 56.29

 

CMYK 0 / 26 / 64 / 3

HEX #F6B65A

RGB 246.7 182.6 90

HSL 35.46, 0.9%, 0.66%

LAB 78.55, 13.96, 55.07

 

CMYK 0 / 36 / 89 / 32

HEX #AD6E13

RGB 173.7 110.6 19

HSL 35.53, 0.8%, 0.38%

LAB 52.17, 18.42, 55.09

 

CMYK 0 / 41 / 100 / 39

HEX #9C5C00

RGB 156.7 92.6 0

HSL 35.46, 1%, 0.31%

LAB 45.49, 20.61, 53.77

 

CMYK 0 / 47 / 100 / 45

HEX #8B4A00

RGB 139.7 74.6 0

HSL 32.04, 1%, 0.27%

LAB 38.77, 23.19, 48.34

 

CMYK 0 / 54 / 100 / 52

HEX #7A3800

RGB 122.7 56.6 0

HSL 27.68, 1%, 0.24%

LAB 31.98, 25.8, 42.81

 

CMYK 0 / 63 / 100 / 59

HEX #692600

RGB 105.7 38.6 0

HSL 21.91, 1%, 0.21%

LAB 25.17, 28.27, 36.05

 

CMYK 0 / 36 / 89 / 32

HEX #AE6F13

RGB 174 111 19

HSL 35.61, 0.8%, 0.38%

LAB 52.3, 18.33, 55.21

 

CMYK 0 / 60 / 89 / 32

HEX #AE4513

RGB 174 69 19

HSL 19.35, 0.8%, 0.38%

LAB 43.21, 40.67, 48.08

 

CMYK 0 / 84 / 89 / 32

HEX #AE1C13

RGB 174 28 19

HSL 3.48, 0.8%, 0.38%

LAB 37.62, 55.95, 43.72

 

CMYK 0 / 89 / 89 / 32

HEX #AE1313

RGB 174 19 19

HSL 0, 0.8%, 0.38%

LAB 36.95, 57.86, 43.21

 

CMYK 0 / 36 / 89 / 32

HEX #AE6F13

RGB 174 111 19

HSL 35.61, 0.8%, 0.38%

LAB 52.3, 18.33, 55.21

 

CMYK 0 / 12 / 89 / 32

HEX #AE9913

RGB 174 153 19

HSL 51.87, 0.8%, 0.38%

LAB 63.2, -4.91, 63.84

 

CMYK 11 / 0 / 89 / 32

HEX #9AAE13

RGB 154 174 19

HSL 67.74, 0.8%, 0.38%

LAB 67.42, -24.59, 66.52

 

CMYK 36 / 0 / 89 / 32

HEX #70AE13

RGB 112 174 19

HSL 84, 0.8%, 0.38%

LAB 64.77, -41.47, 63.26

 

CMYK 60 / 0 / 89 / 32

HEX #46AE13

RGB 70 174 19

HSL 100.26, 0.8%, 0.38%

LAB 63.03, -54.69, 61.08

 

CMYK 0 / 36 / 89 / 32

HEX #AE6F13

RGB 174 111 19

HSL 35.61, 0.8%, 0.38%

LAB 52.3, 18.33, 55.21

 

CMYK 0 / 40 / 98 / 25

HEX #BE7204

RGB 190 114 4

HSL 35.48, 0.96%, 0.38%

LAB 55.06, 23.49, 61.35

 

CMYK 0 / 36 / 89 / 32

HEX #AE6F13

RGB 174 111 19

HSL 35.61, 0.8%, 0.38%

LAB 52.3, 18.33, 55.21

 

CMYK 0 / 32 / 78 / 38

HEX #9F6C23

RGB 159 108 35

HSL 35.32, 0.64%, 0.38%

LAB 49.76, 13.77, 46.59

 

CMYK 0 / 27 / 64 / 44

HEX #8F6933

RGB 143 105 51

HSL 35.22, 0.47%, 0.38%

LAB 47.21, 9.12, 35.68

 

CMYK 0 / 19 / 48 / 50

HEX #7F6742

RGB 127 103 66

HSL 36.39, 0.32%, 0.38%

LAB 45.09, 4.38, 24.43

 

CMYK 0 / 11 / 27 / 56

HEX #706452

RGB 112 100 82

HSL 36, 0.15%, 0.38%

LAB 43.02, 1.66, 11.96

 

CMYK 0 / 84 / 89 / 32

HEX #AE1B13

RGB 174 27 19

HSL 3.1, 0.8%, 0.38%

LAB 37.53, 56.19, 43.66

 

CMYK 0 / 61 / 89 / 32

HEX #AE4413

RGB 174 68 19

HSL 18.97, 0.8%, 0.38%

LAB 43.03, 41.15, 47.93

 

CMYK 0 / 37 / 89 / 32

HEX #AE6E13

RGB 174 110 19

HSL 35.23, 0.8%, 0.38%

LAB 52.06, 18.89, 55.02

 

CMYK 0 / 13 / 89 / 32

HEX #AE9713

RGB 174 151 19

HSL 51.1, 0.8%, 0.38%

LAB 62.66, -3.84, 63.41

 

CMYK 10 / 0 / 89 / 32

HEX #9CAE13

RGB 156 174 19

HSL 66.97, 0.8%, 0.38%

LAB 67.57, -23.73, 66.7

 

CMYK 0 / 36 / 89 / 61

HEX #64400B

RGB 100 64 11

HSL 35.73, 0.8%, 0.22%

LAB 30.4, 11.06, 35.8

 

CMYK 0 / 36 / 89 / 46

HEX #89580F

RGB 137 88 15

HSL 35.9, 0.8%, 0.3%

LAB 41.74, 14.5, 45.91

 

CMYK 0 / 36 / 89 / 32

HEX #AE6F13

RGB 174 111 19

HSL 35.61, 0.8%, 0.38%

LAB 52.3, 18.33, 55.21

 

CMYK 0 / 36 / 89 / 17

HEX #D48718

RGB 212 135 24

HSL 35.43, 0.8%, 0.46%

LAB 62.84, 21.89, 64.18

 

CMYK 0 / 33 / 81 / 9

HEX #E89B2D

RGB 232 155 45

HSL 35.29, 0.8%, 0.54%

LAB 70.03, 20.25, 64.7

 

CMYK 0 / 36 / 89 / 32

HEX #AD6E13

RGB 173.7 110.6 19

HSL 35.53, 0.8%, 0.38%

LAB 52.17, 18.42, 55.09

 

CMYK 70 / 0 / 89 / 32

HEX #35AE13

RGB 53 174 19

HSL 106.84, 0.8%, 0.38%

LAB 62.57, -58.5, 60.51

 

CMYK 72 / 89 / 0 / 32

HEX #3013AE

RGB 48 19 174

HSL 251.23, 0.8%, 0.38%

LAB 24.16, 55.56, -74.43

 

CMYK 0 / 36 / 89 / 32

HEX #AD6E13

RGB 173.7 110.6 19

HSL 35.53, 0.8%, 0.38%

LAB 52.17, 18.42, 55.09

 

CMYK 89 / 0 / 37 / 32

HEX #13AE6E

RGB 19 174 110

HSL 155.23, 0.8%, 0.38%

LAB 62.96, -52.04, 22.68

 

CMYK 37 / 89 / 0 / 32

HEX #6E13AE

RGB 110 19 174

HSL 275.23, 0.8%, 0.38%

LAB 31.43, 61.5, -62.18

 

CMYK 0 / 36 / 89 / 32

HEX #AD6E13

RGB 173.7 110.6 19

HSL 35.53, 0.8%, 0.38%

LAB 52.17, 18.42, 55.09

 

CMYK 70 / 0 / 89 / 32

HEX #35AE13

RGB 53 174 19

HSL 106.84, 0.8%, 0.38%

LAB 62.57, -58.5, 60.51

 

CMYK 89 / 52 / 0 / 32

HEX #1354AE

RGB 19 84 174

HSL 214.84, 0.8%, 0.38%

LAB 36.99, 15.82, -53.41

 

CMYK 19 / 89 / 0 / 32

HEX #8D13AE

RGB 141 19 174

HSL 287.23, 0.8%, 0.38%

LAB 36.34, 66.03, -53.98

 

CMYK 0 / 36 / 89 / 32

HEX #AD6E13

RGB 173.7 110.6 19

HSL 35.53, 0.8%, 0.38%

LAB 52.17, 18.42, 55.09

 

CMYK 89 / 0 / 82 / 32

HEX #13AE20

RGB 19 174 32

HSL 125.03, 0.8%, 0.38%

LAB 62.1, -62.48, 56.76

 

CMYK 89 / 52 / 0 / 32

HEX #1354AE

RGB 19 84 174

HSL 214.84, 0.8%, 0.38%

LAB 36.99, 15.82, -53.41

 

CMYK 0 / 89 / 7 / 32

HEX #AE13A2

RGB 174 19 162

HSL 304.65, 0.8%, 0.38%

LAB 41.33, 69.83, -38.46

 

Description

Color code: RGB 173.7 110.6 19 | qconv.com Color code: RGB 173.7 110.6 19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173.7 red, 110.6 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173.7 110.6 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 89 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 89% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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