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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 74.2 8 it is the complementary color RGB 83 180.8 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 74.2 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 74.2 8 shade: RGB 177 74.2 3, RGB 194 92.2 22, RGB 211 110.2 41, RGB 228 128.2 60 and RGB 245 146.2 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 74.2 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 74.2 8 shade: RGB 172 74.2 8, RGB 155 56.2 0, RGB 138 38.2 0, RGB 121 20.2 0 and RGB 104 2.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 74.2 8 shade: RGB 170 74 8, RGB 170 30 8 and RGB 170 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 74.2 8 shade: RGB 170 74 8, RGB 170 117 8, RGB 170 161 8, RGB 136 170 8 and RGB 92 170 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 74.2 8 shade matches the following richer shades: RGB 170 74 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 74.2 8 shade: RGB 170 74 8, RGB 156 76 22, RGB 142 79 37, RGB 127 82 51 and RGB 113 85 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 74.2 8 shade: RGB 170 8 30, RGB 170 30 8, RGB 170 73 8, RGB 170 116 8 and RGB 170 160 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 74.2 8 shade: RGB 92 40 4, RGB 131 57 6, RGB 170 74 8, RGB 210 91 10 and RGB 244 109 17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 74.2 8 shade: RGB 172 74.2 8, RGB 73 170 8 and RGB 8 8 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 74.2 8 shade: RGB 172 74.2 8, RGB 8 170 73 and RGB 73 8 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 74.2 8 shade: RGB 172 74.2 8, RGB 73 170 8, RGB 8 105 170 and RGB 105 8 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 74.2 8 shade: RGB 172 74.2 8, RGB 24 170 8, RGB 8 105 170 and RGB 154 8 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 95 / 33

HEX #AC4A08

RGB 172 74.2 8

HSL 24.22, 0.91%, 0.35%

LAB 43.82, 37.16, 51.74

 

Complementary color

CMYK 66 / 27 / 0 / 3

HEX #53B4F7

RGB 83 180.8 247

HSL 204.22, 0.91%, 0.65%

LAB 70.54, -8.46, -41.28

 

CMYK 0 / 58 / 98 / 31

HEX #B14A03

RGB 177 74.2 3

HSL 24.55, 0.97%, 0.35%

LAB 44.63, 39.06, 54

 

CMYK 0 / 52 / 89 / 24

HEX #C25C16

RGB 194 92.2 22

HSL 24.49, 0.8%, 0.42%

LAB 50.94, 37.03, 54.44

 

CMYK 0 / 48 / 81 / 17

HEX #D36E29

RGB 211 110.2 41

HSL 24.42, 0.67%, 0.49%

LAB 57.27, 35.1, 53.63

 

CMYK 0 / 44 / 74 / 11

HEX #E4803C

RGB 228 128.2 60

HSL 24.36, 0.76%, 0.56%

LAB 63.6, 33.32, 52.19

 

CMYK 0 / 40 / 68 / 4

HEX #F5924F

RGB 245 146.2 79

HSL 24.29, 0.89%, 0.64%

LAB 69.89, 31.72, 50.55

 

CMYK 0 / 57 / 95 / 33

HEX #AC4A08

RGB 172 74.2 8

HSL 24.22, 0.91%, 0.35%

LAB 43.82, 37.16, 51.74

 

CMYK 0 / 64 / 100 / 39

HEX #9B3800

RGB 155 56.2 0

HSL 21.75, 1%, 0.3%

LAB 37.51, 39.2, 48.93

 

CMYK 0 / 72 / 100 / 46

HEX #8A2600

RGB 138 38.2 0

HSL 16.61, 1%, 0.27%

LAB 31.35, 40.88, 43.7

 

CMYK 0 / 83 / 100 / 53

HEX #791400

RGB 121 20.2 0

HSL 10.02, 1%, 0.24%

LAB 25.48, 41.59, 37.44

 

CMYK 0 / 98 / 100 / 59

HEX #680200

RGB 104 2.2 0

HSL 1.27, 1%, 0.2%

LAB 20.01, 40.88, 30.56

 

CMYK 0 / 56 / 95 / 33

HEX #AA4A08

RGB 170 74 8

HSL 24.44, 0.91%, 0.35%

LAB 43.45, 36.46, 51.34

 

CMYK 0 / 82 / 95 / 33

HEX #AA1E08

RGB 170 30 8

HSL 8.15, 0.91%, 0.35%

LAB 36.92, 54.1, 47.21

 

CMYK 0 / 95 / 95 / 33

HEX #AA0808

RGB 170 8 8

HSL 0, 0.91%, 0.35%

LAB 35.47, 58.22, 46.37

 

CMYK 0 / 56 / 95 / 33

HEX #AA4A08

RGB 170 74 8

HSL 24.44, 0.91%, 0.35%

LAB 43.45, 36.46, 51.34

 

CMYK 0 / 31 / 95 / 33

HEX #AA7508

RGB 170 117 8

HSL 40.37, 0.91%, 0.35%

LAB 53.26, 12.96, 58.17

 

CMYK 0 / 5 / 95 / 33

HEX #AAA108

RGB 170 161 8

HSL 56.67, 0.91%, 0.35%

LAB 65, -11.14, 66.85

 

CMYK 20 / 0 / 95 / 33

HEX #88AA08

RGB 136 170 8

HSL 72.59, 0.91%, 0.35%

LAB 64.96, -30.46, 65.67

 

CMYK 46 / 0 / 95 / 33

HEX #5CAA08

RGB 92 170 8

HSL 88.89, 0.91%, 0.35%

LAB 62.54, -47.06, 62.72

 

CMYK 0 / 56 / 95 / 33

HEX #AA4A08

RGB 170 74 8

HSL 24.44, 0.91%, 0.35%

LAB 43.45, 36.46, 51.34

 

CMYK 0 / 56 / 95 / 33

HEX #AA4A08

RGB 170 74 8

HSL 24.44, 0.91%, 0.35%

LAB 43.45, 36.46, 51.34

 

CMYK 0 / 51 / 86 / 39

HEX #9C4C16

RGB 156 76 22

HSL 24.18, 0.75%, 0.35%

LAB 41.68, 29.96, 44.44

 

CMYK 0 / 44 / 74 / 44

HEX #8E4F25

RGB 142 79 37

HSL 24, 0.59%, 0.35%

LAB 40.37, 22.86, 35.39

 

CMYK 0 / 35 / 60 / 50

HEX #7F5233

RGB 127 82 51

HSL 24.47, 0.43%, 0.35%

LAB 39.22, 15.36, 25.74

 

CMYK 0 / 25 / 42 / 56

HEX #715542

RGB 113 85 66

HSL 24.26, 0.26%, 0.35%

LAB 38.55, 8.83, 15.57

 

CMYK 0 / 95 / 82 / 33

HEX #AA081E

RGB 170 8 30

HSL 351.85, 0.91%, 0.35%

LAB 35.62, 58.64, 35.9

 

CMYK 0 / 82 / 95 / 33

HEX #AA1E08

RGB 170 30 8

HSL 8.15, 0.91%, 0.35%

LAB 36.92, 54.1, 47.21

 

CMYK 0 / 57 / 95 / 33

HEX #AA4908

RGB 170 73 8

HSL 24.07, 0.91%, 0.35%

LAB 43.25, 36.97, 51.21

 

CMYK 0 / 32 / 95 / 33

HEX #AA7408

RGB 170 116 8

HSL 40, 0.91%, 0.35%

LAB 53.01, 13.52, 57.99

 

CMYK 0 / 6 / 95 / 33

HEX #AAA008

RGB 170 160 8

HSL 56.3, 0.91%, 0.35%

LAB 64.73, -10.62, 66.64

 

CMYK 0 / 57 / 96 / 64

HEX #5C2804

RGB 92 40 4

HSL 24.55, 0.92%, 0.19%

LAB 23, 21.62, 31.44

 

CMYK 0 / 56 / 95 / 49

HEX #833906

RGB 131 57 6

HSL 24.48, 0.91%, 0.27%

LAB 33.49, 29.28, 42.1

 

CMYK 0 / 56 / 95 / 33

HEX #AA4A08

RGB 170 74 8

HSL 24.44, 0.91%, 0.35%

LAB 43.45, 36.46, 51.34

 

CMYK 0 / 57 / 95 / 18

HEX #D25B0A

RGB 210 91 10

HSL 24.3, 0.91%, 0.43%

LAB 53.17, 43.68, 60.38

 

CMYK 0 / 55 / 93 / 4

HEX #F46D11

RGB 244 109 17

HSL 24.32, 0.91%, 0.51%

LAB 61.84, 47.97, 67.15

 

CMYK 0 / 57 / 95 / 33

HEX #AC4A08

RGB 172 74.2 8

HSL 24.22, 0.91%, 0.35%

LAB 43.82, 37.16, 51.74

 

CMYK 57 / 0 / 95 / 33

HEX #49AA08

RGB 73 170 8

HSL 95.93, 0.91%, 0.35%

LAB 61.81, -52.77, 61.83

 

CMYK 95 / 95 / 0 / 33

HEX #0808AA

RGB 8 8 170

HSL 240, 0.91%, 0.35%

LAB 20.55, 56.38, -78.1

 

CMYK 0 / 57 / 95 / 33

HEX #AC4A08

RGB 172 74.2 8

HSL 24.22, 0.91%, 0.35%

LAB 43.82, 37.16, 51.74

 

CMYK 95 / 0 / 57 / 33

HEX #08AA49

RGB 8 170 73

HSL 144.07, 0.91%, 0.35%

LAB 61.03, -57.82, 39.3

 

CMYK 57 / 95 / 0 / 33

HEX #4908AA

RGB 73 8 170

HSL 264.07, 0.91%, 0.35%

LAB 25.24, 59.01, -70.16

 

CMYK 0 / 57 / 95 / 33

HEX #AC4A08

RGB 172 74.2 8

HSL 24.22, 0.91%, 0.35%

LAB 43.82, 37.16, 51.74

 

CMYK 57 / 0 / 95 / 33

HEX #49AA08

RGB 73 170 8

HSL 95.93, 0.91%, 0.35%

LAB 61.81, -52.77, 61.83

 

CMYK 95 / 38 / 0 / 33

HEX #0869AA

RGB 8 105 170

HSL 204.07, 0.91%, 0.35%

LAB 42.85, -0.02, -41.65

 

CMYK 38 / 95 / 0 / 33

HEX #6908AA

RGB 105 8 170

HSL 275.93, 0.91%, 0.35%

LAB 29.61, 62.12, -62.8

 

CMYK 0 / 57 / 95 / 33

HEX #AC4A08

RGB 172 74.2 8

HSL 24.22, 0.91%, 0.35%

LAB 43.82, 37.16, 51.74

 

CMYK 86 / 0 / 95 / 33

HEX #18AA08

RGB 24 170 8

HSL 114.07, 0.91%, 0.35%

LAB 60.75, -61.84, 60.51

 

CMYK 95 / 38 / 0 / 33

HEX #0869AA

RGB 8 105 170

HSL 204.07, 0.91%, 0.35%

LAB 42.85, -0.02, -41.65

 

CMYK 9 / 95 / 0 / 33

HEX #9A08AA

RGB 154 8 170

HSL 294.07, 0.91%, 0.35%

LAB 37.75, 69.01, -49.2

 

Description

Color code: RGB 172 74.2 8 | qconv.com Color code: RGB 172 74.2 8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 74.2 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 74.2 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 95 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 95% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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