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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 53 243 it is the complementary color RGB 83 202 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 53 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 53 243 shade: RGB 177 53 238, RGB 194 71 255, RGB 211 89 255, RGB 228 107 255 and RGB 245 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 53 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 53 243 shade: RGB 172 53 243, RGB 155 35 224, RGB 138 17 205, RGB 121 0 186 and RGB 104 0 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 53 243 shade: RGB 172 53 243, RGB 223 53 243, RGB 243 53 212, RGB 243 53 160 and RGB 243 53 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 53 243 shade: RGB 172 53 243, RGB 121 53 243, RGB 69 53 243 and RGB 53 53 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 53 243 shade matches the following richer shades: RGB 172 53 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 53 243 shade: RGB 172 53 243, RGB 168 70 226, RGB 163 87 209, RGB 159 105 191 and RGB 154 122 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 53 243 shade: RGB 68 53 243, RGB 119 53 243, RGB 170 53 243, RGB 221 53 243 and RGB 243 53 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 53 243 shade: RGB 131 12 202, RGB 156 14 241, RGB 172 53 243, RGB 188 92 245 and RGB 204 131 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 53 243 shade: RGB 172 53 243, RGB 243 53 88 and RGB 53 243 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 53 243 shade: RGB 172 53 243, RGB 243 170 53 and RGB 53 243 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 53 243 shade: RGB 172 53 243, RGB 243 53 88, RGB 126 243 53 and RGB 53 243 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 53 243 shade: RGB 172 53 243, RGB 243 75 53, RGB 126 243 53 and RGB 53 221 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 78 / 0 / 5

HEX #AC35F3

RGB 172 53 243

HSL 277.58, 0.89%, 0.58%

LAB 49.24, 75.35, -72.69

 

Complementary color

CMYK 59 / 0 / 94 / 21

HEX #53CA0C

RGB 83 202 12

HSL 97.58, 0.89%, 0.42%

LAB 72.3, -61.3, 70.05

 

CMYK 26 / 78 / 0 / 7

HEX #B135EE

RGB 177 53 238

HSL 280.22, 0.84%, 0.57%

LAB 49.58, 75.17, -69.3

 

CMYK 24 / 72 / 0 / 0

HEX #C247FF

RGB 194 71 255

HSL 280.11, 1%, 0.64%

LAB 55.27, 75.28, -69.45

 

CMYK 17 / 65 / 0 / 0

HEX #D359FF

RGB 211 89 255

HSL 284.1, 1%, 0.67%

LAB 60.08, 71.58, -61.6

 

CMYK 11 / 58 / 0 / 0

HEX #E46BFF

RGB 228 107 255

HSL 289.05, 1%, 0.71%

LAB 65.14, 67.66, -53.39

 

CMYK 4 / 51 / 0 / 0

HEX #F57DFF

RGB 245 125 255

HSL 295.38, 1%, 0.75%

LAB 70.39, 63.69, -44.98

 

CMYK 29 / 78 / 0 / 5

HEX #AC35F3

RGB 172 53 243

HSL 277.58, 0.89%, 0.58%

LAB 49.24, 75.35, -72.69

 

CMYK 31 / 84 / 0 / 12

HEX #9B23E0

RGB 155 35 224

HSL 278.1, 0.75%, 0.51%

LAB 43.58, 74.17, -71.26

 

CMYK 33 / 92 / 0 / 20

HEX #8A11CD

RGB 138 17 205

HSL 278.62, 0.85%, 0.44%

LAB 38.22, 71.89, -69.19

 

CMYK 35 / 100 / 0 / 27

HEX #7900BA

RGB 121 0 186

HSL 279.03, 1%, 0.36%

LAB 33.16, 68.43, -66.44

 

CMYK 38 / 100 / 0 / 35

HEX #6800A7

RGB 104 0 167

HSL 277.37, 1%, 0.33%

LAB 28.73, 62.71, -62.44

 

CMYK 29 / 78 / 0 / 5

HEX #AC35F3

RGB 172 53 243

HSL 277.58, 0.89%, 0.58%

LAB 49.24, 75.35, -72.69

 

CMYK 8 / 78 / 0 / 5

HEX #DF35F3

RGB 223 53 243

HSL 293.68, 0.89%, 0.58%

LAB 56.79, 84.11, -60.12

 

CMYK 0 / 78 / 13 / 5

HEX #F335D4

RGB 243 53 212

HSL 309.79, 0.89%, 0.58%

LAB 58.37, 83.38, -39.94

 

CMYK 0 / 78 / 34 / 5

HEX #F335A0

RGB 243 53 160

HSL 326.21, 0.89%, 0.58%

LAB 56.23, 77.16, -13.21

 

CMYK 0 / 78 / 55 / 5

HEX #F3356D

RGB 243 53 109

HSL 342.32, 0.89%, 0.58%

LAB 54.77, 72.75, 14.98

 

CMYK 29 / 78 / 0 / 5

HEX #AC35F3

RGB 172 53 243

HSL 277.58, 0.89%, 0.58%

LAB 49.24, 75.35, -72.69

 

CMYK 50 / 78 / 0 / 5

HEX #7935F3

RGB 121 53 243

HSL 261.47, 0.89%, 0.58%

LAB 42.89, 67.96, -83.33

 

CMYK 72 / 78 / 0 / 5

HEX #4535F3

RGB 69 53 243

HSL 245.05, 0.89%, 0.58%

LAB 38.34, 62.68, -90.98

 

CMYK 78 / 78 / 0 / 5

HEX #3535F3

RGB 53 53 243

HSL 240, 0.89%, 0.58%

LAB 37.43, 61.62, -92.52

 

CMYK 29 / 78 / 0 / 5

HEX #AC35F3

RGB 172 53 243

HSL 277.58, 0.89%, 0.58%

LAB 49.24, 75.35, -72.69

 

CMYK 29 / 78 / 0 / 5

HEX #AC35F3

RGB 172 53 243

HSL 277.58, 0.89%, 0.58%

LAB 49.24, 75.35, -72.69

 

CMYK 26 / 69 / 0 / 11

HEX #A846E2

RGB 168 70 226

HSL 277.69, 0.73%, 0.58%

LAB 49.73, 64.74, -62.33

 

CMYK 22 / 58 / 0 / 18

HEX #A357D1

RGB 163 87 209

HSL 277.38, 0.57%, 0.58%

LAB 50.93, 52.03, -50.77

 

CMYK 17 / 45 / 0 / 25

HEX #9F69BF

RGB 159 105 191

HSL 277.67, 0.4%, 0.58%

LAB 53.21, 37.35, -36.88

 

CMYK 11 / 30 / 0 / 32

HEX #9A7AAE

RGB 154 122 174

HSL 276.92, 0.24%, 0.58%

LAB 55.93, 22.35, -22.91

 

CMYK 72 / 78 / 0 / 5

HEX #4435F3

RGB 68 53 243

HSL 244.74, 0.89%, 0.58%

LAB 38.28, 62.6, -91.09

 

CMYK 51 / 78 / 0 / 5

HEX #7735F3

RGB 119 53 243

HSL 260.84, 0.89%, 0.58%

LAB 42.67, 67.71, -83.7

 

CMYK 30 / 78 / 0 / 5

HEX #AA35F3

RGB 170 53 243

HSL 276.95, 0.89%, 0.58%

LAB 48.96, 75.03, -73.15

 

CMYK 9 / 78 / 0 / 5

HEX #DD35F3

RGB 221 53 243

HSL 293.05, 0.89%, 0.58%

LAB 56.48, 83.75, -60.64

 

CMYK 0 / 78 / 12 / 5

HEX #F335D7

RGB 243 53 215

HSL 308.84, 0.89%, 0.58%

LAB 58.52, 83.78, -41.42

 

CMYK 35 / 94 / 0 / 21

HEX #830CCA

RGB 131 12 202

HSL 277.58, 0.89%, 0.42%

LAB 36.65, 71.19, -70.05

 

CMYK 35 / 94 / 0 / 5

HEX #9C0EF1

RGB 156 14 241

HSL 277.53, 0.89%, 0.5%

LAB 43.85, 81.5, -80.46

 

CMYK 29 / 78 / 0 / 5

HEX #AC35F3

RGB 172 53 243

HSL 277.58, 0.89%, 0.58%

LAB 49.24, 75.35, -72.69

 

CMYK 23 / 62 / 0 / 4

HEX #BC5CF5

RGB 188 92 245

HSL 277.65, 0.88%, 0.66%

LAB 57.02, 63.22, -61.14

 

CMYK 18 / 47 / 0 / 3

HEX #CC83F8

RGB 204 131 248

HSL 277.44, 0.89%, 0.74%

LAB 66.4, 48.34, -47.75

 

CMYK 29 / 78 / 0 / 5

HEX #AC35F3

RGB 172 53 243

HSL 277.58, 0.89%, 0.58%

LAB 49.24, 75.35, -72.69

 

CMYK 0 / 78 / 64 / 5

HEX #F33558

RGB 243 53 88

HSL 348.95, 0.89%, 0.58%

LAB 54.35, 71.45, 26.95

 

CMYK 78 / 0 / 61 / 5

HEX #35F35E

RGB 53 243 94

HSL 132.95, 0.89%, 0.58%

LAB 84.83, -74.38, 57.57

 

CMYK 29 / 78 / 0 / 5

HEX #AC35F3

RGB 172 53 243

HSL 277.58, 0.89%, 0.58%

LAB 49.24, 75.35, -72.69

 

CMYK 0 / 30 / 78 / 5

HEX #F3AA35

RGB 243 170 53

HSL 36.95, 0.89%, 0.58%

LAB 74.86, 17.23, 66.71

 

CMYK 78 / 0 / 30 / 5

HEX #35F3AA

RGB 53 243 170

HSL 156.95, 0.89%, 0.58%

LAB 85.89, -62.07, 22.44

 

CMYK 29 / 78 / 0 / 5

HEX #AC35F3

RGB 172 53 243

HSL 277.58, 0.89%, 0.58%

LAB 49.24, 75.35, -72.69

 

CMYK 0 / 78 / 64 / 5

HEX #F33558

RGB 243 53 88

HSL 348.95, 0.89%, 0.58%

LAB 54.35, 71.45, 26.95

 

CMYK 48 / 0 / 78 / 5

HEX #7EF335

RGB 126 243 53

HSL 96.95, 0.89%, 0.58%

LAB 86.4, -62.68, 74.49

 

CMYK 78 / 0 / 14 / 5

HEX #35F3D0

RGB 53 243 208

HSL 168.95, 0.89%, 0.58%

LAB 86.71, -53.29, 3.89

 

CMYK 29 / 78 / 0 / 5

HEX #AC35F3

RGB 172 53 243

HSL 277.58, 0.89%, 0.58%

LAB 49.24, 75.35, -72.69

 

CMYK 0 / 69 / 78 / 5

HEX #F34B35

RGB 243 75 53

HSL 6.95, 0.89%, 0.58%

LAB 56.43, 62.87, 48.97

 

CMYK 48 / 0 / 78 / 5

HEX #7EF335

RGB 126 243 53

HSL 96.95, 0.89%, 0.58%

LAB 86.4, -62.68, 74.49

 

CMYK 78 / 9 / 0 / 5

HEX #35DDF3

RGB 53 221 243

HSL 186.95, 0.89%, 0.58%

LAB 81.26, -33.89, -22.67

 

Description

Color code: RGB 172 53 243 | qconv.com Color code: RGB 172 53 243 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 53 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 53 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 78 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 78% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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