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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 40 229 it is the complementary color RGB 83 215 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 40 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 40 229 shade: RGB 177 40 224, RGB 194 58 243, RGB 211 76 255, RGB 228 94 255 and RGB 245 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 40 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 40 229 shade: RGB 172 40 229, RGB 155 22 210, RGB 138 4 191, RGB 121 0 172 and RGB 104 0 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 40 229 shade: RGB 172 41 228, RGB 222 41 228, RGB 228 41 184, RGB 228 41 133 and RGB 228 41 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 40 229 shade: RGB 172 41 228, RGB 121 41 228, RGB 71 41 228 and RGB 41 41 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 40 229 shade matches the following richer shades: RGB 172 41 228 and RGB 179 22 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 40 229 shade: RGB 172 41 228, RGB 164 61 209, RGB 156 80 189, RGB 149 99 170 and RGB 141 119 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 40 229 shade: RGB 69 41 228, RGB 119 41 228, RGB 169 41 228, RGB 219 41 228 and RGB 228 41 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 40 229 shade: RGB 122 20 167, RGB 149 25 203, RGB 172 41 228, RGB 186 78 233 and RGB 200 115 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 40 229 shade: RGB 172 40 229, RGB 228 41 63 and RGB 41 228 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 40 229 shade: RGB 172 40 229, RGB 228 169 41 and RGB 41 228 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 40 229 shade: RGB 172 40 229, RGB 228 41 63, RGB 100 228 41 and RGB 41 228 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 40 229 shade: RGB 172 40 229, RGB 228 75 41, RGB 100 228 41 and RGB 41 194 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 83 / 0 / 10

HEX #AC28E5

RGB 172 40 229

HSL 281.9, 0.78%, 0.53%

LAB 46.9, 76.39, -68.59

 

Complementary color

CMYK 61 / 0 / 88 / 16

HEX #53D71A

RGB 83 215 26

HSL 101.9, 0.78%, 0.47%

LAB 76.38, -65.3, 71.37

 

CMYK 21 / 82 / 0 / 12

HEX #B128E0

RGB 177 40 224

HSL 284.67, 0.75%, 0.52%

LAB 47.3, 76.25, -65.07

 

CMYK 20 / 76 / 0 / 5

HEX #C23AF3

RGB 194 58 243

HSL 284.11, 0.89%, 0.59%

LAB 52.91, 77.47, -66.58

 

CMYK 17 / 70 / 0 / 0

HEX #D34CFF

RGB 211 76 255

HSL 285.25, 1%, 0.65%

LAB 58.26, 76.69, -64.52

 

CMYK 11 / 63 / 0 / 0

HEX #E45EFF

RGB 228 94 255

HSL 289.94, 1%, 0.68%

LAB 63.11, 73.24, -56.63

 

CMYK 4 / 56 / 0 / 0

HEX #F570FF

RGB 245 112 255

HSL 295.8, 1%, 0.72%

LAB 68.18, 69.61, -48.45

 

CMYK 25 / 83 / 0 / 10

HEX #AC28E5

RGB 172 40 229

HSL 281.9, 0.78%, 0.53%

LAB 46.9, 76.39, -68.59

 

CMYK 26 / 90 / 0 / 18

HEX #9B16D2

RGB 155 22 210

HSL 282.45, 0.81%, 0.45%

LAB 41.53, 74.26, -66.58

 

CMYK 28 / 98 / 0 / 25

HEX #8A04BF

RGB 138 4 191

HSL 282.99, 0.96%, 0.38%

LAB 36.46, 70.9, -63.87

 

CMYK 30 / 100 / 0 / 33

HEX #7900AC

RGB 121 0 172

HSL 282.21, 1%, 0.34%

LAB 31.91, 65.69, -60.14

 

CMYK 32 / 100 / 0 / 40

HEX #680099

RGB 104 0 153

HSL 280.78, 1%, 0.3%

LAB 27.42, 59.86, -56.07

 

CMYK 25 / 82 / 0 / 11

HEX #AC29E4

RGB 172 41 228

HSL 282.03, 0.78%, 0.53%

LAB 46.92, 75.94, -67.99

 

CMYK 3 / 82 / 0 / 11

HEX #DE29E4

RGB 222 41 228

HSL 298.07, 0.78%, 0.53%

LAB 54.78, 84.38, -54.92

 

CMYK 0 / 82 / 19 / 11

HEX #E429B8

RGB 228 41 184

HSL 314.12, 0.78%, 0.53%

LAB 53.54, 79.41, -31.6

 

CMYK 0 / 82 / 42 / 11

HEX #E42985

RGB 228 41 133

HSL 330.48, 0.78%, 0.53%

LAB 51.58, 73.86, -4.39

 

CMYK 0 / 82 / 64 / 11

HEX #E42953

RGB 228 41 83

HSL 346.52, 0.78%, 0.53%

LAB 50.34, 70.2, 24.19

 

CMYK 25 / 82 / 0 / 11

HEX #AC29E4

RGB 172 41 228

HSL 282.03, 0.78%, 0.53%

LAB 46.92, 75.94, -67.99

 

CMYK 47 / 82 / 0 / 11

HEX #7929E4

RGB 121 41 228

HSL 265.67, 0.78%, 0.53%

LAB 40, 68.75, -79.58

 

CMYK 69 / 82 / 0 / 11

HEX #4729E4

RGB 71 41 228

HSL 249.63, 0.78%, 0.53%

LAB 35.06, 63.81, -87.91

 

CMYK 82 / 82 / 0 / 11

HEX #2929E4

RGB 41 41 228

HSL 240, 0.78%, 0.53%

LAB 33.26, 62.07, -90.95

 

CMYK 25 / 82 / 0 / 11

HEX #AC29E4

RGB 172 41 228

HSL 282.03, 0.78%, 0.53%

LAB 46.92, 75.94, -67.99

 

CMYK 28 / 91 / 0 / 3

HEX #B316F8

RGB 179 22 248

HSL 281.68, 0.94%, 0.53%

LAB 48.18, 84.53, -77.18

 

CMYK 25 / 82 / 0 / 11

HEX #AC29E4

RGB 172 41 228

HSL 282.03, 0.78%, 0.53%

LAB 46.92, 75.94, -67.99

 

CMYK 22 / 71 / 0 / 18

HEX #A43DD1

RGB 164 61 209

HSL 281.76, 0.62%, 0.53%

LAB 46.76, 64.11, -57.46

 

CMYK 17 / 58 / 0 / 26

HEX #9C50BD

RGB 156 80 189

HSL 281.83, 0.45%, 0.53%

LAB 47.6, 49.47, -44.62

 

CMYK 12 / 42 / 0 / 33

HEX #9563AA

RGB 149 99 170

HSL 282.25, 0.29%, 0.53%

LAB 49.76, 33.09, -30.19

 

CMYK 7 / 21 / 0 / 41

HEX #8D7797

RGB 141 119 151

HSL 281.25, 0.13%, 0.53%

LAB 53.05, 14.71, -14.1

 

CMYK 70 / 82 / 0 / 11

HEX #4529E4

RGB 69 41 228

HSL 248.98, 0.78%, 0.53%

LAB 34.91, 63.66, -88.16

 

CMYK 48 / 82 / 0 / 11

HEX #7729E4

RGB 119 41 228

HSL 265.03, 0.78%, 0.53%

LAB 39.76, 68.5, -79.98

 

CMYK 26 / 82 / 0 / 11

HEX #A929E4

RGB 169 41 228

HSL 281.07, 0.78%, 0.53%

LAB 46.48, 75.47, -68.73

 

CMYK 4 / 82 / 0 / 11

HEX #DB29E4

RGB 219 41 228

HSL 297.11, 0.78%, 0.53%

LAB 54.29, 83.85, -55.74

 

CMYK 0 / 82 / 18 / 11

HEX #E429BC

RGB 228 41 188

HSL 312.83, 0.78%, 0.53%

LAB 53.72, 79.92, -33.64

 

CMYK 27 / 88 / 0 / 35

HEX #7A14A7

RGB 122 20 167

HSL 281.63, 0.79%, 0.37%

LAB 32.76, 61.52, -55.73

 

CMYK 27 / 88 / 0 / 20

HEX #9519CB

RGB 149 25 203

HSL 281.8, 0.78%, 0.45%

LAB 40.24, 71.5, -64.65

 

CMYK 25 / 82 / 0 / 11

HEX #AC29E4

RGB 172 41 228

HSL 282.03, 0.78%, 0.53%

LAB 46.92, 75.94, -67.99

 

CMYK 20 / 67 / 0 / 9

HEX #BA4EE9

RGB 186 78 233

HSL 281.81, 0.78%, 0.61%

LAB 53.78, 66.52, -59.63

 

CMYK 16 / 51 / 0 / 7

HEX #C873ED

RGB 200 115 237

HSL 281.8, 0.77%, 0.69%

LAB 62.22, 53.24, -48.32

 

CMYK 25 / 83 / 0 / 10

HEX #AC28E5

RGB 172 40 229

HSL 281.9, 0.78%, 0.53%

LAB 46.9, 76.39, -68.59

 

CMYK 0 / 82 / 72 / 11

HEX #E4293F

RGB 228 41 63

HSL 352.94, 0.78%, 0.53%

LAB 50.02, 69.25, 35.72

 

CMYK 82 / 0 / 59 / 11

HEX #29E45E

RGB 41 228 94

HSL 137.01, 0.78%, 0.53%

LAB 80.05, -71.02, 52.04

 

CMYK 25 / 83 / 0 / 10

HEX #AC28E5

RGB 172 40 229

HSL 281.9, 0.78%, 0.53%

LAB 46.9, 76.39, -68.59

 

CMYK 0 / 26 / 82 / 11

HEX #E4A929

RGB 228 169 41

HSL 41.07, 0.78%, 0.53%

LAB 72.91, 10.98, 68.38

 

CMYK 82 / 0 / 26 / 11

HEX #29E4A9

RGB 41 228 169

HSL 161.07, 0.78%, 0.53%

LAB 81.19, -57.78, 16.42

 

CMYK 25 / 83 / 0 / 10

HEX #AC28E5

RGB 172 40 229

HSL 281.9, 0.78%, 0.53%

LAB 46.9, 76.39, -68.59

 

CMYK 0 / 82 / 72 / 11

HEX #E4293F

RGB 228 41 63

HSL 352.94, 0.78%, 0.53%

LAB 50.02, 69.25, 35.72

 

CMYK 56 / 0 / 82 / 11

HEX #64E429

RGB 100 228 41

HSL 101.07, 0.78%, 0.53%

LAB 80.94, -65, 72.32

 

CMYK 82 / 0 / 10 / 11

HEX #29E4CE

RGB 41 228 206

HSL 172.94, 0.78%, 0.53%

LAB 82.06, -48.62, -1.84

 

CMYK 25 / 83 / 0 / 10

HEX #AC28E5

RGB 172 40 229

HSL 281.9, 0.78%, 0.53%

LAB 46.9, 76.39, -68.59

 

CMYK 0 / 67 / 82 / 11

HEX #E44B29

RGB 228 75 41

HSL 10.91, 0.78%, 0.53%

LAB 53.69, 57.68, 51.3

 

CMYK 56 / 0 / 82 / 11

HEX #64E429

RGB 100 228 41

HSL 101.07, 0.78%, 0.53%

LAB 80.94, -65, 72.32

 

CMYK 82 / 15 / 0 / 11

HEX #29C2E4

RGB 41 194 228

HSL 190.91, 0.78%, 0.53%

LAB 72.67, -26.51, -27.76

 

Description

Color code: RGB 172 40 229 | qconv.com Color code: RGB 172 40 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 40 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 40 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 83 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 83% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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