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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 197 135 it is the complementary color RGB 83 58 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 197 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 197 135: RGB 177 197 130, RGB 194 215 149, RGB 211 233 168, RGB 228 251 187 and RGB 245 255 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 197 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 197 135: RGB 172 197 135, RGB 155 179 116, RGB 138 161 97, RGB 121 143 78 and RGB 104 125 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 31 / 23

HEX #ACC587

RGB 172 197 135

HSL 84.19, 0.35%, 0.65%

LAB 76.35, -19.17, 28.38

 

Complementary color

CMYK 31 / 52 / 0 / 53

HEX #533A78

RGB 83 58 120

HSL 264.19, 0.35%, 0.35%

LAB 29.96, 25.22, -31.57

 

CMYK 10 / 0 / 34 / 23

HEX #B1C582

RGB 177 197 130

HSL 77.91, 0.37%, 0.64%

LAB 76.61, -17.97, 31.41

 

CMYK 10 / 0 / 31 / 16

HEX #C2D795

RGB 194 215 149

HSL 79.09, 0.45%, 0.71%

LAB 83.04, -18.03, 30.31

 

CMYK 9 / 0 / 28 / 9

HEX #D3E9A8

RGB 211 233 168

HSL 80.31, 0.6%, 0.79%

LAB 89.37, -18.07, 29.26

 

CMYK 9 / 0 / 25 / 2

HEX #E4FBBB

RGB 228 251 187

HSL 81.56, 0.89%, 0.86%

LAB 95.61, -18.1, 28.26

 

CMYK 4 / 0 / 19 / 0

HEX #F5FFCE

RGB 245 255 206

HSL 72.24, 1%, 0.9%

LAB 98.19, -11.31, 22.35

 

CMYK 13 / 0 / 31 / 23

HEX #ACC587

RGB 172 197 135

HSL 84.19, 0.35%, 0.65%

LAB 76.35, -19.17, 28.38

 

CMYK 13 / 0 / 35 / 30

HEX #9BB374

RGB 155 179 116

HSL 82.86, 0.29%, 0.58%

LAB 69.8, -19.16, 29.51

 

CMYK 14 / 0 / 40 / 37

HEX #8AA161

RGB 138 161 97

HSL 81.56, 0.25%, 0.51%

LAB 63.14, -19.13, 30.69

 

CMYK 15 / 0 / 45 / 44

HEX #798F4E

RGB 121 143 78

HSL 80.31, 0.29%, 0.43%

LAB 56.35, -19.06, 31.92

 

CMYK 17 / 0 / 53 / 51

HEX #687D3B

RGB 104 125 59

HSL 79.09, 0.36%, 0.36%

LAB 49.41, -18.93, 33.15

 

CMYK 13 / 0 / 31 / 23

HEX #ACC587

RGB 172 197 135

HSL 84.19, 0.35%, 0.65%

LAB 76.35, -19.17, 28.38

 

CMYK 18 / 0 / 32 / 23

HEX #A1C486

RGB 161 196 134

HSL 93.87, 0.34%, 0.65%

LAB 75.31, -22.87, 27.4

 

CMYK 23 / 0 / 32 / 23

HEX #97C486

RGB 151 196 134

HSL 103.55, 0.34%, 0.65%

LAB 74.69, -26.45, 26.45

 

CMYK 29 / 0 / 32 / 23

HEX #8CC486

RGB 140 196 134

HSL 114.19, 0.34%, 0.65%

LAB 74.05, -30.23, 25.48

 

CMYK 32 / 0 / 30 / 23

HEX #86C48A

RGB 134 196 138

HSL 123.87, 0.34%, 0.65%

LAB 73.79, -31.55, 22.97

 

CMYK 13 / 0 / 31 / 23

HEX #ACC587

RGB 172 197 135

HSL 84.19, 0.35%, 0.65%

LAB 76.35, -19.17, 28.38

 

CMYK 13 / 0 / 31 / 3

HEX #D9F8AA

RGB 217 248 170

HSL 83.85, 0.85%, 0.82%

LAB 93.79, -22.92, 34.24

 

CMYK 14 / 0 / 32 / 83

HEX #262C1E

RGB 38 44 30

HSL 85.71, 0.19%, 0.15%

LAB 17.02, -5.83, 8.24

 

CMYK 13 / 0 / 32 / 63

HEX #535F41

RGB 83 95 65

HSL 84, 0.19%, 0.31%

LAB 38.56, -10.58, 15.68

 

CMYK 13 / 0 / 32 / 43

HEX #7F9264

RGB 127 146 100

HSL 84.78, 0.19%, 0.48%

LAB 58.03, -15.23, 22.21

 

CMYK 13 / 0 / 31 / 23

HEX #ACC587

RGB 172 197 135

HSL 84.19, 0.35%, 0.65%

LAB 76.35, -19.17, 28.38

 

CMYK 32 / 0 / 13 / 23

HEX #86C4AB

RGB 134 196 171

HSL 155.81, 0.34%, 0.65%

LAB 74.5, -25.26, 6.24

 

CMYK 0 / 32 / 0 / 23

HEX #C486C4

RGB 196 134 196

HSL 300, 0.34%, 0.65%

LAB 63.98, 33.85, -22.71

 

CMYK 13 / 0 / 31 / 23

HEX #ACC587

RGB 172 197 135

HSL 84.19, 0.35%, 0.65%

LAB 76.35, -19.17, 28.38

 

CMYK 32 / 13 / 0 / 23

HEX #86ABC4

RGB 134 171 196

HSL 204.19, 0.34%, 0.65%

LAB 68.15, -6.55, -16.83

 

CMYK 0 / 32 / 13 / 23

HEX #C486AB

RGB 196 134 171

HSL 324.19, 0.34%, 0.65%

LAB 63.12, 29.38, -9.89

 

CMYK 13 / 0 / 31 / 23

HEX #ACC587

RGB 172 197 135

HSL 84.19, 0.35%, 0.65%

LAB 76.35, -19.17, 28.38

 

CMYK 32 / 0 / 13 / 23

HEX #86C4AB

RGB 134 196 171

HSL 155.81, 0.34%, 0.65%

LAB 74.5, -25.26, 6.24

 

CMYK 19 / 32 / 0 / 23

HEX #9F86C4

RGB 159 134 196

HSL 264.19, 0.34%, 0.65%

LAB 60.25, 21.98, -28.75

 

CMYK 0 / 32 / 19 / 23

HEX #C4869F

RGB 196 134 159

HSL 335.81, 0.34%, 0.65%

LAB 62.75, 27.43, -3.61

 

CMYK 13 / 0 / 31 / 23

HEX #ACC587

RGB 172 197 135

HSL 84.19, 0.35%, 0.65%

LAB 76.35, -19.17, 28.38

 

CMYK 32 / 0 / 3 / 23

HEX #86C4BE

RGB 134 196 190

HSL 174.19, 0.34%, 0.65%

LAB 74.99, -21.09, -3.34

 

CMYK 19 / 32 / 0 / 23

HEX #9F86C4

RGB 159 134 196

HSL 264.19, 0.34%, 0.65%

LAB 60.25, 21.98, -28.75

 

CMYK 0 / 32 / 29 / 23

HEX #C4868C

RGB 196 134 140

HSL 354.19, 0.34%, 0.65%

LAB 62.24, 24.62, 6.46

 

Description

Color code: RGB 172 197 135 | qconv.com Color code: RGB 172 197 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 197 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 197 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 31 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 31% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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