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Color name
RGB 172 126 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 126 42 it is the complementary color RGB 83 129 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 126 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 126 42 shade: RGB 177 126 37, RGB 194 144 56, RGB 211 162 75, RGB 228 180 94 and RGB 245 198 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 126 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 126 42 shade: RGB 172 126 42, RGB 155 108 23, RGB 138 90 4, RGB 121 72 0 and RGB 104 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 126 42 shade: RGB 172 126 42, RGB 172 91 42, RGB 172 56 42 and RGB 172 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 126 42 shade: RGB 172 126 42, RGB 172 161 42, RGB 148 172 42, RGB 113 172 42 and RGB 78 172 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 126 42 shade matches the following richer shades: RGB 172 126 42, RGB 190 131 24 and RGB 207 136 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 126 42 shade: RGB 172 126 42, RGB 155 121 59, RGB 138 116 76, RGB 120 111 94 and RGB 103 106 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 126 42 shade: RGB 172 55 42, RGB 172 90 42, RGB 172 125 42, RGB 172 159 42 and RGB 151 172 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 126 42 shade: RGB 106 78 26, RGB 139 102 34, RGB 172 126 42, RGB 205 150 50 and RGB 213 167 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 126 42 shade: RGB 172 126 42, RGB 64 172 42 and RGB 72 42 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 126 42 shade: RGB 172 126 42, RGB 42 172 125 and RGB 125 42 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 126 42 shade: RGB 172 126 42, RGB 64 172 42, RGB 42 90 172 and RGB 151 42 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 126 42 shade: RGB 172 126 42, RGB 42 172 59, RGB 42 90 172 and RGB 172 42 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 76 / 33

HEX #AC7E2A

RGB 172 126 42

HSL 38.77, 0.61%, 0.42%

LAB 55.95, 9.78, 50.19

 

Complementary color

CMYK 61 / 39 / 0 / 16

HEX #5381D5

RGB 83 129 213

HSL 218.77, 0.61%, 0.58%

LAB 54.39, 10.09, -47.92

 

CMYK 0 / 29 / 79 / 31

HEX #B17E25

RGB 177 126 37

HSL 38.14, 0.65%, 0.42%

LAB 56.49, 11.82, 52.91

 

CMYK 0 / 26 / 71 / 24

HEX #C29038

RGB 194 144 56

HSL 38.26, 0.55%, 0.49%

LAB 63.1, 10.26, 52.17

 

CMYK 0 / 23 / 64 / 17

HEX #D3A24B

RGB 211 162 75

HSL 38.38, 0.61%, 0.56%

LAB 69.61, 8.95, 51.05

 

CMYK 0 / 21 / 59 / 11

HEX #E4B45E

RGB 228 180 94

HSL 38.51, 0.71%, 0.63%

LAB 76.04, 7.83, 49.78

 

CMYK 0 / 19 / 54 / 4

HEX #F5C671

RGB 245 198 113

HSL 38.64, 0.87%, 0.7%

LAB 82.37, 6.86, 48.48

 

CMYK 0 / 27 / 76 / 33

HEX #AC7E2A

RGB 172 126 42

HSL 38.77, 0.61%, 0.42%

LAB 55.95, 9.78, 50.19

 

CMYK 0 / 30 / 85 / 39

HEX #9B6C17

RGB 155 108 23

HSL 38.64, 0.74%, 0.35%

LAB 49.2, 11.5, 50.47

 

CMYK 0 / 35 / 97 / 46

HEX #8A5A04

RGB 138 90 4

HSL 38.51, 0.94%, 0.28%

LAB 42.34, 13.57, 49.41

 

CMYK 0 / 40 / 100 / 53

HEX #794800

RGB 121 72 0

HSL 35.7, 1%, 0.24%

LAB 35.4, 16.08, 44.85

 

CMYK 0 / 48 / 100 / 59

HEX #683600

RGB 104 54 0

HSL 31.15, 1%, 0.2%

LAB 28.33, 18.78, 38.74

 

CMYK 0 / 27 / 76 / 33

HEX #AC7E2A

RGB 172 126 42

HSL 38.77, 0.61%, 0.42%

LAB 55.95, 9.78, 50.19

 

CMYK 0 / 47 / 76 / 33

HEX #AC5B2A

RGB 172 91 42

HSL 22.62, 0.61%, 0.42%

LAB 47.52, 29.3, 41.71

 

CMYK 0 / 67 / 76 / 33

HEX #AC382A

RGB 172 56 42

HSL 6.46, 0.61%, 0.42%

LAB 40.84, 46.55, 34.6

 

CMYK 0 / 76 / 76 / 33

HEX #AC2A2A

RGB 172 42 42

HSL 0, 0.61%, 0.42%

LAB 38.89, 51.92, 32.45

 

CMYK 0 / 27 / 76 / 33

HEX #AC7E2A

RGB 172 126 42

HSL 38.77, 0.61%, 0.42%

LAB 55.95, 9.78, 50.19

 

CMYK 0 / 6 / 76 / 33

HEX #ACA12A

RGB 172 161 42

HSL 54.92, 0.61%, 0.42%

LAB 65.3, -9.34, 59.13

 

CMYK 14 / 0 / 76 / 33

HEX #94AC2A

RGB 148 172 42

HSL 71.08, 0.61%, 0.42%

LAB 66.5, -25.35, 59.56

 

CMYK 34 / 0 / 76 / 33

HEX #71AC2A

RGB 113 172 42

HSL 87.23, 0.61%, 0.42%

LAB 64.31, -39.25, 56.71

 

CMYK 55 / 0 / 76 / 33

HEX #4EAC2A

RGB 78 172 42

HSL 103.38, 0.61%, 0.42%

LAB 62.75, -50.67, 54.66

 

CMYK 0 / 27 / 76 / 33

HEX #AC7E2A

RGB 172 126 42

HSL 38.77, 0.61%, 0.42%

LAB 55.95, 9.78, 50.19

 

CMYK 0 / 31 / 87 / 25

HEX #BE8318

RGB 190 131 24

HSL 38.67, 0.78%, 0.42%

LAB 59.2, 14.45, 60.17

 

CMYK 0 / 34 / 97 / 19

HEX #CF8807

RGB 207 136 7

HSL 38.7, 0.93%, 0.42%

LAB 62.41, 18.93, 66.87

 

CMYK 0 / 27 / 76 / 33

HEX #AC7E2A

RGB 172 126 42

HSL 38.77, 0.61%, 0.42%

LAB 55.95, 9.78, 50.19

 

CMYK 0 / 22 / 62 / 39

HEX #9B793B

RGB 155 121 59

HSL 38.75, 0.45%, 0.42%

LAB 52.9, 5.96, 38.42

 

CMYK 0 / 16 / 45 / 46

HEX #8A744C

RGB 138 116 76

HSL 38.71, 0.29%, 0.42%

LAB 50, 2.83, 25.26

 

CMYK 0 / 8 / 22 / 53

HEX #786F5E

RGB 120 111 94

HSL 39.23, 0.12%, 0.42%

LAB 47.2, 0.48, 10.74

 

CMYK 7 / 5 / 0 / 56

HEX #676A6F

RGB 103 106 111

HSL 217.5, 0.04%, 0.42%

LAB 44.72, -0.08, -3.2

 

CMYK 0 / 68 / 76 / 33

HEX #AC372A

RGB 172 55 42

HSL 6, 0.61%, 0.42%

LAB 40.69, 46.97, 34.43

 

CMYK 0 / 48 / 76 / 33

HEX #AC5A2A

RGB 172 90 42

HSL 22.15, 0.61%, 0.42%

LAB 47.3, 29.84, 41.48

 

CMYK 0 / 27 / 76 / 33

HEX #AC7D2A

RGB 172 125 42

HSL 38.31, 0.61%, 0.42%

LAB 55.69, 10.34, 49.94

 

CMYK 0 / 8 / 76 / 33

HEX #AC9F2A

RGB 172 159 42

HSL 54, 0.61%, 0.42%

LAB 64.75, -8.28, 58.61

 

CMYK 12 / 0 / 76 / 33

HEX #97AC2A

RGB 151 172 42

HSL 69.69, 0.61%, 0.42%

LAB 66.71, -24.09, 59.84

 

CMYK 0 / 26 / 75 / 58

HEX #6A4E1A

RGB 106 78 26

HSL 39, 0.61%, 0.26%

LAB 35.18, 6.07, 34.03

 

CMYK 0 / 27 / 76 / 45

HEX #8B6622

RGB 139 102 34

HSL 38.86, 0.61%, 0.34%

LAB 45.78, 7.97, 42.31

 

CMYK 0 / 27 / 76 / 33

HEX #AC7E2A

RGB 172 126 42

HSL 38.77, 0.61%, 0.42%

LAB 55.95, 9.78, 50.19

 

CMYK 0 / 27 / 76 / 20

HEX #CD9632

RGB 205 150 50

HSL 38.71, 0.61%, 0.5%

LAB 65.77, 11.52, 57.75

 

CMYK 0 / 22 / 61 / 16

HEX #D5A753

RGB 213 167 83

HSL 38.77, 0.61%, 0.58%

LAB 71.15, 7.65, 49.05

 

CMYK 0 / 27 / 76 / 33

HEX #AC7E2A

RGB 172 126 42

HSL 38.77, 0.61%, 0.42%

LAB 55.95, 9.78, 50.19

 

CMYK 63 / 0 / 76 / 33

HEX #40AC2A

RGB 64 172 42

HSL 109.85, 0.61%, 0.42%

LAB 62.31, -54.25, 54.07

 

CMYK 58 / 76 / 0 / 33

HEX #482AAC

RGB 72 42 172

HSL 253.85, 0.61%, 0.42%

LAB 29.44, 47.39, -64.43

 

CMYK 0 / 27 / 76 / 33

HEX #AC7E2A

RGB 172 126 42

HSL 38.77, 0.61%, 0.42%

LAB 55.95, 9.78, 50.19

 

CMYK 76 / 0 / 27 / 33

HEX #2AAC7D

RGB 42 172 125

HSL 158.31, 0.61%, 0.42%

LAB 62.91, -45.69, 14.48

 

CMYK 27 / 76 / 0 / 33

HEX #7D2AAC

RGB 125 42 172

HSL 278.31, 0.61%, 0.42%

LAB 35.97, 56.2, -53.49

 

CMYK 0 / 27 / 76 / 33

HEX #AC7E2A

RGB 172 126 42

HSL 38.77, 0.61%, 0.42%

LAB 55.95, 9.78, 50.19

 

CMYK 63 / 0 / 76 / 33

HEX #40AC2A

RGB 64 172 42

HSL 109.85, 0.61%, 0.42%

LAB 62.31, -54.25, 54.07

 

CMYK 76 / 48 / 0 / 33

HEX #2A5AAC

RGB 42 90 172

HSL 217.85, 0.61%, 0.42%

LAB 39.21, 13.25, -48.61

 

CMYK 12 / 76 / 0 / 33

HEX #972AAC

RGB 151 42 172

HSL 290.31, 0.61%, 0.42%

LAB 39.94, 61.33, -46.9

 

CMYK 0 / 27 / 76 / 33

HEX #AC7E2A

RGB 172 126 42

HSL 38.77, 0.61%, 0.42%

LAB 55.95, 9.78, 50.19

 

CMYK 76 / 0 / 66 / 33

HEX #2AAC3B

RGB 42 172 59

HSL 127.85, 0.61%, 0.42%

LAB 61.92, -56.97, 46.85

 

CMYK 76 / 48 / 0 / 33

HEX #2A5AAC

RGB 42 90 172

HSL 217.85, 0.61%, 0.42%

LAB 39.21, 13.25, -48.61

 

CMYK 0 / 76 / 10 / 33

HEX #AC2A9B

RGB 172 42 155

HSL 307.85, 0.61%, 0.42%

LAB 42.45, 63.02, -32.51

 

Description

Color code: RGB 172 126 42 | qconv.com Color code: RGB 172 126 42 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 126 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 126 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 76 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 76% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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