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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 110 121 it is the complementary color RGB 83 145 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 110 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 110 121: RGB 177 110 116, RGB 194 128 135, RGB 211 146 154, RGB 228 164 173 and RGB 245 182 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 110 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 110 121: RGB 172 110 121, RGB 155 92 102, RGB 138 74 83, RGB 121 56 64 and RGB 104 38 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 30 / 33

HEX #AC6E79

RGB 172 110 121

HSL 349.35, 0.27%, 0.55%

LAB 53.28, 26.12, 4.21

 

Complementary color

CMYK 43 / 0 / 8 / 43

HEX #539186

RGB 83 145 134

HSL 169.35, 0.27%, 0.45%

LAB 55.9, -22.8, -0.44

 

CMYK 0 / 38 / 34 / 31

HEX #B16E74

RGB 177 110 116

HSL 354.63, 0.3%, 0.56%

LAB 53.77, 27.38, 7.93

 

CMYK 0 / 34 / 30 / 24

HEX #C28087

RGB 194 128 135

HSL 353.64, 0.35%, 0.63%

LAB 60.48, 26.47, 6.76

 

CMYK 0 / 31 / 27 / 17

HEX #D3929A

RGB 211 146 154

HSL 352.62, 0.42%, 0.7%

LAB 67.08, 25.66, 5.72

 

CMYK 0 / 28 / 24 / 11

HEX #E4A4AD

RGB 228 164 173

HSL 351.56, 0.54%, 0.77%

LAB 73.59, 24.91, 4.78

 

CMYK 0 / 26 / 22 / 4

HEX #F5B6C0

RGB 245 182 192

HSL 350.48, 0.76%, 0.84%

LAB 80, 24.24, 3.91

 

CMYK 0 / 36 / 30 / 33

HEX #AC6E79

RGB 172 110 121

HSL 349.35, 0.27%, 0.55%

LAB 53.28, 26.12, 4.21

 

CMYK 0 / 41 / 34 / 39

HEX #9B5C66

RGB 155 92 102

HSL 350.48, 0.26%, 0.48%

LAB 46.42, 27.06, 5.4

 

CMYK 0 / 46 / 40 / 46

HEX #8A4A53

RGB 138 74 83

HSL 351.56, 0.3%, 0.42%

LAB 39.45, 28.08, 6.82

 

CMYK 0 / 54 / 47 / 53

HEX #793840

RGB 121 56 64

HSL 352.62, 0.37%, 0.35%

LAB 32.4, 29.18, 8.57

 

CMYK 0 / 63 / 57 / 59

HEX #68262D

RGB 104 38 45

HSL 353.64, 0.46%, 0.28%

LAB 25.32, 30.24, 10.88

 

CMYK 0 / 36 / 30 / 33

HEX #AC6E79

RGB 172 110 121

HSL 349.35, 0.27%, 0.55%

LAB 53.28, 26.12, 4.21

 

CMYK 0 / 36 / 36 / 33

HEX #AB6D6E

RGB 171 109 110

HSL 359.03, 0.27%, 0.55%

LAB 52.64, 24.82, 9.76

 

CMYK 0 / 31 / 36 / 33

HEX #AB766D

RGB 171 118 109

HSL 8.71, 0.27%, 0.55%

LAB 54.78, 19.62, 13.34

 

CMYK 0 / 25 / 36 / 33

HEX #AB806D

RGB 171 128 109

HSL 18.39, 0.27%, 0.55%

LAB 57.27, 13.97, 16.78

 

CMYK 0 / 19 / 36 / 33

HEX #AB8B6D

RGB 171 139 109

HSL 29.03, 0.27%, 0.55%

LAB 60.09, 7.79, 20.62

 

CMYK 0 / 36 / 30 / 33

HEX #AC6E79

RGB 172 110 121

HSL 349.35, 0.27%, 0.55%

LAB 53.28, 26.12, 4.21

 

CMYK 0 / 36 / 30 / 13

HEX #DF8F9D

RGB 223 143 157

HSL 349.5, 0.56%, 0.72%

LAB 67.85, 32.11, 5.32

 

CMYK 0 / 37 / 32 / 93

HEX #130C0D

RGB 19 12 13

HSL 351.43, 0.23%, 0.06%

LAB 3.89, 2.6, 0.43

 

CMYK 0 / 36 / 30 / 73

HEX #462D31

RGB 70 45 49

HSL 350.4, 0.22%, 0.23%

LAB 21.58, 12.2, 2.12

 

CMYK 0 / 36 / 30 / 53

HEX #794D55

RGB 121 77 85

HSL 349.09, 0.22%, 0.39%

LAB 37.89, 19.77, 3.02

 

CMYK 0 / 36 / 30 / 33

HEX #AC6E79

RGB 172 110 121

HSL 349.35, 0.27%, 0.55%

LAB 53.28, 26.12, 4.21

 

CMYK 1 / 0 / 36 / 33

HEX #AAAB6D

RGB 170 171 109

HSL 60.97, 0.27%, 0.55%

LAB 68.59, -10.02, 31.84

 

CMYK 36 / 15 / 0 / 33

HEX #6D91AB

RGB 109 145 171

HSL 205.16, 0.27%, 0.55%

LAB 58.45, -5.85, -17.65

 

CMYK 0 / 36 / 30 / 33

HEX #AC6E79

RGB 172 110 121

HSL 349.35, 0.27%, 0.55%

LAB 53.28, 26.12, 4.21

 

CMYK 30 / 0 / 36 / 33

HEX #78AB6D

RGB 120 171 109

HSL 109.35, 0.27%, 0.55%

LAB 65.14, -29.08, 26.68

 

CMYK 36 / 30 / 0 / 33

HEX #6D78AB

RGB 109 120 171

HSL 229.35, 0.27%, 0.55%

LAB 51.41, 8.68, -28.48

 

CMYK 0 / 36 / 30 / 33

HEX #AC6E79

RGB 172 110 121

HSL 349.35, 0.27%, 0.55%

LAB 53.28, 26.12, 4.21

 

CMYK 1 / 0 / 36 / 33

HEX #AAAB6D

RGB 170 171 109

HSL 60.97, 0.27%, 0.55%

LAB 68.59, -10.02, 31.84

 

CMYK 36 / 0 / 7 / 33

HEX #6DAB9F

RGB 109 171 159

HSL 168.39, 0.27%, 0.55%

LAB 65.66, -22.76, -0.15

 

CMYK 36 / 36 / 0 / 33

HEX #6E6DAB

RGB 110 109 171

HSL 240.97, 0.27%, 0.55%

LAB 48.5, 15.6, -33.02

 

CMYK 0 / 36 / 30 / 33

HEX #AC6E79

RGB 172 110 121

HSL 349.35, 0.27%, 0.55%

LAB 53.28, 26.12, 4.21

 

CMYK 12 / 0 / 36 / 33

HEX #97AB6D

RGB 151 171 109

HSL 79.35, 0.27%, 0.55%

LAB 67.13, -17.58, 29.67

 

CMYK 36 / 0 / 7 / 33

HEX #6DAB9F

RGB 109 171 159

HSL 168.39, 0.27%, 0.55%

LAB 65.66, -22.76, -0.15

 

CMYK 25 / 36 / 0 / 33

HEX #806DAB

RGB 128 109 171

HSL 258.39, 0.27%, 0.55%

LAB 50.06, 20.96, -30.47

 

Description

Color code: RGB 172 110 121 | qconv.com Color code: RGB 172 110 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 110 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 110 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 30 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 30% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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