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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 110.2 217.6 it is the complementary color RGB 83 144.8 37.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 110.2 217.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 110.2 217.6 shade: RGB 177 110.2 212.6, RGB 194 128.2 231.6, RGB 211 146.2 250.6, RGB 228 164.2 255 and RGB 245 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 110.2 217.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 110.2 217.6 shade: RGB 172 110.2 217.6, RGB 155 92.2 198.6, RGB 138 74.2 179.6, RGB 121 56.2 160.6 and RGB 104 38.2 141.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 110.2 217.6 shade: RGB 171 109 217, RGB 201 109 217, RGB 217 109 205, RGB 217 109 176 and RGB 217 109 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 110.2 217.6 shade: RGB 171 109 217, RGB 142 109 217, RGB 113 109 217 and RGB 109 109 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 110.2 217.6 shade matches the following richer shades: RGB 171 109 217, RGB 174 94 232 and RGB 176 79 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 110.2 217.6 shade: RGB 171 109 217, RGB 169 124 203, RGB 167 139 188, RGB 165 154 173 and RGB 162 168 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 110.2 217.6 shade: RGB 113 109 217, RGB 142 109 217, RGB 170 109 217, RGB 199 109 217 and RGB 217 109 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 110.2 217.6 shade: RGB 133 50 194, RGB 153 76 209, RGB 171 109 217, RGB 190 142 226 and RGB 209 175 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 110.2 217.6 shade: RGB 172 110.2 217.6, RGB 217 109 134 and RGB 109 217 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 110.2 217.6 shade: RGB 172 110.2 217.6, RGB 217 170 109 and RGB 109 217 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 110.2 217.6 shade: RGB 172 110.2 217.6, RGB 217 109 134, RGB 156 217 109 and RGB 109 217 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 110.2 217.6 shade: RGB 172 110.2 217.6, RGB 217 116 109, RGB 156 217 109 and RGB 109 210 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 49 / 0 / 15

HEX #AC6ED9

RGB 172 110.2 217.6

HSL 274.53, 0.59%, 0.64%

LAB 57.08, 44.1, -45.81

 

Complementary color

CMYK 43 / 0 / 74 / 43

HEX #539025

RGB 83 144.8 37.4

HSL 94.53, 0.59%, 0.36%

LAB 54.2, -38.52, 47.9

 

CMYK 17 / 48 / 0 / 17

HEX #B16ED4

RGB 177 110.2 212.6

HSL 279.14, 0.55%, 0.63%

LAB 57.39, 44.37, -42.46

 

CMYK 16 / 45 / 0 / 9

HEX #C280E7

RGB 194 128.2 231.6

HSL 278.18, 0.69%, 0.71%

LAB 63.97, 43.56, -42.61

 

CMYK 16 / 42 / 0 / 2

HEX #D392FA

RGB 211 146.2 250.6

HSL 277.24, 0.92%, 0.78%

LAB 70.46, 42.77, -42.74

 

CMYK 11 / 36 / 0 / 0

HEX #E4A4FF

RGB 228 164.2 255

HSL 282.16, 1%, 0.82%

LAB 76.28, 39.03, -35.95

 

CMYK 4 / 29 / 0 / 0

HEX #F5B6FF

RGB 245 182.2 255

HSL 291.76, 1%, 0.86%

LAB 81.93, 34.68, -27.1

 

CMYK 21 / 49 / 0 / 15

HEX #AC6ED9

RGB 172 110.2 217.6

HSL 274.53, 0.59%, 0.64%

LAB 57.08, 44.1, -45.81

 

CMYK 22 / 54 / 0 / 22

HEX #9B5CC6

RGB 155 92.2 198.6

HSL 275.41, 0.49%, 0.57%

LAB 50.41, 44.96, -45.7

 

CMYK 23 / 59 / 0 / 30

HEX #8A4AB3

RGB 138 74.2 179.6

HSL 276.32, 0.42%, 0.5%

LAB 43.66, 45.78, -45.53

 

CMYK 25 / 65 / 0 / 37

HEX #7938A0

RGB 121 56.2 160.6

HSL 277.24, 0.48%, 0.43%

LAB 36.88, 46.46, -45.23

 

CMYK 27 / 73 / 0 / 44

HEX #68268D

RGB 104 38.2 141.6

HSL 278.18, 0.58%, 0.35%

LAB 30.12, 46.8, -44.65

 

CMYK 21 / 50 / 0 / 15

HEX #AB6DD9

RGB 171 109 217

HSL 274.44, 0.59%, 0.64%

LAB 56.69, 44.34, -46.1

 

CMYK 7 / 50 / 0 / 15

HEX #C96DD9

RGB 201 109 217

HSL 291.11, 0.59%, 0.64%

LAB 60.22, 52.56, -40.3

 

CMYK 0 / 50 / 6 / 15

HEX #D96DCD

RGB 217 109 205

HSL 306.67, 0.59%, 0.64%

LAB 61.74, 54.92, -31.01

 

CMYK 0 / 50 / 19 / 15

HEX #D96DB0

RGB 217 109 176

HSL 322.78, 0.59%, 0.64%

LAB 60.63, 50.31, -16.23

 

CMYK 0 / 50 / 32 / 15

HEX #D96D93

RGB 217 109 147

HSL 338.89, 0.59%, 0.64%

LAB 59.7, 46.35, -0.9

 

CMYK 21 / 50 / 0 / 15

HEX #AB6DD9

RGB 171 109 217

HSL 274.44, 0.59%, 0.64%

LAB 56.69, 44.34, -46.1

 

CMYK 35 / 50 / 0 / 15

HEX #8E6DD9

RGB 142 109 217

HSL 258.33, 0.59%, 0.64%

LAB 53.7, 36.73, -51.02

 

CMYK 48 / 50 / 0 / 15

HEX #716DD9

RGB 113 109 217

HSL 242.22, 0.59%, 0.64%

LAB 51.22, 29.78, -55.14

 

CMYK 50 / 50 / 0 / 15

HEX #6D6DD9

RGB 109 109 217

HSL 240, 0.59%, 0.64%

LAB 50.92, 28.9, -55.64

 

CMYK 21 / 50 / 0 / 15

HEX #AB6DD9

RGB 171 109 217

HSL 274.44, 0.59%, 0.64%

LAB 56.69, 44.34, -46.1

 

CMYK 25 / 59 / 0 / 9

HEX #AE5EE8

RGB 174 94 232

HSL 274.78, 0.75%, 0.64%

LAB 54.9, 56.25, -57.37

 

CMYK 29 / 68 / 0 / 3

HEX #B04FF7

RGB 176 79 247

HSL 274.64, 0.91%, 0.64%

LAB 53.53, 66.97, -67.94

 

CMYK 21 / 50 / 0 / 15

HEX #AB6DD9

RGB 171 109 217

HSL 274.44, 0.59%, 0.64%

LAB 56.69, 44.34, -46.1

 

CMYK 17 / 39 / 0 / 20

HEX #A97CCB

RGB 169 124 203

HSL 274.18, 0.43%, 0.64%

LAB 59.12, 32.34, -34.38

 

CMYK 11 / 26 / 0 / 26

HEX #A78BBC

RGB 167 139 188

HSL 274.29, 0.27%, 0.64%

LAB 61.92, 19.92, -21.6

 

CMYK 5 / 11 / 0 / 32

HEX #A59AAD

RGB 165 154 173

HSL 274.74, 0.1%, 0.64%

LAB 65.06, 7.65, -8.43

 

CMYK 4 / 0 / 6 / 34

HEX #A2A89E

RGB 162 168 158

HSL 96, 0.05%, 0.64%

LAB 68.13, -4.01, 4.42

 

CMYK 48 / 50 / 0 / 15

HEX #716DD9

RGB 113 109 217

HSL 242.22, 0.59%, 0.64%

LAB 51.22, 29.78, -55.14

 

CMYK 35 / 50 / 0 / 15

HEX #8E6DD9

RGB 142 109 217

HSL 258.33, 0.59%, 0.64%

LAB 53.7, 36.73, -51.02

 

CMYK 22 / 50 / 0 / 15

HEX #AA6DD9

RGB 170 109 217

HSL 273.89, 0.59%, 0.64%

LAB 56.58, 44.07, -46.28

 

CMYK 8 / 50 / 0 / 15

HEX #C76DD9

RGB 199 109 217

HSL 290, 0.59%, 0.64%

LAB 59.97, 52.01, -40.71

 

CMYK 0 / 50 / 5 / 15

HEX #D96DCF

RGB 217 109 207

HSL 305.56, 0.59%, 0.64%

LAB 61.82, 55.26, -32.01

 

CMYK 31 / 74 / 0 / 24

HEX #8532C2

RGB 133 50 194

HSL 274.58, 0.59%, 0.48%

LAB 39.85, 59.35, -60.14

 

CMYK 27 / 64 / 0 / 18

HEX #994CD1

RGB 153 76 209

HSL 274.74, 0.59%, 0.56%

LAB 47.68, 55.13, -56.05

 

CMYK 21 / 50 / 0 / 15

HEX #AB6DD9

RGB 171 109 217

HSL 274.44, 0.59%, 0.64%

LAB 56.69, 44.34, -46.1

 

CMYK 16 / 37 / 0 / 11

HEX #BE8EE2

RGB 190 142 226

HSL 274.29, 0.59%, 0.72%

LAB 66.35, 33.67, -35.81

 

CMYK 11 / 25 / 0 / 8

HEX #D1AFEA

RGB 209 175 234

HSL 274.58, 0.58%, 0.8%

LAB 76.16, 23.09, -24.92

 

CMYK 21 / 49 / 0 / 15

HEX #AC6ED9

RGB 172 110.2 217.6

HSL 274.53, 0.59%, 0.64%

LAB 57.08, 44.1, -45.81

 

CMYK 0 / 50 / 38 / 15

HEX #D96D86

RGB 217 109 134

HSL 346.11, 0.59%, 0.64%

LAB 59.35, 44.79, 6.12

 

CMYK 50 / 0 / 41 / 15

HEX #6DD97F

RGB 109 217 127

HSL 130, 0.59%, 0.64%

LAB 78.7, -49.98, 34.98

 

CMYK 21 / 49 / 0 / 15

HEX #AC6ED9

RGB 172 110.2 217.6

HSL 274.53, 0.59%, 0.64%

LAB 57.08, 44.1, -45.81

 

CMYK 0 / 22 / 50 / 15

HEX #D9AA6D

RGB 217 170 109

HSL 33.89, 0.59%, 0.64%

LAB 72.63, 9.82, 37.87

 

CMYK 50 / 0 / 22 / 15

HEX #6DD9AA

RGB 109 217 170

HSL 153.89, 0.59%, 0.64%

LAB 79.49, -42.04, 13.73

 

CMYK 21 / 49 / 0 / 15

HEX #AC6ED9

RGB 172 110.2 217.6

HSL 274.53, 0.59%, 0.64%

LAB 57.08, 44.1, -45.81

 

CMYK 0 / 50 / 38 / 15

HEX #D96D86

RGB 217 109 134

HSL 346.11, 0.59%, 0.64%

LAB 59.35, 44.79, 6.12

 

CMYK 28 / 0 / 50 / 15

HEX #9CD96D

RGB 156 217 109

HSL 93.89, 0.59%, 0.64%

LAB 80.63, -37.83, 46.72

 

CMYK 50 / 0 / 12 / 15

HEX #6DD9C0

RGB 109 217 192

HSL 166.11, 0.59%, 0.64%

LAB 80, -37.13, 2.77

 

CMYK 21 / 49 / 0 / 15

HEX #AC6ED9

RGB 172 110.2 217.6

HSL 274.53, 0.59%, 0.64%

LAB 57.08, 44.1, -45.81

 

CMYK 0 / 47 / 50 / 15

HEX #D9746D

RGB 217 116 109

HSL 3.89, 0.59%, 0.64%

LAB 60.2, 38.66, 21.7

 

CMYK 28 / 0 / 50 / 15

HEX #9CD96D

RGB 156 217 109

HSL 93.89, 0.59%, 0.64%

LAB 80.63, -37.83, 46.72

 

CMYK 50 / 3 / 0 / 15

HEX #6DD2D9

RGB 109 210 217

HSL 183.89, 0.59%, 0.64%

LAB 78.67, -27.58, -12.57

 

Description

Color code: RGB 172 110.2 217.6 | qconv.com Color code: RGB 172 110.2 217.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 110.2 green and 217.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 110.2 217.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 49 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 49% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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