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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 103 63 it is the complementary color RGB 83 152 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 103 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 103 63 shade: RGB 177 103 58, RGB 194 121 77, RGB 211 139 96, RGB 228 157 115 and RGB 245 175 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 103 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 103 63 shade: RGB 172 103 63, RGB 155 85 44, RGB 138 67 25, RGB 121 49 6 and RGB 104 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 103 63 shade: RGB 171 102 63, RGB 171 73 63 and RGB 171 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 103 63 shade: RGB 171 102 63, RGB 171 132 63, RGB 171 161 63, RGB 152 171 63 and RGB 123 171 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 103 63 shade matches the following richer shades: RGB 171 102 63, RGB 190 97 44, RGB 209 92 25 and RGB 228 87 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 103 63 shade: RGB 171 102 63, RGB 152 107 82, RGB 133 113 101, RGB 114 118 120 and RGB 95 123 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 103 63 shade: RGB 171 63 81, RGB 171 74 63, RGB 171 102 63, RGB 171 131 63 and RGB 171 160 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 103 63 shade: RGB 111 66 41, RGB 141 84 52, RGB 171 102 63, RGB 191 123 84 and RGB 202 146 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 103 63 shade: RGB 172 103 63, RGB 110 171 63 and RGB 63 66 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 103 63 shade: RGB 172 103 63, RGB 63 171 102 and RGB 102 63 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 103 63 shade: RGB 172 103 63, RGB 110 171 63, RGB 63 131 171 and RGB 124 63 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 103 63 shade: RGB 172 103 63, RGB 77 171 63, RGB 63 131 171 and RGB 156 63 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 63 / 33

HEX #AC673F

RGB 172 103 63

HSL 22.02, 0.46%, 0.46%

LAB 50.49, 23.91, 33.99

 

Complementary color

CMYK 57 / 21 / 0 / 25

HEX #5398C0

RGB 83 152 192

HSL 202.02, 0.46%, 0.54%

LAB 59.98, -10.12, -27.32

 

CMYK 0 / 42 / 67 / 31

HEX #B1673A

RGB 177 103 58

HSL 22.69, 0.51%, 0.46%

LAB 51.1, 25.69, 37.57

 

CMYK 0 / 38 / 60 / 24

HEX #C2794D

RGB 194 121 77

HSL 22.56, 0.49%, 0.53%

LAB 57.73, 24.22, 35.78

 

CMYK 0 / 34 / 55 / 17

HEX #D38B60

RGB 211 139 96

HSL 22.43, 0.57%, 0.6%

LAB 64.29, 22.94, 34.11

 

CMYK 0 / 31 / 50 / 11

HEX #E49D73

RGB 228 157 115

HSL 22.3, 0.68%, 0.67%

LAB 70.76, 21.81, 32.57

 

CMYK 0 / 29 / 45 / 4

HEX #F5AF86

RGB 245 175 134

HSL 22.16, 0.85%, 0.74%

LAB 77.16, 20.82, 31.15

 

CMYK 0 / 40 / 63 / 33

HEX #AC673F

RGB 172 103 63

HSL 22.02, 0.46%, 0.46%

LAB 50.49, 23.91, 33.99

 

CMYK 0 / 45 / 72 / 39

HEX #9B552C

RGB 155 85 44

HSL 22.16, 0.56%, 0.39%

LAB 43.72, 25.5, 35.88

 

CMYK 0 / 51 / 82 / 46

HEX #8A4319

RGB 138 67 25

HSL 22.3, 0.69%, 0.32%

LAB 36.91, 27.33, 37.72

 

CMYK 0 / 60 / 95 / 53

HEX #793106

RGB 121 49 6

HSL 22.43, 0.91%, 0.25%

LAB 30.1, 29.35, 38.9

 

CMYK 0 / 70 / 100 / 59

HEX #681F00

RGB 104 31 0

HSL 17.88, 1%, 0.2%

LAB 23.42, 31.37, 34.21

 

CMYK 0 / 40 / 63 / 33

HEX #AB663F

RGB 171 102 63

HSL 21.67, 0.46%, 0.46%

LAB 50.12, 24.04, 33.52

 

CMYK 0 / 57 / 63 / 33

HEX #AB493F

RGB 171 73 63

HSL 5.56, 0.46%, 0.46%

LAB 43.92, 39.49, 25.93

 

CMYK 0 / 63 / 63 / 33

HEX #AB3F3F

RGB 171 63 63

HSL 0, 0.46%, 0.46%

LAB 42.11, 44.26, 23.65

 

CMYK 0 / 40 / 63 / 33

HEX #AB663F

RGB 171 102 63

HSL 21.67, 0.46%, 0.46%

LAB 50.12, 24.04, 33.52

 

CMYK 0 / 23 / 63 / 33

HEX #AB843F

RGB 171 132 63

HSL 38.33, 0.46%, 0.46%

LAB 57.58, 7.19, 42.19

 

CMYK 0 / 6 / 63 / 33

HEX #ABA13F

RGB 171 161 63

HSL 54.44, 0.46%, 0.46%

LAB 65.36, -8.62, 50.78

 

CMYK 11 / 0 / 63 / 33

HEX #98AB3F

RGB 152 171 63

HSL 70.56, 0.46%, 0.46%

LAB 66.64, -21.91, 51.7

 

CMYK 28 / 0 / 63 / 33

HEX #7BAB3F

RGB 123 171 63

HSL 86.67, 0.46%, 0.46%

LAB 64.72, -33.54, 49.05

 

CMYK 0 / 40 / 63 / 33

HEX #AB663F

RGB 171 102 63

HSL 21.67, 0.46%, 0.46%

LAB 50.12, 24.04, 33.52

 

CMYK 0 / 49 / 77 / 25

HEX #BE612C

RGB 190 97 44

HSL 21.78, 0.62%, 0.46%

LAB 51.47, 33.6, 45.62

 

CMYK 0 / 56 / 88 / 18

HEX #D15C19

RGB 209 92 25

HSL 21.85, 0.79%, 0.46%

LAB 53.25, 43.04, 56.24

 

CMYK 0 / 62 / 97 / 11

HEX #E45706

RGB 228 87 6

HSL 21.89, 0.95%, 0.46%

LAB 55.4, 52.09, 64.03

 

CMYK 0 / 40 / 63 / 33

HEX #AB663F

RGB 171 102 63

HSL 21.67, 0.46%, 0.46%

LAB 50.12, 24.04, 33.52

 

CMYK 0 / 30 / 46 / 40

HEX #986B52

RGB 152 107 82

HSL 21.43, 0.3%, 0.46%

LAB 49.25, 14.79, 21.14

 

CMYK 0 / 15 / 24 / 48

HEX #857165

RGB 133 113 101

HSL 22.5, 0.14%, 0.46%

LAB 49.17, 5.82, 9.56

 

CMYK 5 / 2 / 0 / 53

HEX #727678

RGB 114 118 120

HSL 200, 0.03%, 0.46%

LAB 49.36, -1.09, -1.63

 

CMYK 32 / 12 / 0 / 45

HEX #5F7B8B

RGB 95 123 139

HSL 201.82, 0.19%, 0.46%

LAB 50.05, -6, -11.96

 

CMYK 0 / 63 / 53 / 33

HEX #AB3F51

RGB 171 63 81

HSL 350, 0.46%, 0.46%

LAB 42.47, 45.65, 13.05

 

CMYK 0 / 57 / 63 / 33

HEX #AB4A3F

RGB 171 74 63

HSL 6.11, 0.46%, 0.46%

LAB 44.11, 39, 26.17

 

CMYK 0 / 40 / 63 / 33

HEX #AB663F

RGB 171 102 63

HSL 21.67, 0.46%, 0.46%

LAB 50.12, 24.04, 33.52

 

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

CMYK 0 / 6 / 63 / 33

HEX #ABA03F

RGB 171 160 63

HSL 53.89, 0.46%, 0.46%

LAB 65.09, -8.09, 50.48

 

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

CMYK 0 / 40 / 63 / 45

HEX #8D5434

RGB 141 84 52

HSL 21.57, 0.46%, 0.38%

LAB 41.61, 20.51, 28.51

 

CMYK 0 / 40 / 63 / 33

HEX #AB663F

RGB 171 102 63

HSL 21.67, 0.46%, 0.46%

LAB 50.12, 24.04, 33.52

 

CMYK 0 / 36 / 56 / 25

HEX #BF7B54

RGB 191 123 84

HSL 21.87, 0.46%, 0.54%

LAB 57.93, 22.43, 32.12

 

CMYK 0 / 28 / 44 / 21

HEX #CA9272

RGB 202 146 114

HSL 21.82, 0.45%, 0.62%

LAB 65.22, 17.18, 25.3

 

CMYK 0 / 40 / 63 / 33

HEX #AC673F

RGB 172 103 63

HSL 22.02, 0.46%, 0.46%

LAB 50.49, 23.91, 33.99

 

CMYK 36 / 0 / 63 / 33

HEX #6EAB3F

RGB 110 171 63

HSL 93.89, 0.46%, 0.46%

LAB 64, -38.34, 48.06

 

CMYK 63 / 61 / 0 / 33

HEX #3F42AB

RGB 63 66 171

HSL 238.33, 0.46%, 0.46%

LAB 33.76, 31.73, -56.79

 

CMYK 0 / 40 / 63 / 33

HEX #AC673F

RGB 172 103 63

HSL 22.02, 0.46%, 0.46%

LAB 50.49, 23.91, 33.99

 

CMYK 63 / 0 / 40 / 33

HEX #3FAB66

RGB 63 171 102

HSL 141.67, 0.46%, 0.46%

LAB 62.63, -46.5, 26.66

 

CMYK 40 / 63 / 0 / 33

HEX #663FAB

RGB 102 63 171

HSL 261.67, 0.46%, 0.46%

LAB 36.59, 41.13, -52.03

 

CMYK 0 / 40 / 63 / 33

HEX #AC673F

RGB 172 103 63

HSL 22.02, 0.46%, 0.46%

LAB 50.49, 23.91, 33.99

 

CMYK 36 / 0 / 63 / 33

HEX #6EAB3F

RGB 110 171 63

HSL 93.89, 0.46%, 0.46%

LAB 64, -38.34, 48.06

 

CMYK 63 / 23 / 0 / 33

HEX #3F83AB

RGB 63 131 171

HSL 202.22, 0.46%, 0.46%

LAB 52.1, -8.98, -27.61

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 0 / 40 / 63 / 33

HEX #AC673F

RGB 172 103 63

HSL 22.02, 0.46%, 0.46%

LAB 50.49, 23.91, 33.99

 

CMYK 55 / 0 / 63 / 33

HEX #4DAB3F

RGB 77 171 63

HSL 112.22, 0.46%, 0.46%

LAB 62.56, -48.75, 46.06

 

CMYK 63 / 23 / 0 / 33

HEX #3F83AB

RGB 63 131 171

HSL 202.22, 0.46%, 0.46%

LAB 52.1, -8.98, -27.61

 

CMYK 9 / 63 / 0 / 33

HEX #9C3FAB

RGB 156 63 171

HSL 291.67, 0.46%, 0.46%

LAB 43.6, 53.95, -40.41

 

Description

Color code: RGB 172 103 63 | qconv.com Color code: RGB 172 103 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 103 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 103 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 63 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 63% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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