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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 173 153 it is the complementary color RGB 84 82 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 173 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 171 173 153: RGB 176 173 148, RGB 193 191 167, RGB 210 209 186, RGB 227 227 205 and RGB 244 245 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 173 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 171 173 153: RGB 171 173 153, RGB 154 155 134, RGB 137 137 115, RGB 120 119 96 and RGB 103 101 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 12 / 32

HEX #ABAD99

RGB 171 173 153

HSL 66, 0.11%, 0.64%

LAB 70.07, -4.3, 10.04

 

Complementary color

CMYK 18 / 20 / 0 / 60

HEX #545266

RGB 84 82 102

HSL 246, 0.11%, 0.36%

LAB 35.75, 5.44, -11.25

 

CMYK 0 / 2 / 16 / 31

HEX #B0AD94

RGB 176 173 148

HSL 53.57, 0.15%, 0.64%

LAB 70.35, -3.25, 13.24

 

CMYK 0 / 1 / 13 / 24

HEX #C1BFA7

RGB 193 191 167

HSL 55.38, 0.17%, 0.71%

LAB 76.91, -3.43, 12.37

 

CMYK 0 / 0 / 11 / 18

HEX #D2D1BA

RGB 210 209 186

HSL 57.5, 0.21%, 0.78%

LAB 83.36, -3.6, 11.54

 

CMYK 0 / 0 / 10 / 11

HEX #E3E3CD

RGB 227 227 205

HSL 60, 0.28%, 0.85%

LAB 89.71, -3.75, 10.75

 

CMYK 0 / 0 / 9 / 4

HEX #F4F5E0

RGB 244 245 224

HSL 62.86, 0.51%, 0.92%

LAB 95.96, -3.89, 9.99

 

CMYK 1 / 0 / 12 / 32

HEX #ABAD99

RGB 171 173 153

HSL 66, 0.11%, 0.64%

LAB 70.07, -4.3, 10.04

 

CMYK 1 / 0 / 14 / 39

HEX #9A9B86

RGB 154 155 134

HSL 62.86, 0.1%, 0.57%

LAB 63.37, -4.16, 10.9

 

CMYK 0 / 0 / 16 / 46

HEX #898973

RGB 137 137 115

HSL 60, 0.09%, 0.49%

LAB 56.53, -4, 11.82

 

CMYK 0 / 1 / 20 / 53

HEX #787760

RGB 120 119 96

HSL 57.5, 0.11%, 0.42%

LAB 49.53, -3.81, 12.82

 

CMYK 0 / 2 / 25 / 60

HEX #67654D

RGB 103 101 77

HSL 55.38, 0.14%, 0.35%

LAB 42.35, -3.58, 13.91

 

CMYK 1 / 0 / 12 / 32

HEX #ABAD99

RGB 171 173 153

HSL 66, 0.11%, 0.64%

LAB 70.07, -4.3, 10.04

 

CMYK 3 / 0 / 12 / 32

HEX #A7AD99

RGB 167 173 153

HSL 78, 0.11%, 0.64%

LAB 69.76, -5.77, 9.55

 

CMYK 5 / 0 / 12 / 32

HEX #A4AD99

RGB 164 173 153

HSL 87, 0.11%, 0.64%

LAB 69.53, -6.87, 9.19

 

CMYK 7 / 0 / 12 / 32

HEX #A1AD99

RGB 161 173 153

HSL 96, 0.11%, 0.64%

LAB 69.3, -7.96, 8.84

 

CMYK 9 / 0 / 12 / 32

HEX #9DAD99

RGB 157 173 153

HSL 108, 0.11%, 0.64%

LAB 69.01, -9.41, 8.38

 

CMYK 1 / 0 / 12 / 32

HEX #ABAD99

RGB 171 173 153

HSL 66, 0.11%, 0.64%

LAB 70.07, -4.3, 10.04

 

CMYK 1 / 0 / 12 / 12

HEX #DDE0C6

RGB 221 224 198

HSL 66.92, 0.3%, 0.83%

LAB 88.33, -5.46, 12.39

 

CMYK 0 / 0 / 10 / 92

HEX #141412

RGB 20 20 18

HSL 60, 0.05%, 0.07%

LAB 6.26, -0.43, 1.18

 

CMYK 1 / 0 / 11 / 72

HEX #46473F

RGB 70 71 63

HSL 67.5, 0.06%, 0.26%

LAB 29.83, -2.11, 4.67

 

CMYK 1 / 0 / 11 / 52

HEX #797A6C

RGB 121 122 108

HSL 64.29, 0.06%, 0.45%

LAB 50.77, -3.05, 7.54

 

CMYK 1 / 0 / 12 / 32

HEX #ABAD99

RGB 171 173 153

HSL 66, 0.11%, 0.64%

LAB 70.07, -4.3, 10.04

 

CMYK 12 / 0 / 8 / 32

HEX #99AD9F

RGB 153 173 159

HSL 138, 0.11%, 0.64%

LAB 68.87, -9.7, 4.84

 

CMYK 3 / 12 / 0 / 32

HEX #A799AD

RGB 167 153 173

HSL 282, 0.11%, 0.64%

LAB 64.97, 8.91, -8.55

 

CMYK 1 / 0 / 12 / 32

HEX #ABAD99

RGB 171 173 153

HSL 66, 0.11%, 0.64%

LAB 70.07, -4.3, 10.04

 

CMYK 12 / 1 / 0 / 32

HEX #99ABAD

RGB 153 171 173

HSL 186, 0.11%, 0.64%

LAB 68.69, -5.83, -3.17

 

CMYK 0 / 12 / 1 / 32

HEX #AD99AB

RGB 173 153 171

HSL 306, 0.11%, 0.64%

LAB 65.44, 10.64, -6.67

 

CMYK 1 / 0 / 12 / 32

HEX #ABAD99

RGB 171 173 153

HSL 66, 0.11%, 0.64%

LAB 70.07, -4.3, 10.04

 

CMYK 12 / 0 / 8 / 32

HEX #99AD9F

RGB 153 173 159

HSL 138, 0.11%, 0.64%

LAB 68.87, -9.7, 4.84

 

CMYK 10 / 12 / 0 / 32

HEX #9B99AD

RGB 155 153 173

HSL 246, 0.11%, 0.64%

LAB 63.97, 4.75, -10.15

 

CMYK 0 / 12 / 3 / 32

HEX #AD99A7

RGB 173 153 167

HSL 318, 0.11%, 0.64%

LAB 65.32, 9.89, -4.6

 

CMYK 1 / 0 / 12 / 32

HEX #ABAD99

RGB 171 173 153

HSL 66, 0.11%, 0.64%

LAB 70.07, -4.3, 10.04

 

CMYK 12 / 0 / 5 / 32

HEX #99ADA5

RGB 153 173 165

HSL 156, 0.11%, 0.64%

LAB 69.02, -8.53, 1.75

 

CMYK 10 / 12 / 0 / 32

HEX #9B99AD

RGB 155 153 173

HSL 246, 0.11%, 0.64%

LAB 63.97, 4.75, -10.15

 

CMYK 0 / 12 / 7 / 32

HEX #AD99A1

RGB 173 153 161

HSL 336, 0.11%, 0.64%

LAB 65.15, 8.78, -1.48

 

Description

Color code: RGB 171 173 153 | qconv.com Color code: RGB 171 173 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 173 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 173 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 12 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 12% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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