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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 143 145 it is the complementary color RGB 84 112 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 143 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 143 145 shade: RGB 176 143 140, RGB 193 161 159, RGB 210 179 178, RGB 227 197 197 and RGB 244 215 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 143 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 143 145 shade: RGB 171 143 145, RGB 154 125 126, RGB 137 107 107, RGB 120 89 88 and RGB 103 71 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 143 145 shade: RGB 172 145 146 and RGB 172 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 143 145 shade: RGB 172 145 146, RGB 172 145 154, RGB 172 145 161, RGB 172 145 168 and RGB 168 145 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 143 145 shade matches the following richer shades: RGB 172 145 146, RGB 187 129 133, RGB 203 113 120, RGB 219 97 106 and RGB 234 82 93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 143 145 shade: RGB 172 145 146, RGB 156 160 160, RGB 140 176 173, RGB 125 192 187 and RGB 109 207 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 143 145 shade: RGB 172 145 161, RGB 172 145 154, RGB 172 145 147, RGB 172 150 145 and RGB 172 157 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 143 145 shade: RGB 133 100 103, RGB 154 121 123, RGB 172 145 146, RGB 189 168 170 and RGB 207 192 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 143 145 shade: RGB 171 143 145, RGB 169 172 145 and RGB 145 158 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 143 145 shade: RGB 171 143 145, RGB 147 172 145 and RGB 145 147 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 143 145 shade: RGB 171 143 145, RGB 169 172 145, RGB 145 172 169 and RGB 148 145 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 143 145 shade: RGB 171 143 145, RGB 160 172 145, RGB 145 172 169 and RGB 156 145 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 15 / 33

HEX #AB8F91

RGB 171 143 145

HSL 355.71, 0.14%, 0.62%

LAB 61.95, 10.84, 2.87

 

Complementary color

CMYK 25 / 0 / 2 / 56

HEX #54706E

RGB 84 112 110

HSL 175.71, 0.14%, 0.38%

LAB 45.08, -10.61, -2.22

 

CMYK 0 / 19 / 20 / 31

HEX #B08F8C

RGB 176 143 140

HSL 5, 0.19%, 0.62%

LAB 62.31, 11.95, 6.28

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19F

RGB 193 161 159

HSL 3.53, 0.22%, 0.69%

LAB 68.99, 11.44, 5.44

 

CMYK 0 / 15 / 15 / 18

HEX #D2B3B2

RGB 210 179 178

HSL 1.87, 0.26%, 0.76%

LAB 75.55, 10.99, 4.65

 

CMYK 0 / 13 / 13 / 11

HEX #E3C5C5

RGB 227 197 197

HSL 0, 0.35%, 0.83%

LAB 82, 10.58, 3.9

 

CMYK 0 / 12 / 11 / 4

HEX #F4D7D8

RGB 244 215 216

HSL 357.93, 0.57%, 0.9%

LAB 88.35, 10.2, 3.19

 

CMYK 0 / 16 / 15 / 33

HEX #AB8F91

RGB 171 143 145

HSL 355.71, 0.14%, 0.62%

LAB 61.95, 10.84, 2.87

 

CMYK 0 / 19 / 18 / 40

HEX #9A7D7E

RGB 154 125 126

HSL 357.93, 0.13%, 0.55%

LAB 55.12, 11.35, 3.68

 

CMYK 0 / 22 / 22 / 46

HEX #896B6B

RGB 137 107 107

HSL 0, 0.12%, 0.48%

LAB 48.13, 11.93, 4.56

 

CMYK 0 / 26 / 27 / 53

HEX #785958

RGB 120 89 88

HSL 1.87, 0.15%, 0.41%

LAB 40.96, 12.6, 5.55

 

CMYK 0 / 31 / 33 / 60

HEX #674745

RGB 103 71 69

HSL 3.53, 0.2%, 0.34%

LAB 33.6, 13.41, 6.69

 

CMYK 0 / 16 / 15 / 33

HEX #AC9192

RGB 172 145 146

HSL 357.78, 0.14%, 0.62%

LAB 62.59, 10.27, 3.23

 

CMYK 0 / 16 / 16 / 33

HEX #AC9191

RGB 172 145 145

HSL 0, 0.14%, 0.62%

LAB 62.56, 10.1, 3.76

 

CMYK 0 / 16 / 15 / 33

HEX #AC9192

RGB 172 145 146

HSL 357.78, 0.14%, 0.62%

LAB 62.59, 10.27, 3.23

 

CMYK 0 / 16 / 10 / 33

HEX #AC919A

RGB 172 145 154

HSL 340, 0.14%, 0.62%

LAB 62.81, 11.64, -0.98

 

CMYK 0 / 16 / 6 / 33

HEX #AC91A1

RGB 172 145 161

HSL 324.44, 0.14%, 0.62%

LAB 63.01, 12.89, -4.65

 

CMYK 0 / 16 / 2 / 33

HEX #AC91A8

RGB 172 145 168

HSL 308.89, 0.14%, 0.62%

LAB 63.22, 14.2, -8.3

RGB 172 145 168

CMYK 2 / 16 / 0 / 33

HEX #A891AC

RGB 168 145 172

HSL 291.11, 0.14%, 0.62%

LAB 62.97, 13.56, -10.96

RGB 168 145 172

CMYK 0 / 16 / 15 / 33

HEX #AC9192

RGB 172 145 146

HSL 357.78, 0.14%, 0.62%

LAB 62.59, 10.27, 3.23

 

CMYK 0 / 31 / 29 / 27

HEX #BB8185

RGB 187 129 133

HSL 355.86, 0.3%, 0.62%

LAB 59.85, 22.97, 6.91

 

CMYK 0 / 44 / 41 / 20

HEX #CB7178

RGB 203 113 120

HSL 355.33, 0.46%, 0.62%

LAB 57.91, 36.11, 11.92

 

CMYK 0 / 56 / 52 / 14

HEX #DB616A

RGB 219 97 106

HSL 355.57, 0.63%, 0.62%

LAB 56.73, 48.56, 18.79

 

CMYK 0 / 65 / 60 / 8

HEX #EA525D

RGB 234 82 93

HSL 355.66, 0.78%, 0.62%

LAB 56.4, 59.22, 26.36

 

CMYK 0 / 16 / 15 / 33

HEX #AC9192

RGB 172 145 146

HSL 357.78, 0.14%, 0.62%

LAB 62.59, 10.27, 3.23

 

CMYK 2 / 0 / 0 / 37

HEX #9CA0A0

RGB 156 160 160

HSL 180, 0.02%, 0.62%

LAB 65.55, -1.43, -0.51

 

CMYK 20 / 0 / 2 / 31

HEX #8CB0AD

RGB 140 176 173

HSL 175, 0.19%, 0.62%

LAB 69.21, -12.77, -2.49

 

CMYK 35 / 0 / 3 / 25

HEX #7DC0BB

RGB 125 192 187

HSL 175.52, 0.35%, 0.62%

LAB 73.32, -22.29, -4.23

 

CMYK 47 / 0 / 3 / 19

HEX #6DCFC8

RGB 109 207 200

HSL 175.71, 0.51%, 0.62%

LAB 77.31, -30.51, -5.45

 

CMYK 0 / 16 / 6 / 33

HEX #AC91A1

RGB 172 145 161

HSL 324.44, 0.14%, 0.62%

LAB 63.01, 12.89, -4.65

 

CMYK 0 / 16 / 10 / 33

HEX #AC919A

RGB 172 145 154

HSL 340, 0.14%, 0.62%

LAB 62.81, 11.64, -0.98

 

CMYK 0 / 16 / 15 / 33

HEX #AC9193

RGB 172 145 147

HSL 355.56, 0.14%, 0.62%

LAB 62.62, 10.44, 2.71

 

CMYK 0 / 13 / 16 / 33

HEX #AC9691

RGB 172 150 145

HSL 11.11, 0.14%, 0.62%

LAB 63.86, 7.31, 5.63

 

CMYK 0 / 9 / 16 / 33

HEX #AC9D91

RGB 172 157 145

HSL 26.67, 0.14%, 0.62%

LAB 65.69, 3.44, 8.26

 

CMYK 0 / 25 / 23 / 48

HEX #856467

RGB 133 100 103

HSL 354.55, 0.14%, 0.46%

LAB 45.74, 13.79, 3.47

 

CMYK 0 / 21 / 20 / 40

HEX #9A797B

RGB 154 121 123

HSL 356.36, 0.14%, 0.54%

LAB 54, 13.15, 3.81

 

CMYK 0 / 16 / 15 / 33

HEX #AC9192

RGB 172 145 146

HSL 357.78, 0.14%, 0.62%

LAB 62.59, 10.27, 3.23

 

CMYK 0 / 11 / 10 / 26

HEX #BDA8AA

RGB 189 168 170

HSL 354.29, 0.14%, 0.7%

LAB 70.68, 7.95, 1.75

 

CMYK 0 / 7 / 7 / 19

HEX #CFC0C1

RGB 207 192 193

HSL 356, 0.14%, 0.78%

LAB 78.93, 5.44, 1.39

 

CMYK 0 / 16 / 15 / 33

HEX #AB8F91

RGB 171 143 145

HSL 355.71, 0.14%, 0.62%

LAB 61.95, 10.84, 2.87

 

CMYK 2 / 0 / 16 / 33

HEX #A9AC91

RGB 169 172 145

HSL 66.67, 0.14%, 0.62%

LAB 69.46, -5.84, 13.55

 

CMYK 16 / 8 / 0 / 33

HEX #919EAC

RGB 145 158 172

HSL 211.11, 0.14%, 0.62%

LAB 64.53, -1.63, -8.84

 

CMYK 0 / 16 / 15 / 33

HEX #AB8F91

RGB 171 143 145

HSL 355.71, 0.14%, 0.62%

LAB 61.95, 10.84, 2.87

 

CMYK 15 / 0 / 16 / 33

HEX #93AC91

RGB 147 172 145

HSL 115.56, 0.14%, 0.62%

LAB 67.84, -13.91, 11.03

 

CMYK 16 / 15 / 0 / 33

HEX #9193AC

RGB 145 147 172

HSL 235.56, 0.14%, 0.62%

LAB 61.54, 4.53, -13.32

 

CMYK 0 / 16 / 15 / 33

HEX #AB8F91

RGB 171 143 145

HSL 355.71, 0.14%, 0.62%

LAB 61.95, 10.84, 2.87

 

CMYK 2 / 0 / 16 / 33

HEX #A9AC91

RGB 169 172 145

HSL 66.67, 0.14%, 0.62%

LAB 69.46, -5.84, 13.55

 

CMYK 16 / 0 / 2 / 33

HEX #91ACA9

RGB 145 172 169

HSL 173.33, 0.14%, 0.62%

LAB 68.31, -9.88, -1.58

 

CMYK 14 / 16 / 0 / 33

HEX #9491AC

RGB 148 145 172

HSL 246.67, 0.14%, 0.62%

LAB 61.24, 6.67, -13.74

 

CMYK 0 / 16 / 15 / 33

HEX #AB8F91

RGB 171 143 145

HSL 355.71, 0.14%, 0.62%

LAB 61.95, 10.84, 2.87

 

CMYK 7 / 0 / 16 / 33

HEX #A0AC91

RGB 160 172 145

HSL 86.67, 0.14%, 0.62%

LAB 68.77, -9.19, 12.48

 

CMYK 16 / 0 / 2 / 33

HEX #91ACA9

RGB 145 172 169

HSL 173.33, 0.14%, 0.62%

LAB 68.31, -9.88, -1.58

 

CMYK 9 / 16 / 0 / 33

HEX #9C91AC

RGB 156 145 172

HSL 264.44, 0.14%, 0.62%

LAB 61.91, 9.4, -12.67

 

Description

Color code: RGB 171 143 145 | qconv.com Color code: RGB 171 143 145 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 143 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 143 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 15 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 15% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - IE8 en lager niet on...
Link: http://follow-your-intuition.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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