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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 142 174 it is the complementary color RGB 84 113 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 142 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 142 174 shade: RGB 176 142 169, RGB 193 160 188, RGB 210 178 207, RGB 227 196 226 and RGB 244 214 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 142 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 142 174 shade: RGB 171 142 174, RGB 154 124 155, RGB 137 106 136, RGB 120 88 117 and RGB 103 70 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 142 174 shade: RGB 171 143 174, RGB 174 143 168, RGB 174 143 160, RGB 174 143 151 and RGB 174 143 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 142 174 shade: RGB 171 143 174, RGB 162 143 174, RGB 154 143 174, RGB 146 143 174 and RGB 143 143 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 142 174 shade matches the following richer shades: RGB 171 143 174, RGB 183 127 189, RGB 196 111 205, RGB 209 96 221 and RGB 222 80 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 142 174 shade: RGB 171 143 174, RGB 158 158 158, RGB 145 174 142, RGB 132 190 127 and RGB 120 205 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 142 174 shade: RGB 154 143 174, RGB 162 143 174, RGB 171 143 174, RGB 174 143 168 and RGB 174 143 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 142 174 shade: RGB 132 98 136, RGB 153 119 156, RGB 171 143 174, RGB 189 167 191 and RGB 207 190 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 142 174 shade: RGB 171 142 174, RGB 174 146 143 and RGB 143 174 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 142 174 shade: RGB 171 142 174, RGB 174 171 143 and RGB 143 174 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 142 174 shade: RGB 171 142 174, RGB 174 146 143, RGB 146 174 143 and RGB 143 171 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 142 174 shade: RGB 171 142 174, RGB 174 155 143, RGB 146 174 143 and RGB 143 161 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 18 / 0 / 32

HEX #AB8EAE

RGB 171 142 174

HSL 294.38, 0.16%, 0.62%

LAB 62.56, 16.7, -12.69

 

Complementary color

CMYK 26 / 0 / 28 / 56

HEX #547151

RGB 84 113 81

HSL 114.38, 0.16%, 0.38%

LAB 44.64, -17.4, 14.44

 

CMYK 0 / 19 / 4 / 31

HEX #B08EA9

RGB 176 142 169

HSL 312.35, 0.18%, 0.62%

LAB 62.88, 17.5, -9.33

 

CMYK 0 / 17 / 3 / 24

HEX #C1A0BC

RGB 193 160 188

HSL 309.09, 0.21%, 0.69%

LAB 69.55, 16.99, -9.85

 

CMYK 0 / 15 / 1 / 18

HEX #D2B2CF

RGB 210 178 207

HSL 305.63, 0.26%, 0.76%

LAB 76.1, 16.53, -10.35

 

CMYK 0 / 14 / 0 / 11

HEX #E3C4E2

RGB 227 196 226

HSL 301.94, 0.36%, 0.83%

LAB 82.54, 16.1, -10.84

 

CMYK 0 / 13 / 0 / 4

HEX #F4D6F5

RGB 244 214 245

HSL 298.06, 0.61%, 0.9%

LAB 88.88, 15.7, -11.31

 

CMYK 2 / 18 / 0 / 32

HEX #AB8EAE

RGB 171 142 174

HSL 294.38, 0.16%, 0.62%

LAB 62.56, 16.7, -12.69

 

CMYK 1 / 20 / 0 / 39

HEX #9A7C9B

RGB 154 124 155

HSL 298.06, 0.13%, 0.55%

LAB 55.74, 17.23, -12.24

 

CMYK 0 / 23 / 1 / 46

HEX #896A88

RGB 137 106 136

HSL 301.94, 0.13%, 0.48%

LAB 48.77, 17.81, -11.78

 

CMYK 0 / 27 / 3 / 53

HEX #785875

RGB 120 88 117

HSL 305.63, 0.15%, 0.41%

LAB 41.62, 18.47, -11.29

 

CMYK 0 / 32 / 5 / 60

HEX #674662

RGB 103 70 98

HSL 309.09, 0.19%, 0.34%

LAB 34.28, 19.21, -10.77

 

CMYK 2 / 18 / 0 / 32

HEX #AB8FAE

RGB 171 143 174

HSL 294.19, 0.16%, 0.62%

LAB 62.81, 16.13, -12.31

 

CMYK 0 / 18 / 3 / 32

HEX #AE8FA8

RGB 174 143 168

HSL 311.61, 0.16%, 0.62%

LAB 62.9, 16.04, -8.75

 

CMYK 0 / 18 / 8 / 32

HEX #AE8FA0

RGB 174 143 160

HSL 327.1, 0.16%, 0.62%

LAB 62.66, 14.57, -4.57

 

CMYK 0 / 18 / 13 / 32

HEX #AE8F97

RGB 174 143 151

HSL 344.52, 0.16%, 0.62%

LAB 62.4, 12.99, 0.15

 

CMYK 0 / 18 / 18 / 32

HEX #AE8F8F

RGB 174 143 143

HSL 0, 0.16%, 0.62%

LAB 62.19, 11.66, 4.38

 

CMYK 2 / 18 / 0 / 32

HEX #AB8FAE

RGB 171 143 174

HSL 294.19, 0.16%, 0.62%

LAB 62.81, 16.13, -12.31

 

CMYK 7 / 18 / 0 / 32

HEX #A28FAE

RGB 162 143 174

HSL 276.77, 0.16%, 0.62%

LAB 61.98, 13.01, -13.64

 

CMYK 11 / 18 / 0 / 32

HEX #9A8FAE

RGB 154 143 174

HSL 261.29, 0.16%, 0.62%

LAB 61.28, 10.28, -14.76

 

CMYK 16 / 18 / 0 / 32

HEX #928FAE

RGB 146 143 174

HSL 245.81, 0.16%, 0.62%

LAB 60.62, 7.59, -15.84

 

CMYK 18 / 18 / 0 / 32

HEX #8F8FAE

RGB 143 143 174

HSL 240, 0.16%, 0.62%

LAB 60.37, 6.59, -16.22

 

CMYK 2 / 18 / 0 / 32

HEX #AB8FAE

RGB 171 143 174

HSL 294.19, 0.16%, 0.62%

LAB 62.81, 16.13, -12.31

 

CMYK 3 / 33 / 0 / 26

HEX #B77FBD

RGB 183 127 189

HSL 294.19, 0.32%, 0.62%

LAB 60.71, 32.12, -23.88

 

CMYK 4 / 46 / 0 / 20

HEX #C46FCD

RGB 196 111 205

HSL 294.26, 0.48%, 0.62%

LAB 59.45, 47.83, -34.78

 

CMYK 5 / 57 / 0 / 13

HEX #D160DD

RGB 209 96 221

HSL 294.24, 0.65%, 0.62%

LAB 59.11, 61.67, -44.23

 

CMYK 6 / 66 / 0 / 7

HEX #DE50EC

RGB 222 80 236

HSL 294.62, 0.8%, 0.62%

LAB 59.27, 74.09, -52.25

 

CMYK 2 / 18 / 0 / 32

HEX #AB8FAE

RGB 171 143 174

HSL 294.19, 0.16%, 0.62%

LAB 62.81, 16.13, -12.31

 

CMYK 17 / 0 / 18 / 32

HEX #91AE8E

RGB 145 174 142

HSL 114.38, 0.16%, 0.62%

LAB 68.2, -16.2, 13.17

RGB 145 174 142

CMYK 31 / 0 / 33 / 25

HEX #84BE7F

RGB 132 190 127

HSL 115.24, 0.33%, 0.62%

LAB 71.73, -31.2, 26

RGB 132 190 127

CMYK 41 / 0 / 46 / 20

HEX #78CD6F

RGB 120 205 111

HSL 114.26, 0.48%, 0.62%

LAB 75.33, -44.21, 38.79

RGB 120 205 111

CMYK 11 / 18 / 0 / 32

HEX #9A8FAE

RGB 154 143 174

HSL 261.29, 0.16%, 0.62%

LAB 61.28, 10.28, -14.76

 

CMYK 7 / 18 / 0 / 32

HEX #A28FAE

RGB 162 143 174

HSL 276.77, 0.16%, 0.62%

LAB 61.98, 13.01, -13.64

 

CMYK 2 / 18 / 0 / 32

HEX #AB8FAE

RGB 171 143 174

HSL 294.19, 0.16%, 0.62%

LAB 62.81, 16.13, -12.31

 

CMYK 0 / 18 / 3 / 32

HEX #AE8FA8

RGB 174 143 168

HSL 311.61, 0.16%, 0.62%

LAB 62.9, 16.04, -8.75

 

CMYK 0 / 18 / 8 / 32

HEX #AE8FA0

RGB 174 143 160

HSL 327.1, 0.16%, 0.62%

LAB 62.66, 14.57, -4.57

 

CMYK 3 / 28 / 0 / 47

HEX #846288

RGB 132 98 136

HSL 293.68, 0.16%, 0.46%

LAB 46.2, 20.75, -15.72

 

CMYK 2 / 24 / 0 / 39

HEX #99779C

RGB 153 119 156

HSL 295.14, 0.16%, 0.54%

LAB 54.41, 19.96, -14.83

 

CMYK 2 / 18 / 0 / 32

HEX #AB8FAE

RGB 171 143 174

HSL 294.19, 0.16%, 0.62%

LAB 62.81, 16.13, -12.31

 

CMYK 1 / 13 / 0 / 25

HEX #BDA7BF

RGB 189 167 191

HSL 295, 0.16%, 0.7%

LAB 71.02, 12.31, -9.35

 

CMYK 0 / 9 / 0 / 18

HEX #CFBED0

RGB 207 190 208

HSL 296.67, 0.16%, 0.78%

LAB 78.84, 9.21, -6.85

 

CMYK 2 / 18 / 0 / 32

HEX #AB8EAE

RGB 171 142 174

HSL 294.38, 0.16%, 0.62%

LAB 62.56, 16.7, -12.69

 

CMYK 0 / 16 / 18 / 32

HEX #AE928F

RGB 174 146 143

HSL 5.81, 0.16%, 0.62%

LAB 62.96, 9.98, 5.49

 

CMYK 18 / 0 / 9 / 32

HEX #8FAE9E

RGB 143 174 158

HSL 149.03, 0.16%, 0.62%

LAB 68.45, -13.87, 4.69

 

CMYK 2 / 18 / 0 / 32

HEX #AB8EAE

RGB 171 142 174

HSL 294.38, 0.16%, 0.62%

LAB 62.56, 16.7, -12.69

 

CMYK 0 / 2 / 18 / 32

HEX #AEAB8F

RGB 174 171 143

HSL 54.19, 0.16%, 0.62%

LAB 69.55, -3.73, 14.83

 

CMYK 18 / 0 / 2 / 32

HEX #8FAEAB

RGB 143 174 171

HSL 174.19, 0.16%, 0.62%

LAB 68.79, -11.18, -1.99

 

CMYK 2 / 18 / 0 / 32

HEX #AB8EAE

RGB 171 142 174

HSL 294.38, 0.16%, 0.62%

LAB 62.56, 16.7, -12.69

 

CMYK 0 / 16 / 18 / 32

HEX #AE928F

RGB 174 146 143

HSL 5.81, 0.16%, 0.62%

LAB 62.96, 9.98, 5.49

 

CMYK 16 / 0 / 18 / 32

HEX #92AE8F

RGB 146 174 143

HSL 114.19, 0.16%, 0.62%

LAB 68.29, -15.67, 12.76

 

CMYK 18 / 2 / 0 / 32

HEX #8FABAE

RGB 143 171 174

HSL 185.81, 0.16%, 0.62%

LAB 68.04, -8.93, -4.76

 

CMYK 2 / 18 / 0 / 32

HEX #AB8EAE

RGB 171 142 174

HSL 294.38, 0.16%, 0.62%

LAB 62.56, 16.7, -12.69

 

CMYK 0 / 11 / 18 / 32

HEX #AE9B8F

RGB 174 155 143

HSL 23.23, 0.16%, 0.62%

LAB 65.3, 4.98, 8.84

 

CMYK 16 / 0 / 18 / 32

HEX #92AE8F

RGB 146 174 143

HSL 114.19, 0.16%, 0.62%

LAB 68.29, -15.67, 12.76

 

CMYK 18 / 7 / 0 / 32

HEX #8FA1AE

RGB 143 161 174

HSL 205.16, 0.16%, 0.62%

LAB 65.27, -3.5, -8.87

 

Description

Color code: RGB 171 142 174 | qconv.com Color code: RGB 171 142 174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 142 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 142 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 18 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 18% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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