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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 103 174 it is the complementary color RGB 84 152 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 103 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 103 174 shade: RGB 176 103 169, RGB 193 121 188, RGB 210 139 207, RGB 227 157 226 and RGB 244 175 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 103 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 103 174 shade: RGB 171 103 174, RGB 154 85 155, RGB 137 67 136, RGB 120 49 117 and RGB 103 31 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 103 174 shade: RGB 170 103 173, RGB 173 103 157, RGB 173 103 138, RGB 173 103 119 and RGB 173 103 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 103 174 shade: RGB 170 103 173, RGB 151 103 173, RGB 132 103 173, RGB 113 103 173 and RGB 103 103 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 103 174 shade matches the following richer shades: RGB 170 103 173, RGB 187 84 192, RGB 205 65 211, RGB 222 46 230 and RGB 239 27 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 103 174 shade: RGB 170 103 173, RGB 153 121 154, RGB 135 140 135, RGB 118 159 116 and RGB 100 178 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 103 174 shade: RGB 132 103 173, RGB 151 103 173, RGB 169 103 173, RGB 173 103 158 and RGB 173 103 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 103 174 shade: RGB 123 68 125, RGB 149 82 152, RGB 170 103 173, RGB 185 129 187 and RGB 200 156 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 103 174 shade: RGB 171 103 174, RGB 173 113 103 and RGB 103 173 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 103 174 shade: RGB 171 103 174, RGB 173 169 103 and RGB 103 173 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 103 174 shade: RGB 171 103 174, RGB 173 113 103, RGB 106 173 103 and RGB 103 162 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 103 174 shade: RGB 171 103 174, RGB 173 134 103, RGB 106 173 103 and RGB 103 141 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 41 / 0 / 32

HEX #AB67AE

RGB 171 103 174

HSL 297.46, 0.3%, 0.54%

LAB 53.4, 38.57, -26.66

 

Complementary color

CMYK 45 / 0 / 47 / 40

HEX #549851

RGB 84 152 81

HSL 117.46, 0.3%, 0.46%

LAB 57.01, -36.52, 30.71

 

CMYK 0 / 41 / 4 / 31

HEX #B067A9

RGB 176 103 169

HSL 305.75, 0.32%, 0.55%

LAB 53.81, 39.21, -23.08

 

CMYK 0 / 37 / 3 / 24

HEX #C179BC

RGB 193 121 188

HSL 304.17, 0.37%, 0.62%

LAB 60.47, 38.45, -23.59

 

CMYK 0 / 34 / 1 / 18

HEX #D28BCF

RGB 210 139 207

HSL 302.54, 0.44%, 0.68%

LAB 67.03, 37.71, -24.05

 

CMYK 0 / 31 / 0 / 11

HEX #E39DE2

RGB 227 157 226

HSL 300.86, 0.56%, 0.75%

LAB 73.5, 36.99, -24.48

 

CMYK 0 / 29 / 0 / 4

HEX #F4AFF5

RGB 244 175 245

HSL 299.14, 0.78%, 0.82%

LAB 79.89, 36.32, -24.87

 

CMYK 2 / 41 / 0 / 32

HEX #AB67AE

RGB 171 103 174

HSL 297.46, 0.3%, 0.54%

LAB 53.4, 38.57, -26.66

 

CMYK 1 / 45 / 0 / 39

HEX #9A559B

RGB 154 85 155

HSL 299.14, 0.29%, 0.47%

LAB 46.62, 39.34, -26.18

 

CMYK 0 / 51 / 1 / 46

HEX #894388

RGB 137 67 136

HSL 300.86, 0.34%, 0.4%

LAB 39.77, 40.05, -25.59

 

CMYK 0 / 59 / 3 / 53

HEX #783175

RGB 120 49 117

HSL 302.54, 0.42%, 0.33%

LAB 32.86, 40.6, -24.78

 

CMYK 0 / 70 / 5 / 60

HEX #671F62

RGB 103 31 98

HSL 304.17, 0.54%, 0.26%

LAB 26, 40.7, -23.57

 

CMYK 2 / 40 / 0 / 32

HEX #AA67AD

RGB 170 103 173

HSL 297.43, 0.3%, 0.54%

LAB 53.24, 38.06, -26.34

 

CMYK 0 / 40 / 9 / 32

HEX #AD679D

RGB 173 103 157

HSL 313.71, 0.3%, 0.54%

LAB 52.97, 36.08, -17.4

 

CMYK 0 / 40 / 20 / 32

HEX #AD678A

RGB 173 103 138

HSL 330, 0.3%, 0.54%

LAB 52.31, 32.91, -7.22

 

CMYK 0 / 40 / 31 / 32

HEX #AD6777

RGB 173 103 119

HSL 346.29, 0.3%, 0.54%

LAB 51.74, 30.12, 3.19

 

CMYK 0 / 40 / 40 / 32

HEX #AD6767

RGB 173 103 103

HSL 0, 0.3%, 0.54%

LAB 51.34, 28.09, 12.09

 

CMYK 2 / 40 / 0 / 32

HEX #AA67AD

RGB 170 103 173

HSL 297.43, 0.3%, 0.54%

LAB 53.24, 38.06, -26.34

 

CMYK 13 / 40 / 0 / 32

HEX #9767AD

RGB 151 103 173

HSL 281.14, 0.3%, 0.54%

LAB 51.03, 32.09, -29.94

 

CMYK 24 / 40 / 0 / 32

HEX #8467AD

RGB 132 103 173

HSL 264.86, 0.3%, 0.54%

LAB 49.04, 26.24, -33.21

 

CMYK 35 / 40 / 0 / 32

HEX #7167AD

RGB 113 103 173

HSL 248.57, 0.3%, 0.54%

LAB 47.27, 20.66, -36.1

 

CMYK 40 / 40 / 0 / 32

HEX #6767AD

RGB 103 103 173

HSL 240, 0.3%, 0.54%

LAB 46.45, 17.89, -37.46

 

CMYK 2 / 40 / 0 / 32

HEX #AA67AD

RGB 170 103 173

HSL 297.43, 0.3%, 0.54%

LAB 53.24, 38.06, -26.34

 

CMYK 3 / 56 / 0 / 25

HEX #BB54C0

RGB 187 84 192

HSL 297.22, 0.46%, 0.54%

LAB 52.63, 56.23, -38.12

 

CMYK 3 / 69 / 0 / 17

HEX #CD41D3

RGB 205 65 211

HSL 297.53, 0.62%, 0.54%

LAB 53.45, 71.63, -47.55

 

CMYK 3 / 80 / 0 / 10

HEX #DE2EE6

RGB 222 46 230

HSL 297.39, 0.79%, 0.54%

LAB 55.27, 83.59, -55.26

 

CMYK 4 / 89 / 0 / 2

HEX #EF1BF9

RGB 239 27 249

HSL 297.3, 0.95%, 0.54%

LAB 58.01, 92.75, -61.36

 

CMYK 2 / 40 / 0 / 32

HEX #AA67AD

RGB 170 103 173

HSL 297.43, 0.3%, 0.54%

LAB 53.24, 38.06, -26.34

 

CMYK 1 / 21 / 0 / 40

HEX #99799A

RGB 153 121 154

HSL 298.18, 0.14%, 0.54%

LAB 54.85, 18.4, -13.02

 

CMYK 4 / 0 / 4 / 45

HEX #878C87

RGB 135 140 135

HSL 120, 0.02%, 0.54%

LAB 57.71, -2.82, 2.02

 

CMYK 26 / 0 / 27 / 38

HEX #769F74

RGB 118 159 116

HSL 117.21, 0.18%, 0.54%

LAB 61.58, -22.7, 18.05

 

CMYK 44 / 0 / 46 / 30

HEX #64B261

RGB 100 178 97

HSL 117.78, 0.34%, 0.54%

LAB 66.07, -40.67, 33.98

 

CMYK 24 / 40 / 0 / 32

HEX #8467AD

RGB 132 103 173

HSL 264.86, 0.3%, 0.54%

LAB 49.04, 26.24, -33.21

 

CMYK 13 / 40 / 0 / 32

HEX #9767AD

RGB 151 103 173

HSL 281.14, 0.3%, 0.54%

LAB 51.03, 32.09, -29.94

 

CMYK 2 / 40 / 0 / 32

HEX #A967AD

RGB 169 103 173

HSL 296.57, 0.3%, 0.54%

LAB 53.12, 37.74, -26.54

 

CMYK 0 / 40 / 9 / 32

HEX #AD679E

RGB 173 103 158

HSL 312.86, 0.3%, 0.54%

LAB 53.01, 36.25, -17.92

 

CMYK 0 / 40 / 20 / 32

HEX #AD678B

RGB 173 103 139

HSL 329.14, 0.3%, 0.54%

LAB 52.34, 33.07, -7.76

 

CMYK 2 / 46 / 0 / 51

HEX #7B447D

RGB 123 68 125

HSL 297.89, 0.3%, 0.38%

LAB 37.53, 32.94, -22.46

 

CMYK 2 / 46 / 0 / 40

HEX #955298

RGB 149 82 152

HSL 297.43, 0.3%, 0.46%

LAB 45.21, 38.82, -26.65

 

CMYK 2 / 40 / 0 / 32

HEX #AA67AD

RGB 170 103 173

HSL 297.43, 0.3%, 0.54%

LAB 53.24, 38.06, -26.34

 

CMYK 1 / 31 / 0 / 27

HEX #B981BB

RGB 185 129 187

HSL 297.93, 0.3%, 0.62%

LAB 61.31, 31.28, -21.81

 

CMYK 1 / 23 / 0 / 21

HEX #C89CCA

RGB 200 156 202

HSL 297.39, 0.3%, 0.7%

LAB 69.7, 24.22, -17.31

 

CMYK 2 / 41 / 0 / 32

HEX #AB67AE

RGB 171 103 174

HSL 297.46, 0.3%, 0.54%

LAB 53.4, 38.57, -26.66

 

CMYK 0 / 35 / 40 / 32

HEX #AD7167

RGB 173 113 103

HSL 8.57, 0.3%, 0.54%

LAB 53.68, 22.51, 15.33

 

CMYK 40 / 0 / 18 / 32

HEX #67AD8D

RGB 103 173 141

HSL 152.57, 0.3%, 0.54%

LAB 65.51, -29.51, 9.59

 

CMYK 2 / 41 / 0 / 32

HEX #AB67AE

RGB 171 103 174

HSL 297.46, 0.3%, 0.54%

LAB 53.4, 38.57, -26.66

 

CMYK 0 / 2 / 40 / 32

HEX #ADA967

RGB 173 169 103

HSL 56.57, 0.3%, 0.54%

LAB 68.2, -8.43, 34.54

 

CMYK 40 / 0 / 2 / 32

HEX #67ADA9

RGB 103 173 169

HSL 176.57, 0.3%, 0.54%

LAB 66.24, -22.99, -4.89

 

CMYK 2 / 41 / 0 / 32

HEX #AB67AE

RGB 171 103 174

HSL 297.46, 0.3%, 0.54%

LAB 53.4, 38.57, -26.66

 

CMYK 0 / 35 / 40 / 32

HEX #AD7167

RGB 173 113 103

HSL 8.57, 0.3%, 0.54%

LAB 53.68, 22.51, 15.33

 

CMYK 39 / 0 / 40 / 32

HEX #6AAD67

RGB 106 173 103

HSL 117.43, 0.3%, 0.54%

LAB 64.91, -35.65, 29.42

 

CMYK 40 / 6 / 0 / 32

HEX #67A2AD

RGB 103 162 173

HSL 189.43, 0.3%, 0.54%

LAB 63.13, -16.26, -11.76

 

CMYK 2 / 41 / 0 / 32

HEX #AB67AE

RGB 171 103 174

HSL 297.46, 0.3%, 0.54%

LAB 53.4, 38.57, -26.66

 

CMYK 0 / 23 / 40 / 32

HEX #AD8667

RGB 173 134 103

HSL 26.57, 0.3%, 0.54%

LAB 58.89, 10.69, 22.41

 

CMYK 39 / 0 / 40 / 32

HEX #6AAD67

RGB 106 173 103

HSL 117.43, 0.3%, 0.54%

LAB 64.91, -35.65, 29.42

 

CMYK 40 / 18 / 0 / 32

HEX #678DAD

RGB 103 141 173

HSL 207.43, 0.3%, 0.54%

LAB 57.03, -4.73, -21

 

Description

Color code: RGB 171 103 174 | qconv.com Color code: RGB 171 103 174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 103 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 103 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 41 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 41% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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