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Color name
RGB 171.9 56.2 28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171.9 56.2 28 it is the complementary color RGB 83.1 198.8 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171.9 56.2 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171.9 56.2 28 shade: RGB 176.9 56.2 23, RGB 193.9 74.2 42, RGB 210.9 92.2 61, RGB 227.9 110.2 80 and RGB 244.9 128.2 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171.9 56.2 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171.9 56.2 28 shade: RGB 171.9 56.2 28, RGB 154.9 38.2 9, RGB 137.9 20.2 0, RGB 120.9 2.2 0 and RGB 103.9 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171.9 56.2 28 shade: RGB 171 55 27 and RGB 171 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171.9 56.2 28 shade: RGB 171 55 27, RGB 171 94 27, RGB 171 133 27, RGB 170 171 27 and RGB 131 171 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171.9 56.2 28 shade matches the following richer shades: RGB 171 55 27 and RGB 187 46 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171.9 56.2 28 shade: RGB 171 55 27, RGB 154 65 43, RGB 138 75 60, RGB 122 85 76 and RGB 106 95 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171.9 56.2 28 shade: RGB 171 27 77, RGB 171 27 39, RGB 171 54 27, RGB 171 92 27 and RGB 171 130 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171.9 56.2 28 shade: RGB 100 32 16, RGB 135 44 22, RGB 171 55 27, RGB 206 67 33 and RGB 222 90 58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171.9 56.2 28 shade: RGB 171.9 56.2 28, RGB 116 171 27 and RGB 27 58 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171.9 56.2 28 shade: RGB 171.9 56.2 28, RGB 27 171 54 and RGB 54 27 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171.9 56.2 28 shade: RGB 171.9 56.2 28, RGB 116 171 27, RGB 27 144 171 and RGB 82 27 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171.9 56.2 28 shade: RGB 171.9 56.2 28, RGB 73 171 27, RGB 27 144 171 and RGB 125 27 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 84 / 33

HEX #AB381C

RGB 171.9 56.2 28

HSL 11.76, 0.72%, 0.39%

LAB 40.72, 45.93, 41.92

 

Complementary color

CMYK 63 / 12 / 0 / 11

HEX #53C6E3

RGB 83.1 198.8 227

HSL 191.76, 0.72%, 0.61%

LAB 74.92, -24.12, -23.7

 

CMYK 0 / 68 / 87 / 31

HEX #B03817

RGB 176.9 56.2 23

HSL 12.94, 0.77%, 0.39%

LAB 41.6, 47.55, 45.37

 

CMYK 0 / 62 / 78 / 24

HEX #C14A2A

RGB 193.9 74.2 42

HSL 12.72, 0.64%, 0.46%

LAB 47.68, 46.29, 42.98

 

CMYK 0 / 56 / 71 / 17

HEX #D25C3D

RGB 210.9 92.2 61

HSL 12.49, 0.63%, 0.53%

LAB 53.88, 44.9, 40.46

 

CMYK 0 / 52 / 65 / 11

HEX #E36E50

RGB 227.9 110.2 80

HSL 12.25, 0.73%, 0.6%

LAB 60.12, 43.49, 38.12

 

CMYK 0 / 48 / 60 / 4

HEX #F48063

RGB 244.9 128.2 99

HSL 12.01, 0.88%, 0.67%

LAB 66.36, 42.13, 36.01

 

CMYK 0 / 67 / 84 / 33

HEX #AB381C

RGB 171.9 56.2 28

HSL 11.76, 0.72%, 0.39%

LAB 40.72, 45.93, 41.92

 

CMYK 0 / 75 / 94 / 39

HEX #9A2609

RGB 154.9 38.2 9

HSL 12.01, 0.89%, 0.32%

LAB 34.76, 46.82, 43.96

 

CMYK 0 / 85 / 100 / 46

HEX #891400

RGB 137.9 20.2 0

HSL 8.79, 1%, 0.27%

LAB 29.16, 46.89, 42.07

 

CMYK 0 / 98 / 100 / 53

HEX #780200

RGB 120.9 2.2 0

HSL 1.09, 1%, 0.24%

LAB 24.02, 45.67, 36.03

 

CMYK 0 / 100 / 100 / 59

HEX #670000

RGB 103.9 0 0

HSL 0, 1%, 0.2%

LAB 19.79, 41.41, 30.31

 

CMYK 0 / 68 / 84 / 33

HEX #AB371B

RGB 171 55 27

HSL 11.67, 0.73%, 0.39%

LAB 40.36, 46.09, 42.02

 

CMYK 0 / 84 / 84 / 33

HEX #AB1B1B

RGB 171 27 27

HSL 0, 0.73%, 0.39%

LAB 36.97, 55.51, 38.92

 

CMYK 0 / 68 / 84 / 33

HEX #AB371B

RGB 171 55 27

HSL 11.67, 0.73%, 0.39%

LAB 40.36, 46.09, 42.02

 

CMYK 0 / 45 / 84 / 33

HEX #AB5E1B

RGB 171 94 27

HSL 27.92, 0.73%, 0.39%

LAB 47.93, 26.67, 48.76

 

CMYK 0 / 22 / 84 / 33

HEX #AB851B

RGB 171 133 27

HSL 44.17, 0.73%, 0.39%

LAB 57.57, 4.86, 57.07

 

CMYK 1 / 0 / 84 / 33

HEX #AAAB1B

RGB 170 171 27

HSL 60.42, 0.73%, 0.39%

LAB 67.84, -15.94, 65.7

 

CMYK 23 / 0 / 84 / 33

HEX #83AB1B

RGB 131 171 27

HSL 76.67, 0.73%, 0.39%

LAB 64.99, -32.52, 62.14

 

CMYK 0 / 68 / 84 / 33

HEX #AB371B

RGB 171 55 27

HSL 11.67, 0.73%, 0.39%

LAB 40.36, 46.09, 42.02

 

CMYK 0 / 75 / 94 / 27

HEX #BB2E0B

RGB 187 46 11

HSL 11.93, 0.89%, 0.39%

LAB 42.07, 54.51, 51.1

 

CMYK 0 / 68 / 84 / 33

HEX #AB371B

RGB 171 55 27

HSL 11.67, 0.73%, 0.39%

LAB 40.36, 46.09, 42.02

 

CMYK 0 / 58 / 72 / 40

HEX #9A412B

RGB 154 65 43

HSL 11.89, 0.56%, 0.39%

LAB 39.28, 35.77, 31.42

 

CMYK 0 / 46 / 57 / 46

HEX #8A4B3C

RGB 138 75 60

HSL 11.54, 0.39%, 0.39%

LAB 39.18, 25.05, 20.65

 

CMYK 0 / 30 / 38 / 52

HEX #7A554C

RGB 122 85 76

HSL 11.74, 0.23%, 0.39%

LAB 39.84, 14.1, 11.38

 

CMYK 0 / 10 / 13 / 58

HEX #6A5F5C

RGB 106 95 92

HSL 12.86, 0.07%, 0.39%

LAB 41.25, 3.84, 3.31

 

CMYK 0 / 84 / 55 / 33

HEX #AB1B4D

RGB 171 27 77

HSL 339.17, 0.73%, 0.39%

LAB 37.8, 58, 9.1

 

CMYK 0 / 84 / 77 / 33

HEX #AB1B27

RGB 171 27 39

HSL 355, 0.73%, 0.39%

LAB 37.09, 55.88, 32.19

 

CMYK 0 / 68 / 84 / 33

HEX #AB361B

RGB 171 54 27

HSL 11.25, 0.73%, 0.39%

LAB 40.21, 46.51, 41.88

 

CMYK 0 / 46 / 84 / 33

HEX #AB5C1B

RGB 171 92 27

HSL 27.08, 0.73%, 0.39%

LAB 47.48, 27.77, 48.36

 

CMYK 0 / 24 / 84 / 33

HEX #AB821B

RGB 171 130 27

HSL 42.92, 0.73%, 0.39%

LAB 56.78, 6.53, 56.4

 

CMYK 0 / 68 / 84 / 61

HEX #642010

RGB 100 32 16

HSL 11.43, 0.72%, 0.23%

LAB 22.93, 29.79, 26.51

 

CMYK 0 / 67 / 84 / 47

HEX #872C16

RGB 135 44 22

HSL 11.68, 0.72%, 0.31%

LAB 31.83, 37.77, 34.2

 

CMYK 0 / 68 / 84 / 33

HEX #AB371B

RGB 171 55 27

HSL 11.67, 0.73%, 0.39%

LAB 40.36, 46.09, 42.02

 

CMYK 0 / 67 / 84 / 19

HEX #CE4321

RGB 206 67 33

HSL 11.79, 0.72%, 0.47%

LAB 48.57, 53.33, 48.93

 

CMYK 0 / 59 / 74 / 13

HEX #DE5A3A

RGB 222 90 58

HSL 11.71, 0.71%, 0.55%

LAB 55.22, 49.82, 44.04

 

CMYK 0 / 67 / 84 / 33

HEX #AB381C

RGB 171.9 56.2 28

HSL 11.76, 0.72%, 0.39%

LAB 40.72, 45.93, 41.92

 

CMYK 32 / 0 / 84 / 33

HEX #74AB1B

RGB 116 171 27

HSL 82.92, 0.73%, 0.39%

LAB 64.09, -38.41, 61.01

 

CMYK 84 / 66 / 0 / 33

HEX #1B3AAB

RGB 27 58 171

HSL 227.08, 0.73%, 0.39%

LAB 29.91, 32.64, -63.16

 

CMYK 0 / 67 / 84 / 33

HEX #AB381C

RGB 171.9 56.2 28

HSL 11.76, 0.72%, 0.39%

LAB 40.72, 45.93, 41.92

 

CMYK 84 / 0 / 68 / 33

HEX #1BAB36

RGB 27 171 54

HSL 131.25, 0.73%, 0.39%

LAB 61.33, -59.09, 48.25

 

CMYK 68 / 84 / 0 / 33

HEX #361BAB

RGB 54 27 171

HSL 251.25, 0.73%, 0.39%

LAB 25.29, 52.15, -70.74

 

CMYK 0 / 67 / 84 / 33

HEX #AB381C

RGB 171.9 56.2 28

HSL 11.76, 0.72%, 0.39%

LAB 40.72, 45.93, 41.92

 

CMYK 32 / 0 / 84 / 33

HEX #74AB1B

RGB 116 171 27

HSL 82.92, 0.73%, 0.39%

LAB 64.09, -38.41, 61.01

 

CMYK 84 / 16 / 0 / 33

HEX #1B90AB

RGB 27 144 171

HSL 191.25, 0.73%, 0.39%

LAB 55.2, -20.94, -22.9

 

CMYK 52 / 84 / 0 / 33

HEX #521BAB

RGB 82 27 171

HSL 262.92, 0.73%, 0.39%

LAB 28.16, 54.94, -65.9

 

CMYK 0 / 67 / 84 / 33

HEX #AB381C

RGB 171.9 56.2 28

HSL 11.76, 0.72%, 0.39%

LAB 40.72, 45.93, 41.92

 

CMYK 57 / 0 / 84 / 33

HEX #49AB1B

RGB 73 171 27

HSL 100.83, 0.73%, 0.39%

LAB 62.19, -52.52, 58.59

 

CMYK 84 / 16 / 0 / 33

HEX #1B90AB

RGB 27 144 171

HSL 191.25, 0.73%, 0.39%

LAB 55.2, -20.94, -22.9

 

CMYK 27 / 84 / 0 / 33

HEX #7D1BAB

RGB 125 27 171

HSL 280.83, 0.73%, 0.39%

LAB 34.16, 61.03, -55.84

 

Description

Color code: RGB 171.9 56.2 28 | qconv.com Color code: RGB 171.9 56.2 28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171.9 red, 56.2 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171.9 56.2 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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