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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171.7 92.6 80 it is the complementary color RGB 83.3 162.4 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171.7 92.6 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171.7 92.6 80 shade: RGB 176.7 92.6 75, RGB 193.7 110.6 94, RGB 210.7 128.6 113, RGB 227.7 146.6 132 and RGB 244.7 164.6 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171.7 92.6 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171.7 92.6 80 shade: RGB 171.7 92.6 80, RGB 154.7 74.6 61, RGB 137.7 56.6 42, RGB 120.7 38.6 23 and RGB 103.7 20.6 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171.7 92.6 80 shade: RGB 170 92 80 and RGB 170 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171.7 92.6 80 shade: RGB 170 92 80, RGB 170 117 80, RGB 170 141 80, RGB 170 165 80 and RGB 150 170 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171.7 92.6 80 shade matches the following richer shades: RGB 170 92 80, RGB 190 78 60, RGB 210 63 40 and RGB 231 48 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171.7 92.6 80 shade: RGB 170 92 80, RGB 150 107 100, RGB 129 122 120, RGB 109 136 141 and RGB 89 151 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171.7 92.6 80 shade: RGB 170 80 116, RGB 170 80 92, RGB 170 92 80, RGB 170 116 80 and RGB 170 140 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171.7 92.6 80 shade: RGB 114 62 54, RGB 142 77 67, RGB 170 92 80, RGB 185 117 106 and RGB 198 143 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171.7 92.6 80 shade: RGB 171.7 92.6 80, RGB 140 170 80 and RGB 80 104 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171.7 92.6 80 shade: RGB 171.7 92.6 80, RGB 80 170 92 and RGB 92 80 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171.7 92.6 80 shade: RGB 171.7 92.6 80, RGB 140 170 80, RGB 80 158 170 and RGB 110 80 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171.7 92.6 80 shade: RGB 171.7 92.6 80, RGB 113 170 80, RGB 80 158 170 and RGB 137 80 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 53 / 33

HEX #AB5C50

RGB 171.7 92.6 80

HSL 8.24, 0.36%, 0.49%

LAB 48.35, 30.88, 21.6

 

Complementary color

CMYK 52 / 7 / 0 / 31

HEX #53A2AF

RGB 83.3 162.4 175

HSL 188.24, 0.36%, 0.51%

LAB 62.45, -20.7, -13.99

 

CMYK 0 / 48 / 58 / 31

HEX #B05C4B

RGB 176.7 92.6 75

HSL 10.38, 0.4%, 0.49%

LAB 48.98, 32.44, 25.48

 

CMYK 0 / 43 / 51 / 24

HEX #C16E5E

RGB 193.7 110.6 94

HSL 9.99, 0.45%, 0.56%

LAB 55.6, 31.16, 23.59

 

CMYK 0 / 39 / 46 / 17

HEX #D28071

RGB 210.7 128.6 113

HSL 9.58, 0.52%, 0.63%

LAB 62.16, 30, 21.93

 

CMYK 0 / 36 / 42 / 11

HEX #E39284

RGB 227.7 146.6 132

HSL 9.15, 0.64%, 0.71%

LAB 68.65, 28.95, 20.47

 

CMYK 0 / 33 / 38 / 4

HEX #F4A497

RGB 244.7 164.6 151

HSL 8.71, 0.82%, 0.78%

LAB 75.05, 28, 19.16

 

CMYK 0 / 46 / 53 / 33

HEX #AB5C50

RGB 171.7 92.6 80

HSL 8.24, 0.36%, 0.49%

LAB 48.35, 30.88, 21.6

 

CMYK 0 / 52 / 61 / 39

HEX #9A4A3D

RGB 154.7 74.6 61

HSL 8.71, 0.43%, 0.42%

LAB 41.62, 32.21, 23.68

 

CMYK 0 / 59 / 69 / 46

HEX #89382A

RGB 137.7 56.6 42

HSL 9.15, 0.53%, 0.35%

LAB 34.87, 33.61, 26.17

 

CMYK 0 / 68 / 81 / 53

HEX #782617

RGB 120.7 38.6 23

HSL 9.58, 0.68%, 0.28%

LAB 28.19, 34.93, 29.13

 

CMYK 0 / 80 / 96 / 59

HEX #671404

RGB 103.7 20.6 4

HSL 9.99, 0.93%, 0.21%

LAB 21.78, 35.75, 30.86

 

CMYK 0 / 46 / 53 / 33

HEX #AA5C50

RGB 170 92 80

HSL 8, 0.36%, 0.49%

LAB 47.98, 30.53, 21.06

 

CMYK 0 / 53 / 53 / 33

HEX #AA5050

RGB 170 80 80

HSL 0, 0.36%, 0.49%

LAB 45.45, 36.91, 17.68

 

CMYK 0 / 46 / 53 / 33

HEX #AA5C50

RGB 170 92 80

HSL 8, 0.36%, 0.49%

LAB 47.98, 30.53, 21.06

 

CMYK 0 / 31 / 53 / 33

HEX #AA7550

RGB 170 117 80

HSL 24.67, 0.36%, 0.49%

LAB 53.87, 16.58, 28.68

 

CMYK 0 / 17 / 53 / 33

HEX #AA8D50

RGB 170 141 80

HSL 40.67, 0.36%, 0.49%

LAB 60.05, 3.12, 36.37

 

CMYK 0 / 3 / 53 / 33

HEX #AAA550

RGB 170 165 80

HSL 56.67, 0.36%, 0.49%

LAB 66.55, -9.86, 44.13

 

CMYK 12 / 0 / 53 / 33

HEX #96AA50

RGB 150 170 80

HSL 73.33, 0.36%, 0.49%

LAB 66.38, -20.8, 43.53

 

CMYK 0 / 46 / 53 / 33

HEX #AA5C50

RGB 170 92 80

HSL 8, 0.36%, 0.49%

LAB 47.98, 30.53, 21.06

 

CMYK 0 / 59 / 68 / 25

HEX #BE4E3C

RGB 190 78 60

HSL 8.31, 0.52%, 0.49%

LAB 47.91, 43.93, 33.26

 

CMYK 0 / 70 / 81 / 18

HEX #D23F28

RGB 210 63 40

HSL 8.12, 0.68%, 0.49%

LAB 48.77, 56.4, 46.01

 

CMYK 0 / 79 / 92 / 9

HEX #E73013

RGB 231 48 19

HSL 8.21, 0.85%, 0.49%

LAB 50.86, 67.19, 58.33

 

CMYK 0 / 46 / 53 / 33

HEX #AA5C50

RGB 170 92 80

HSL 8, 0.36%, 0.49%

LAB 47.98, 30.53, 21.06

 

CMYK 0 / 29 / 33 / 41

HEX #966B64

RGB 150 107 100

HSL 8.4, 0.2%, 0.49%

LAB 49.4, 16.18, 10.73

 

CMYK 0 / 5 / 7 / 49

HEX #817A78

RGB 129 122 120

HSL 13.33, 0.04%, 0.49%

LAB 51.77, 2.29, 2.04

 

CMYK 23 / 4 / 0 / 45

HEX #6D888D

RGB 109 136 141

HSL 189.38, 0.13%, 0.49%

LAB 54.85, -8.39, -5.85

 

CMYK 45 / 6 / 0 / 37

HEX #5997A1

RGB 89 151 161

HSL 188.33, 0.29%, 0.49%

LAB 58.82, -17.27, -11.52

 

CMYK 0 / 53 / 32 / 33

HEX #AA5074

RGB 170 80 116

HSL 336, 0.36%, 0.49%

LAB 46.37, 40.91, -2.9

 

CMYK 0 / 53 / 46 / 33

HEX #AA505C

RGB 170 80 92

HSL 352, 0.36%, 0.49%

LAB 45.71, 38.08, 10.76

 

CMYK 0 / 46 / 53 / 33

HEX #AA5C50

RGB 170 92 80

HSL 8, 0.36%, 0.49%

LAB 47.98, 30.53, 21.06

 

CMYK 0 / 32 / 53 / 33

HEX #AA7450

RGB 170 116 80

HSL 24, 0.36%, 0.49%

LAB 53.62, 17.14, 28.37

 

CMYK 0 / 18 / 53 / 33

HEX #AA8C50

RGB 170 140 80

HSL 40, 0.36%, 0.49%

LAB 59.78, 3.67, 36.05

 

CMYK 0 / 46 / 53 / 55

HEX #723E36

RGB 114 62 54

HSL 8, 0.36%, 0.33%

LAB 32.46, 21.77, 14.89

 

CMYK 0 / 46 / 53 / 44

HEX #8E4D43

RGB 142 77 67

HSL 8, 0.36%, 0.41%

LAB 40.35, 26.24, 18.03

 

CMYK 0 / 46 / 53 / 33

HEX #AA5C50

RGB 170 92 80

HSL 8, 0.36%, 0.49%

LAB 47.98, 30.53, 21.06

 

CMYK 0 / 37 / 43 / 27

HEX #B9756A

RGB 185 117 106

HSL 8.35, 0.36%, 0.57%

LAB 56.17, 25.44, 17.25

 

CMYK 0 / 28 / 32 / 22

HEX #C68F86

RGB 198 143 134

HSL 8.44, 0.36%, 0.65%

LAB 64.46, 19.63, 13.04

 

CMYK 0 / 46 / 53 / 33

HEX #AB5C50

RGB 171.7 92.6 80

HSL 8.24, 0.36%, 0.49%

LAB 48.35, 30.88, 21.6

 

CMYK 18 / 0 / 53 / 33

HEX #8CAA50

RGB 140 170 80

HSL 80, 0.36%, 0.49%

LAB 65.67, -24.83, 42.53

 

CMYK 53 / 39 / 0 / 33

HEX #5068AA

RGB 80 104 170

HSL 224, 0.36%, 0.49%

LAB 44.95, 10.52, -38.16

 

CMYK 0 / 46 / 53 / 33

HEX #AB5C50

RGB 171.7 92.6 80

HSL 8.24, 0.36%, 0.49%

LAB 48.35, 30.88, 21.6

 

CMYK 53 / 0 / 46 / 33

HEX #50AA5C

RGB 80 170 92

HSL 128, 0.36%, 0.49%

LAB 62.7, -43.75, 32.12

 

CMYK 46 / 53 / 0 / 33

HEX #5C50AA

RGB 92 80 170

HSL 248, 0.36%, 0.49%

LAB 39.44, 28.45, -46.9

 

CMYK 0 / 46 / 53 / 33

HEX #AB5C50

RGB 171.7 92.6 80

HSL 8.24, 0.36%, 0.49%

LAB 48.35, 30.88, 21.6

 

CMYK 18 / 0 / 53 / 33

HEX #8CAA50

RGB 140 170 80

HSL 80, 0.36%, 0.49%

LAB 65.67, -24.83, 42.53

 

CMYK 53 / 7 / 0 / 33

HEX #509EAA

RGB 80 158 170

HSL 188, 0.36%, 0.49%

LAB 60.84, -20.56, -13.62

 

CMYK 35 / 53 / 0 / 33

HEX #6E50AA

RGB 110 80 170

HSL 260, 0.36%, 0.49%

LAB 41.14, 32.92, -44.07

 

CMYK 0 / 46 / 53 / 33

HEX #AB5C50

RGB 171.7 92.6 80

HSL 8.24, 0.36%, 0.49%

LAB 48.35, 30.88, 21.6

 

CMYK 34 / 0 / 53 / 33

HEX #71AA50

RGB 113 170 80

HSL 98, 0.36%, 0.49%

LAB 64.03, -35.05, 40.17

 

CMYK 53 / 7 / 0 / 33

HEX #509EAA

RGB 80 158 170

HSL 188, 0.36%, 0.49%

LAB 60.84, -20.56, -13.62

 

CMYK 19 / 53 / 0 / 33

HEX #8950AA

RGB 137 80 170

HSL 278, 0.36%, 0.49%

LAB 44.17, 40.2, -39.07

 

Description

Color code: RGB 171.7 92.6 80 | qconv.com Color code: RGB 171.7 92.6 80 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171.7 red, 92.6 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171.7 92.6 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 53 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 53% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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