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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171.7 182.6 188 it is the complementary color RGB 83.3 72.4 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171.7 182.6 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171.7 182.6 188 shade: RGB 176.7 182.6 183, RGB 193.7 200.6 202, RGB 210.7 218.6 221, RGB 227.7 236.6 240 and RGB 244.7 254.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171.7 182.6 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171.7 182.6 188 shade: RGB 171.7 182.6 188, RGB 154.7 164.6 169, RGB 137.7 146.6 150, RGB 120.7 128.6 131 and RGB 103.7 110.6 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171.7 182.6 188 shade: RGB 173 184 189, RGB 173 179 189, RGB 173 175 189, RGB 175 173 189 and RGB 180 173 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171.7 182.6 188 shade: RGB 173 184 189, RGB 173 179 189, RGB 173 175 189 and RGB 173 173 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171.7 182.6 188 shade matches the following richer shades: RGB 173 184 189, RGB 161 188 201, RGB 149 192 213, RGB 137 196 225 and RGB 125 200 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171.7 182.6 188 shade: RGB 173 184 189, RGB 185 180 177, RGB 197 176 165, RGB 209 172 153 and RGB 221 168 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171.7 182.6 188 shade: RGB 173 189 186, RGB 173 188 189, RGB 173 184 189, RGB 173 180 189 and RGB 173 175 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171.7 182.6 188 shade: RGB 127 144 152, RGB 150 164 171, RGB 173 184 189, RGB 196 204 208 and RGB 219 224 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171.7 182.6 188 shade: RGB 171.7 182.6 188, RGB 181 173 189 and RGB 189 188 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171.7 182.6 188 shade: RGB 171.7 182.6 188, RGB 189 173 184 and RGB 184 189 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171.7 182.6 188 shade: RGB 171.7 182.6 188, RGB 181 173 189, RGB 189 178 173 and RGB 181 189 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171.7 182.6 188 shade: RGB 171.7 182.6 188, RGB 186 173 189, RGB 189 178 173 and RGB 176 189 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 3 / 0 / 26

HEX #ABB6BC

RGB 171.7 182.6 188

HSL 199.88, 0.11%, 0.71%

LAB 73.59, -2.7, -4.05

 

Complementary color

CMYK 0 / 13 / 20 / 67

HEX #534843

RGB 83.3 72.4 67

HSL 19.88, 0.11%, 0.29%

LAB 31.68, 3.57, 4.92

 

CMYK 3 / 0 / 0 / 28

HEX #B0B6B7

RGB 176.7 182.6 183

HSL 183.81, 0.04%, 0.71%

LAB 73.83, -1.97, -0.93

 

CMYK 4 / 1 / 0 / 21

HEX #C1C8CA

RGB 193.7 200.6 202

HSL 190.12, 0.07%, 0.78%

LAB 80.34, -2.09, -1.53

 

CMYK 5 / 1 / 0 / 13

HEX #D2DADD

RGB 210.7 218.6 221

HSL 193.98, 0.13%, 0.85%

LAB 86.74, -2.21, -2.11

 

CMYK 5 / 1 / 0 / 6

HEX #E3ECF0

RGB 227.7 236.6 240

HSL 196.59, 0.29%, 0.92%

LAB 93.05, -2.32, -2.68

 

CMYK 4 / 0 / 0 / 0

HEX #F4FEFF

RGB 244.7 254.6 255

HSL 182.33, 1%, 0.98%

LAB 99.16, -3.16, -1.33

 

CMYK 9 / 3 / 0 / 26

HEX #ABB6BC

RGB 171.7 182.6 188

HSL 199.88, 0.11%, 0.71%

LAB 73.59, -2.7, -4.05

 

CMYK 8 / 3 / 0 / 34

HEX #9AA4A9

RGB 154.7 164.6 169

HSL 198.46, 0.08%, 0.63%

LAB 66.95, -2.6, -3.49

 

CMYK 8 / 2 / 0 / 41

HEX #899296

RGB 137.7 146.6 150

HSL 196.59, 0.06%, 0.56%

LAB 60.18, -2.51, -2.91

 

CMYK 8 / 2 / 0 / 49

HEX #788083

RGB 120.7 128.6 131

HSL 193.98, 0.04%, 0.49%

LAB 53.25, -2.41, -2.31

 

CMYK 7 / 1 / 0 / 56

HEX #676E70

RGB 103.7 110.6 112

HSL 190.12, 0.04%, 0.42%

LAB 46.15, -2.31, -1.69

 

CMYK 8 / 3 / 0 / 26

HEX #ADB8BD

RGB 173 184 189

HSL 198.75, 0.11%, 0.71%

LAB 74.09, -2.81, -3.85

 

CMYK 8 / 5 / 0 / 26

HEX #ADB3BD

RGB 173 179 189

HSL 217.5, 0.11%, 0.71%

LAB 72.76, -0.12, -5.81

 

CMYK 8 / 7 / 0 / 26

HEX #ADAFBD

RGB 173 175 189

HSL 232.5, 0.11%, 0.71%

LAB 71.7, 2.05, -7.38

 

CMYK 7 / 8 / 0 / 26

HEX #AFADBD

RGB 175 173 189

HSL 247.5, 0.11%, 0.71%

LAB 71.33, 3.82, -7.91

 

CMYK 5 / 8 / 0 / 26

HEX #B4ADBD

RGB 180 173 189

HSL 266.25, 0.11%, 0.71%

LAB 71.73, 5.53, -7.27

 

CMYK 8 / 3 / 0 / 26

HEX #ADB8BD

RGB 173 184 189

HSL 198.75, 0.11%, 0.71%

LAB 74.09, -2.81, -3.85

 

CMYK 8 / 5 / 0 / 26

HEX #ADB3BD

RGB 173 179 189

HSL 217.5, 0.11%, 0.71%

LAB 72.76, -0.12, -5.81

 

CMYK 8 / 7 / 0 / 26

HEX #ADAFBD

RGB 173 175 189

HSL 232.5, 0.11%, 0.71%

LAB 71.7, 2.05, -7.38

 

CMYK 8 / 8 / 0 / 26

HEX #ADADBD

RGB 173 173 189

HSL 240, 0.11%, 0.71%

LAB 71.18, 3.14, -8.16

 

CMYK 8 / 3 / 0 / 26

HEX #ADB8BD

RGB 173 184 189

HSL 198.75, 0.11%, 0.71%

LAB 74.09, -2.81, -3.85

 

CMYK 20 / 6 / 0 / 21

HEX #A1BCC9

RGB 161 188 201

HSL 199.5, 0.27%, 0.71%

LAB 74.67, -6.33, -9.61

 

CMYK 30 / 10 / 0 / 16

HEX #95C0D5

RGB 149 192 213

HSL 199.69, 0.43%, 0.71%

LAB 75.38, -9.31, -15.14

 

CMYK 39 / 13 / 0 / 12

HEX #89C4E1

RGB 137 196 225

HSL 199.77, 0.59%, 0.71%

LAB 76.21, -11.72, -20.45

 

CMYK 47 / 16 / 0 / 7

HEX #7DC8ED

RGB 125 200 237

HSL 199.82, 0.76%, 0.71%

LAB 77.15, -13.56, -25.53

 

CMYK 8 / 3 / 0 / 26

HEX #ADB8BD

RGB 173 184 189

HSL 198.75, 0.11%, 0.71%

LAB 74.09, -2.81, -3.85

 

CMYK 0 / 3 / 4 / 27

HEX #B9B4B1

RGB 185 180 177

HSL 22.5, 0.05%, 0.71%

LAB 73.63, 1.22, 2.15

 

CMYK 0 / 11 / 16 / 23

HEX #C5B0A5

RGB 197 176 165

HSL 20.63, 0.22%, 0.71%

LAB 73.31, 5.73, 8.38

 

CMYK 0 / 18 / 27 / 18

HEX #D1AC99

RGB 209 172 153

HSL 20.36, 0.38%, 0.71%

LAB 73.13, 10.64, 14.83

 

CMYK 0 / 24 / 36 / 13

HEX #DDA88D

RGB 221 168 141

HSL 20.25, 0.54%, 0.71%

LAB 73.09, 15.9, 21.49

 

CMYK 8 / 0 / 2 / 26

HEX #ADBDBA

RGB 173 189 186

HSL 168.75, 0.11%, 0.71%

LAB 75.34, -6.07, -0.38

 

CMYK 8 / 1 / 0 / 26

HEX #ADBCBD

RGB 173 188 189

HSL 183.75, 0.11%, 0.71%

LAB 75.15, -4.94, -2.28

 

CMYK 8 / 3 / 0 / 26

HEX #ADB8BD

RGB 173 184 189

HSL 198.75, 0.11%, 0.71%

LAB 74.09, -2.81, -3.85

 

CMYK 8 / 5 / 0 / 26

HEX #ADB4BD

RGB 173 180 189

HSL 213.75, 0.11%, 0.71%

LAB 73.02, -0.66, -5.42

 

CMYK 8 / 7 / 0 / 26

HEX #ADAFBD

RGB 173 175 189

HSL 232.5, 0.11%, 0.71%

LAB 71.7, 2.05, -7.38

 

CMYK 16 / 5 / 0 / 40

HEX #7F9098

RGB 127 144 152

HSL 199.2, 0.11%, 0.55%

LAB 58.72, -4.32, -6.3

 

CMYK 12 / 4 / 0 / 33

HEX #96A4AB

RGB 150 164 171

HSL 200, 0.11%, 0.63%

LAB 66.5, -3.46, -5.31

 

CMYK 8 / 3 / 0 / 26

HEX #ADB8BD

RGB 173 184 189

HSL 198.75, 0.11%, 0.71%

LAB 74.09, -2.81, -3.85

 

CMYK 6 / 2 / 0 / 18

HEX #C4CCD0

RGB 196 204 208

HSL 200, 0.11%, 0.79%

LAB 81.55, -1.96, -2.94

 

CMYK 3 / 1 / 0 / 11

HEX #DBE0E2

RGB 219 224 226

HSL 197.14, 0.11%, 0.87%

LAB 88.86, -1.31, -1.57

 

CMYK 9 / 3 / 0 / 26

HEX #ABB6BC

RGB 171.7 182.6 188

HSL 199.88, 0.11%, 0.71%

LAB 73.59, -2.7, -4.05

 

CMYK 4 / 8 / 0 / 26

HEX #B5ADBD

RGB 181 173 189

HSL 270, 0.11%, 0.71%

LAB 71.82, 5.87, -7.14

 

CMYK 0 / 1 / 8 / 26

HEX #BDBCAD

RGB 189 188 173

HSL 56.25, 0.11%, 0.71%

LAB 75.95, -2.31, 7.71

 

CMYK 9 / 3 / 0 / 26

HEX #ABB6BC

RGB 171.7 182.6 188

HSL 199.88, 0.11%, 0.71%

LAB 73.59, -2.7, -4.05

 

CMYK 0 / 8 / 3 / 26

HEX #BDADB8

RGB 189 173 184

HSL 318.75, 0.11%, 0.71%

LAB 72.34, 7.71, -3.54

 

CMYK 3 / 0 / 8 / 26

HEX #B8BDAD

RGB 184 189 173

HSL 78.75, 0.11%, 0.71%

LAB 75.82, -4.64, 7.48

 

CMYK 9 / 3 / 0 / 26

HEX #ABB6BC

RGB 171.7 182.6 188

HSL 199.88, 0.11%, 0.71%

LAB 73.59, -2.7, -4.05

 

CMYK 4 / 8 / 0 / 26

HEX #B5ADBD

RGB 181 173 189

HSL 270, 0.11%, 0.71%

LAB 71.82, 5.87, -7.14

 

CMYK 0 / 6 / 8 / 26

HEX #BDB2AD

RGB 189 178 173

HSL 18.75, 0.11%, 0.71%

LAB 73.34, 3.04, 3.95

 

CMYK 4 / 0 / 8 / 26

HEX #B5BDAD

RGB 181 189 173

HSL 90, 0.11%, 0.71%

LAB 75.6, -5.71, 7.12

 

CMYK 9 / 3 / 0 / 26

HEX #ABB6BC

RGB 171.7 182.6 188

HSL 199.88, 0.11%, 0.71%

LAB 73.59, -2.7, -4.05

 

CMYK 2 / 8 / 0 / 26

HEX #BAADBD

RGB 186 173 189

HSL 288.75, 0.11%, 0.71%

LAB 72.23, 7.6, -6.48

 

CMYK 0 / 6 / 8 / 26

HEX #BDB2AD

RGB 189 178 173

HSL 18.75, 0.11%, 0.71%

LAB 73.34, 3.04, 3.95

 

CMYK 7 / 0 / 8 / 26

HEX #B0BDAD

RGB 176 189 173

HSL 108.75, 0.11%, 0.71%

LAB 75.23, -7.48, 6.54

 

Description

Color code: RGB 171.7 182.6 188 | qconv.com Color code: RGB 171.7 182.6 188 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171.7 red, 182.6 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171.7 182.6 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 3 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 3% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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