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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171.7 182.6 172 it is the complementary color RGB 83.3 72.4 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171.7 182.6 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171.7 182.6 172 shade: RGB 176.7 182.6 167, RGB 193.7 200.6 186, RGB 210.7 218.6 205, RGB 227.7 236.6 224 and RGB 244.7 254.6 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171.7 182.6 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171.7 182.6 172 shade: RGB 171.7 182.6 172, RGB 154.7 164.6 153, RGB 137.7 146.6 134, RGB 120.7 128.6 115 and RGB 103.7 110.6 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171.7 182.6 172 shade: RGB 170 181 171, RGB 173 181 170, RGB 176 181 170, RGB 179 181 170 and RGB 181 181 170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171.7 182.6 172 shade: RGB 170 181 171, RGB 170 181 174, RGB 170 181 177, RGB 170 181 180 and RGB 170 180 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171.7 182.6 172 shade matches the following richer shades: RGB 170 181 171, RGB 158 194 159, RGB 145 207 147, RGB 132 220 134 and RGB 119 233 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171.7 182.6 172 shade: RGB 170 181 171, RGB 183 169 183, RGB 196 156 195, RGB 209 143 207 and RGB 222 130 219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171.7 182.6 172 shade: RGB 176 181 170, RGB 173 181 170, RGB 170 181 171, RGB 170 181 174 and RGB 170 181 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171.7 182.6 172 shade: RGB 126 143 127, RGB 148 162 149, RGB 170 181 171, RGB 192 201 193 and RGB 215 220 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171.7 182.6 172 shade: RGB 171.7 182.6 172, RGB 170 179 181 and RGB 181 170 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171.7 182.6 172 shade: RGB 171.7 182.6 172, RGB 171 170 181 and RGB 181 171 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171.7 182.6 172 shade: RGB 171.7 182.6 172, RGB 170 179 181, RGB 181 170 181 and RGB 181 173 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171.7 182.6 172 shade: RGB 171.7 182.6 172, RGB 170 176 181, RGB 181 170 181 and RGB 181 176 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 6 / 28

HEX #ABB6AC

RGB 171.7 182.6 172

HSL 121.65, 0.07%, 0.69%

LAB 73.17, -5.79, 4.08

 

Complementary color

CMYK 0 / 13 / 0 / 67

HEX #534853

RGB 83.3 72.4 83

HSL 301.65, 0.07%, 0.31%

LAB 32.18, 6.78, -4.61

 

CMYK 3 / 0 / 9 / 28

HEX #B0B6A7

RGB 176.7 182.6 167

HSL 82.69, 0.1%, 0.69%

LAB 73.42, -4.92, 7.22

 

CMYK 3 / 0 / 7 / 21

HEX #C1C8BA

RGB 193.7 200.6 186

HSL 88.36, 0.12%, 0.76%

LAB 79.93, -5.02, 6.47

 

CMYK 4 / 0 / 6 / 14

HEX #D2DACD

RGB 210.7 218.6 205

HSL 94.85, 0.16%, 0.83%

LAB 86.34, -5.11, 5.75

 

CMYK 4 / 0 / 5 / 7

HEX #E3ECE0

RGB 227.7 236.6 224

HSL 102.38, 0.26%, 0.9%

LAB 92.65, -5.2, 5.07

 

CMYK 4 / 0 / 5 / 0

HEX #F4FEF3

RGB 244.7 254.6 243

HSL 111.21, 0.94%, 0.98%

LAB 98.87, -5.28, 4.4

 

CMYK 6 / 0 / 6 / 28

HEX #ABB6AC

RGB 171.7 182.6 172

HSL 121.65, 0.07%, 0.69%

LAB 73.17, -5.79, 4.08

 

CMYK 6 / 0 / 7 / 35

HEX #9AA499

RGB 154.7 164.6 153

HSL 111.21, 0.06%, 0.62%

LAB 66.52, -5.74, 4.8

 

CMYK 6 / 0 / 9 / 43

HEX #899286

RGB 137.7 146.6 134

HSL 102.38, 0.05%, 0.55%

LAB 59.75, -5.68, 5.56

 

CMYK 6 / 0 / 11 / 50

HEX #788073

RGB 120.7 128.6 115

HSL 94.85, 0.06%, 0.48%

LAB 52.81, -5.62, 6.37

 

CMYK 6 / 0 / 13 / 57

HEX #676E60

RGB 103.7 110.6 96

HSL 88.36, 0.07%, 0.41%

LAB 45.7, -5.57, 7.24

 

CMYK 6 / 0 / 6 / 29

HEX #AAB5AB

RGB 170 181 171

HSL 125.45, 0.07%, 0.69%

LAB 72.58, -5.73, 3.76

 

CMYK 4 / 0 / 6 / 29

HEX #ADB5AA

RGB 173 181 170

HSL 103.64, 0.07%, 0.69%

LAB 72.78, -4.85, 4.63

 

CMYK 3 / 0 / 6 / 29

HEX #B0B5AA

RGB 176 181 170

HSL 87.27, 0.07%, 0.69%

LAB 73.01, -3.78, 4.98

 

CMYK 1 / 0 / 6 / 29

HEX #B3B5AA

RGB 179 181 170

HSL 70.91, 0.07%, 0.69%

LAB 73.24, -2.71, 5.35

 

CMYK 0 / 0 / 6 / 29

HEX #B5B5AA

RGB 181 181 170

HSL 60, 0.07%, 0.69%

LAB 73.4, -1.99, 5.59

 

CMYK 6 / 0 / 6 / 29

HEX #AAB5AB

RGB 170 181 171

HSL 125.45, 0.07%, 0.69%

LAB 72.58, -5.73, 3.76

 

CMYK 6 / 0 / 4 / 29

HEX #AAB5AE

RGB 170 181 174

HSL 141.82, 0.07%, 0.69%

LAB 72.66, -5.16, 2.23

 

CMYK 6 / 0 / 2 / 29

HEX #AAB5B1

RGB 170 181 177

HSL 158.18, 0.07%, 0.69%

LAB 72.74, -4.59, 0.71

 

CMYK 6 / 0 / 1 / 29

HEX #AAB5B4

RGB 170 181 180

HSL 174.55, 0.07%, 0.69%

LAB 72.82, -4.01, -0.82

 

CMYK 6 / 1 / 0 / 29

HEX #AAB4B5

RGB 170 180 181

HSL 185.45, 0.07%, 0.69%

LAB 72.58, -3.28, -1.72

 

CMYK 6 / 0 / 6 / 29

HEX #AAB5AB

RGB 170 181 171

HSL 125.45, 0.07%, 0.69%

LAB 72.58, -5.73, 3.76

 

CMYK 19 / 0 / 18 / 24

HEX #9EC29F

RGB 158 194 159

HSL 121.67, 0.23%, 0.69%

LAB 75.05, -18.85, 13.69

 

CMYK 30 / 0 / 29 / 19

HEX #91CF93

RGB 145 207 147

HSL 121.94, 0.39%, 0.69%

LAB 77.73, -31.64, 23.67

 

CMYK 40 / 0 / 39 / 14

HEX #84DC86

RGB 132 220 134

HSL 121.36, 0.56%, 0.69%

LAB 80.63, -43.68, 34.15

 

CMYK 49 / 0 / 48 / 9

HEX #77E97A

RGB 119 233 122

HSL 121.58, 0.72%, 0.69%

LAB 83.76, -54.5, 43.96

 

CMYK 6 / 0 / 6 / 29

HEX #AAB5AB

RGB 170 181 171

HSL 125.45, 0.07%, 0.69%

LAB 72.58, -5.73, 3.76

 

CMYK 0 / 8 / 0 / 28

HEX #B7A9B7

RGB 183 169 183

HSL 300, 0.09%, 0.69%

LAB 70.78, 7.6, -5.36

 

CMYK 0 / 20 / 1 / 23

HEX #C49CC3

RGB 196 156 195

HSL 301.5, 0.25%, 0.69%

LAB 69.08, 21.54, -14.41

 

CMYK 0 / 32 / 1 / 18

HEX #D18FCF

RGB 209 143 207

HSL 301.82, 0.42%, 0.69%

LAB 67.8, 35.23, -22.88

 

CMYK 0 / 41 / 1 / 13

HEX #DE82DB

RGB 222 130 219

HSL 301.96, 0.58%, 0.69%

LAB 66.98, 48.33, -30.68

 

CMYK 3 / 0 / 6 / 29

HEX #B0B5AA

RGB 176 181 170

HSL 87.27, 0.07%, 0.69%

LAB 73.01, -3.78, 4.98

 

CMYK 4 / 0 / 6 / 29

HEX #ADB5AA

RGB 173 181 170

HSL 103.64, 0.07%, 0.69%

LAB 72.78, -4.85, 4.63

 

CMYK 6 / 0 / 6 / 29

HEX #AAB5AB

RGB 170 181 171

HSL 125.45, 0.07%, 0.69%

LAB 72.58, -5.73, 3.76

 

CMYK 6 / 0 / 4 / 29

HEX #AAB5AE

RGB 170 181 174

HSL 141.82, 0.07%, 0.69%

LAB 72.66, -5.16, 2.23

 

CMYK 6 / 0 / 2 / 29

HEX #AAB5B1

RGB 170 181 177

HSL 158.18, 0.07%, 0.69%

LAB 72.74, -4.59, 0.71

 

CMYK 12 / 0 / 11 / 44

HEX #7E8F7F

RGB 126 143 127

HSL 123.53, 0.07%, 0.53%

LAB 57.67, -9.35, 6.45

 

CMYK 9 / 0 / 8 / 36

HEX #94A295

RGB 148 162 149

HSL 124.29, 0.07%, 0.61%

LAB 65.21, -7.49, 5.06

 

CMYK 6 / 0 / 6 / 29

HEX #AAB5AB

RGB 170 181 171

HSL 125.45, 0.07%, 0.69%

LAB 72.58, -5.73, 3.76

 

CMYK 4 / 0 / 4 / 21

HEX #C0C9C1

RGB 192 201 193

HSL 126.67, 0.08%, 0.77%

LAB 80.08, -4.56, 2.92

 

CMYK 2 / 0 / 2 / 14

HEX #D7DCD7

RGB 215 220 215

HSL 120, 0.07%, 0.85%

LAB 87.26, -2.59, 1.85

 

CMYK 6 / 0 / 6 / 28

HEX #ABB6AC

RGB 171.7 182.6 172

HSL 121.65, 0.07%, 0.69%

LAB 73.17, -5.79, 4.08

 

CMYK 6 / 1 / 0 / 29

HEX #AAB3B5

RGB 170 179 181

HSL 190.91, 0.07%, 0.69%

LAB 72.31, -2.74, -2.11

 

CMYK 0 / 6 / 3 / 29

HEX #B5AAAF

RGB 181 170 175

HSL 332.73, 0.07%, 0.69%

LAB 70.64, 4.85, -1.16

 

CMYK 6 / 0 / 6 / 28

HEX #ABB6AC

RGB 171.7 182.6 172

HSL 121.65, 0.07%, 0.69%

LAB 73.17, -5.79, 4.08

 

CMYK 6 / 6 / 0 / 29

HEX #ABAAB5

RGB 171 170 181

HSL 245.45, 0.07%, 0.69%

LAB 70, 2.49, -5.51

 

CMYK 0 / 6 / 6 / 29

HEX #B5ABAA

RGB 181 171 170

HSL 5.45, 0.07%, 0.69%

LAB 70.77, 3.4, 1.79

 

CMYK 6 / 0 / 6 / 28

HEX #ABB6AC

RGB 171.7 182.6 172

HSL 121.65, 0.07%, 0.69%

LAB 73.17, -5.79, 4.08

 

CMYK 6 / 1 / 0 / 29

HEX #AAB3B5

RGB 170 179 181

HSL 190.91, 0.07%, 0.69%

LAB 72.31, -2.74, -2.11

 

CMYK 0 / 6 / 0 / 29

HEX #B5AAB5

RGB 181 170 181

HSL 300, 0.07%, 0.69%

LAB 70.81, 5.97, -4.22

 

CMYK 0 / 4 / 6 / 29

HEX #B5ADAA

RGB 181 173 170

HSL 16.36, 0.07%, 0.69%

LAB 71.29, 2.32, 2.55

 

CMYK 6 / 0 / 6 / 28

HEX #ABB6AC

RGB 171.7 182.6 172

HSL 121.65, 0.07%, 0.69%

LAB 73.17, -5.79, 4.08

 

CMYK 6 / 3 / 0 / 29

HEX #AAB0B5

RGB 170 176 181

HSL 207.27, 0.07%, 0.69%

LAB 71.51, -1.12, -3.29

 

CMYK 0 / 6 / 0 / 29

HEX #B5AAB5

RGB 181 170 181

HSL 300, 0.07%, 0.69%

LAB 70.81, 5.97, -4.22

 

CMYK 0 / 3 / 6 / 29

HEX #B5B0AA

RGB 181 176 170

HSL 32.73, 0.07%, 0.69%

LAB 72.08, 0.69, 3.69

 

Description

Color code: RGB 171.7 182.6 172 | qconv.com Color code: RGB 171.7 182.6 172 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171.7 red, 182.6 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171.7 182.6 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 6 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 6% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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