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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171.1 180.8 220 it is the complementary color RGB 83.9 74.2 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171.1 180.8 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171.1 180.8 220 shade: RGB 176.1 180.8 215, RGB 193.1 198.8 234, RGB 210.1 216.8 253, RGB 227.1 234.8 255 and RGB 244.1 252.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171.1 180.8 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171.1 180.8 220 shade: RGB 171.1 180.8 220, RGB 154.1 162.8 201, RGB 137.1 144.8 182, RGB 120.1 126.8 163 and RGB 103.1 108.8 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171.1 180.8 220 shade: RGB 172 181 220, RGB 175 172 220, RGB 188 172 220, RGB 201 172 220 and RGB 214 172 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171.1 180.8 220 shade: RGB 172 181 220 and RGB 172 172 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171.1 180.8 220 shade matches the following richer shades: RGB 172 181 220, RGB 162 176 229, RGB 153 170 239 and RGB 143 164 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171.1 180.8 220 shade: RGB 172 181 220, RGB 181 187 210, RGB 191 193 201, RGB 200 199 191 and RGB 210 204 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171.1 180.8 220 shade: RGB 172 207 220, RGB 172 194 220, RGB 172 181 220, RGB 175 172 220 and RGB 188 172 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171.1 180.8 220 shade: RGB 114 130 196, RGB 143 156 208, RGB 172 181 220, RGB 201 207 232 and RGB 230 233 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171.1 180.8 220 shade: RGB 171.1 180.8 220, RGB 220 172 220 and RGB 201 220 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171.1 180.8 220 shade: RGB 171.1 180.8 220, RGB 220 172 181 and RGB 181 220 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171.1 180.8 220 shade: RGB 171.1 180.8 220, RGB 220 172 220, RGB 220 210 172 and RGB 172 220 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171.1 180.8 220 shade: RGB 171.1 180.8 220, RGB 220 172 205, RGB 220 210 172 and RGB 172 220 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 18 / 0 / 14

HEX #ABB4DC

RGB 171.1 180.8 220

HSL 228.1, 0.41%, 0.77%

LAB 74.06, 4.98, -20.8

 

Complementary color

CMYK 0 / 12 / 58 / 67

HEX #534A23

RGB 83.9 74.2 35

HSL 48.1, 0.41%, 0.23%

LAB 31.64, -1.78, 24.62

 

CMYK 18 / 16 / 0 / 16

HEX #B0B4D7

RGB 176.1 180.8 215

HSL 232.75, 0.33%, 0.77%

LAB 74.26, 5.41, -17.74

 

CMYK 17 / 15 / 0 / 8

HEX #C1C6EA

RGB 193.1 198.8 234

HSL 231.64, 0.49%, 0.84%

LAB 80.76, 5.17, -18.06

 

CMYK 17 / 14 / 0 / 1

HEX #D2D8FD

RGB 210.1 216.8 253

HSL 230.63, 0.91%, 0.91%

LAB 87.16, 4.93, -18.38

 

CMYK 11 / 8 / 0 / 0

HEX #E3EAFF

RGB 227.1 234.8 255

HSL 223.44, 1%, 0.95%

LAB 92.96, 1.28, -10.62

 

CMYK 4 / 1 / 0 / 0

HEX #F4FCFF

RGB 244.1 252.8 255

HSL 192.11, 1%, 0.98%

LAB 98.67, -2.45, -2.05

 

CMYK 22 / 18 / 0 / 14

HEX #ABB4DC

RGB 171.1 180.8 220

HSL 228.1, 0.41%, 0.77%

LAB 74.06, 4.98, -20.8

 

CMYK 23 / 19 / 0 / 21

HEX #9AA2C9

RGB 154.1 162.8 201

HSL 228.87, 0.3%, 0.7%

LAB 67.44, 5.25, -20.55

 

CMYK 25 / 20 / 0 / 29

HEX #8990B6

RGB 137.1 144.8 182

HSL 229.71, 0.24%, 0.63%

LAB 60.69, 5.56, -20.32

 

CMYK 26 / 22 / 0 / 36

HEX #787EA3

RGB 120.1 126.8 163

HSL 230.63, 0.19%, 0.56%

LAB 53.78, 5.9, -20.12

 

CMYK 28 / 24 / 0 / 44

HEX #676C90

RGB 103.1 108.8 144

HSL 231.64, 0.17%, 0.48%

LAB 46.71, 6.28, -19.95

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 20 / 22 / 0 / 14

HEX #AFACDC

RGB 175 172 220

HSL 243.75, 0.41%, 0.77%

LAB 72.09, 11.03, -23.79

 

CMYK 15 / 22 / 0 / 14

HEX #BCACDC

RGB 188 172 220

HSL 260, 0.41%, 0.77%

LAB 73.13, 15.12, -22.1

 

CMYK 9 / 22 / 0 / 14

HEX #C9ACDC

RGB 201 172 220

HSL 276.25, 0.41%, 0.77%

LAB 74.25, 19.31, -20.3

 

CMYK 3 / 22 / 0 / 14

HEX #D6ACDC

RGB 214 172 220

HSL 292.5, 0.41%, 0.77%

LAB 75.43, 23.57, -18.39

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 22 / 22 / 0 / 14

HEX #ACACDC

RGB 172 172 220

HSL 240, 0.41%, 0.77%

LAB 71.85, 10.1, -24.16

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 29 / 23 / 0 / 10

HEX #A2B0E5

RGB 162 176 229

HSL 227.46, 0.56%, 0.77%

LAB 72.49, 7.04, -28.17

 

CMYK 36 / 29 / 0 / 6

HEX #99AAEF

RGB 153 170 239

HSL 228.14, 0.73%, 0.77%

LAB 70.7, 10.4, -36.42

 

CMYK 42 / 34 / 0 / 3

HEX #8FA4F8

RGB 143 164 248

HSL 228, 0.88%, 0.77%

LAB 68.87, 13.63, -44.23

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 14 / 11 / 0 / 18

HEX #B5BBD2

RGB 181 187 210

HSL 227.59, 0.24%, 0.77%

LAB 76.08, 2.54, -12.26

 

CMYK 5 / 4 / 0 / 21

HEX #BFC1C9

RGB 191 193 201

HSL 228, 0.08%, 0.77%

LAB 78.13, 0.83, -4.26

 

CMYK 0 / 0 / 5 / 22

HEX #C8C7BF

RGB 200 199 191

HSL 53.33, 0.08%, 0.77%

LAB 80.12, -1.08, 4.11

 

CMYK 0 / 3 / 13 / 18

HEX #D2CCB6

RGB 210 204 182

HSL 47.14, 0.24%, 0.77%

LAB 81.98, -1.64, 11.7

 

CMYK 22 / 6 / 0 / 14

HEX #ACCFDC

RGB 172 207 220

HSL 196.25, 0.41%, 0.77%

LAB 81.05, -8.75, -10.28

 

CMYK 22 / 12 / 0 / 14

HEX #ACC2DC

RGB 172 194 220

HSL 212.5, 0.41%, 0.77%

LAB 77.59, -1.89, -15.46

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 20 / 22 / 0 / 14

HEX #AFACDC

RGB 175 172 220

HSL 243.75, 0.41%, 0.77%

LAB 72.09, 11.03, -23.79

 

CMYK 15 / 22 / 0 / 14

HEX #BCACDC

RGB 188 172 220

HSL 260, 0.41%, 0.77%

LAB 73.13, 15.12, -22.1

 

CMYK 42 / 34 / 0 / 23

HEX #7282C4

RGB 114 130 196

HSL 228.29, 0.41%, 0.61%

LAB 55.61, 11.2, -36.25

 

CMYK 31 / 25 / 0 / 18

HEX #8F9CD0

RGB 143 156 208

HSL 228, 0.41%, 0.69%

LAB 65.1, 7.46, -28.1

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 13 / 11 / 0 / 9

HEX #C9CFE8

RGB 201 207 232

HSL 228.39, 0.4%, 0.85%

LAB 83.37, 2.87, -13.01

 

CMYK 6 / 5 / 0 / 4

HEX #E6E9F4

RGB 230 233 244

HSL 227.14, 0.39%, 0.93%

LAB 92.41, 1.03, -5.68

 

CMYK 22 / 18 / 0 / 14

HEX #ABB4DC

RGB 171.1 180.8 220

HSL 228.1, 0.41%, 0.77%

LAB 74.06, 4.98, -20.8

 

CMYK 0 / 22 / 0 / 14

HEX #DCACDC

RGB 220 172 220

HSL 300, 0.41%, 0.77%

LAB 76, 25.55, -17.48

 

CMYK 9 / 0 / 22 / 14

HEX #C9DCAC

RGB 201 220 172

HSL 83.75, 0.41%, 0.77%

LAB 85.29, -14.65, 21.51

 

CMYK 22 / 18 / 0 / 14

HEX #ABB4DC

RGB 171.1 180.8 220

HSL 228.1, 0.41%, 0.77%

LAB 74.06, 4.98, -20.8

 

CMYK 0 / 22 / 18 / 14

HEX #DCACB5

RGB 220 172 181

HSL 348.75, 0.41%, 0.77%

LAB 74.86, 18.89, 2.13

 

CMYK 18 / 0 / 22 / 14

HEX #B5DCAC

RGB 181 220 172

HSL 108.75, 0.41%, 0.77%

LAB 83.96, -21.67, 19.46

 

CMYK 22 / 18 / 0 / 14

HEX #ABB4DC

RGB 171.1 180.8 220

HSL 228.1, 0.41%, 0.77%

LAB 74.06, 4.98, -20.8

 

CMYK 0 / 22 / 0 / 14

HEX #DCACDC

RGB 220 172 220

HSL 300, 0.41%, 0.77%

LAB 76, 25.55, -17.48

 

CMYK 0 / 5 / 22 / 14

HEX #DCD2AC

RGB 220 210 172

HSL 47.5, 0.41%, 0.77%

LAB 84.12, -2.59, 20.11

 

CMYK 22 / 0 / 22 / 14

HEX #ACDCAC

RGB 172 220 172

HSL 120, 0.41%, 0.77%

LAB 83.41, -24.72, 18.61

 

CMYK 22 / 18 / 0 / 14

HEX #ABB4DC

RGB 171.1 180.8 220

HSL 228.1, 0.41%, 0.77%

LAB 74.06, 4.98, -20.8

 

CMYK 0 / 22 / 7 / 14

HEX #DCACCD

RGB 220 172 205

HSL 318.75, 0.41%, 0.77%

LAB 75.53, 22.85, -10.01

 

CMYK 0 / 5 / 22 / 14

HEX #DCD2AC

RGB 220 210 172

HSL 47.5, 0.41%, 0.77%

LAB 84.12, -2.59, 20.11

 

CMYK 22 / 0 / 15 / 14

HEX #ACDCBA

RGB 172 220 186

HSL 137.5, 0.41%, 0.77%

LAB 83.71, -22.22, 11.67

 

Description

Color code: RGB 171.1 180.8 220 | qconv.com Color code: RGB 171.1 180.8 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171.1 red, 180.8 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171.1 180.8 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 18 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 18% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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