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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171.1 180.8 197 it is the complementary color RGB 83.9 74.2 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171.1 180.8 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171.1 180.8 197 shade: RGB 176.1 180.8 192, RGB 193.1 198.8 211, RGB 210.1 216.8 230, RGB 227.1 234.8 249 and RGB 244.1 252.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171.1 180.8 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171.1 180.8 197 shade: RGB 171.1 180.8 197, RGB 154.1 162.8 178, RGB 137.1 144.8 159, RGB 120.1 126.8 140 and RGB 103.1 108.8 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171.1 180.8 197 shade: RGB 170 180 196, RGB 170 173 196, RGB 174 170 196, RGB 181 170 196 and RGB 188 170 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171.1 180.8 197 shade: RGB 170 180 196, RGB 170 173 196 and RGB 170 170 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171.1 180.8 197 shade matches the following richer shades: RGB 170 180 196, RGB 159 177 208, RGB 147 174 219, RGB 136 171 231 and RGB 124 168 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171.1 180.8 197 shade: RGB 170 180 196, RGB 182 183 184, RGB 193 186 173, RGB 205 189 161 and RGB 216 191 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171.1 180.8 197 shade: RGB 170 194 196, RGB 170 187 196, RGB 170 180 196, RGB 170 173 196 and RGB 174 170 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171.1 180.8 197 shade: RGB 122 137 162, RGB 146 158 179, RGB 170 180 196, RGB 195 201 213 and RGB 219 223 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171.1 180.8 197 shade: RGB 171.1 180.8 197, RGB 191 170 196 and RGB 190 196 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171.1 180.8 197 shade: RGB 171.1 180.8 197, RGB 196 170 180 and RGB 180 196 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171.1 180.8 197 shade: RGB 171.1 180.8 197, RGB 191 170 196, RGB 196 186 170 and RGB 175 196 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171.1 180.8 197 shade: RGB 171.1 180.8 197, RGB 196 170 193, RGB 196 186 170 and RGB 170 196 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 8 / 0 / 23

HEX #ABB4C5

RGB 171.1 180.8 197

HSL 217.53, 0.18%, 0.72%

LAB 73.33, -0.08, -9.36

 

Complementary color

CMYK 0 / 12 / 31 / 67

HEX #534A3A

RGB 83.9 74.2 58

HSL 37.53, 0.18%, 0.28%

LAB 32.06, 1.17, 11.17

 

CMYK 8 / 6 / 0 / 25

HEX #B0B4C0

RGB 176.1 180.8 192

HSL 222.26, 0.11%, 0.72%

LAB 73.55, 0.56, -6.25

 

CMYK 8 / 6 / 0 / 17

HEX #C1C6D3

RGB 193.1 198.8 211

HSL 220.89, 0.17%, 0.79%

LAB 80.07, 0.4, -6.76

 

CMYK 9 / 6 / 0 / 10

HEX #D2D8E6

RGB 210.1 216.8 230

HSL 219.8, 0.28%, 0.86%

LAB 86.48, 0.26, -7.26

 

CMYK 9 / 6 / 0 / 2

HEX #E3EAF9

RGB 227.1 234.8 249

HSL 218.9, 0.65%, 0.93%

LAB 92.79, 0.11, -7.75

 

CMYK 4 / 1 / 0 / 0

HEX #F4FCFF

RGB 244.1 252.8 255

HSL 192.11, 1%, 0.98%

LAB 98.67, -2.45, -2.05

 

CMYK 13 / 8 / 0 / 23

HEX #ABB4C5

RGB 171.1 180.8 197

HSL 217.53, 0.18%, 0.72%

LAB 73.33, -0.08, -9.36

 

CMYK 13 / 9 / 0 / 30

HEX #9AA2B2

RGB 154.1 162.8 178

HSL 218.16, 0.13%, 0.65%

LAB 66.69, 0.07, -8.9

 

CMYK 14 / 9 / 0 / 38

HEX #89909F

RGB 137.1 144.8 159

HSL 218.9, 0.1%, 0.58%

LAB 59.91, 0.22, -8.44

 

CMYK 14 / 9 / 0 / 45

HEX #787E8C

RGB 120.1 126.8 140

HSL 219.8, 0.08%, 0.51%

LAB 52.97, 0.38, -7.98

 

CMYK 15 / 10 / 0 / 53

HEX #676C79

RGB 103.1 108.8 121

HSL 220.89, 0.08%, 0.44%

LAB 45.86, 0.55, -7.51

 

CMYK 13 / 8 / 0 / 23

HEX #AAB4C4

RGB 170 180 196

HSL 216.92, 0.18%, 0.72%

LAB 73.01, -0.22, -9.3

 

CMYK 13 / 12 / 0 / 23

HEX #AAADC4

RGB 170 173 196

HSL 233.08, 0.18%, 0.72%

LAB 71.16, 3.59, -12.06

 

CMYK 11 / 13 / 0 / 23

HEX #AEAAC4

RGB 174 170 196

HSL 249.23, 0.18%, 0.72%

LAB 70.69, 6.56, -12.74

 

CMYK 8 / 13 / 0 / 23

HEX #B5AAC4

RGB 181 170 196

HSL 265.38, 0.18%, 0.72%

LAB 71.25, 8.91, -11.83

 

CMYK 4 / 13 / 0 / 23

HEX #BCAAC4

RGB 188 170 196

HSL 281.54, 0.18%, 0.72%

LAB 71.84, 11.29, -10.89

 

CMYK 13 / 8 / 0 / 23

HEX #AAB4C4

RGB 170 180 196

HSL 216.92, 0.18%, 0.72%

LAB 73.01, -0.22, -9.3

 

CMYK 13 / 12 / 0 / 23

HEX #AAADC4

RGB 170 173 196

HSL 233.08, 0.18%, 0.72%

LAB 71.16, 3.59, -12.06

 

CMYK 13 / 13 / 0 / 23

HEX #AAAAC4

RGB 170 170 196

HSL 240, 0.18%, 0.72%

LAB 70.37, 5.24, -13.24

 

CMYK 13 / 8 / 0 / 23

HEX #AAB4C4

RGB 170 180 196

HSL 216.92, 0.18%, 0.72%

LAB 73.01, -0.22, -9.3

 

CMYK 24 / 15 / 0 / 18

HEX #9FB1D0

RGB 159 177 208

HSL 217.96, 0.34%, 0.72%

LAB 71.8, 0.56, -17.76

 

CMYK 33 / 21 / 0 / 14

HEX #93AEDB

RGB 147 174 219

HSL 217.5, 0.5%, 0.72%

LAB 70.59, 1.33, -25.71

 

CMYK 41 / 26 / 0 / 9

HEX #88ABE7

RGB 136 171 231

HSL 217.89, 0.66%, 0.72%

LAB 69.56, 3.19, -33.91

 

CMYK 49 / 31 / 0 / 5

HEX #7CA8F2

RGB 124 168 242

HSL 217.63, 0.82%, 0.72%

LAB 68.53, 5.07, -41.57

 

CMYK 13 / 8 / 0 / 23

HEX #AAB4C4

RGB 170 180 196

HSL 216.92, 0.18%, 0.72%

LAB 73.01, -0.22, -9.3

 

CMYK 1 / 1 / 0 / 28

HEX #B6B7B8

RGB 182 183 184

HSL 210, 0.01%, 0.72%

LAB 74.36, -0.16, -0.64

 

CMYK 0 / 4 / 10 / 24

HEX #C1BAAD

RGB 193 186 173

HSL 39, 0.14%, 0.72%

LAB 75.74, 0.2, 7.46

 

CMYK 0 / 8 / 21 / 20

HEX #CDBDA1

RGB 205 189 161

HSL 38.18, 0.31%, 0.72%

LAB 77.25, 1.17, 16.21

 

CMYK 0 / 12 / 31 / 15

HEX #D8BF96

RGB 216 191 150

HSL 37.27, 0.46%, 0.72%

LAB 78.5, 2.81, 23.96

 

CMYK 13 / 1 / 0 / 23

HEX #AAC2C4

RGB 170 194 196

HSL 184.62, 0.18%, 0.72%

LAB 76.75, -7.69, -3.76

 

CMYK 13 / 5 / 0 / 23

HEX #AABBC4

RGB 170 187 196

HSL 200.77, 0.18%, 0.72%

LAB 74.87, -3.98, -6.53

 

CMYK 13 / 8 / 0 / 23

HEX #AAB4C4

RGB 170 180 196

HSL 216.92, 0.18%, 0.72%

LAB 73.01, -0.22, -9.3

 

CMYK 13 / 12 / 0 / 23

HEX #AAADC4

RGB 170 173 196

HSL 233.08, 0.18%, 0.72%

LAB 71.16, 3.59, -12.06

 

CMYK 11 / 13 / 0 / 23

HEX #AEAAC4

RGB 174 170 196

HSL 249.23, 0.18%, 0.72%

LAB 70.69, 6.56, -12.74

 

CMYK 25 / 15 / 0 / 36

HEX #7A89A2

RGB 122 137 162

HSL 217.5, 0.18%, 0.56%

LAB 56.72, 0.34, -15.06

 

CMYK 18 / 12 / 0 / 30

HEX #929EB3

RGB 146 158 179

HSL 218.18, 0.18%, 0.64%

LAB 64.82, 0.26, -12.32

 

CMYK 13 / 8 / 0 / 23

HEX #AAB4C4

RGB 170 180 196

HSL 216.92, 0.18%, 0.72%

LAB 73.01, -0.22, -9.3

 

CMYK 8 / 6 / 0 / 16

HEX #C3C9D5

RGB 195 201 213

HSL 220, 0.18%, 0.8%

LAB 80.84, 0.26, -6.68

 

CMYK 5 / 3 / 0 / 10

HEX #DBDFE6

RGB 219 223 230

HSL 218.18, 0.18%, 0.88%

LAB 88.71, -0.05, -3.89

 

CMYK 13 / 8 / 0 / 23

HEX #ABB4C5

RGB 171.1 180.8 197

HSL 217.53, 0.18%, 0.72%

LAB 73.33, -0.08, -9.36

 

CMYK 3 / 13 / 0 / 23

HEX #BFAAC4

RGB 191 170 196

HSL 288.46, 0.18%, 0.72%

LAB 72.1, 12.31, -10.47

 

CMYK 3 / 0 / 13 / 23

HEX #BEC4AA

RGB 190 196 170

HSL 73.85, 0.18%, 0.72%

LAB 78.07, -6.66, 12.35

 

CMYK 13 / 8 / 0 / 23

HEX #ABB4C5

RGB 171.1 180.8 197

HSL 217.53, 0.18%, 0.72%

LAB 73.33, -0.08, -9.36

 

CMYK 0 / 13 / 8 / 23

HEX #C4AAB4

RGB 196 170 180

HSL 336.92, 0.18%, 0.72%

LAB 72.08, 11.12, -1.65

 

CMYK 8 / 0 / 13 / 23

HEX #B4C4AA

RGB 180 196 170

HSL 96.92, 0.18%, 0.72%

LAB 77.33, -10.25, 11.21

 

CMYK 13 / 8 / 0 / 23

HEX #ABB4C5

RGB 171.1 180.8 197

HSL 217.53, 0.18%, 0.72%

LAB 73.33, -0.08, -9.36

 

CMYK 3 / 13 / 0 / 23

HEX #BFAAC4

RGB 191 170 196

HSL 288.46, 0.18%, 0.72%

LAB 72.1, 12.31, -10.47

 

CMYK 0 / 5 / 13 / 23

HEX #C4BAAA

RGB 196 186 170

HSL 36.92, 0.18%, 0.72%

LAB 75.92, 0.8, 9.37

 

CMYK 11 / 0 / 13 / 23

HEX #AFC4AA

RGB 175 196 170

HSL 108.46, 0.18%, 0.72%

LAB 76.98, -12.01, 10.66

 

CMYK 13 / 8 / 0 / 23

HEX #ABB4C5

RGB 171.1 180.8 197

HSL 217.53, 0.18%, 0.72%

LAB 73.33, -0.08, -9.36

 

CMYK 0 / 13 / 2 / 23

HEX #C4AAC1

RGB 196 170 193

HSL 306.92, 0.18%, 0.72%

LAB 72.45, 13.47, -8.25

 

CMYK 0 / 5 / 13 / 23

HEX #C4BAAA

RGB 196 186 170

HSL 36.92, 0.18%, 0.72%

LAB 75.92, 0.8, 9.37

 

CMYK 13 / 0 / 12 / 23

HEX #AAC4AD

RGB 170 196 173

HSL 126.92, 0.18%, 0.72%

LAB 76.71, -13.21, 8.6

 

Description

Color code: RGB 171.1 180.8 197 | qconv.com Color code: RGB 171.1 180.8 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171.1 red, 180.8 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171.1 180.8 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 8 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 8% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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