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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171.1 180.8 152 it is the complementary color RGB 83.9 74.2 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171.1 180.8 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171.1 180.8 152 shade: RGB 176.1 180.8 147, RGB 193.1 198.8 166, RGB 210.1 216.8 185, RGB 227.1 234.8 204 and RGB 244.1 252.8 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171.1 180.8 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171.1 180.8 152 shade: RGB 171.1 180.8 152, RGB 154.1 162.8 133, RGB 137.1 144.8 114, RGB 120.1 126.8 95 and RGB 103.1 108.8 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171.1 180.8 152 shade: RGB 170 180 151, RGB 178 180 151, RGB 180 174 151, RGB 180 167 151 and RGB 180 159 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171.1 180.8 152 shade: RGB 170 180 151, RGB 163 180 151, RGB 155 180 151, RGB 151 180 156 and RGB 151 180 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171.1 180.8 152 shade matches the following richer shades: RGB 170 180 151, RGB 175 194 137, RGB 180 209 123, RGB 185 223 108 and RGB 189 238 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171.1 180.8 152 shade: RGB 170 180 151, RGB 166 166 166, RGB 161 151 180, RGB 156 137 195 and RGB 152 122 209

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171.1 180.8 152 shade: RGB 180 174 151, RGB 178 180 151, RGB 171 180 151, RGB 163 180 151 and RGB 155 180 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171.1 180.8 152 shade: RGB 131 144 105, RGB 151 163 128, RGB 170 180 151, RGB 190 197 175 and RGB 210 215 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171.1 180.8 152 shade: RGB 171.1 180.8 152, RGB 151 180 167 and RGB 178 151 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171.1 180.8 152 shade: RGB 171.1 180.8 152, RGB 151 171 180 and RGB 180 151 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171.1 180.8 152 shade: RGB 171.1 180.8 152, RGB 151 180 167, RGB 161 151 180 and RGB 180 151 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171.1 180.8 152 shade: RGB 171.1 180.8 152, RGB 151 180 175, RGB 161 151 180 and RGB 180 151 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 16 / 29

HEX #ABB498

RGB 171.1 180.8 152

HSL 80.21, 0.16%, 0.65%

LAB 72.16, -8.57, 13.55

 

Complementary color

CMYK 19 / 28 / 0 / 60

HEX #534A67

RGB 83.9 74.2 103

HSL 260.21, 0.16%, 0.35%

LAB 33.53, 10.61, -15.27

 

CMYK 3 / 0 / 19 / 29

HEX #B0B493

RGB 176.1 180.8 147

HSL 68.34, 0.19%, 0.64%

LAB 72.44, -7.52, 16.71

 

CMYK 3 / 0 / 16 / 22

HEX #C1C6A6

RGB 193.1 198.8 166

HSL 70.43, 0.23%, 0.72%

LAB 78.96, -7.63, 15.78

 

CMYK 3 / 0 / 15 / 15

HEX #D2D8B9

RGB 210.1 216.8 185

HSL 72.64, 0.29%, 0.79%

LAB 85.37, -7.74, 14.91

 

CMYK 3 / 0 / 13 / 8

HEX #E3EACC

RGB 227.1 234.8 204

HSL 75, 0.43%, 0.86%

LAB 91.69, -7.83, 14.08

 

CMYK 3 / 0 / 12 / 1

HEX #F4FCDF

RGB 244.1 252.8 223

HSL 77.52, 0.87%, 0.93%

LAB 97.91, -7.92, 13.29

 

CMYK 5 / 0 / 16 / 29

HEX #ABB498

RGB 171.1 180.8 152

HSL 80.21, 0.16%, 0.65%

LAB 72.16, -8.57, 13.55

 

CMYK 5 / 0 / 18 / 36

HEX #9AA285

RGB 154.1 162.8 133

HSL 77.52, 0.14%, 0.58%

LAB 65.51, -8.5, 14.47

 

CMYK 5 / 0 / 21 / 43

HEX #899072

RGB 137.1 144.8 114

HSL 75, 0.12%, 0.51%

LAB 58.72, -8.43, 15.45

 

CMYK 5 / 0 / 25 / 50

HEX #787E5F

RGB 120.1 126.8 95

HSL 72.64, 0.14%, 0.43%

LAB 51.78, -8.33, 16.5

 

CMYK 5 / 0 / 30 / 57

HEX #676C4C

RGB 103.1 108.8 76

HSL 70.43, 0.18%, 0.36%

LAB 44.67, -8.21, 17.65

 

CMYK 6 / 0 / 16 / 29

HEX #AAB497

RGB 170 180 151

HSL 80.69, 0.16%, 0.65%

LAB 71.84, -8.72, 13.63

 

CMYK 1 / 0 / 16 / 29

HEX #B2B497

RGB 178 180 151

HSL 64.14, 0.16%, 0.65%

LAB 72.46, -5.75, 14.58

 

CMYK 0 / 3 / 16 / 29

HEX #B4AE97

RGB 180 174 151

HSL 47.59, 0.16%, 0.65%

LAB 71.02, -1.8, 12.58

 

CMYK 0 / 7 / 16 / 29

HEX #B4A797

RGB 180 167 151

HSL 33.1, 0.16%, 0.65%

LAB 69.17, 1.98, 9.96

 

CMYK 0 / 12 / 16 / 29

HEX #B49F97

RGB 180 159 151

HSL 16.55, 0.16%, 0.65%

LAB 67.08, 6.35, 6.98

 

CMYK 6 / 0 / 16 / 29

HEX #AAB497

RGB 170 180 151

HSL 80.69, 0.16%, 0.65%

LAB 71.84, -8.72, 13.63

 

CMYK 9 / 0 / 16 / 29

HEX #A3B497

RGB 163 180 151

HSL 95.17, 0.16%, 0.65%

LAB 71.33, -11.28, 12.83

 

CMYK 14 / 0 / 16 / 29

HEX #9BB497

RGB 155 180 151

HSL 111.72, 0.16%, 0.65%

LAB 70.76, -14.16, 11.96

 

CMYK 16 / 0 / 13 / 29

HEX #97B49C

RGB 151 180 156

HSL 130.34, 0.16%, 0.65%

LAB 70.61, -14.65, 8.97

 

CMYK 16 / 0 / 9 / 29

HEX #97B4A3

RGB 151 180 163

HSL 144.83, 0.16%, 0.65%

LAB 70.78, -13.31, 5.37

 

CMYK 6 / 0 / 16 / 29

HEX #AAB497

RGB 170 180 151

HSL 80.69, 0.16%, 0.65%

LAB 71.84, -8.72, 13.63

 

CMYK 10 / 0 / 29 / 24

HEX #AFC289

RGB 175 194 137

HSL 80, 0.32%, 0.65%

LAB 75.76, -16.25, 26.59

 

CMYK 14 / 0 / 41 / 18

HEX #B4D17B

RGB 180 209 123

HSL 80.23, 0.48%, 0.65%

LAB 80.03, -23.65, 39.44

 

CMYK 17 / 0 / 52 / 13

HEX #B9DF6C

RGB 185 223 108

HSL 79.83, 0.64%, 0.65%

LAB 84.06, -30.08, 51.72

 

CMYK 21 / 0 / 61 / 7

HEX #BDEE5E

RGB 189 238 94

HSL 80.42, 0.81%, 0.65%

LAB 88.34, -36.7, 62.87

 

CMYK 6 / 0 / 16 / 29

HEX #AAB497

RGB 170 180 151

HSL 80.69, 0.16%, 0.65%

LAB 71.84, -8.72, 13.63

 

CMYK 0 / 0 / 0 / 35

HEX #A6A6A6

RGB 166 166 166

HSL 0, 0%, 0.65%

LAB 68.12, 0, -0.01

 

CMYK 11 / 16 / 0 / 29

HEX #A197B4

RGB 161 151 180

HSL 260.69, 0.16%, 0.65%

LAB 64.17, 9.41, -13.74

 

CMYK 20 / 30 / 0 / 24

HEX #9C89C3

RGB 156 137 195

HSL 259.66, 0.33%, 0.65%

LAB 60.69, 19.09, -27.53

 

CMYK 27 / 42 / 0 / 18

HEX #987AD1

RGB 152 122 209

HSL 260.69, 0.49%, 0.65%

LAB 57.27, 29.9, -40.8

 

CMYK 0 / 3 / 16 / 29

HEX #B4AE97

RGB 180 174 151

HSL 47.59, 0.16%, 0.65%

LAB 71.02, -1.8, 12.58

 

CMYK 1 / 0 / 16 / 29

HEX #B2B497

RGB 178 180 151

HSL 64.14, 0.16%, 0.65%

LAB 72.46, -5.75, 14.58

 

CMYK 5 / 0 / 16 / 29

HEX #ABB497

RGB 171 180 151

HSL 78.62, 0.16%, 0.65%

LAB 71.92, -8.35, 13.74

 

CMYK 9 / 0 / 16 / 29

HEX #A3B497

RGB 163 180 151

HSL 95.17, 0.16%, 0.65%

LAB 71.33, -11.28, 12.83

 

CMYK 14 / 0 / 16 / 29

HEX #9BB497

RGB 155 180 151

HSL 111.72, 0.16%, 0.65%

LAB 70.76, -14.16, 11.96

 

CMYK 9 / 0 / 27 / 44

HEX #839069

RGB 131 144 105

HSL 80, 0.16%, 0.49%

LAB 57.84, -11.82, 19.22

 

CMYK 7 / 0 / 21 / 36

HEX #97A380

RGB 151 163 128

HSL 80.57, 0.16%, 0.57%

LAB 65.23, -10.6, 16.8

 

CMYK 6 / 0 / 16 / 29

HEX #AAB497

RGB 170 180 151

HSL 80.69, 0.16%, 0.65%

LAB 71.84, -8.72, 13.63

 

CMYK 4 / 0 / 11 / 23

HEX #BEC5AF

RGB 190 197 175

HSL 79.09, 0.16%, 0.73%

LAB 78.45, -6.35, 10.21

 

CMYK 2 / 0 / 7 / 16

HEX #D2D7C7

RGB 210 215 199

HSL 78.75, 0.17%, 0.81%

LAB 85.21, -4.53, 7.3

 

CMYK 5 / 0 / 16 / 29

HEX #ABB498

RGB 171.1 180.8 152

HSL 80.21, 0.16%, 0.65%

LAB 72.16, -8.57, 13.55

 

CMYK 16 / 0 / 7 / 29

HEX #97B4A7

RGB 151 180 167

HSL 153.1, 0.16%, 0.65%

LAB 70.88, -12.52, 3.32

 

CMYK 1 / 16 / 0 / 29

HEX #B297B4

RGB 178 151 180

HSL 295.86, 0.16%, 0.65%

LAB 65.67, 15.25, -11.34

 

CMYK 5 / 0 / 16 / 29

HEX #ABB498

RGB 171.1 180.8 152

HSL 80.21, 0.16%, 0.65%

LAB 72.16, -8.57, 13.55

 

CMYK 16 / 5 / 0 / 29

HEX #97ABB4

RGB 151 171 180

HSL 198.62, 0.16%, 0.65%

LAB 68.75, -5.01, -6.97

 

CMYK 0 / 16 / 5 / 29

HEX #B497AB

RGB 180 151 171

HSL 318.62, 0.16%, 0.65%

LAB 65.57, 14.25, -6.4

 

CMYK 5 / 0 / 16 / 29

HEX #ABB498

RGB 171.1 180.8 152

HSL 80.21, 0.16%, 0.65%

LAB 72.16, -8.57, 13.55

 

CMYK 16 / 0 / 7 / 29

HEX #97B4A7

RGB 151 180 167

HSL 153.1, 0.16%, 0.65%

LAB 70.88, -12.52, 3.32

 

CMYK 11 / 16 / 0 / 29

HEX #A197B4

RGB 161 151 180

HSL 260.69, 0.16%, 0.65%

LAB 64.17, 9.41, -13.74

 

CMYK 0 / 16 / 8 / 29

HEX #B497A5

RGB 180 151 165

HSL 331.03, 0.16%, 0.65%

LAB 65.4, 13.17, -3.29

 

CMYK 5 / 0 / 16 / 29

HEX #ABB498

RGB 171.1 180.8 152

HSL 80.21, 0.16%, 0.65%

LAB 72.16, -8.57, 13.55

 

CMYK 16 / 0 / 3 / 29

HEX #97B4AF

RGB 151 180 175

HSL 169.66, 0.16%, 0.65%

LAB 71.09, -10.89, -0.77

 

CMYK 11 / 16 / 0 / 29

HEX #A197B4

RGB 161 151 180

HSL 260.69, 0.16%, 0.65%

LAB 64.17, 9.41, -13.74

 

CMYK 0 / 16 / 13 / 29

HEX #B4979C

RGB 180 151 156

HSL 349.66, 0.16%, 0.65%

LAB 65.15, 11.61, 1.4

 

Description

Color code: RGB 171.1 180.8 152 | qconv.com Color code: RGB 171.1 180.8 152 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171.1 red, 180.8 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171.1 180.8 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 16 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 16% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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