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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 91 237 it is the complementary color RGB 85 164 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 91 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 91 237 shade: RGB 175 91 232, RGB 192 109 251, RGB 209 127 255, RGB 226 145 255 and RGB 243 163 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 91 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 91 237 shade: RGB 170 91 237, RGB 153 73 218, RGB 136 55 199, RGB 119 37 180 and RGB 102 19 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 91 237 shade: RGB 169 89 236, RGB 208 89 236, RGB 236 89 224, RGB 236 89 185 and RGB 236 89 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 91 237 shade: RGB 169 89 236, RGB 129 89 236, RGB 90 89 236 and RGB 89 89 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 91 237 shade matches the following richer shades: RGB 169 89 236 and RGB 170 74 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 91 237 shade: RGB 169 89 236, RGB 168 104 221, RGB 166 119 206, RGB 165 134 192 and RGB 164 149 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 91 237 shade: RGB 89 89 236, RGB 128 89 236, RGB 168 89 236, RGB 207 89 236 and RGB 236 89 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 91 237 shade: RGB 129 24 219, RGB 149 52 232, RGB 169 89 236, RGB 188 126 240 and RGB 207 164 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 91 237 shade: RGB 170 91 237, RGB 236 89 128 and RGB 89 236 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 91 237 shade: RGB 170 91 237, RGB 236 168 89 and RGB 89 236 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 91 237 shade: RGB 170 91 237, RGB 236 89 128, RGB 158 236 89 and RGB 89 236 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 91 237 shade: RGB 170 91 237, RGB 236 94 89, RGB 158 236 89 and RGB 89 231 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 62 / 0 / 7

HEX #AA5BED

RGB 170 91 237

HSL 272.47, 0.8%, 0.64%

LAB 54.18, 57.94, -61.35

 

Complementary color

CMYK 48 / 0 / 89 / 36

HEX #55A412

RGB 85 164 18

HSL 92.47, 0.8%, 0.36%

LAB 60.36, -46.71, 59.21

 

CMYK 25 / 61 / 0 / 9

HEX #AF5BE8

RGB 175 91 232

HSL 275.74, 0.75%, 0.63%

LAB 54.47, 57.96, -58.04

 

CMYK 24 / 57 / 0 / 2

HEX #C06DFB

RGB 192 109 251

HSL 275.07, 0.95%, 0.71%

LAB 60.88, 57.23, -58.25

 

CMYK 18 / 50 / 0 / 0

HEX #D17FFF

RGB 209 127 255

HSL 278.44, 1%, 0.75%

LAB 66.48, 53.23, -51.42

 

CMYK 11 / 43 / 0 / 0

HEX #E291FF

RGB 226 145 255

HSL 284.18, 1%, 0.78%

LAB 71.99, 48.56, -42.64

 

CMYK 5 / 36 / 0 / 0

HEX #F3A3FF

RGB 243 163 255

HSL 292.17, 1%, 0.82%

LAB 77.56, 44.15, -33.83

 

CMYK 28 / 62 / 0 / 7

HEX #AA5BED

RGB 170 91 237

HSL 272.47, 0.8%, 0.64%

LAB 54.18, 57.94, -61.35

 

CMYK 30 / 67 / 0 / 15

HEX #9949DA

RGB 153 73 218

HSL 273.1, 0.66%, 0.57%

LAB 47.75, 58.59, -61.08

 

CMYK 32 / 72 / 0 / 22

HEX #8837C7

RGB 136 55 199

HSL 273.75, 0.57%, 0.5%

LAB 41.36, 58.96, -60.59

 

CMYK 34 / 79 / 0 / 29

HEX #7725B4

RGB 119 37 180

HSL 274.41, 0.66%, 0.43%

LAB 35.08, 58.78, -59.74

 

CMYK 37 / 88 / 0 / 37

HEX #6613A1

RGB 102 19 161

HSL 275.07, 0.79%, 0.35%

LAB 29.07, 57.59, -58.26

 

CMYK 28 / 62 / 0 / 7

HEX #A959EC

RGB 169 89 236

HSL 272.65, 0.79%, 0.64%

LAB 53.64, 58.47, -61.66

 

CMYK 12 / 62 / 0 / 7

HEX #D059EC

RGB 208 89 236

HSL 288.57, 0.79%, 0.64%

LAB 58.61, 67.3, -53.42

 

CMYK 0 / 62 / 5 / 7

HEX #EC59E0

RGB 236 89 224

HSL 304.9, 0.79%, 0.64%

LAB 61.96, 71.89, -41.15

 

CMYK 0 / 62 / 22 / 7

HEX #EC59B9

RGB 236 89 185

HSL 320.82, 0.79%, 0.64%

LAB 60.32, 66.2, -21.6

 

CMYK 0 / 62 / 39 / 7

HEX #EC5991

RGB 236 89 145

HSL 337.14, 0.79%, 0.64%

LAB 58.99, 61.4, -0.44

 

CMYK 28 / 62 / 0 / 7

HEX #A959EC

RGB 169 89 236

HSL 272.65, 0.79%, 0.64%

LAB 53.64, 58.47, -61.66

 

CMYK 45 / 62 / 0 / 7

HEX #8159EC

RGB 129 89 236

HSL 256.33, 0.79%, 0.64%

LAB 49.34, 50.14, -68.83

 

CMYK 62 / 62 / 0 / 7

HEX #5A59EC

RGB 90 89 236

HSL 240.41, 0.79%, 0.64%

LAB 46.14, 43.4, -74.16

 

CMYK 62 / 62 / 0 / 7

HEX #5959EC

RGB 89 89 236

HSL 240, 0.79%, 0.64%

LAB 46.08, 43.25, -74.28

 

CMYK 28 / 62 / 0 / 7

HEX #A959EC

RGB 169 89 236

HSL 272.65, 0.79%, 0.64%

LAB 53.64, 58.47, -61.66

 

CMYK 32 / 71 / 0 / 2

HEX #AA4AFB

RGB 170 74 251

HSL 272.54, 0.96%, 0.64%

LAB 52.3, 68.85, -72.2

 

CMYK 28 / 62 / 0 / 7

HEX #A959EC

RGB 169 89 236

HSL 272.65, 0.79%, 0.64%

LAB 53.64, 58.47, -61.66

 

CMYK 24 / 53 / 0 / 13

HEX #A868DD

RGB 168 104 221

HSL 272.82, 0.63%, 0.64%

LAB 55.53, 47.14, -50.21

 

CMYK 19 / 42 / 0 / 19

HEX #A677CE

RGB 166 119 206

HSL 272.41, 0.47%, 0.64%

LAB 57.81, 34.93, -38.16

 

CMYK 14 / 30 / 0 / 25

HEX #A586C0

RGB 165 134 192

HSL 272.07, 0.32%, 0.64%

LAB 60.65, 22.98, -25.83

 

CMYK 7 / 16 / 0 / 31

HEX #A495B1

RGB 164 149 177

HSL 272.14, 0.15%, 0.64%

LAB 63.8, 10.93, -12.57

 

CMYK 62 / 62 / 0 / 7

HEX #5959EC

RGB 89 89 236

HSL 240, 0.79%, 0.64%

LAB 46.08, 43.25, -74.28

 

CMYK 46 / 62 / 0 / 7

HEX #8059EC

RGB 128 89 236

HSL 255.92, 0.79%, 0.64%

LAB 49.24, 49.95, -68.99

 

CMYK 29 / 62 / 0 / 7

HEX #A859EC

RGB 168 89 236

HSL 272.24, 0.79%, 0.64%

LAB 53.52, 58.25, -61.86

 

CMYK 12 / 62 / 0 / 7

HEX #CF59EC

RGB 207 89 236

HSL 288.16, 0.79%, 0.64%

LAB 58.48, 67.07, -53.64

 

CMYK 0 / 62 / 4 / 7

HEX #EC59E2

RGB 236 89 226

HSL 304.08, 0.79%, 0.64%

LAB 62.06, 72.2, -42.13

 

CMYK 41 / 89 / 0 / 14

HEX #8118DB

RGB 129 24 219

HSL 272.31, 0.8%, 0.48%

LAB 38.61, 72.37, -76.68

 

CMYK 36 / 78 / 0 / 9

HEX #9534E8

RGB 149 52 232

HSL 272.33, 0.8%, 0.56%

LAB 45.18, 69.72, -73.23

 

CMYK 28 / 62 / 0 / 7

HEX #A959EC

RGB 169 89 236

HSL 272.65, 0.79%, 0.64%

LAB 53.64, 58.47, -61.66

 

CMYK 22 / 48 / 0 / 6

HEX #BC7EF0

RGB 188 126 240

HSL 272.63, 0.79%, 0.72%

LAB 63.26, 44.92, -48.41

 

CMYK 15 / 33 / 0 / 4

HEX #CFA4F4

RGB 207 164 244

HSL 272.25, 0.78%, 0.8%

LAB 73.77, 30.56, -34.04

 

CMYK 28 / 62 / 0 / 7

HEX #AA5BED

RGB 170 91 237

HSL 272.47, 0.8%, 0.64%

LAB 54.18, 57.94, -61.35

 

CMYK 0 / 62 / 46 / 7

HEX #EC5980

RGB 236 89 128

HSL 344.08, 0.79%, 0.64%

LAB 58.54, 59.72, 8.85

 

CMYK 62 / 0 / 54 / 7

HEX #59EC6D

RGB 89 236 109

HSL 128.16, 0.79%, 0.64%

LAB 83.56, -64.45, 49.63

 

CMYK 28 / 62 / 0 / 7

HEX #AA5BED

RGB 170 91 237

HSL 272.47, 0.8%, 0.64%

LAB 54.18, 57.94, -61.35

 

CMYK 0 / 29 / 62 / 7

HEX #ECA859

RGB 236 168 89

HSL 32.24, 0.79%, 0.64%

LAB 73.91, 17.16, 49.95

 

CMYK 62 / 0 / 29 / 7

HEX #59ECA8

RGB 89 236 168

HSL 152.24, 0.79%, 0.64%

LAB 84.45, -54.64, 21.61

 

CMYK 28 / 62 / 0 / 7

HEX #AA5BED

RGB 170 91 237

HSL 272.47, 0.8%, 0.64%

LAB 54.18, 57.94, -61.35

 

CMYK 0 / 62 / 46 / 7

HEX #EC5980

RGB 236 89 128

HSL 344.08, 0.79%, 0.64%

LAB 58.54, 59.72, 8.85

 

CMYK 33 / 0 / 62 / 7

HEX #9EEC59

RGB 158 236 89

HSL 91.84, 0.79%, 0.64%

LAB 86, -47.37, 61.88

 

CMYK 62 / 0 / 17 / 7

HEX #59ECC5

RGB 89 236 197

HSL 164.08, 0.79%, 0.64%

LAB 85.07, -48.29, 7.37

 

CMYK 28 / 62 / 0 / 7

HEX #AA5BED

RGB 170 91 237

HSL 272.47, 0.8%, 0.64%

LAB 54.18, 57.94, -61.35

 

CMYK 0 / 60 / 62 / 7

HEX #EC5E59

RGB 236 94 89

HSL 2.04, 0.79%, 0.64%

LAB 58.56, 54.53, 31.49

 

CMYK 33 / 0 / 62 / 7

HEX #9EEC59

RGB 158 236 89

HSL 91.84, 0.79%, 0.64%

LAB 86, -47.37, 61.88

 

CMYK 62 / 2 / 0 / 7

HEX #59E7EC

RGB 89 231 236

HSL 182.04, 0.79%, 0.64%

LAB 84.65, -36.14, -13.77

 

Description

Color code: RGB 170 91 237 | qconv.com Color code: RGB 170 91 237 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 91 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 91 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 62 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 62% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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