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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 72.8 106.4 it is the complementary color RGB 85 182.2 148.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 72.8 106.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 72.8 106.4 shade: RGB 175 72.8 101.4, RGB 192 90.8 120.4, RGB 209 108.8 139.4, RGB 226 126.8 158.4 and RGB 243 144.8 177.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 72.8 106.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 72.8 106.4 shade: RGB 170 72.8 106.4, RGB 153 54.8 87.4, RGB 136 36.8 68.4, RGB 119 18.8 49.4 and RGB 102 0.8 30.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 72.8 106.4 shade: RGB 171 73 107, RGB 171 73 81 and RGB 171 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 72.8 106.4 shade: RGB 171 73 107, RGB 171 73 134, RGB 171 73 160, RGB 156 73 171 and RGB 130 73 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 72.8 106.4 shade matches the following richer shades: RGB 171 73 107, RGB 191 54 101, RGB 211 34 95 and RGB 231 14 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 72.8 106.4 shade: RGB 171 73 107, RGB 152 93 113, RGB 132 113 120, RGB 112 133 126 and RGB 92 153 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 72.8 106.4 shade: RGB 171 73 160, RGB 171 73 134, RGB 171 73 108, RGB 171 73 82 and RGB 171 91 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 72.8 106.4 shade: RGB 114 49 71, RGB 142 61 89, RGB 171 73 107, RGB 188 98 129 and RGB 200 127 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 72.8 106.4 shade: RGB 170 72.8 106.4, RGB 171 157 73 and RGB 73 147 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 72.8 106.4 shade: RGB 170 72.8 106.4, RGB 108 171 73 and RGB 73 108 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 72.8 106.4 shade: RGB 170 72.8 106.4, RGB 171 157 73, RGB 73 171 137 and RGB 73 88 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 72.8 106.4 shade: RGB 170 72.8 106.4, RGB 157 171 73, RGB 73 171 137 and RGB 88 73 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 37 / 33

HEX #AA486A

RGB 170 72.8 106.4

HSL 339.26, 0.4%, 0.48%

LAB 44.71, 43.31, 0.52

 

Complementary color

CMYK 53 / 0 / 18 / 29

HEX #55B694

RGB 85 182.2 148.6

HSL 159.26, 0.4%, 0.52%

LAB 67.74, -36.77, 8.48

 

CMYK 0 / 58 / 42 / 31

HEX #AF4865

RGB 175 72.8 101.4

HSL 343.21, 0.41%, 0.49%

LAB 45.36, 44.44, 4.63

 

CMYK 0 / 53 / 37 / 25

HEX #C05A78

RGB 192 90.8 120.4

HSL 342.45, 0.45%, 0.55%

LAB 51.86, 43.63, 2.86

 

CMYK 0 / 48 / 33 / 18

HEX #D16C8B

RGB 209 108.8 139.4

HSL 341.68, 0.52%, 0.62%

LAB 58.34, 42.75, 1.39

 

CMYK 0 / 44 / 30 / 11

HEX #E27E9E

RGB 226 126.8 158.4

HSL 340.89, 0.63%, 0.69%

LAB 64.79, 41.87, 0.14

 

CMYK 0 / 40 / 27 / 5

HEX #F390B1

RGB 243 144.8 177.4

HSL 340.08, 0.8%, 0.76%

LAB 71.17, 41.01, -0.96

 

CMYK 0 / 57 / 37 / 33

HEX #AA486A

RGB 170 72.8 106.4

HSL 339.26, 0.4%, 0.48%

LAB 44.71, 43.31, 0.52

 

CMYK 0 / 64 / 43 / 40

HEX #993657

RGB 153 54.8 87.4

HSL 340.08, 0.47%, 0.41%

LAB 38.16, 43.93, 2.52

 

CMYK 0 / 73 / 50 / 47

HEX #882444

RGB 136 36.8 68.4

HSL 340.89, 0.57%, 0.34%

LAB 31.73, 44.14, 5.14

 

CMYK 0 / 84 / 58 / 53

HEX #771231

RGB 119 18.8 49.4

HSL 341.68, 0.73%, 0.27%

LAB 25.58, 43.49, 8.73

 

CMYK 0 / 99 / 70 / 60

HEX #66001E

RGB 102 0.8 30.4

HSL 342.45, 0.98%, 0.2%

LAB 19.79, 41.74, 13.55

 

CMYK 0 / 57 / 37 / 33

HEX #AB496B

RGB 171 73 107

HSL 339.18, 0.4%, 0.48%

LAB 44.92, 43.62, 0.48

 

CMYK 0 / 57 / 53 / 33

HEX #AB4951

RGB 171 73 81

HSL 355.1, 0.4%, 0.48%

LAB 44.26, 40.91, 15.5

 

CMYK 0 / 57 / 57 / 33

HEX #AB4949

RGB 171 73 73

HSL 0, 0.4%, 0.48%

LAB 44.1, 40.24, 20.15

 

CMYK 0 / 57 / 37 / 33

HEX #AB496B

RGB 171 73 107

HSL 339.18, 0.4%, 0.48%

LAB 44.92, 43.62, 0.48

 

CMYK 0 / 57 / 22 / 33

HEX #AB4986

RGB 171 73 134

HSL 322.65, 0.4%, 0.48%

LAB 45.83, 47.22, -14.61

 

CMYK 0 / 57 / 6 / 33

HEX #AB49A0

RGB 171 73 160

HSL 306.73, 0.4%, 0.48%

LAB 46.92, 51.35, -28.51

 

CMYK 9 / 57 / 0 / 33

HEX #9C49AB

RGB 156 73 171

HSL 290.82, 0.4%, 0.48%

LAB 45.32, 49.25, -37.68

 

CMYK 24 / 57 / 0 / 33

HEX #8249AB

RGB 130 73 171

HSL 274.9, 0.4%, 0.48%

LAB 41.92, 42.37, -43.29

 

CMYK 0 / 57 / 37 / 33

HEX #AB496B

RGB 171 73 107

HSL 339.18, 0.4%, 0.48%

LAB 44.92, 43.62, 0.48

 

CMYK 0 / 72 / 47 / 25

HEX #BF3665

RGB 191 54 101

HSL 339.42, 0.56%, 0.48%

LAB 45.16, 57.41, 4.95

 

CMYK 0 / 84 / 55 / 17

HEX #D3225F

RGB 211 34 95

HSL 339.32, 0.72%, 0.48%

LAB 46.74, 68.12, 11.42

 

CMYK 0 / 94 / 61 / 9

HEX #E70E59

RGB 231 14 89

HSL 339.26, 0.89%, 0.48%

LAB 49.53, 75.66, 19.57

 

CMYK 0 / 57 / 37 / 33

HEX #AB496B

RGB 171 73 107

HSL 339.18, 0.4%, 0.48%

LAB 44.92, 43.62, 0.48

 

CMYK 0 / 39 / 26 / 40

HEX #985D71

RGB 152 93 113

HSL 339.66, 0.24%, 0.48%

LAB 46.57, 26.91, -1.07

 

CMYK 0 / 14 / 9 / 48

HEX #847178

RGB 132 113 120

HSL 337.89, 0.08%, 0.48%

LAB 49.58, 8.7, -1.12

 

CMYK 16 / 0 / 5 / 48

HEX #70857E

RGB 112 133 126

HSL 160, 0.09%, 0.48%

LAB 53.74, -9.08, 1.23

 

CMYK 40 / 0 / 14 / 40

HEX #5C9984

RGB 92 153 132

HSL 159.34, 0.25%, 0.48%

LAB 58.72, -24.81, 4.85

 

CMYK 0 / 57 / 6 / 33

HEX #AB49A0

RGB 171 73 160

HSL 306.73, 0.4%, 0.48%

LAB 46.92, 51.35, -28.51

 

CMYK 0 / 57 / 22 / 33

HEX #AB4986

RGB 171 73 134

HSL 322.65, 0.4%, 0.48%

LAB 45.83, 47.22, -14.61

 

CMYK 0 / 57 / 37 / 33

HEX #AB496C

RGB 171 73 108

HSL 338.57, 0.4%, 0.48%

LAB 44.95, 43.74, -0.09

 

CMYK 0 / 57 / 52 / 33

HEX #AB4952

RGB 171 73 82

HSL 354.49, 0.4%, 0.48%

LAB 44.28, 41, 14.91

 

CMYK 0 / 47 / 57 / 33

HEX #AB5B49

RGB 171 91 73

HSL 11.02, 0.4%, 0.48%

LAB 47.78, 30.86, 24.94

 

CMYK 0 / 57 / 38 / 55

HEX #723147

RGB 114 49 71

HSL 339.69, 0.4%, 0.32%

LAB 29.98, 31.16, 0.4

 

CMYK 0 / 57 / 37 / 44

HEX #8E3D59

RGB 142 61 89

HSL 339.26, 0.4%, 0.4%

LAB 37.5, 37.35, 0.31

 

CMYK 0 / 57 / 37 / 33

HEX #AB496B

RGB 171 73 107

HSL 339.18, 0.4%, 0.48%

LAB 44.92, 43.62, 0.48

 

CMYK 0 / 48 / 31 / 26

HEX #BC6281

RGB 188 98 129

HSL 339.33, 0.4%, 0.56%

LAB 52.96, 39.62, -0.71

 

CMYK 0 / 37 / 24 / 22

HEX #C87F98

RGB 200 127 152

HSL 339.45, 0.4%, 0.64%

LAB 61.42, 31.64, -1.53

 

CMYK 0 / 57 / 37 / 33

HEX #AA486A

RGB 170 72.8 106.4

HSL 339.26, 0.4%, 0.48%

LAB 44.71, 43.31, 0.52

 

CMYK 0 / 8 / 57 / 33

HEX #AB9D49

RGB 171 157 73

HSL 51.43, 0.4%, 0.48%

LAB 64.37, -5.76, 45.03

 

CMYK 57 / 14 / 0 / 33

HEX #4993AB

RGB 73 147 171

HSL 194.69, 0.4%, 0.48%

LAB 57.29, -15.91, -19.58

 

CMYK 0 / 57 / 37 / 33

HEX #AA486A

RGB 170 72.8 106.4

HSL 339.26, 0.4%, 0.48%

LAB 44.71, 43.31, 0.52

 

CMYK 37 / 0 / 57 / 33

HEX #6CAB49

RGB 108 171 73

HSL 98.57, 0.4%, 0.48%

LAB 63.99, -38.04, 43.45

 

CMYK 57 / 37 / 0 / 33

HEX #496CAB

RGB 73 108 171

HSL 218.57, 0.4%, 0.48%

LAB 45.75, 6.79, -37.52

 

CMYK 0 / 57 / 37 / 33

HEX #AA486A

RGB 170 72.8 106.4

HSL 339.26, 0.4%, 0.48%

LAB 44.71, 43.31, 0.52

 

CMYK 0 / 8 / 57 / 33

HEX #AB9D49

RGB 171 157 73

HSL 51.43, 0.4%, 0.48%

LAB 64.37, -5.76, 45.03

 

CMYK 57 / 0 / 20 / 33

HEX #49AB89

RGB 73 171 137

HSL 159.18, 0.4%, 0.48%

LAB 63.63, -37.05, 8.97

 

CMYK 57 / 49 / 0 / 33

HEX #4958AB

RGB 73 88 171

HSL 230.82, 0.4%, 0.48%

LAB 40.14, 19.46, -46.44

 

CMYK 0 / 57 / 37 / 33

HEX #AA486A

RGB 170 72.8 106.4

HSL 339.26, 0.4%, 0.48%

LAB 44.71, 43.31, 0.52

 

CMYK 8 / 0 / 57 / 33

HEX #9DAB49

RGB 157 171 73

HSL 68.57, 0.4%, 0.48%

LAB 67.11, -19.04, 47.83

 

CMYK 57 / 0 / 20 / 33

HEX #49AB89

RGB 73 171 137

HSL 159.18, 0.4%, 0.48%

LAB 63.63, -37.05, 8.97

 

CMYK 49 / 57 / 0 / 33

HEX #5849AB

RGB 88 73 171

HSL 249.18, 0.4%, 0.48%

LAB 37.44, 32.16, -50.72

 

Description

Color code: RGB 170 72.8 106.4 | qconv.com Color code: RGB 170 72.8 106.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 72.8 green and 106.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 72.8 106.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 37 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 37% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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