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Color name
RGB 170 53 68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 53 68 it is the complementary color RGB 85 202 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 53 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 53 68 shade: RGB 175 53 63, RGB 192 71 82, RGB 209 89 101, RGB 226 107 120 and RGB 243 125 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 53 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 53 68 shade: RGB 170 53 68, RGB 153 35 49, RGB 136 17 30, RGB 119 0 11 and RGB 102 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 53 68 shade: RGB 171 54 69 and RGB 171 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 53 68 shade: RGB 171 54 69, RGB 171 54 100, RGB 171 54 132, RGB 171 54 163 and RGB 146 54 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 53 68 shade matches the following richer shades: RGB 171 54 69, RGB 189 36 55 and RGB 207 18 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 53 68 shade: RGB 171 54 69, RGB 152 72 82, RGB 134 90 96, RGB 116 108 109 and RGB 98 126 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 53 68 shade: RGB 171 54 132, RGB 171 54 101, RGB 171 54 69, RGB 171 69 54 and RGB 171 101 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 53 68 shade: RGB 108 34 44, RGB 139 44 56, RGB 171 54 69, RGB 196 69 86 and RGB 206 101 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 53 68 shade: RGB 170 53 68, RGB 163 171 54 and RGB 54 116 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 53 68 shade: RGB 170 53 68, RGB 69 171 54 and RGB 54 69 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 53 68 shade: RGB 170 53 68, RGB 163 171 54, RGB 54 171 155 and RGB 62 54 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 53 68 shade: RGB 170 53 68, RGB 128 171 54, RGB 54 171 155 and RGB 97 54 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 60 / 33

HEX #AA3544

RGB 170 53 68

HSL 352.31, 0.52%, 0.44%

LAB 40.43, 48.59, 18.35

 

Complementary color

CMYK 58 / 0 / 7 / 21

HEX #55CABB

RGB 85 202 187

HSL 172.31, 0.52%, 0.56%

LAB 74.67, -36.47, -2.41

 

CMYK 0 / 70 / 64 / 31

HEX #AF353F

RGB 175 53 63

HSL 355.08, 0.54%, 0.45%

LAB 41.25, 49.9, 22.69

 

CMYK 0 / 63 / 57 / 25

HEX #C04752

RGB 192 71 82

HSL 354.55, 0.49%, 0.52%

LAB 47.39, 49.29, 19.71

 

CMYK 0 / 57 / 52 / 18

HEX #D15965

RGB 209 89 101

HSL 354, 0.57%, 0.58%

LAB 53.64, 48.43, 17.26

 

CMYK 0 / 53 / 47 / 11

HEX #E26B78

RGB 226 107 120

HSL 353.45, 0.67%, 0.65%

LAB 59.93, 47.47, 15.22

 

CMYK 0 / 49 / 43 / 5

HEX #F37D8B

RGB 243 125 139

HSL 352.88, 0.83%, 0.72%

LAB 66.2, 46.48, 13.47

 

CMYK 0 / 69 / 60 / 33

HEX #AA3544

RGB 170 53 68

HSL 352.31, 0.52%, 0.44%

LAB 40.43, 48.59, 18.35

 

CMYK 0 / 77 / 68 / 40

HEX #992331

RGB 153 35 49

HSL 352.88, 0.63%, 0.37%

LAB 34.39, 48.69, 21.9

 

CMYK 0 / 88 / 78 / 47

HEX #88111E

RGB 136 17 30

HSL 353.45, 0.78%, 0.3%

LAB 28.72, 47.83, 26.38

 

CMYK 0 / 100 / 91 / 53

HEX #77000B

RGB 119 0 11

HSL 354.45, 1%, 0.23%

LAB 23.49, 45.82, 30.86

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 68 / 60 / 33

HEX #AB3645

RGB 171 54 69

HSL 352.31, 0.52%, 0.44%

LAB 40.78, 48.59, 18.22

 

CMYK 0 / 68 / 68 / 33

HEX #AB3636

RGB 171 54 54

HSL 0, 0.52%, 0.44%

LAB 40.51, 47.63, 27.12

 

CMYK 0 / 68 / 60 / 33

HEX #AB3645

RGB 171 54 69

HSL 352.31, 0.52%, 0.44%

LAB 40.78, 48.59, 18.22

 

CMYK 0 / 68 / 42 / 33

HEX #AB3664

RGB 171 54 100

HSL 336.41, 0.52%, 0.44%

LAB 41.56, 51.34, -0.09

 

CMYK 0 / 68 / 23 / 33

HEX #AB3684

RGB 171 54 132

HSL 320, 0.52%, 0.44%

LAB 42.71, 55.24, -18.16

 

CMYK 0 / 68 / 5 / 33

HEX #AB36A3

RGB 171 54 163

HSL 304.1, 0.52%, 0.44%

LAB 44.15, 59.92, -34.64

 

CMYK 15 / 68 / 0 / 33

HEX #9236AB

RGB 146 54 171

HSL 287.18, 0.52%, 0.44%

LAB 40.72, 55.49, -45.09

 

CMYK 0 / 68 / 60 / 33

HEX #AB3645

RGB 171 54 69

HSL 352.31, 0.52%, 0.44%

LAB 40.78, 48.59, 18.22

 

CMYK 0 / 81 / 71 / 26

HEX #BD2437

RGB 189 36 55

HSL 352.55, 0.68%, 0.44%

LAB 41.78, 59.38, 28.85

 

CMYK 0 / 91 / 80 / 19

HEX #CF122A

RGB 207 18 42

HSL 352.38, 0.84%, 0.44%

LAB 44.04, 67.3, 40.06

 

CMYK 0 / 68 / 60 / 33

HEX #AB3645

RGB 171 54 69

HSL 352.31, 0.52%, 0.44%

LAB 40.78, 48.59, 18.22

 

CMYK 0 / 53 / 46 / 40

HEX #984852

RGB 152 72 82

HSL 352.5, 0.36%, 0.44%

LAB 41.09, 34.48, 10.04

 

CMYK 0 / 33 / 28 / 47

HEX #865A60

RGB 134 90 96

HSL 351.82, 0.2%, 0.44%

LAB 43.1, 19.01, 3.93

 

CMYK 0 / 7 / 6 / 55

HEX #746C6D

RGB 116 108 109

HSL 352.5, 0.04%, 0.44%

LAB 46.37, 3.31, 0.56

 

CMYK 22 / 0 / 2 / 51

HEX #627E7B

RGB 98 126 123

HSL 173.57, 0.13%, 0.44%

LAB 50.63, -10.69, -1.68

 

CMYK 0 / 68 / 23 / 33

HEX #AB3684

RGB 171 54 132

HSL 320, 0.52%, 0.44%

LAB 42.71, 55.24, -18.16

 

CMYK 0 / 68 / 41 / 33

HEX #AB3665

RGB 171 54 101

HSL 335.9, 0.52%, 0.44%

LAB 41.59, 51.44, -0.67

 

CMYK 0 / 68 / 60 / 33

HEX #AB3645

RGB 171 54 69

HSL 352.31, 0.52%, 0.44%

LAB 40.78, 48.59, 18.22

 

CMYK 0 / 60 / 68 / 33

HEX #AB4536

RGB 171 69 54

HSL 7.69, 0.52%, 0.44%

LAB 43.03, 40.88, 30.15

 

CMYK 0 / 41 / 68 / 33

HEX #AB6536

RGB 171 101 54

HSL 24.1, 0.52%, 0.44%

LAB 49.78, 24.01, 37.97

 

CMYK 0 / 69 / 59 / 58

HEX #6C222C

RGB 108 34 44

HSL 351.89, 0.52%, 0.28%

LAB 25.3, 33.64, 11.66

 

CMYK 0 / 68 / 60 / 45

HEX #8B2C38

RGB 139 44 56

HSL 352.42, 0.52%, 0.36%

LAB 33.08, 41.08, 15.19

 

CMYK 0 / 68 / 60 / 33

HEX #AB3645

RGB 171 54 69

HSL 352.31, 0.52%, 0.44%

LAB 40.78, 48.59, 18.22

 

CMYK 0 / 65 / 56 / 23

HEX #C44556

RGB 196 69 86

HSL 351.97, 0.52%, 0.52%

LAB 47.83, 51.8, 18

 

CMYK 0 / 51 / 45 / 19

HEX #CE6572

RGB 206 101 114

HSL 352.57, 0.52%, 0.6%

LAB 55.73, 42.75, 12.43

 

CMYK 0 / 69 / 60 / 33

HEX #AA3544

RGB 170 53 68

HSL 352.31, 0.52%, 0.44%

LAB 40.43, 48.59, 18.35

 

CMYK 5 / 0 / 68 / 33

HEX #A3AB36

RGB 163 171 54

HSL 64.1, 0.52%, 0.44%

LAB 67.41, -17.84, 56.47

 

CMYK 68 / 32 / 0 / 33

HEX #3674AB

RGB 54 116 171

HSL 208.21, 0.52%, 0.44%

LAB 47.26, -1.75, -35.2

 

CMYK 0 / 69 / 60 / 33

HEX #AA3544

RGB 170 53 68

HSL 352.31, 0.52%, 0.44%

LAB 40.43, 48.59, 18.35

 

CMYK 60 / 0 / 68 / 33

HEX #45AB36

RGB 69 171 54

HSL 112.31, 0.52%, 0.44%

LAB 62.22, -51.71, 49.46

 

CMYK 68 / 60 / 0 / 33

HEX #3645AB

RGB 54 69 171

HSL 232.31, 0.52%, 0.44%

LAB 33.94, 28.39, -56.52

 

CMYK 0 / 69 / 60 / 33

HEX #AA3544

RGB 170 53 68

HSL 352.31, 0.52%, 0.44%

LAB 40.43, 48.59, 18.35

 

CMYK 5 / 0 / 68 / 33

HEX #A3AB36

RGB 163 171 54

HSL 64.1, 0.52%, 0.44%

LAB 67.41, -17.84, 56.47

 

CMYK 68 / 0 / 9 / 33

HEX #36AB9B

RGB 54 171 155

HSL 171.79, 0.52%, 0.44%

LAB 63.57, -35.98, -1.21

 

CMYK 64 / 68 / 0 / 33

HEX #3E36AB

RGB 62 54 171

HSL 244.1, 0.52%, 0.44%

LAB 30.88, 39.01, -61.49

 

CMYK 0 / 69 / 60 / 33

HEX #AA3544

RGB 170 53 68

HSL 352.31, 0.52%, 0.44%

LAB 40.43, 48.59, 18.35

 

CMYK 25 / 0 / 68 / 33

HEX #80AB36

RGB 128 171 54

HSL 82.05, 0.52%, 0.44%

LAB 64.95, -32.31, 53.17

 

CMYK 68 / 0 / 9 / 33

HEX #36AB9B

RGB 54 171 155

HSL 171.79, 0.52%, 0.44%

LAB 63.57, -35.98, -1.21

 

CMYK 43 / 68 / 0 / 33

HEX #6136AB

RGB 97 54 171

HSL 262.05, 0.52%, 0.44%

LAB 34.23, 45, -55.89

 

Description

Color code: RGB 170 53 68 | qconv.com Color code: RGB 170 53 68 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 53 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 53 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 60 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 60% 33% C M Y K

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