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Color name
RGB 170 37 46

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 37 46 it is the complementary color RGB 85 218 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 37 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 37 46 shade: RGB 175 37 41, RGB 192 55 60, RGB 209 73 79, RGB 226 91 98 and RGB 243 109 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 37 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 37 46 shade: RGB 170 37 46, RGB 153 19 27, RGB 136 1 8, RGB 119 0 0 and RGB 102 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 37 46 shade: RGB 171 37 46 and RGB 171 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 37 46 shade: RGB 171 37 46, RGB 171 37 82, RGB 171 37 118, RGB 171 37 154 and RGB 151 37 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 37 46 shade matches the following richer shades: RGB 171 37 46, RGB 188 20 32 and RGB 205 3 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 37 46 shade: RGB 171 37 46, RGB 154 54 61, RGB 137 71 75, RGB 120 88 90 and RGB 103 105 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 37 46 shade: RGB 171 37 120, RGB 171 37 84, RGB 171 37 48, RGB 171 62 37 and RGB 171 97 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 37 46 shade: RGB 103 22 28, RGB 137 30 37, RGB 171 37 46, RGB 205 45 55 and RGB 215 75 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 37 46 shade: RGB 170 37 46, RGB 155 171 37 and RGB 37 102 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 37 46 shade: RGB 170 37 46, RGB 48 171 37 and RGB 37 48 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 37 46 shade: RGB 170 37 46, RGB 155 171 37, RGB 37 171 160 and RGB 53 37 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 37 46 shade: RGB 170 37 46, RGB 115 171 37, RGB 37 171 160 and RGB 93 37 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 73 / 33

HEX #AA252E

RGB 170 37 46

HSL 355.94, 0.64%, 0.41%

LAB 37.96, 53.11, 28.89

 

Complementary color

CMYK 61 / 0 / 4 / 15

HEX #55DAD1

RGB 85 218 209

HSL 175.94, 0.64%, 0.59%

LAB 80, -38.07, -6.39

 

CMYK 0 / 79 / 77 / 31

HEX #AF2529

RGB 175 37 41

HSL 358.26, 0.65%, 0.42%

LAB 38.89, 54.41, 33.21

 

CMYK 0 / 71 / 69 / 25

HEX #C0373C

RGB 192 55 60

HSL 357.81, 0.55%, 0.48%

LAB 44.61, 54.42, 29.39

 

CMYK 0 / 65 / 62 / 18

HEX #D1494F

RGB 209 73 79

HSL 357.35, 0.6%, 0.55%

LAB 50.55, 53.9, 26.18

 

CMYK 0 / 60 / 57 / 11

HEX #E25B62

RGB 226 91 98

HSL 356.89, 0.7%, 0.62%

LAB 56.62, 53.09, 23.48

 

CMYK 0 / 55 / 52 / 5

HEX #F36D75

RGB 243 109 117

HSL 356.42, 0.85%, 0.69%

LAB 62.74, 52.14, 21.2

 

CMYK 0 / 78 / 73 / 33

HEX #AA252E

RGB 170 37 46

HSL 355.94, 0.64%, 0.41%

LAB 37.96, 53.11, 28.89

 

CMYK 0 / 88 / 82 / 40

HEX #99131B

RGB 153 19 27

HSL 356.42, 0.78%, 0.34%

LAB 32.52, 52.18, 33.33

 

CMYK 0 / 99 / 94 / 47

HEX #880108

RGB 136 1 8

HSL 356.89, 0.99%, 0.27%

LAB 27.5, 50.17, 37.26

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 78 / 73 / 33

HEX #AB252E

RGB 171 37 46

HSL 355.97, 0.64%, 0.41%

LAB 38.16, 53.41, 29.17

 

CMYK 0 / 78 / 78 / 33

HEX #AB2525

RGB 171 37 37

HSL 0, 0.64%, 0.41%

LAB 38.05, 53.05, 34.4

 

CMYK 0 / 78 / 73 / 33

HEX #AB252E

RGB 171 37 46

HSL 355.97, 0.64%, 0.41%

LAB 38.16, 53.41, 29.17

 

CMYK 0 / 78 / 52 / 33

HEX #AB2552

RGB 171 37 82

HSL 339.85, 0.64%, 0.41%

LAB 38.88, 55.69, 7.42

 

CMYK 0 / 78 / 31 / 33

HEX #AB2576

RGB 171 37 118

HSL 323.73, 0.64%, 0.41%

LAB 40.06, 59.3, -13.56

 

CMYK 0 / 78 / 10 / 33

HEX #AB259A

RGB 171 37 154

HSL 307.61, 0.64%, 0.41%

LAB 41.71, 64.12, -33.08

 

CMYK 12 / 78 / 0 / 33

HEX #9725AB

RGB 151 37 171

HSL 291.04, 0.64%, 0.41%

LAB 39.31, 62.76, -47.3

 

CMYK 0 / 78 / 73 / 33

HEX #AB252E

RGB 171 37 46

HSL 355.97, 0.64%, 0.41%

LAB 38.16, 53.41, 29.17

 

CMYK 0 / 89 / 83 / 26

HEX #BC1420

RGB 188 20 32

HSL 355.71, 0.81%, 0.41%

LAB 40.07, 61.77, 40.4

 

CMYK 0 / 99 / 92 / 20

HEX #CD0311

RGB 205 3 17

HSL 355.84, 0.97%, 0.41%

LAB 42.89, 67.84, 51.33

 

CMYK 0 / 78 / 73 / 33

HEX #AB252E

RGB 171 37 46

HSL 355.97, 0.64%, 0.41%

LAB 38.16, 53.41, 29.17

 

CMYK 0 / 65 / 60 / 40

HEX #9A363D

RGB 154 54 61

HSL 355.8, 0.48%, 0.41%

LAB 37.56, 42.22, 18.42

 

CMYK 0 / 48 / 45 / 46

HEX #89474B

RGB 137 71 75

HSL 356.36, 0.32%, 0.41%

LAB 38.43, 28.42, 10.36

 

CMYK 0 / 27 / 25 / 53

HEX #78585A

RGB 120 88 90

HSL 356.25, 0.15%, 0.41%

LAB 40.75, 13.53, 4.02

 

CMYK 2 / 0 / 0 / 59

HEX #676969

RGB 103 105 105

HSL 180, 0.01%, 0.41%

LAB 44.24, -0.77, -0.28

 

CMYK 0 / 78 / 30 / 33

HEX #AB2578

RGB 171 37 120

HSL 322.84, 0.64%, 0.41%

LAB 40.14, 59.54, -14.69

 

CMYK 0 / 78 / 51 / 33

HEX #AB2554

RGB 171 37 84

HSL 338.96, 0.64%, 0.41%

LAB 38.93, 55.85, 6.22

 

CMYK 0 / 78 / 72 / 33

HEX #AB2530

RGB 171 37 48

HSL 355.07, 0.64%, 0.41%

LAB 38.19, 53.5, 27.98

 

CMYK 0 / 64 / 78 / 33

HEX #AB3E25

RGB 171 62 37

HSL 11.19, 0.64%, 0.41%

LAB 41.59, 43.36, 38.1

 

CMYK 0 / 43 / 78 / 33

HEX #AB6125

RGB 171 97 37

HSL 26.87, 0.64%, 0.41%

LAB 48.69, 25.37, 45.21

 

CMYK 0 / 79 / 73 / 60

HEX #67161C

RGB 103 22 28

HSL 355.56, 0.65%, 0.25%

LAB 22.09, 35.88, 18.15

 

CMYK 0 / 78 / 73 / 46

HEX #891E25

RGB 137 30 37

HSL 356.07, 0.64%, 0.33%

LAB 30.35, 44.71, 23.87

 

CMYK 0 / 78 / 73 / 33

HEX #AB252E

RGB 171 37 46

HSL 355.97, 0.64%, 0.41%

LAB 38.16, 53.41, 29.17

 

CMYK 0 / 78 / 73 / 20

HEX #CD2D37

RGB 205 45 55

HSL 356.25, 0.64%, 0.49%

LAB 45.81, 61.45, 34.38

 

CMYK 0 / 65 / 60 / 16

HEX #D74B55

RGB 215 75 85

HSL 355.71, 0.64%, 0.57%

LAB 51.99, 55.43, 24.69

 

CMYK 0 / 78 / 73 / 33

HEX #AA252E

RGB 170 37 46

HSL 355.94, 0.64%, 0.41%

LAB 37.96, 53.11, 28.89

 

CMYK 9 / 0 / 78 / 33

HEX #9BAB25

RGB 155 171 37

HSL 67.16, 0.64%, 0.41%

LAB 66.69, -22.11, 61.53

 

CMYK 78 / 40 / 0 / 33

HEX #2566AB

RGB 37 102 171

HSL 210.9, 0.64%, 0.41%

LAB 42.52, 4.5, -42.74

 

CMYK 0 / 78 / 73 / 33

HEX #AA252E

RGB 170 37 46

HSL 355.94, 0.64%, 0.41%

LAB 37.96, 53.11, 28.89

 

CMYK 72 / 0 / 78 / 33

HEX #30AB25

RGB 48 171 37

HSL 115.07, 0.64%, 0.41%

LAB 61.56, -57.56, 54.88

 

CMYK 78 / 72 / 0 / 33

HEX #2530AB

RGB 37 48 171

HSL 235.07, 0.64%, 0.41%

LAB 27.97, 39.79, -66.34

 

CMYK 0 / 78 / 73 / 33

HEX #AA252E

RGB 170 37 46

HSL 355.94, 0.64%, 0.41%

LAB 37.96, 53.11, 28.89

 

CMYK 9 / 0 / 78 / 33

HEX #9BAB25

RGB 155 171 37

HSL 67.16, 0.64%, 0.41%

LAB 66.69, -22.11, 61.53

 

CMYK 78 / 0 / 6 / 33

HEX #25ABA0

RGB 37 171 160

HSL 175.07, 0.64%, 0.41%

LAB 63.39, -36.74, -4.31

 

CMYK 69 / 78 / 0 / 33

HEX #3525AB

RGB 53 37 171

HSL 247.16, 0.64%, 0.41%

LAB 26.79, 47.43, -68.25

 

CMYK 0 / 78 / 73 / 33

HEX #AA252E

RGB 170 37 46

HSL 355.94, 0.64%, 0.41%

LAB 37.96, 53.11, 28.89

 

CMYK 33 / 0 / 78 / 33

HEX #73AB25

RGB 115 171 37

HSL 85.07, 0.64%, 0.41%

LAB 64.08, -38.34, 58.17

 

CMYK 78 / 0 / 6 / 33

HEX #25ABA0

RGB 37 171 160

HSL 175.07, 0.64%, 0.41%

LAB 63.39, -36.74, -4.31

 

CMYK 46 / 78 / 0 / 33

HEX #5D25AB

RGB 93 37 171

HSL 265.07, 0.64%, 0.41%

LAB 30.86, 52.48, -61.42

 

Description

Color code: RGB 170 37 46 | qconv.com Color code: RGB 170 37 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 37 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 37 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 73 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 73% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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