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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 37 23 it is the complementary color RGB 85 218 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 37 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 37 23 shade: RGB 175 37 18, RGB 192 55 37, RGB 209 73 56, RGB 226 91 75 and RGB 243 109 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 37 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 37 23 shade: RGB 170 37 23, RGB 153 19 4, RGB 136 1 0, RGB 119 0 0 and RGB 102 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 37 23 shade: RGB 170 37 23 and RGB 170 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 37 23 shade: RGB 170 37 23, RGB 170 76 23, RGB 170 116 23, RGB 170 156 23 and RGB 144 170 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 37 23 shade matches the following richer shades: RGB 170 37 23 and RGB 186 24 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 37 23 shade: RGB 170 37 23, RGB 154 49 38, RGB 139 62 54, RGB 123 75 70 and RGB 107 88 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 37 23 shade: RGB 170 23 89, RGB 170 23 50, RGB 170 35 23, RGB 170 74 23 and RGB 170 114 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 37 23 shade: RGB 97 21 13, RGB 134 29 18, RGB 170 37 23, RGB 206 45 28 and RGB 226 66 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 37 23 shade: RGB 170 37 23, RGB 128 170 23 and RGB 23 69 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 37 23 shade: RGB 170 37 23, RGB 23 170 35 and RGB 35 23 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 37 23 shade: RGB 170 37 23, RGB 128 170 23, RGB 23 158 170 and RGB 64 23 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 37 23 shade: RGB 170 37 23, RGB 84 170 23, RGB 23 158 170 and RGB 109 23 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 86 / 33

HEX #AA2517

RGB 170 37 23

HSL 5.71, 0.76%, 0.38%

LAB 37.72, 52.33, 41.57

 

Complementary color

CMYK 63 / 6 / 0 / 9

HEX #55DAE8

RGB 85 218 232

HSL 185.71, 0.76%, 0.62%

LAB 80.68, -31.76, -17.63

 

CMYK 0 / 79 / 90 / 31

HEX #AF2512

RGB 175 37 18

HSL 7.26, 0.81%, 0.38%

LAB 38.69, 53.76, 45.08

 

CMYK 0 / 71 / 81 / 25

HEX #C03725

RGB 192 55 37

HSL 6.97, 0.68%, 0.45%

LAB 44.34, 53.47, 42.11

 

CMYK 0 / 65 / 73 / 18

HEX #D14938

RGB 209 73 56

HSL 6.67, 0.62%, 0.52%

LAB 50.22, 52.67, 39

 

CMYK 0 / 60 / 67 / 11

HEX #E25B4B

RGB 226 91 75

HSL 6.36, 0.72%, 0.59%

LAB 56.25, 51.61, 36.16

 

CMYK 0 / 55 / 61 / 5

HEX #F36D5E

RGB 243 109 94

HSL 6.04, 0.86%, 0.66%

LAB 62.34, 50.44, 33.66

 

CMYK 0 / 78 / 86 / 33

HEX #AA2517

RGB 170 37 23

HSL 5.71, 0.76%, 0.38%

LAB 37.72, 52.33, 41.57

 

CMYK 0 / 88 / 97 / 40

HEX #991304

RGB 153 19 4

HSL 6.04, 0.95%, 0.31%

LAB 32.36, 51.72, 44.24

 

CMYK 0 / 99 / 100 / 47

HEX #880100

RGB 136 1 0

HSL 0.44, 1%, 0.27%

LAB 27.45, 50.04, 40.48

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 78 / 86 / 33

HEX #AA2517

RGB 170 37 23

HSL 5.71, 0.76%, 0.38%

LAB 37.72, 52.33, 41.57

 

CMYK 0 / 86 / 86 / 33

HEX #AA1717

RGB 170 23 23

HSL 0, 0.76%, 0.38%

LAB 36.41, 56.04, 40.44

 

CMYK 0 / 78 / 86 / 33

HEX #AA2517

RGB 170 37 23

HSL 5.71, 0.76%, 0.38%

LAB 37.72, 52.33, 41.57

 

CMYK 0 / 55 / 86 / 33

HEX #AA4C17

RGB 170 76 23

HSL 21.63, 0.76%, 0.38%

LAB 43.91, 35.73, 46.82

 

CMYK 0 / 32 / 86 / 33

HEX #AA7417

RGB 170 116 23

HSL 37.96, 0.76%, 0.38%

LAB 53.06, 13.82, 54.45

 

CMYK 0 / 8 / 86 / 33

HEX #AA9C17

RGB 170 156 23

HSL 54.29, 0.76%, 0.38%

LAB 63.66, -8.23, 63.18

 

CMYK 15 / 0 / 86 / 33

HEX #90AA17

RGB 144 170 23

HSL 70.61, 0.76%, 0.38%

LAB 65.55, -26.79, 63.88

 

CMYK 0 / 78 / 86 / 33

HEX #AA2517

RGB 170 37 23

HSL 5.71, 0.76%, 0.38%

LAB 37.72, 52.33, 41.57

 

CMYK 0 / 87 / 96 / 27

HEX #BA1807

RGB 186 24 7

HSL 5.7, 0.93%, 0.38%

LAB 39.76, 60.06, 50.92

 

CMYK 0 / 78 / 86 / 33

HEX #AA2517

RGB 170 37 23

HSL 5.71, 0.76%, 0.38%

LAB 37.72, 52.33, 41.57

 

CMYK 0 / 68 / 75 / 40

HEX #9A3126

RGB 154 49 38

HSL 5.69, 0.6%, 0.38%

LAB 36.38, 43.07, 31.05

 

CMYK 0 / 55 / 61 / 45

HEX #8B3E36

RGB 139 62 54

HSL 5.65, 0.44%, 0.38%

LAB 36.37, 32.13, 20.74

 

CMYK 0 / 39 / 43 / 52

HEX #7B4B46

RGB 123 75 70

HSL 5.66, 0.27%, 0.38%

LAB 37.27, 19.74, 11.57

 

CMYK 0 / 18 / 21 / 58

HEX #6B5855

RGB 107 88 85

HSL 8.18, 0.11%, 0.38%

LAB 39.18, 7.25, 4.65

 

CMYK 0 / 86 / 48 / 33

HEX #AA1759

RGB 170 23 89

HSL 333.06, 0.76%, 0.38%

LAB 37.63, 59.59, 1.11

 

CMYK 0 / 86 / 71 / 33

HEX #AA1732

RGB 170 23 50

HSL 348.98, 0.76%, 0.38%

LAB 36.72, 56.98, 24.92

 

CMYK 0 / 79 / 86 / 33

HEX #AA2317

RGB 170 35 23

HSL 4.9, 0.76%, 0.38%

LAB 37.5, 52.94, 41.38

 

CMYK 0 / 56 / 86 / 33

HEX #AA4A17

RGB 170 74 23

HSL 20.82, 0.76%, 0.38%

LAB 43.52, 36.75, 46.49

 

CMYK 0 / 33 / 86 / 33

HEX #AA7217

RGB 170 114 23

HSL 37.14, 0.76%, 0.38%

LAB 52.56, 14.94, 54.03

 

CMYK 0 / 78 / 87 / 62

HEX #61150D

RGB 97 21 13

HSL 5.71, 0.76%, 0.22%

LAB 20.47, 33.48, 25.24

 

CMYK 0 / 78 / 87 / 47

HEX #861D12

RGB 134 29 18

HSL 5.69, 0.76%, 0.3%

LAB 29.39, 43.35, 33.98

 

CMYK 0 / 78 / 86 / 33

HEX #AA2517

RGB 170 37 23

HSL 5.71, 0.76%, 0.38%

LAB 37.72, 52.33, 41.57

 

CMYK 0 / 78 / 86 / 19

HEX #CE2D1C

RGB 206 45 28

HSL 5.73, 0.76%, 0.46%

LAB 45.75, 60.91, 48.81

 

CMYK 0 / 71 / 78 / 11

HEX #E24231

RGB 226 66 49

HSL 5.76, 0.75%, 0.54%

LAB 52.16, 60.68, 45.72

 

CMYK 0 / 78 / 86 / 33

HEX #AA2517

RGB 170 37 23

HSL 5.71, 0.76%, 0.38%

LAB 37.72, 52.33, 41.57

 

CMYK 25 / 0 / 86 / 33

HEX #80AA17

RGB 128 170 23

HSL 77.14, 0.76%, 0.38%

LAB 64.48, -33.4, 62.56

 

CMYK 86 / 59 / 0 / 33

HEX #1745AA

RGB 23 69 170

HSL 221.22, 0.76%, 0.38%

LAB 32.57, 24.6, -58.21

 

CMYK 0 / 78 / 86 / 33

HEX #AA2517

RGB 170 37 23

HSL 5.71, 0.76%, 0.38%

LAB 37.72, 52.33, 41.57

 

CMYK 86 / 0 / 79 / 33

HEX #17AA23

RGB 23 170 35

HSL 124.9, 0.76%, 0.38%

LAB 60.83, -60.77, 54.68

 

CMYK 79 / 86 / 0 / 33

HEX #2317AA

RGB 35 23 170

HSL 244.9, 0.76%, 0.38%

LAB 23.25, 52.27, -73.57

 

CMYK 0 / 78 / 86 / 33

HEX #AA2517

RGB 170 37 23

HSL 5.71, 0.76%, 0.38%

LAB 37.72, 52.33, 41.57

 

CMYK 25 / 0 / 86 / 33

HEX #80AA17

RGB 128 170 23

HSL 77.14, 0.76%, 0.38%

LAB 64.48, -33.4, 62.56

 

CMYK 86 / 7 / 0 / 33

HEX #179EAA

RGB 23 158 170

HSL 184.9, 0.76%, 0.38%

LAB 59.47, -28.72, -15.81

 

CMYK 62 / 86 / 0 / 33

HEX #4017AA

RGB 64 23 170

HSL 256.73, 0.76%, 0.38%

LAB 25.58, 54.25, -69.63

 

CMYK 0 / 78 / 86 / 33

HEX #AA2517

RGB 170 37 23

HSL 5.71, 0.76%, 0.38%

LAB 37.72, 52.33, 41.57

 

CMYK 51 / 0 / 86 / 33

HEX #54AA17

RGB 84 170 23

HSL 95.1, 0.76%, 0.38%

LAB 62.25, -49.17, 59.76

 

CMYK 86 / 7 / 0 / 33

HEX #179EAA

RGB 23 158 170

HSL 184.9, 0.76%, 0.38%

LAB 59.47, -28.72, -15.81

 

CMYK 36 / 86 / 0 / 33

HEX #6D17AA

RGB 109 23 170

HSL 275.1, 0.76%, 0.38%

LAB 31.27, 59.49, -60.06

 

Description

Color code: RGB 170 37 23 | qconv.com Color code: RGB 170 37 23 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 37 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 37 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 86 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 86% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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