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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 31 117 it is the complementary color RGB 85 224 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 31 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 31 117 shade: RGB 175 31 112, RGB 192 49 131, RGB 209 67 150, RGB 226 85 169 and RGB 243 103 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 31 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 31 117 shade: RGB 170 31 117, RGB 153 13 98, RGB 136 0 79, RGB 119 0 60 and RGB 102 0 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 31 117 shade: RGB 168 30 115, RGB 168 30 78, RGB 168 30 41 and RGB 168 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 31 117 shade: RGB 168 30 115, RGB 168 30 152, RGB 146 30 168, RGB 109 30 168 and RGB 72 30 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 31 117 shade matches the following richer shades: RGB 168 30 115 and RGB 184 14 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 31 117 shade: RGB 168 30 115, RGB 151 46 111, RGB 135 63 108, RGB 119 79 104 and RGB 103 95 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 31 117 shade: RGB 145 30 168, RGB 168 30 154, RGB 168 30 117, RGB 168 30 81 and RGB 168 30 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 31 117 shade: RGB 98 18 67, RGB 133 24 91, RGB 168 30 115, RGB 202 37 139 and RGB 219 61 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 31 117 shade: RGB 170 31 117, RGB 168 108 30 and RGB 30 168 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 31 117 shade: RGB 170 31 117, RGB 117 168 30 and RGB 30 117 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 31 117 shade: RGB 170 31 117, RGB 168 108 30, RGB 30 168 81 and RGB 30 90 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 31 117 shade: RGB 170 31 117, RGB 168 149 30, RGB 30 168 81 and RGB 30 49 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 31 / 33

HEX #AA1F75

RGB 170 31 117

HSL 322.88, 0.69%, 0.39%

LAB 39.26, 60.58, -14.18

 

Complementary color

CMYK 62 / 0 / 38 / 12

HEX #55E08A

RGB 85 224 138

HSL 142.88, 0.69%, 0.61%

LAB 80.22, -56.41, 31.26

 

CMYK 0 / 82 / 36 / 31

HEX #AF1F70

RGB 175 31 112

HSL 326.25, 0.7%, 0.4%

LAB 40.02, 61.25, -9.81

 

CMYK 0 / 74 / 32 / 25

HEX #C03183

RGB 192 49 131

HSL 325.59, 0.59%, 0.47%

LAB 45.69, 62.5, -12.67

 

CMYK 0 / 68 / 28 / 18

HEX #D14396

RGB 209 67 150

HSL 324.93, 0.61%, 0.54%

LAB 51.58, 62.98, -14.9

 

CMYK 0 / 62 / 25 / 11

HEX #E255A9

RGB 226 85 169

HSL 324.26, 0.71%, 0.61%

LAB 57.59, 62.96, -16.68

 

CMYK 0 / 58 / 23 / 5

HEX #F367BC

RGB 243 103 188

HSL 323.57, 0.85%, 0.68%

LAB 63.66, 62.64, -18.12

 

CMYK 0 / 82 / 31 / 33

HEX #AA1F75

RGB 170 31 117

HSL 322.88, 0.69%, 0.39%

LAB 39.26, 60.58, -14.18

 

CMYK 0 / 92 / 36 / 40

HEX #990D62

RGB 153 13 98

HSL 323.57, 0.84%, 0.33%

LAB 33.86, 58.16, -10.64

 

CMYK 0 / 100 / 42 / 47

HEX #88004F

RGB 136 0 79

HSL 325.15, 1%, 0.27%

LAB 28.9, 54.23, -6.03

 

CMYK 0 / 100 / 50 / 53

HEX #77003C

RGB 119 0 60

HSL 329.75, 1%, 0.23%

LAB 24.48, 48.46, -0.13

 

CMYK 0 / 100 / 60 / 60

HEX #660029

RGB 102 0 41

HSL 335.88, 1%, 0.2%

LAB 19.98, 42.65, 6.24

 

CMYK 0 / 82 / 32 / 34

HEX #A81E73

RGB 168 30 115

HSL 323.04, 0.7%, 0.39%

LAB 38.71, 60.12, -13.8

 

CMYK 0 / 82 / 54 / 34

HEX #A81E4E

RGB 168 30 78

HSL 339.13, 0.7%, 0.39%

LAB 37.49, 56.52, 7.93

 

CMYK 0 / 82 / 76 / 34

HEX #A81E29

RGB 168 30 41

HSL 355.22, 0.7%, 0.39%

LAB 36.77, 54.33, 30.45

 

CMYK 0 / 82 / 82 / 34

HEX #A81E1E

RGB 168 30 30

HSL 0, 0.7%, 0.39%

LAB 36.64, 53.95, 36.75

 

CMYK 0 / 82 / 32 / 34

HEX #A81E73

RGB 168 30 115

HSL 323.04, 0.7%, 0.39%

LAB 38.71, 60.12, -13.8

 

CMYK 0 / 82 / 10 / 34

HEX #A81E98

RGB 168 30 152

HSL 306.96, 0.7%, 0.39%

LAB 40.44, 65, -33.91

 

CMYK 13 / 82 / 0 / 34

HEX #921EA8

RGB 146 30 168

HSL 290.43, 0.7%, 0.39%

LAB 37.6, 63.28, -48.31

 

CMYK 35 / 82 / 0 / 34

HEX #6D1EA8

RGB 109 30 168

HSL 274.35, 0.7%, 0.39%

LAB 31.82, 56.91, -57.95

 

CMYK 57 / 82 / 0 / 34

HEX #481EA8

RGB 72 30 168

HSL 258.26, 0.7%, 0.39%

LAB 27.11, 51.82, -65.86

 

CMYK 0 / 82 / 32 / 34

HEX #A81E73

RGB 168 30 115

HSL 323.04, 0.7%, 0.39%

LAB 38.71, 60.12, -13.8

 

CMYK 0 / 92 / 35 / 28

HEX #B80E77

RGB 184 14 119

HSL 322.94, 0.86%, 0.39%

LAB 40.95, 67.23, -12.6

 

CMYK 0 / 82 / 32 / 34

HEX #A81E73

RGB 168 30 115

HSL 323.04, 0.7%, 0.39%

LAB 38.71, 60.12, -13.8

 

CMYK 0 / 70 / 26 / 41

HEX #972E6F

RGB 151 46 111

HSL 322.86, 0.53%, 0.39%

LAB 37.26, 49.95, -13.78

 

CMYK 0 / 53 / 20 / 47

HEX #873F6C

RGB 135 63 108

HSL 322.5, 0.36%, 0.39%

LAB 37.46, 36.58, -11.84

 

CMYK 0 / 34 / 13 / 53

HEX #774F68

RGB 119 79 104

HSL 322.5, 0.2%, 0.39%

LAB 38.75, 20.98, -7.61

 

CMYK 0 / 8 / 3 / 60

HEX #675F64

RGB 103 95 100

HSL 322.5, 0.04%, 0.39%

LAB 41.2, 4.2, -1.7

 

CMYK 14 / 82 / 0 / 34

HEX #911EA8

RGB 145 30 168

HSL 290, 0.7%, 0.39%

LAB 37.44, 63.09, -48.58

 

CMYK 0 / 82 / 8 / 34

HEX #A81E9A

RGB 168 30 154

HSL 306.09, 0.7%, 0.39%

LAB 40.55, 65.3, -34.95

 

CMYK 0 / 82 / 30 / 34

HEX #A81E75

RGB 168 30 117

HSL 322.17, 0.7%, 0.39%

LAB 38.79, 60.35, -14.93

 

CMYK 0 / 82 / 52 / 34

HEX #A81E51

RGB 168 30 81

HSL 337.83, 0.7%, 0.39%

LAB 37.57, 56.76, 6.11

 

CMYK 0 / 82 / 74 / 34

HEX #A81E2C

RGB 168 30 44

HSL 353.91, 0.7%, 0.39%

LAB 36.81, 54.46, 28.67

 

CMYK 0 / 82 / 32 / 62

HEX #621243

RGB 98 18 67

HSL 323.25, 0.69%, 0.23%

LAB 21.71, 39.46, -9.56

 

CMYK 0 / 82 / 32 / 48

HEX #85185B

RGB 133 24 91

HSL 323.12, 0.69%, 0.31%

LAB 30.39, 50.1, -11.75

 

CMYK 0 / 82 / 32 / 34

HEX #A81E73

RGB 168 30 115

HSL 323.04, 0.7%, 0.39%

LAB 38.71, 60.12, -13.8

 

CMYK 0 / 82 / 31 / 21

HEX #CA258B

RGB 202 37 139

HSL 322.91, 0.69%, 0.47%

LAB 46.64, 69.23, -15.93

 

CMYK 0 / 72 / 27 / 14

HEX #DB3D9F

RGB 219 61 159

HSL 322.78, 0.69%, 0.55%

LAB 52.84, 68.82, -18.15

 

CMYK 0 / 82 / 31 / 33

HEX #AA1F75

RGB 170 31 117

HSL 322.88, 0.69%, 0.39%

LAB 39.26, 60.58, -14.18

 

CMYK 0 / 36 / 82 / 34

HEX #A86C1E

RGB 168 108 30

HSL 33.91, 0.7%, 0.39%

LAB 50.85, 17.64, 50.04

 

CMYK 82 / 0 / 3 / 34

HEX #1EA8A3

RGB 30 168 163

HSL 177.83, 0.7%, 0.39%

LAB 62.44, -35.14, -7.4

 

CMYK 0 / 82 / 31 / 33

HEX #AA1F75

RGB 170 31 117

HSL 322.88, 0.69%, 0.39%

LAB 39.26, 60.58, -14.18

 

CMYK 30 / 0 / 82 / 34

HEX #75A81E

RGB 117 168 30

HSL 82.17, 0.7%, 0.39%

LAB 63.24, -36.57, 59.5

 

CMYK 82 / 30 / 0 / 34

HEX #1E75A8

RGB 30 117 168

HSL 202.17, 0.7%, 0.39%

LAB 46.75, -6.62, -34.3

 

CMYK 0 / 82 / 31 / 33

HEX #AA1F75

RGB 170 31 117

HSL 322.88, 0.69%, 0.39%

LAB 39.26, 60.58, -14.18

 

CMYK 0 / 36 / 82 / 34

HEX #A86C1E

RGB 168 108 30

HSL 33.91, 0.7%, 0.39%

LAB 50.85, 17.64, 50.04

 

CMYK 82 / 0 / 52 / 34

HEX #1EA851

RGB 30 168 81

HSL 142.17, 0.7%, 0.39%

LAB 60.67, -54.27, 34.95

 

CMYK 82 / 46 / 0 / 34

HEX #1E5AA8

RGB 30 90 168

HSL 213.91, 0.7%, 0.39%

LAB 38.58, 10.31, -47.28

 

CMYK 0 / 82 / 31 / 33

HEX #AA1F75

RGB 170 31 117

HSL 322.88, 0.69%, 0.39%

LAB 39.26, 60.58, -14.18

 

CMYK 0 / 11 / 82 / 34

HEX #A8951E

RGB 168 149 30

HSL 51.74, 0.7%, 0.39%

LAB 61.58, -5.18, 59.5

 

CMYK 82 / 0 / 52 / 34

HEX #1EA851

RGB 30 168 81

HSL 142.17, 0.7%, 0.39%

LAB 60.67, -54.27, 34.95

 

CMYK 82 / 71 / 0 / 34

HEX #1E31A8

RGB 30 49 168

HSL 231.74, 0.7%, 0.39%

LAB 27.57, 37.54, -65.2

 

Description

Color code: RGB 170 31 117 | qconv.com Color code: RGB 170 31 117 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 31 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 31 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 31 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 31% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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