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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 29 103 it is the complementary color RGB 85 226 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 29 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 29 103 shade: RGB 175 29 98, RGB 192 47 117, RGB 209 65 136, RGB 226 83 155 and RGB 243 101 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 29 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 29 103 shade: RGB 170 29 103, RGB 153 11 84, RGB 136 0 65, RGB 119 0 46 and RGB 102 0 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 29 103 shade: RGB 170 29 103, RGB 170 29 65 and RGB 170 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 29 103 shade: RGB 170 29 103, RGB 170 29 141, RGB 161 29 170, RGB 123 29 170 and RGB 85 29 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 29 103 shade matches the following richer shades: RGB 170 29 103 and RGB 186 13 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 29 103 shade: RGB 170 29 103, RGB 154 45 102, RGB 138 61 101, RGB 122 77 101 and RGB 106 93 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 29 103 shade: RGB 161 29 170, RGB 170 29 142, RGB 170 29 104, RGB 170 29 66 and RGB 170 29 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 29 103 shade: RGB 100 17 60, RGB 135 23 82, RGB 170 29 103, RGB 205 35 124 and RGB 222 60 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 29 103 shade: RGB 170 29 103, RGB 170 123 29 and RGB 29 161 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 29 103 shade: RGB 170 29 103, RGB 104 170 29 and RGB 29 104 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 29 103 shade: RGB 170 29 103, RGB 170 123 29, RGB 29 170 95 and RGB 29 76 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 29 103 shade: RGB 170 29 103, RGB 170 165 29, RGB 29 170 95 and RGB 29 34 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 39 / 33

HEX #AA1D67

RGB 170 29 103

HSL 328.51, 0.71%, 0.39%

LAB 38.56, 59.56, -6.43

 

Complementary color

CMYK 62 / 0 / 33 / 11

HEX #55E298

RGB 85 226 152

HSL 148.51, 0.71%, 0.61%

LAB 81.07, -54.59, 25.22

 

CMYK 0 / 83 / 44 / 31

HEX #AF1D62

RGB 175 29 98

HSL 331.64, 0.72%, 0.4%

LAB 39.37, 60.33, -1.96

 

CMYK 0 / 76 / 39 / 25

HEX #C02F75

RGB 192 47 117

HSL 331.03, 0.61%, 0.47%

LAB 44.98, 61.61, -5.17

 

CMYK 0 / 69 / 35 / 18

HEX #D14188

RGB 209 65 136

HSL 330.42, 0.61%, 0.54%

LAB 50.82, 62.08, -7.69

 

CMYK 0 / 63 / 31 / 11

HEX #E2539B

RGB 226 83 155

HSL 329.79, 0.71%, 0.61%

LAB 56.8, 62.05, -9.7

 

CMYK 0 / 58 / 28 / 5

HEX #F365AE

RGB 243 101 174

HSL 329.15, 0.86%, 0.67%

LAB 62.86, 61.71, -11.35

 

CMYK 0 / 83 / 39 / 33

HEX #AA1D67

RGB 170 29 103

HSL 328.51, 0.71%, 0.39%

LAB 38.56, 59.56, -6.43

 

CMYK 0 / 93 / 45 / 40

HEX #990B54

RGB 153 11 84

HSL 329.15, 0.87%, 0.32%

LAB 33.25, 57.07, -2.47

 

CMYK 0 / 100 / 52 / 47

HEX #880041

RGB 136 0 65

HSL 331.32, 1%, 0.27%

LAB 28.42, 52.98, 2.66

 

CMYK 0 / 100 / 61 / 53

HEX #77002E

RGB 119 0 46

HSL 336.81, 1%, 0.23%

LAB 24.06, 47.36, 8.98

 

CMYK 0 / 100 / 74 / 60

HEX #66001B

RGB 102 0 27

HSL 344.12, 1%, 0.2%

LAB 19.65, 41.77, 15.78

 

CMYK 0 / 83 / 39 / 33

HEX #AA1D67

RGB 170 29 103

HSL 328.51, 0.71%, 0.39%

LAB 38.56, 59.56, -6.43

 

CMYK 0 / 83 / 62 / 33

HEX #AA1D41

RGB 170 29 65

HSL 344.68, 0.71%, 0.39%

LAB 37.49, 56.41, 16.35

 

CMYK 0 / 83 / 83 / 33

HEX #AA1D1D

RGB 170 29 29

HSL 0, 0.71%, 0.39%

LAB 36.95, 54.77, 37.75

 

CMYK 0 / 83 / 39 / 33

HEX #AA1D67

RGB 170 29 103

HSL 328.51, 0.71%, 0.39%

LAB 38.56, 59.56, -6.43

 

CMYK 0 / 83 / 17 / 33

HEX #AA1D8D

RGB 170 29 141

HSL 312.34, 0.71%, 0.39%

LAB 40.16, 64.11, -27.63

 

CMYK 5 / 83 / 0 / 33

HEX #A11DAA

RGB 161 29 170

HSL 296.17, 0.71%, 0.39%

LAB 40.18, 66.67, -45.23

 

CMYK 28 / 83 / 0 / 33

HEX #7B1DAA

RGB 123 29 170

HSL 280, 0.71%, 0.39%

LAB 33.97, 59.92, -55.57

 

CMYK 50 / 83 / 0 / 33

HEX #551DAA

RGB 85 29 170

HSL 263.83, 0.71%, 0.39%

LAB 28.67, 54.32, -64.44

 

CMYK 0 / 83 / 39 / 33

HEX #AA1D67

RGB 170 29 103

HSL 328.51, 0.71%, 0.39%

LAB 38.56, 59.56, -6.43

 

CMYK 0 / 93 / 44 / 27

HEX #BA0D68

RGB 186 13 104

HSL 328.44, 0.87%, 0.39%

LAB 40.78, 66.36, -3.42

 

CMYK 0 / 83 / 39 / 33

HEX #AA1D67

RGB 170 29 103

HSL 328.51, 0.71%, 0.39%

LAB 38.56, 59.56, -6.43

 

CMYK 0 / 71 / 34 / 40

HEX #9A2D66

RGB 154 45 102

HSL 328.62, 0.55%, 0.39%

LAB 37.31, 50.06, -7.98

 

CMYK 0 / 56 / 27 / 46

HEX #8A3D65

RGB 138 61 101

HSL 328.83, 0.39%, 0.39%

LAB 37.26, 37.58, -7.69

 

CMYK 0 / 37 / 17 / 52

HEX #7A4D65

RGB 122 77 101

HSL 328, 0.23%, 0.39%

LAB 38.52, 22.79, -6.04

 

CMYK 0 / 12 / 6 / 58

HEX #6A5D64

RGB 106 93 100

HSL 327.69, 0.07%, 0.39%

LAB 40.92, 6.6, -2.08

 

CMYK 5 / 83 / 0 / 33

HEX #A11DAA

RGB 161 29 170

HSL 296.17, 0.71%, 0.39%

LAB 40.18, 66.67, -45.23

 

CMYK 0 / 83 / 16 / 33

HEX #AA1D8E

RGB 170 29 142

HSL 311.91, 0.71%, 0.39%

LAB 40.21, 64.24, -28.17

 

CMYK 0 / 83 / 39 / 33

HEX #AA1D68

RGB 170 29 104

HSL 328.09, 0.71%, 0.39%

LAB 38.59, 59.66, -7.01

 

CMYK 0 / 83 / 61 / 33

HEX #AA1D42

RGB 170 29 66

HSL 344.26, 0.71%, 0.39%

LAB 37.51, 56.47, 15.74

 

CMYK 0 / 83 / 83 / 33

HEX #AA1D1D

RGB 170 29 29

HSL 0, 0.71%, 0.39%

LAB 36.95, 54.77, 37.75

 

CMYK 0 / 83 / 40 / 61

HEX #64113C

RGB 100 17 60

HSL 328.92, 0.71%, 0.23%

LAB 21.71, 39.49, -4.67

 

CMYK 0 / 83 / 39 / 47

HEX #871752

RGB 135 23 82

HSL 328.39, 0.71%, 0.31%

LAB 30.33, 49.86, -5.89

 

CMYK 0 / 83 / 39 / 33

HEX #AA1D67

RGB 170 29 103

HSL 328.51, 0.71%, 0.39%

LAB 38.56, 59.56, -6.43

 

CMYK 0 / 83 / 40 / 20

HEX #CD237C

RGB 205 35 124

HSL 328.59, 0.71%, 0.47%

LAB 46.49, 68.84, -6.95

 

CMYK 0 / 73 / 35 / 13

HEX #DE3C91

RGB 222 60 145

HSL 328.52, 0.71%, 0.55%

LAB 52.74, 68.32, -9.96

 

CMYK 0 / 83 / 39 / 33

HEX #AA1D67

RGB 170 29 103

HSL 328.51, 0.71%, 0.39%

LAB 38.56, 59.56, -6.43

 

CMYK 0 / 28 / 83 / 33

HEX #AA7B1D

RGB 170 123 29

HSL 40, 0.71%, 0.39%

LAB 54.87, 10.05, 54.05

 

CMYK 83 / 5 / 0 / 33

HEX #1DA1AA

RGB 29 161 170

HSL 183.83, 0.71%, 0.39%

LAB 60.47, -29.74, -14.29

 

CMYK 0 / 83 / 39 / 33

HEX #AA1D67

RGB 170 29 103

HSL 328.51, 0.71%, 0.39%

LAB 38.56, 59.56, -6.43

 

CMYK 39 / 0 / 83 / 33

HEX #68AA1D

RGB 104 170 29

HSL 88.09, 0.71%, 0.39%

LAB 63.16, -42.31, 59.43

 

CMYK 83 / 39 / 0 / 33

HEX #1D68AA

RGB 29 104 170

HSL 208.09, 0.71%, 0.39%

LAB 42.86, 2, -41.62

 

CMYK 0 / 83 / 39 / 33

HEX #AA1D67

RGB 170 29 103

HSL 328.51, 0.71%, 0.39%

LAB 38.56, 59.56, -6.43

 

CMYK 0 / 28 / 83 / 33

HEX #AA7B1D

RGB 170 123 29

HSL 40, 0.71%, 0.39%

LAB 54.87, 10.05, 54.05

 

CMYK 83 / 0 / 44 / 33

HEX #1DAA5F

RGB 29 170 95

HSL 148.09, 0.71%, 0.39%

LAB 61.51, -52.69, 28.78

 

CMYK 83 / 55 / 0 / 33

HEX #1D4CAA

RGB 29 76 170

HSL 220, 0.71%, 0.39%

LAB 34.67, 20.35, -54.79

 

CMYK 0 / 83 / 39 / 33

HEX #AA1D67

RGB 170 29 103

HSL 328.51, 0.71%, 0.39%

LAB 38.56, 59.56, -6.43

 

CMYK 0 / 3 / 83 / 33

HEX #AAA51D

RGB 170 165 29

HSL 57.87, 0.71%, 0.39%

LAB 66.17, -12.79, 63.8

 

CMYK 83 / 0 / 44 / 33

HEX #1DAA5F

RGB 29 170 95

HSL 148.09, 0.71%, 0.39%

LAB 61.51, -52.69, 28.78

 

CMYK 83 / 80 / 0 / 33

HEX #1D22AA

RGB 29 34 170

HSL 237.87, 0.71%, 0.39%

LAB 24.66, 46.86, -71.22

 

Description

Color code: RGB 170 29 103 | qconv.com Color code: RGB 170 29 103 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 29 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 29 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 39 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 39% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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