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Color name
RGB 170 23 51

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 23 51 it is the complementary color RGB 85 232 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 23 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 23 51 shade: RGB 175 23 46, RGB 192 41 65, RGB 209 59 84, RGB 226 77 103 and RGB 243 95 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 23 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 23 51 shade: RGB 170 23 51, RGB 153 5 32, RGB 136 0 13, RGB 119 0 0 and RGB 102 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 23 51 shade: RGB 170 23 51 and RGB 170 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 23 51 shade: RGB 170 23 51, RGB 170 23 91, RGB 170 23 130, RGB 170 23 170 and RGB 130 23 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 23 51 shade matches the following richer shades: RGB 170 23 51 and RGB 186 7 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 23 51 shade: RGB 170 23 51, RGB 154 38 61, RGB 139 54 70, RGB 123 70 80 and RGB 107 85 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 23 51 shade: RGB 170 23 131, RGB 170 23 91, RGB 170 23 52, RGB 170 33 23 and RGB 170 72 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 23 51 shade: RGB 97 13 29, RGB 134 18 40, RGB 170 23 51, RGB 206 28 62 and RGB 226 49 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 23 51 shade: RGB 170 23 51, RGB 170 170 23 and RGB 23 111 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 23 51 shade: RGB 170 23 51, RGB 52 170 23 and RGB 23 52 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 23 51 shade: RGB 170 23 51, RGB 170 170 23, RGB 23 170 141 and RGB 23 23 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 23 51 shade: RGB 170 23 51, RGB 126 170 23, RGB 23 170 141 and RGB 67 23 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 70 / 33

HEX #AA1733

RGB 170 23 51

HSL 348.57, 0.76%, 0.38%

LAB 36.74, 57.02, 24.31

 

Complementary color

CMYK 63 / 0 / 12 / 9

HEX #55E8CC

RGB 85 232 204

HSL 168.57, 0.76%, 0.62%

LAB 83.97, -45.57, 2.09

 

CMYK 0 / 87 / 74 / 31

HEX #AF172E

RGB 175 23 46

HSL 350.92, 0.77%, 0.39%

LAB 37.71, 58.17, 28.85

 

CMYK 0 / 79 / 66 / 25

HEX #C02941

RGB 192 41 65

HSL 350.46, 0.65%, 0.46%

LAB 43.02, 59.34, 24.39

 

CMYK 0 / 72 / 60 / 18

HEX #D13B54

RGB 209 59 84

HSL 350, 0.62%, 0.53%

LAB 48.66, 59.64, 20.72

 

CMYK 0 / 66 / 54 / 11

HEX #E24D67

RGB 226 77 103

HSL 349.53, 0.72%, 0.59%

LAB 54.51, 59.41, 17.71

 

CMYK 0 / 61 / 50 / 5

HEX #F35F7A

RGB 243 95 122

HSL 349.05, 0.86%, 0.66%

LAB 60.47, 58.85, 15.21

 

CMYK 0 / 86 / 70 / 33

HEX #AA1733

RGB 170 23 51

HSL 348.57, 0.76%, 0.38%

LAB 36.74, 57.02, 24.31

 

CMYK 0 / 97 / 79 / 40

HEX #990520

RGB 153 5 32

HSL 349.05, 0.94%, 0.31%

LAB 31.77, 54.65, 29.55

 

CMYK 0 / 100 / 90 / 47

HEX #88000D

RGB 136 0 13

HSL 354.26, 1%, 0.27%

LAB 27.47, 50.43, 35.1

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 86 / 70 / 33

HEX #AA1733

RGB 170 23 51

HSL 348.57, 0.76%, 0.38%

LAB 36.74, 57.02, 24.31

 

CMYK 0 / 86 / 86 / 33

HEX #AA1717

RGB 170 23 23

HSL 0, 0.76%, 0.38%

LAB 36.41, 56.04, 40.44

 

CMYK 0 / 86 / 70 / 33

HEX #AA1733

RGB 170 23 51

HSL 348.57, 0.76%, 0.38%

LAB 36.74, 57.02, 24.31

 

CMYK 0 / 86 / 46 / 33

HEX #AA175B

RGB 170 23 91

HSL 332.24, 0.76%, 0.38%

LAB 37.69, 59.77, -0.08

 

CMYK 0 / 86 / 24 / 33

HEX #AA1782

RGB 170 23 130

HSL 316.33, 0.76%, 0.38%

LAB 39.19, 63.96, -22.37

 

CMYK 0 / 86 / 0 / 33

HEX #AA17AA

RGB 170 23 170

HSL 300, 0.76%, 0.38%

LAB 41.31, 69.6, -43.32

 

CMYK 24 / 86 / 0 / 33

HEX #8217AA

RGB 130 23 170

HSL 283.67, 0.76%, 0.38%

LAB 34.52, 62.67, -54.62

 

CMYK 0 / 86 / 70 / 33

HEX #AA1733

RGB 170 23 51

HSL 348.57, 0.76%, 0.38%

LAB 36.74, 57.02, 24.31

 

CMYK 0 / 96 / 78 / 27

HEX #BA0729

RGB 186 7 41

HSL 348.6, 0.93%, 0.38%

LAB 39.16, 63.2, 34.16

 

CMYK 0 / 86 / 70 / 33

HEX #AA1733

RGB 170 23 51

HSL 348.57, 0.76%, 0.38%

LAB 36.74, 57.02, 24.31

 

CMYK 0 / 75 / 60 / 40

HEX #9A263D

RGB 154 38 61

HSL 348.1, 0.6%, 0.38%

LAB 35.19, 48.73, 15.28

 

CMYK 0 / 61 / 50 / 45

HEX #8B3646

RGB 139 54 70

HSL 348.71, 0.44%, 0.38%

LAB 35.14, 37.65, 8.98

 

CMYK 0 / 43 / 35 / 52

HEX #7B4650

RGB 123 70 80

HSL 348.68, 0.27%, 0.38%

LAB 36.31, 24, 3.93

 

CMYK 0 / 21 / 16 / 58

HEX #6B555A

RGB 107 85 90

HSL 346.36, 0.11%, 0.38%

LAB 38.48, 9.98, 0.55

 

CMYK 0 / 86 / 23 / 33

HEX #AA1783

RGB 170 23 131

HSL 315.92, 0.76%, 0.38%

LAB 39.24, 64.09, -22.92

 

CMYK 0 / 86 / 46 / 33

HEX #AA175B

RGB 170 23 91

HSL 332.24, 0.76%, 0.38%

LAB 37.69, 59.77, -0.08

 

CMYK 0 / 86 / 69 / 33

HEX #AA1734

RGB 170 23 52

HSL 348.16, 0.76%, 0.38%

LAB 36.76, 57.07, 23.7

 

CMYK 0 / 81 / 86 / 33

HEX #AA2117

RGB 170 33 23

HSL 4.08, 0.76%, 0.38%

LAB 37.29, 53.53, 41.2

 

CMYK 0 / 58 / 86 / 33

HEX #AA4817

RGB 170 72 23

HSL 20, 0.76%, 0.38%

LAB 43.13, 37.75, 46.16

 

CMYK 0 / 87 / 70 / 62

HEX #610D1D

RGB 97 13 29

HSL 348.57, 0.76%, 0.22%

LAB 19.71, 37.04, 14.2

 

CMYK 0 / 87 / 70 / 47

HEX #861228

RGB 134 18 40

HSL 348.62, 0.76%, 0.3%

LAB 28.52, 47.48, 19.55

 

CMYK 0 / 86 / 70 / 33

HEX #AA1733

RGB 170 23 51

HSL 348.57, 0.76%, 0.38%

LAB 36.74, 57.02, 24.31

 

CMYK 0 / 86 / 70 / 19

HEX #CE1C3E

RGB 206 28 62

HSL 348.54, 0.76%, 0.46%

LAB 44.66, 66.15, 28.87

 

CMYK 0 / 78 / 63 / 11

HEX #E23153

RGB 226 49 83

HSL 348.47, 0.75%, 0.54%

LAB 50.68, 67.62, 24.55

 

CMYK 0 / 86 / 70 / 33

HEX #AA1733

RGB 170 23 51

HSL 348.57, 0.76%, 0.38%

LAB 36.74, 57.02, 24.31

 

CMYK 0 / 0 / 86 / 33

HEX #AAAA17

RGB 170 170 23

HSL 60, 0.76%, 0.38%

LAB 67.54, -15.54, 66.35

 

CMYK 86 / 35 / 0 / 33

HEX #176FAA

RGB 23 111 170

HSL 204.08, 0.76%, 0.38%

LAB 44.88, -2.86, -38.42

 

CMYK 0 / 86 / 70 / 33

HEX #AA1733

RGB 170 23 51

HSL 348.57, 0.76%, 0.38%

LAB 36.74, 57.02, 24.31

 

CMYK 69 / 0 / 86 / 33

HEX #34AA17

RGB 52 170 23

HSL 108.16, 0.76%, 0.38%

LAB 61.26, -57.24, 58.51

 

CMYK 86 / 69 / 0 / 33

HEX #1734AA

RGB 23 52 170

HSL 228.16, 0.76%, 0.38%

LAB 28.22, 35.9, -65.35

 

CMYK 0 / 86 / 70 / 33

HEX #AA1733

RGB 170 23 51

HSL 348.57, 0.76%, 0.38%

LAB 36.74, 57.02, 24.31

 

CMYK 0 / 0 / 86 / 33

HEX #AAAA17

RGB 170 170 23

HSL 60, 0.76%, 0.38%

LAB 67.54, -15.54, 66.35

 

CMYK 86 / 0 / 17 / 33

HEX #17AA8D

RGB 23 170 141

HSL 168.16, 0.76%, 0.38%

LAB 62.38, -42.79, 4.82

 

CMYK 86 / 86 / 0 / 33

HEX #1717AA

RGB 23 23 170

HSL 240, 0.76%, 0.38%

LAB 22.64, 51.78, -74.59

 

CMYK 0 / 86 / 70 / 33

HEX #AA1733

RGB 170 23 51

HSL 348.57, 0.76%, 0.38%

LAB 36.74, 57.02, 24.31

 

CMYK 26 / 0 / 86 / 33

HEX #7EAA17

RGB 126 170 23

HSL 77.96, 0.76%, 0.38%

LAB 64.36, -34.2, 62.41

 

CMYK 86 / 0 / 17 / 33

HEX #17AA8D

RGB 23 170 141

HSL 168.16, 0.76%, 0.38%

LAB 62.38, -42.79, 4.82

 

CMYK 61 / 86 / 0 / 33

HEX #4317AA

RGB 67 23 170

HSL 257.96, 0.76%, 0.38%

LAB 25.89, 54.52, -69.11

 

Description

Color code: RGB 170 23 51 | qconv.com Color code: RGB 170 23 51 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 23 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 23 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 70 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 70% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - Central Washington U...
Link: http://www.cwu.edu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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