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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 163 138 it is the complementary color RGB 85 92 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 163 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 163 138 shade: RGB 175 163 133, RGB 192 181 152, RGB 209 199 171, RGB 226 217 190 and RGB 243 235 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 163 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 163 138 shade: RGB 170 163 138, RGB 153 145 119, RGB 136 127 100, RGB 119 109 81 and RGB 102 91 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 163 138 shade: RGB 169 162 137, RGB 169 153 137, RGB 169 145 137 and RGB 169 137 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 163 138 shade: RGB 169 162 137, RGB 168 169 137, RGB 159 169 137, RGB 150 169 137 and RGB 141 169 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 163 138 shade matches the following richer shades: RGB 169 162 137, RGB 186 171 120, RGB 202 181 104, RGB 219 190 87 and RGB 235 199 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 163 138 shade: RGB 169 162 137, RGB 153 153 153, RGB 136 144 170, RGB 120 134 186 and RGB 103 125 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 163 138 shade: RGB 169 144 137, RGB 169 153 137, RGB 169 162 137, RGB 168 169 137 and RGB 160 169 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 163 138 shade: RGB 130 122 94, RGB 152 143 113, RGB 169 162 137, RGB 187 181 161 and RGB 204 200 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 163 138 shade: RGB 170 163 138, RGB 138 169 137 and RGB 149 137 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 163 138 shade: RGB 170 163 138, RGB 137 169 162 and RGB 162 137 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 163 138 shade: RGB 170 163 138, RGB 138 169 137, RGB 137 144 169 and RGB 168 137 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 163 138 shade: RGB 170 163 138, RGB 137 169 145, RGB 137 144 169 and RGB 169 137 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 19 / 33

HEX #AAA38A

RGB 170 163 138

HSL 46.88, 0.16%, 0.6%

LAB 66.96, -1.73, 13.91

 

Complementary color

CMYK 27 / 21 / 0 / 54

HEX #555C75

RGB 85 92 117

HSL 226.88, 0.16%, 0.4%

LAB 39.36, 3.44, -15.04

 

CMYK 0 / 7 / 24 / 31

HEX #AFA385

RGB 175 163 133

HSL 42.86, 0.21%, 0.6%

LAB 67.28, -0.54, 17.18

 

CMYK 0 / 6 / 21 / 25

HEX #C0B598

RGB 192 181 152

HSL 43.5, 0.24%, 0.67%

LAB 73.88, -0.84, 16.2

 

CMYK 0 / 5 / 18 / 18

HEX #D1C7AB

RGB 209 199 171

HSL 44.21, 0.29%, 0.75%

LAB 80.37, -1.1, 15.28

 

CMYK 0 / 4 / 16 / 11

HEX #E2D9BE

RGB 226 217 190

HSL 45, 0.38%, 0.82%

LAB 86.76, -1.34, 14.41

 

CMYK 0 / 3 / 14 / 5

HEX #F3EBD1

RGB 243 235 209

HSL 45.88, 0.59%, 0.89%

LAB 93.05, -1.55, 13.58

 

CMYK 0 / 4 / 19 / 33

HEX #AAA38A

RGB 170 163 138

HSL 46.88, 0.16%, 0.6%

LAB 66.96, -1.73, 13.91

 

CMYK 0 / 5 / 22 / 40

HEX #999177

RGB 153 145 119

HSL 45.88, 0.14%, 0.53%

LAB 60.21, -1.46, 14.89

 

CMYK 0 / 7 / 26 / 47

HEX #887F64

RGB 136 127 100

HSL 45, 0.15%, 0.46%

LAB 53.31, -1.15, 15.94

 

CMYK 0 / 8 / 32 / 53

HEX #776D51

RGB 119 109 81

HSL 44.21, 0.19%, 0.39%

LAB 46.25, -0.77, 17.09

 

CMYK 0 / 11 / 39 / 60

HEX #665B3E

RGB 102 91 62

HSL 43.5, 0.24%, 0.32%

LAB 38.99, -0.29, 18.36

 

CMYK 0 / 4 / 19 / 34

HEX #A9A289

RGB 169 162 137

HSL 46.88, 0.16%, 0.6%

LAB 66.58, -1.73, 13.93

 

CMYK 0 / 9 / 19 / 34

HEX #A99989

RGB 169 153 137

HSL 30, 0.16%, 0.6%

LAB 64.18, 3.2, 10.55

 

CMYK 0 / 14 / 19 / 34

HEX #A99189

RGB 169 145 137

HSL 15, 0.16%, 0.6%

LAB 62.08, 7.65, 7.56

 

CMYK 0 / 19 / 19 / 34

HEX #A98989

RGB 169 137 137

HSL 0, 0.16%, 0.6%

LAB 60.01, 12.14, 4.59

 

CMYK 0 / 4 / 19 / 34

HEX #A9A289

RGB 169 162 137

HSL 46.88, 0.16%, 0.6%

LAB 66.58, -1.73, 13.93

 

CMYK 1 / 0 / 19 / 34

HEX #A8A989

RGB 168 169 137

HSL 61.88, 0.16%, 0.6%

LAB 68.39, -5.89, 16.44

 

CMYK 6 / 0 / 19 / 34

HEX #9FA989

RGB 159 169 137

HSL 78.75, 0.16%, 0.6%

LAB 67.69, -9.31, 15.35

 

CMYK 11 / 0 / 19 / 34

HEX #96A989

RGB 150 169 137

HSL 95.63, 0.16%, 0.6%

LAB 67.03, -12.66, 14.33

 

CMYK 17 / 0 / 19 / 34

HEX #8DA989

RGB 141 169 137

HSL 112.5, 0.16%, 0.6%

LAB 66.4, -15.93, 13.36

 

CMYK 0 / 4 / 19 / 34

HEX #A9A289

RGB 169 162 137

HSL 46.88, 0.16%, 0.6%

LAB 66.58, -1.73, 13.93

 

CMYK 0 / 8 / 35 / 27

HEX #BAAB78

RGB 186 171 120

HSL 46.36, 0.32%, 0.6%

LAB 70.12, -2.21, 28.25

 

CMYK 0 / 10 / 49 / 21

HEX #CAB568

RGB 202 181 104

HSL 47.14, 0.48%, 0.6%

LAB 73.94, -2.69, 41.74

 

CMYK 0 / 13 / 60 / 14

HEX #DBBE57

RGB 219 190 87

HSL 46.82, 0.65%, 0.6%

LAB 77.62, -1.69, 54.65

 

CMYK 0 / 15 / 70 / 8

HEX #EBC747

RGB 235 199 71

HSL 46.83, 0.8%, 0.6%

LAB 81.27, -0.55, 65.81

 

CMYK 0 / 4 / 19 / 34

HEX #A9A289

RGB 169 162 137

HSL 46.88, 0.16%, 0.6%

LAB 66.58, -1.73, 13.93

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 20 / 15 / 0 / 33

HEX #8890AA

RGB 136 144 170

HSL 225.88, 0.17%, 0.6%

LAB 59.96, 2.8, -14.63

 

CMYK 35 / 28 / 0 / 27

HEX #7886BA

RGB 120 134 186

HSL 227.27, 0.32%, 0.6%

LAB 56.67, 7.69, -28.88

 

CMYK 49 / 38 / 0 / 20

HEX #677DCB

RGB 103 125 203

HSL 226.8, 0.49%, 0.6%

LAB 53.88, 13.53, -43

 

CMYK 0 / 15 / 19 / 34

HEX #A99089

RGB 169 144 137

HSL 13.13, 0.16%, 0.6%

LAB 61.82, 8.21, 7.18

 

CMYK 0 / 9 / 19 / 34

HEX #A99989

RGB 169 153 137

HSL 30, 0.16%, 0.6%

LAB 64.18, 3.2, 10.55

 

CMYK 0 / 4 / 19 / 34

HEX #A9A289

RGB 169 162 137

HSL 46.88, 0.16%, 0.6%

LAB 66.58, -1.73, 13.93

 

CMYK 1 / 0 / 19 / 34

HEX #A8A989

RGB 168 169 137

HSL 61.88, 0.16%, 0.6%

LAB 68.39, -5.89, 16.44

 

CMYK 5 / 0 / 19 / 34

HEX #A0A989

RGB 160 169 137

HSL 76.88, 0.16%, 0.6%

LAB 67.77, -8.93, 15.47

 

CMYK 0 / 6 / 28 / 49

HEX #827A5E

RGB 130 122 94

HSL 46.67, 0.16%, 0.44%

LAB 51.24, -1.69, 16.47

 

CMYK 0 / 6 / 26 / 40

HEX #988F71

RGB 152 143 113

HSL 46.15, 0.16%, 0.52%

LAB 59.45, -1.66, 17.2

 

CMYK 0 / 4 / 19 / 34

HEX #A9A289

RGB 169 162 137

HSL 46.88, 0.16%, 0.6%

LAB 66.58, -1.73, 13.93

 

CMYK 0 / 3 / 14 / 27

HEX #BBB5A1

RGB 187 181 161

HSL 46.15, 0.16%, 0.68%

LAB 73.67, -1.32, 10.95

 

CMYK 0 / 2 / 9 / 20

HEX #CCC8B9

RGB 204 200 185

HSL 47.37, 0.16%, 0.76%

LAB 80.54, -1.22, 7.98

 

CMYK 0 / 4 / 19 / 33

HEX #AAA38A

RGB 170 163 138

HSL 46.88, 0.16%, 0.6%

LAB 66.96, -1.73, 13.91

 

CMYK 18 / 0 / 19 / 34

HEX #8AA989

RGB 138 169 137

HSL 118.13, 0.16%, 0.6%

LAB 66.2, -17, 13.05

 

CMYK 12 / 19 / 0 / 34

HEX #9589A9

RGB 149 137 169

HSL 262.5, 0.16%, 0.6%

LAB 59.11, 10.92, -15.25

 

CMYK 0 / 4 / 19 / 33

HEX #AAA38A

RGB 170 163 138

HSL 46.88, 0.16%, 0.6%

LAB 66.96, -1.73, 13.91

 

CMYK 19 / 0 / 4 / 34

HEX #89A9A2

RGB 137 169 162

HSL 166.88, 0.16%, 0.6%

LAB 66.75, -12.41, -0.03

 

CMYK 4 / 19 / 0 / 34

HEX #A289A9

RGB 162 137 169

HSL 286.88, 0.16%, 0.6%

LAB 60.28, 15.4, -13.36

 

CMYK 0 / 4 / 19 / 33

HEX #AAA38A

RGB 170 163 138

HSL 46.88, 0.16%, 0.6%

LAB 66.96, -1.73, 13.91

 

CMYK 18 / 0 / 19 / 34

HEX #8AA989

RGB 138 169 137

HSL 118.13, 0.16%, 0.6%

LAB 66.2, -17, 13.05

 

CMYK 19 / 15 / 0 / 34

HEX #8990A9

RGB 137 144 169

HSL 226.88, 0.16%, 0.6%

LAB 60.01, 2.89, -13.99

 

CMYK 1 / 19 / 0 / 34

HEX #A889A9

RGB 168 137 169

HSL 298.13, 0.16%, 0.6%

LAB 60.85, 17.5, -12.44

 

CMYK 0 / 4 / 19 / 33

HEX #AAA38A

RGB 170 163 138

HSL 46.88, 0.16%, 0.6%

LAB 66.96, -1.73, 13.91

 

CMYK 19 / 0 / 14 / 34

HEX #89A991

RGB 137 169 145

HSL 135, 0.16%, 0.6%

LAB 66.32, -15.86, 8.79

 

CMYK 19 / 15 / 0 / 34

HEX #8990A9

RGB 137 144 169

HSL 226.88, 0.16%, 0.6%

LAB 60.01, 2.89, -13.99

 

CMYK 0 / 19 / 5 / 34

HEX #A989A1

RGB 169 137 161

HSL 315, 0.16%, 0.6%

LAB 60.69, 16.32, -8.12

 

Description

Color code: RGB 170 163 138 | qconv.com Color code: RGB 170 163 138 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 163 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 163 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 19 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 19% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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