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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 155 144 it is the complementary color RGB 85 100 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 155 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 155 144 shade: RGB 175 155 139, RGB 192 173 158, RGB 209 191 177, RGB 226 209 196 and RGB 243 227 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 155 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 155 144 shade: RGB 170 155 144, RGB 153 137 125, RGB 136 119 106, RGB 119 101 87 and RGB 102 83 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 155 144 shade: RGB 171 156 146, RGB 171 149 146 and RGB 171 146 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 155 144 shade: RGB 171 156 146, RGB 171 163 146, RGB 171 170 146, RGB 165 171 146 and RGB 158 171 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 155 144 shade matches the following richer shades: RGB 171 156 146, RGB 186 154 130, RGB 202 151 114, RGB 218 149 98 and RGB 233 147 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 155 144 shade: RGB 171 156 146, RGB 155 159 161, RGB 139 161 177, RGB 124 163 193 and RGB 108 166 208

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 155 144 shade: RGB 171 146 148, RGB 171 149 146, RGB 171 156 146, RGB 171 163 146 and RGB 171 169 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 155 144 shade: RGB 132 115 102, RGB 153 135 122, RGB 171 156 146, RGB 189 177 169 and RGB 207 198 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 155 144 shade: RGB 170 155 144, RGB 155 171 146 and RGB 146 146 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 155 144 shade: RGB 170 155 144, RGB 146 171 156 and RGB 156 146 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 155 144 shade: RGB 170 155 144, RGB 155 171 146, RGB 146 160 171 and RGB 161 146 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 155 144 shade: RGB 170 155 144, RGB 148 171 146, RGB 146 160 171 and RGB 169 146 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 15 / 33

HEX #AA9B90

RGB 170 155 144

HSL 25.38, 0.13%, 0.62%

LAB 64.96, 3.61, 7.75

 

Complementary color

CMYK 23 / 10 / 0 / 56

HEX #55646F

RGB 85 100 111

HSL 205.38, 0.13%, 0.38%

LAB 41.52, -3.01, -8.1

 

CMYK 0 / 11 / 21 / 31

HEX #AF9B8B

RGB 175 155 139

HSL 26.67, 0.18%, 0.62%

LAB 65.3, 4.74, 11.08

 

CMYK 0 / 10 / 18 / 25

HEX #C0AD9E

RGB 192 173 158

HSL 26.47, 0.21%, 0.69%

LAB 71.93, 4.37, 10.19

 

CMYK 0 / 9 / 15 / 18

HEX #D1BFB1

RGB 209 191 177

HSL 26.25, 0.26%, 0.76%

LAB 78.46, 4.04, 9.35

 

CMYK 0 / 8 / 13 / 11

HEX #E2D1C4

RGB 226 209 196

HSL 26, 0.34%, 0.83%

LAB 84.87, 3.75, 8.56

 

CMYK 0 / 7 / 12 / 5

HEX #F3E3D7

RGB 243 227 215

HSL 25.71, 0.54%, 0.9%

LAB 91.19, 3.48, 7.8

 

CMYK 0 / 9 / 15 / 33

HEX #AA9B90

RGB 170 155 144

HSL 25.38, 0.13%, 0.62%

LAB 64.96, 3.61, 7.75

 

CMYK 0 / 10 / 18 / 40

HEX #99897D

RGB 153 137 125

HSL 25.71, 0.12%, 0.55%

LAB 58.17, 3.96, 8.62

 

CMYK 0 / 13 / 22 / 47

HEX #88776A

RGB 136 119 106

HSL 26, 0.12%, 0.47%

LAB 51.23, 4.36, 9.56

 

CMYK 0 / 15 / 27 / 53

HEX #776557

RGB 119 101 87

HSL 26.25, 0.16%, 0.4%

LAB 44.11, 4.83, 10.59

 

CMYK 0 / 19 / 33 / 60

HEX #665344

RGB 102 83 68

HSL 26.47, 0.2%, 0.33%

LAB 36.8, 5.41, 11.75

 

CMYK 0 / 9 / 15 / 33

HEX #AB9C92

RGB 171 156 146

HSL 24, 0.13%, 0.62%

LAB 65.37, 3.77, 7.22

 

CMYK 0 / 13 / 15 / 33

HEX #AB9592

RGB 171 149 146

HSL 7.2, 0.13%, 0.62%

LAB 63.53, 7.66, 4.58

 

CMYK 0 / 15 / 15 / 33

HEX #AB9292

RGB 171 146 146

HSL 0, 0.13%, 0.62%

LAB 62.75, 9.33, 3.46

 

CMYK 0 / 9 / 15 / 33

HEX #AB9C92

RGB 171 156 146

HSL 24, 0.13%, 0.62%

LAB 65.37, 3.77, 7.22

 

CMYK 0 / 5 / 15 / 33

HEX #ABA392

RGB 171 163 146

HSL 40.8, 0.13%, 0.62%

LAB 67.22, -0.06, 9.86

 

CMYK 0 / 1 / 15 / 33

HEX #ABAA92

RGB 171 170 146

HSL 57.6, 0.13%, 0.62%

LAB 69.1, -3.85, 12.52

 

CMYK 4 / 0 / 15 / 33

HEX #A5AB92

RGB 165 171 146

HSL 74.4, 0.13%, 0.62%

LAB 68.9, -6.64, 12.16

 

CMYK 8 / 0 / 15 / 33

HEX #9EAB92

RGB 158 171 146

HSL 91.2, 0.13%, 0.62%

LAB 68.37, -9.23, 11.34

 

CMYK 0 / 9 / 15 / 33

HEX #AB9C92

RGB 171 156 146

HSL 24, 0.13%, 0.62%

LAB 65.37, 3.77, 7.22

 

CMYK 0 / 17 / 30 / 27

HEX #BA9A82

RGB 186 154 130

HSL 25.71, 0.29%, 0.62%

LAB 65.87, 8.3, 17.06

 

CMYK 0 / 25 / 44 / 21

HEX #CA9772

RGB 202 151 114

HSL 25.23, 0.45%, 0.62%

LAB 66.45, 14.45, 26.92

 

CMYK 0 / 32 / 55 / 15

HEX #DA9562

RGB 218 149 98

HSL 25.5, 0.62%, 0.62%

LAB 67.49, 20.57, 37.22

 

CMYK 0 / 37 / 64 / 9

HEX #E99353

RGB 233 147 83

HSL 25.6, 0.77%, 0.62%

LAB 68.62, 26.69, 46.73

 

CMYK 0 / 9 / 15 / 33

HEX #AB9C92

RGB 171 156 146

HSL 24, 0.13%, 0.62%

LAB 65.37, 3.77, 7.22

 

CMYK 4 / 1 / 0 / 37

HEX #9B9FA1

RGB 155 159 161

HSL 200, 0.03%, 0.62%

LAB 65.23, -1.03, -1.55

 

CMYK 21 / 9 / 0 / 31

HEX #8BA1B1

RGB 139 161 177

HSL 205.26, 0.2%, 0.62%

LAB 65.08, -4.12, -10.85

 

CMYK 36 / 16 / 0 / 24

HEX #7CA3C1

RGB 124 163 193

HSL 206.09, 0.36%, 0.62%

LAB 65.22, -5.8, -19.67

 

CMYK 48 / 20 / 0 / 18

HEX #6CA6D0

RGB 108 166 208

HSL 205.2, 0.52%, 0.62%

LAB 65.76, -7.48, -27.25

 

CMYK 0 / 15 / 13 / 33

HEX #AB9294

RGB 171 146 148

HSL 355.2, 0.13%, 0.62%

LAB 62.81, 9.67, 2.4

 

CMYK 0 / 13 / 15 / 33

HEX #AB9592

RGB 171 149 146

HSL 7.2, 0.13%, 0.62%

LAB 63.53, 7.66, 4.58

 

CMYK 0 / 9 / 15 / 33

HEX #AB9C92

RGB 171 156 146

HSL 24, 0.13%, 0.62%

LAB 65.37, 3.77, 7.22

 

CMYK 0 / 5 / 15 / 33

HEX #ABA392

RGB 171 163 146

HSL 40.8, 0.13%, 0.62%

LAB 67.22, -0.06, 9.86

 

CMYK 0 / 1 / 15 / 33

HEX #ABA992

RGB 171 169 146

HSL 55.2, 0.13%, 0.62%

LAB 68.83, -3.31, 12.14

 

CMYK 0 / 13 / 23 / 48

HEX #847366

RGB 132 115 102

HSL 26, 0.13%, 0.46%

LAB 49.65, 4.4, 9.62

 

CMYK 0 / 12 / 20 / 40

HEX #99877A

RGB 153 135 122

HSL 25.16, 0.13%, 0.54%

LAB 57.56, 4.6, 9.47

 

CMYK 0 / 9 / 15 / 33

HEX #AB9C92

RGB 171 156 146

HSL 24, 0.13%, 0.62%

LAB 65.37, 3.77, 7.22

 

CMYK 0 / 6 / 11 / 26

HEX #BDB1A9

RGB 189 177 169

HSL 24, 0.13%, 0.7%

LAB 72.98, 2.89, 5.62

 

CMYK 0 / 4 / 7 / 19

HEX #CFC6C0

RGB 207 198 192

HSL 24, 0.14%, 0.78%

LAB 80.44, 2.09, 4.11

 

CMYK 0 / 9 / 15 / 33

HEX #AA9B90

RGB 170 155 144

HSL 25.38, 0.13%, 0.62%

LAB 64.96, 3.61, 7.75

 

CMYK 9 / 0 / 15 / 33

HEX #9BAB92

RGB 155 171 146

HSL 98.4, 0.13%, 0.62%

LAB 68.15, -10.32, 11

 

CMYK 15 / 15 / 0 / 33

HEX #9292AB

RGB 146 146 171

HSL 240, 0.13%, 0.62%

LAB 61.32, 5.21, -13.08

 

CMYK 0 / 9 / 15 / 33

HEX #AA9B90

RGB 170 155 144

HSL 25.38, 0.13%, 0.62%

LAB 64.96, 3.61, 7.75

 

CMYK 15 / 0 / 9 / 33

HEX #92AB9C

RGB 146 171 156

HSL 144, 0.13%, 0.62%

LAB 67.75, -11.66, 4.82

 

CMYK 9 / 15 / 0 / 33

HEX #9C92AB

RGB 156 146 171

HSL 264, 0.13%, 0.62%

LAB 62.14, 8.62, -11.76

 

CMYK 0 / 9 / 15 / 33

HEX #AA9B90

RGB 170 155 144

HSL 25.38, 0.13%, 0.62%

LAB 64.96, 3.61, 7.75

 

CMYK 9 / 0 / 15 / 33

HEX #9BAB92

RGB 155 171 146

HSL 98.4, 0.13%, 0.62%

LAB 68.15, -10.32, 11

 

CMYK 15 / 6 / 0 / 33

HEX #92A0AB

RGB 146 160 171

HSL 206.4, 0.13%, 0.62%

LAB 65.12, -2.61, -7.39

 

CMYK 6 / 15 / 0 / 33

HEX #A192AB

RGB 161 146 171

HSL 276, 0.13%, 0.62%

LAB 62.57, 10.35, -11.07

 

CMYK 0 / 9 / 15 / 33

HEX #AA9B90

RGB 170 155 144

HSL 25.38, 0.13%, 0.62%

LAB 64.96, 3.61, 7.75

 

CMYK 13 / 0 / 15 / 33

HEX #94AB92

RGB 148 171 146

HSL 115.2, 0.13%, 0.62%

LAB 67.65, -12.85, 10.22

 

CMYK 15 / 6 / 0 / 33

HEX #92A0AB

RGB 146 160 171

HSL 206.4, 0.13%, 0.62%

LAB 65.12, -2.61, -7.39

 

CMYK 1 / 15 / 0 / 33

HEX #A992AB

RGB 169 146 171

HSL 295.2, 0.13%, 0.62%

LAB 63.29, 13.15, -9.92

 

Description

Color code: RGB 170 155 144 | qconv.com Color code: RGB 170 155 144 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 155 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 155 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 15 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 15% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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