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Color name
RGB 170 148 23

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 148 23 it is the complementary color RGB 85 107 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 148 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 148 23 shade: RGB 175 148 18, RGB 192 166 37, RGB 209 184 56, RGB 226 202 75 and RGB 243 220 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 148 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 148 23 shade: RGB 170 148 23, RGB 153 130 4, RGB 136 112 0, RGB 119 94 0 and RGB 102 76 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 148 23 shade: RGB 170 148 23, RGB 170 108 23, RGB 170 69 23, RGB 170 29 23 and RGB 170 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 148 23 shade: RGB 170 148 23, RGB 152 170 23, RGB 113 170 23, RGB 73 170 23 and RGB 33 170 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 148 23 shade matches the following richer shades: RGB 170 148 23 and RGB 186 159 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 148 23 shade: RGB 170 148 23, RGB 154 137 38, RGB 139 126 54, RGB 123 115 70 and RGB 107 104 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 148 23 shade: RGB 170 69 23, RGB 170 109 23, RGB 170 148 23, RGB 153 170 23 and RGB 114 170 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 148 23 shade: RGB 97 85 13, RGB 134 116 18, RGB 170 148 23, RGB 206 180 28 and RGB 226 200 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 148 23 shade: RGB 170 148 23, RGB 23 170 30 and RGB 89 23 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 148 23 shade: RGB 170 148 23, RGB 23 170 148 and RGB 148 23 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 148 23 shade: RGB 170 148 23, RGB 23 170 30, RGB 23 45 170 and RGB 170 23 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 148 23 shade: RGB 170 148 23, RGB 23 170 74, RGB 23 45 170 and RGB 170 23 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

Complementary color

CMYK 63 / 54 / 0 / 9

HEX #556BE8

RGB 85 107 232

HSL 231.02, 0.76%, 0.62%

LAB 49.83, 30.4, -65.94

 

CMYK 0 / 15 / 90 / 31

HEX #AF9412

RGB 175 148 18

HSL 49.68, 0.81%, 0.38%

LAB 61.94, -1.78, 63.09

 

CMYK 0 / 14 / 81 / 25

HEX #C0A625

RGB 192 166 37

HSL 49.94, 0.68%, 0.45%

LAB 68.47, -3.31, 64.31

 

CMYK 0 / 12 / 73 / 18

HEX #D1B838

RGB 209 184 56

HSL 50.2, 0.62%, 0.52%

LAB 74.9, -4.59, 64.43

 

CMYK 0 / 11 / 67 / 11

HEX #E2CA4B

RGB 226 202 75

HSL 50.46, 0.72%, 0.59%

LAB 81.25, -5.68, 63.93

 

CMYK 0 / 9 / 61 / 5

HEX #F3DC5E

RGB 243 220 94

HSL 50.74, 0.86%, 0.66%

LAB 87.51, -6.6, 63.09

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 0 / 15 / 97 / 40

HEX #998204

RGB 153 130 4

HSL 50.74, 0.95%, 0.31%

LAB 54.81, -2.27, 59.16

 

CMYK 0 / 18 / 100 / 47

HEX #887000

RGB 136 112 0

HSL 49.41, 1%, 0.27%

LAB 48.04, -0.24, 54.28

 

CMYK 0 / 21 / 100 / 53

HEX #775E00

RGB 119 94 0

HSL 47.39, 1%, 0.23%

LAB 41.1, 1.97, 48.56

 

CMYK 0 / 25 / 100 / 60

HEX #664C00

RGB 102 76 0

HSL 44.71, 1%, 0.2%

LAB 33.97, 4.32, 42.69

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 0 / 36 / 86 / 33

HEX #AA6C17

RGB 170 108 23

HSL 34.69, 0.76%, 0.38%

LAB 51.07, 18.32, 52.8

 

CMYK 0 / 59 / 86 / 33

HEX #AA4517

RGB 170 69 23

HSL 18.78, 0.76%, 0.38%

LAB 42.56, 39.23, 45.68

 

CMYK 0 / 83 / 86 / 33

HEX #AA1D17

RGB 170 29 23

HSL 2.45, 0.76%, 0.38%

LAB 36.9, 54.62, 40.87

 

CMYK 0 / 86 / 86 / 33

HEX #AA1717

RGB 170 23 23

HSL 0, 0.76%, 0.38%

LAB 36.41, 56.04, 40.44

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 11 / 0 / 86 / 33

HEX #98AA17

RGB 152 170 23

HSL 67.35, 0.76%, 0.38%

LAB 66.13, -23.38, 64.6

 

CMYK 34 / 0 / 86 / 33

HEX #71AA17

RGB 113 170 23

HSL 83.27, 0.76%, 0.38%

LAB 63.61, -39.25, 61.47

 

CMYK 57 / 0 / 86 / 33

HEX #49AA17

RGB 73 170 23

HSL 99.59, 0.76%, 0.38%

LAB 61.85, -52.33, 59.26

 

CMYK 81 / 0 / 86 / 33

HEX #21AA17

RGB 33 170 23

HSL 115.92, 0.76%, 0.38%

LAB 60.9, -60.33, 58.05

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 0 / 15 / 96 / 27

HEX #BA9F07

RGB 186 159 7

HSL 50.95, 0.93%, 0.38%

LAB 65.94, -2.9, 68.34

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 0 / 11 / 75 / 40

HEX #9A8926

RGB 154 137 38

HSL 51.21, 0.6%, 0.38%

LAB 56.98, -4.7, 52.13

 

CMYK 0 / 9 / 61 / 45

HEX #8B7E36

RGB 139 126 54

HSL 50.82, 0.44%, 0.38%

LAB 52.59, -4.47, 40.13

 

CMYK 0 / 7 / 43 / 52

HEX #7B7346

RGB 123 115 70

HSL 50.94, 0.27%, 0.38%

LAB 48.15, -3.91, 25.99

 

CMYK 0 / 3 / 21 / 58

HEX #6B6855

RGB 107 104 85

HSL 51.82, 0.11%, 0.38%

LAB 43.77, -2.34, 11.14

 

CMYK 0 / 59 / 86 / 33

HEX #AA4517

RGB 170 69 23

HSL 18.78, 0.76%, 0.38%

LAB 42.56, 39.23, 45.68

 

CMYK 0 / 36 / 86 / 33

HEX #AA6D17

RGB 170 109 23

HSL 35.1, 0.76%, 0.38%

LAB 51.32, 17.76, 53.01

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 10 / 0 / 86 / 33

HEX #99AA17

RGB 153 170 23

HSL 66.94, 0.76%, 0.38%

LAB 66.2, -22.95, 64.7

 

CMYK 33 / 0 / 86 / 33

HEX #72AA17

RGB 114 170 23

HSL 82.86, 0.76%, 0.38%

LAB 63.66, -38.87, 61.54

 

CMYK 0 / 12 / 87 / 62

HEX #61550D

RGB 97 85 13

HSL 51.43, 0.76%, 0.22%

LAB 36.11, -3.24, 39.9

 

CMYK 0 / 13 / 87 / 47

HEX #867412

RGB 134 116 18

HSL 50.69, 0.76%, 0.3%

LAB 49.01, -3.08, 50.91

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 0 / 13 / 86 / 19

HEX #CEB41C

RGB 206 180 28

HSL 51.24, 0.76%, 0.46%

LAB 73.45, -4.76, 71.39

 

CMYK 0 / 12 / 78 / 11

HEX #E2C831

RGB 226 200 49

HSL 51.19, 0.75%, 0.54%

LAB 80.57, -5.82, 72.59

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 86 / 0 / 82 / 33

HEX #17AA1E

RGB 23 170 30

HSL 122.86, 0.76%, 0.38%

LAB 60.8, -61.08, 56.14

 

CMYK 48 / 86 / 0 / 33

HEX #5917AA

RGB 89 23 170

HSL 266.94, 0.76%, 0.38%

LAB 28.48, 56.86, -64.74

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 86 / 0 / 13 / 33

HEX #17AA94

RGB 23 170 148

HSL 171.02, 0.76%, 0.38%

LAB 62.57, -40.89, 1.18

 

CMYK 13 / 86 / 0 / 33

HEX #9417AA

RGB 148 23 170

HSL 291.02, 0.76%, 0.38%

LAB 37.5, 65.67, -49.65

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 86 / 0 / 82 / 33

HEX #17AA1E

RGB 23 170 30

HSL 122.86, 0.76%, 0.38%

LAB 60.8, -61.08, 56.14

 

CMYK 86 / 74 / 0 / 33

HEX #172DAA

RGB 23 45 170

HSL 231.02, 0.76%, 0.38%

LAB 26.62, 40.29, -67.98

 

CMYK 0 / 86 / 4 / 33

HEX #AA17A3

RGB 170 23 163

HSL 302.86, 0.76%, 0.38%

LAB 40.9, 68.53, -39.79

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 86 / 0 / 56 / 33

HEX #17AA4A

RGB 23 170 74

HSL 140.82, 0.76%, 0.38%

LAB 61.16, -56.7, 38.99

 

CMYK 86 / 74 / 0 / 33

HEX #172DAA

RGB 23 45 170

HSL 231.02, 0.76%, 0.38%

LAB 26.62, 40.29, -67.98

 

CMYK 0 / 86 / 31 / 33

HEX #AA1776

RGB 170 23 118

HSL 321.22, 0.76%, 0.38%

LAB 38.67, 62.52, -15.71

 

Description

Color code: RGB 170 148 23 | qconv.com Color code: RGB 170 148 23 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 148 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 148 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 86 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 86% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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