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Color name
RGB 170 136 10

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 136 10 it is the complementary color RGB 85 119 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 136 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 136 10 shade: RGB 175 136 5, RGB 192 154 24, RGB 209 172 43, RGB 226 190 62 and RGB 243 208 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 136 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 136 10 shade: RGB 170 136 10, RGB 153 118 0, RGB 136 100 0, RGB 119 82 0 and RGB 102 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 136 10 shade: RGB 169 135 10, RGB 169 92 10, RGB 169 49 10 and RGB 169 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 136 10 shade: RGB 169 135 10, RGB 160 169 10, RGB 117 169 10, RGB 74 169 10 and RGB 31 169 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 136 10 shade matches the following richer shades: RGB 169 135 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 136 10 shade: RGB 169 135 10, RGB 154 127 24, RGB 140 118 39, RGB 125 110 53 and RGB 111 102 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 136 10 shade: RGB 169 50 10, RGB 169 92 10, RGB 169 134 10, RGB 161 169 10 and RGB 118 169 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 136 10 shade: RGB 91 73 5, RGB 130 104 8, RGB 169 135 10, RGB 208 166 12 and RGB 241 194 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 136 10 shade: RGB 170 136 10, RGB 12 169 10 and RGB 71 10 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 136 10 shade: RGB 170 136 10, RGB 10 169 134 and RGB 134 10 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 136 10 shade: RGB 170 136 10, RGB 12 169 10, RGB 10 44 169 and RGB 166 10 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 136 10 shade: RGB 170 136 10, RGB 10 169 55, RGB 10 44 169 and RGB 169 10 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 94 / 33

HEX #AA880A

RGB 170 136 10

HSL 47.25, 0.89%, 0.35%

LAB 58.2, 2.37, 61.46

 

Complementary color

CMYK 65 / 51 / 0 / 4

HEX #5577F5

RGB 85 119 245

HSL 227.25, 0.89%, 0.65%

LAB 53.73, 27.43, -66.9

 

CMYK 0 / 22 / 97 / 31

HEX #AF8805

RGB 175 136 5

HSL 46.24, 0.94%, 0.35%

LAB 58.73, 4.59, 62.88

 

CMYK 0 / 20 / 88 / 25

HEX #C09A18

RGB 192 154 24

HSL 46.43, 0.78%, 0.42%

LAB 65.27, 2.76, 65.13

 

CMYK 0 / 18 / 79 / 18

HEX #D1AC2B

RGB 209 172 43

HSL 46.63, 0.66%, 0.49%

LAB 71.71, 1.19, 65.94

 

CMYK 0 / 16 / 73 / 11

HEX #E2BE3E

RGB 226 190 62

HSL 46.83, 0.74%, 0.56%

LAB 78.08, -0.15, 65.82

 

CMYK 0 / 14 / 67 / 5

HEX #F3D051

RGB 243 208 81

HSL 47.04, 0.87%, 0.64%

LAB 84.36, -1.29, 65.19

 

CMYK 0 / 20 / 94 / 33

HEX #AA880A

RGB 170 136 10

HSL 47.25, 0.89%, 0.35%

LAB 58.2, 2.37, 61.46

 

CMYK 0 / 23 / 100 / 40

HEX #997600

RGB 153 118 0

HSL 46.27, 1%, 0.3%

LAB 51.53, 4.4, 57.58

 

CMYK 0 / 26 / 100 / 47

HEX #886400

RGB 136 100 0

HSL 44.12, 1%, 0.27%

LAB 44.73, 6.69, 51.99

 

CMYK 0 / 31 / 100 / 53

HEX #775200

RGB 119 82 0

HSL 41.34, 1%, 0.23%

LAB 37.76, 9.12, 46.27

 

CMYK 0 / 37 / 100 / 60

HEX #664000

RGB 102 64 0

HSL 37.65, 1%, 0.2%

LAB 30.62, 11.71, 40.38

 

CMYK 0 / 20 / 94 / 34

HEX #A9870A

RGB 169 135 10

HSL 47.17, 0.89%, 0.35%

LAB 57.83, 2.46, 61.13

 

CMYK 0 / 46 / 94 / 34

HEX #A95C0A

RGB 169 92 10

HSL 30.94, 0.89%, 0.35%

LAB 47.12, 26.53, 53.3

 

CMYK 0 / 71 / 94 / 34

HEX #A9310A

RGB 169 49 10

HSL 14.72, 0.89%, 0.35%

LAB 38.99, 47.5, 47.73

 

CMYK 0 / 94 / 94 / 34

HEX #A90A0A

RGB 169 10 10

HSL 0, 0.89%, 0.35%

LAB 35.35, 57.74, 45.42

 

CMYK 0 / 20 / 94 / 34

HEX #A9870A

RGB 169 135 10

HSL 47.17, 0.89%, 0.35%

LAB 57.83, 2.46, 61.13

 

CMYK 5 / 0 / 94 / 34

HEX #A0A90A

RGB 160 169 10

HSL 63.4, 0.89%, 0.35%

LAB 66.42, -19.67, 67.31

 

CMYK 31 / 0 / 94 / 34

HEX #75A90A

RGB 117 169 10

HSL 79.62, 0.89%, 0.35%

LAB 63.49, -37.61, 63.75

 

CMYK 56 / 0 / 94 / 34

HEX #4AA90A

RGB 74 169 10

HSL 95.85, 0.89%, 0.35%

LAB 61.53, -52.09, 61.34

 

CMYK 82 / 0 / 94 / 34

HEX #1FA90A

RGB 31 169 10

HSL 112.08, 0.89%, 0.35%

LAB 60.51, -60.73, 60.08

 

CMYK 0 / 20 / 94 / 34

HEX #A9870A

RGB 169 135 10

HSL 47.17, 0.89%, 0.35%

LAB 57.83, 2.46, 61.13

 

CMYK 0 / 20 / 94 / 34

HEX #A9870A

RGB 169 135 10

HSL 47.17, 0.89%, 0.35%

LAB 57.83, 2.46, 61.13

 

CMYK 0 / 18 / 84 / 40

HEX #9A7F18

RGB 154 127 24

HSL 47.54, 0.73%, 0.35%

LAB 54.15, 0.29, 54.34

 

CMYK 0 / 16 / 72 / 45

HEX #8C7627

RGB 140 118 39

HSL 46.93, 0.56%, 0.35%

LAB 50.31, -0.5, 44.7

 

CMYK 0 / 12 / 58 / 51

HEX #7D6E35

RGB 125 110 53

HSL 47.5, 0.4%, 0.35%

LAB 46.67, -1.89, 33.5

 

CMYK 0 / 8 / 39 / 56

HEX #6F6644

RGB 111 102 68

HSL 47.44, 0.24%, 0.35%

LAB 43.21, -1.97, 20.53

 

CMYK 0 / 70 / 94 / 34

HEX #A9320A

RGB 169 50 10

HSL 15.09, 0.89%, 0.35%

LAB 39.14, 47.11, 47.83

 

CMYK 0 / 46 / 94 / 34

HEX #A95C0A

RGB 169 92 10

HSL 30.94, 0.89%, 0.35%

LAB 47.12, 26.53, 53.3

 

CMYK 0 / 21 / 94 / 34

HEX #A9860A

RGB 169 134 10

HSL 46.79, 0.89%, 0.35%

LAB 57.57, 3.02, 60.93

 

CMYK 5 / 0 / 94 / 34

HEX #A1A90A

RGB 161 169 10

HSL 63.02, 0.89%, 0.35%

LAB 66.5, -19.23, 67.4

 

CMYK 30 / 0 / 94 / 34

HEX #76A90A

RGB 118 169 10

HSL 79.25, 0.89%, 0.35%

LAB 63.55, -37.22, 63.82

 

CMYK 0 / 20 / 95 / 64

HEX #5B4905

RGB 91 73 5

HSL 47.44, 0.9%, 0.19%

LAB 31.81, 0.73, 38.67

 

CMYK 0 / 20 / 94 / 49

HEX #826808

RGB 130 104 8

HSL 47.21, 0.88%, 0.27%

LAB 45.17, 1.64, 50.09

 

CMYK 0 / 20 / 94 / 34

HEX #A9870A

RGB 169 135 10

HSL 47.17, 0.89%, 0.35%

LAB 57.83, 2.46, 61.13

 

CMYK 0 / 20 / 94 / 18

HEX #D0A60C

RGB 208 166 12

HSL 47.14, 0.89%, 0.43%

LAB 69.97, 3.24, 71.65

 

CMYK 0 / 20 / 92 / 5

HEX #F1C214

RGB 241 194 20

HSL 47.24, 0.89%, 0.51%

LAB 80.37, 3.02, 79.7

 

CMYK 0 / 20 / 94 / 33

HEX #AA880A

RGB 170 136 10

HSL 47.25, 0.89%, 0.35%

LAB 58.2, 2.37, 61.46

 

CMYK 93 / 0 / 94 / 34

HEX #0CA90A

RGB 12 169 10

HSL 119.25, 0.89%, 0.35%

LAB 60.32, -62.44, 59.84

 

CMYK 58 / 94 / 0 / 34

HEX #470AA9

RGB 71 10 169

HSL 263.02, 0.89%, 0.35%

LAB 25.02, 58.2, -69.93

 

CMYK 0 / 20 / 94 / 33

HEX #AA880A

RGB 170 136 10

HSL 47.25, 0.89%, 0.35%

LAB 58.2, 2.37, 61.46

 

CMYK 94 / 0 / 21 / 34

HEX #0AA986

RGB 10 169 134

HSL 166.79, 0.89%, 0.35%

LAB 61.79, -44.95, 7.87

 

CMYK 21 / 94 / 0 / 34

HEX #860AA9

RGB 134 10 169

HSL 286.79, 0.89%, 0.35%

LAB 34.29, 65.49, -54.36

 

CMYK 0 / 20 / 94 / 33

HEX #AA880A

RGB 170 136 10

HSL 47.25, 0.89%, 0.35%

LAB 58.2, 2.37, 61.46

 

CMYK 93 / 0 / 94 / 34

HEX #0CA90A

RGB 12 169 10

HSL 119.25, 0.89%, 0.35%

LAB 60.32, -62.44, 59.84

 

CMYK 94 / 74 / 0 / 34

HEX #0A2CA9

RGB 10 44 169

HSL 227.17, 0.89%, 0.35%

LAB 25.95, 39.99, -68.5

 

CMYK 2 / 94 / 0 / 34

HEX #A60AA9

RGB 166 10 169

HSL 298.87, 0.89%, 0.35%

LAB 39.9, 70.63, -45.03

 

CMYK 0 / 20 / 94 / 33

HEX #AA880A

RGB 170 136 10

HSL 47.25, 0.89%, 0.35%

LAB 58.2, 2.37, 61.46

 

CMYK 94 / 0 / 67 / 34

HEX #0AA937

RGB 10 169 55

HSL 136.98, 0.89%, 0.35%

LAB 60.53, -59.65, 46.92

 

CMYK 94 / 74 / 0 / 34

HEX #0A2CA9

RGB 10 44 169

HSL 227.17, 0.89%, 0.35%

LAB 25.95, 39.99, -68.5

 

CMYK 0 / 94 / 27 / 34

HEX #A90A7C

RGB 169 10 124

HSL 316.98, 0.89%, 0.35%

LAB 38.03, 65.03, -20.45

 

Description

Color code: RGB 170 136 10 | qconv.com Color code: RGB 170 136 10 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 136 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 136 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 94 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 94% 33% C M Y K

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Provide designers and agencies with accurate color values.

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