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Color name
RGB 170 103 19

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 103 19 it is the complementary color RGB 85 152 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 103 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 103 19 shade: RGB 175 103 14, RGB 192 121 33, RGB 209 139 52, RGB 226 157 71 and RGB 243 175 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 103 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 103 19 shade: RGB 170 103 19, RGB 153 85 0, RGB 136 67 0, RGB 119 49 0 and RGB 102 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 103 19 shade: RGB 170 103 19, RGB 170 62 19, RGB 170 21 19 and RGB 170 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 103 19 shade: RGB 170 103 19, RGB 170 144 19, RGB 155 170 19, RGB 115 170 19 and RGB 74 170 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 103 19 shade matches the following richer shades: RGB 170 103 19 and RGB 185 105 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 103 19 shade: RGB 170 103 19, RGB 155 101 34, RGB 139 99 49, RGB 124 98 65 and RGB 109 96 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 103 19 shade: RGB 170 21 19, RGB 170 62 19, RGB 170 102 19, RGB 170 142 19 and RGB 157 170 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 103 19 shade: RGB 96 58 11, RGB 133 80 15, RGB 170 103 19, RGB 207 125 23 and RGB 231 146 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 103 19 shade: RGB 170 103 19, RGB 57 170 19 and RGB 42 19 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 103 19 shade: RGB 170 103 19, RGB 19 170 102 and RGB 102 19 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 103 19 shade: RGB 170 103 19, RGB 57 170 19, RGB 19 87 170 and RGB 132 19 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 103 19 shade: RGB 170 103 19, RGB 19 170 26, RGB 19 87 170 and RGB 170 19 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 89 / 33

HEX #AA6713

RGB 170 103 19

HSL 33.38, 0.8%, 0.37%

LAB 49.85, 21.03, 53.05

 

Complementary color

CMYK 64 / 36 / 0 / 7

HEX #5598EC

RGB 85 152 236

HSL 213.38, 0.8%, 0.63%

LAB 62.04, 4.51, -48.63

 

CMYK 0 / 41 / 92 / 31

HEX #AF670E

RGB 175 103 14

HSL 33.17, 0.85%, 0.37%

LAB 50.51, 23.13, 55.2

 

CMYK 0 / 37 / 83 / 25

HEX #C07921

RGB 192 121 33

HSL 33.21, 0.71%, 0.44%

LAB 57.07, 21.08, 55.61

 

CMYK 0 / 33 / 75 / 18

HEX #D18B34

RGB 209 139 52

HSL 33.25, 0.63%, 0.51%

LAB 63.56, 19.31, 54.93

 

CMYK 0 / 31 / 69 / 11

HEX #E29D47

RGB 226 157 71

HSL 33.29, 0.73%, 0.58%

LAB 69.99, 17.76, 53.79

 

CMYK 0 / 28 / 63 / 5

HEX #F3AF5A

RGB 243 175 90

HSL 33.33, 0.86%, 0.65%

LAB 76.35, 16.42, 52.47

 

CMYK 0 / 39 / 89 / 33

HEX #AA6713

RGB 170 103 19

HSL 33.38, 0.8%, 0.37%

LAB 49.85, 21.03, 53.05

 

CMYK 0 / 44 / 100 / 40

HEX #995500

RGB 153 85 0

HSL 33.33, 1%, 0.3%

LAB 43.17, 23.25, 52.05

 

CMYK 0 / 51 / 100 / 47

HEX #884300

RGB 136 67 0

HSL 29.56, 1%, 0.27%

LAB 36.46, 25.83, 46.64

 

CMYK 0 / 59 / 100 / 53

HEX #773100

RGB 119 49 0

HSL 24.71, 1%, 0.23%

LAB 29.71, 28.36, 40.89

 

CMYK 0 / 70 / 100 / 60

HEX #661F00

RGB 102 31 0

HSL 18.24, 1%, 0.2%

LAB 23.02, 30.58, 33.68

 

CMYK 0 / 39 / 89 / 33

HEX #AA6713

RGB 170 103 19

HSL 33.38, 0.8%, 0.37%

LAB 49.85, 21.03, 53.05

 

CMYK 0 / 64 / 89 / 33

HEX #AA3E13

RGB 170 62 19

HSL 17.09, 0.8%, 0.37%

LAB 41.28, 42.45, 46.26

 

CMYK 0 / 88 / 89 / 33

HEX #AA1513

RGB 170 21 19

HSL 0.79, 0.8%, 0.37%

LAB 36.23, 56.37, 42.28

 

CMYK 0 / 89 / 89 / 33

HEX #AA1313

RGB 170 19 19

HSL 0, 0.8%, 0.37%

LAB 36.1, 56.76, 42.17

 

CMYK 0 / 39 / 89 / 33

HEX #AA6713

RGB 170 103 19

HSL 33.38, 0.8%, 0.37%

LAB 49.85, 21.03, 53.05

 

CMYK 0 / 15 / 89 / 33

HEX #AA9013

RGB 170 144 19

HSL 49.67, 0.8%, 0.37%

LAB 60.37, -1.86, 61.42

 

CMYK 9 / 0 / 89 / 33

HEX #9BAA13

RGB 155 170 19

HSL 65.96, 0.8%, 0.37%

LAB 66.34, -22.18, 65.68

 

CMYK 32 / 0 / 89 / 33

HEX #73AA13

RGB 115 170 19

HSL 81.85, 0.8%, 0.37%

LAB 63.71, -38.61, 62.43

 

CMYK 56 / 0 / 89 / 33

HEX #4AAA13

RGB 74 170 19

HSL 98.15, 0.8%, 0.37%

LAB 61.87, -52.2, 60.14

 

CMYK 0 / 39 / 89 / 33

HEX #AA6713

RGB 170 103 19

HSL 33.38, 0.8%, 0.37%

LAB 49.85, 21.03, 53.05

 

CMYK 0 / 43 / 98 / 27

HEX #B96904

RGB 185 105 4

HSL 33.48, 0.96%, 0.37%

LAB 52.32, 26.24, 59.21

 

CMYK 0 / 39 / 89 / 33

HEX #AA6713

RGB 170 103 19

HSL 33.38, 0.8%, 0.37%

LAB 49.85, 21.03, 53.05

 

CMYK 0 / 35 / 78 / 39

HEX #9B6522

RGB 155 101 34

HSL 33.22, 0.64%, 0.37%

LAB 47.48, 15.92, 44.65

 

CMYK 0 / 29 / 65 / 45

HEX #8B6331

RGB 139 99 49

HSL 33.33, 0.48%, 0.37%

LAB 45.13, 10.64, 34.23

 

CMYK 0 / 21 / 48 / 51

HEX #7C6241

RGB 124 98 65

HSL 33.56, 0.31%, 0.37%

LAB 43.36, 5.86, 22.73

 

CMYK 0 / 12 / 27 / 57

HEX #6D6050

RGB 109 96 80

HSL 33.1, 0.15%, 0.37%

LAB 41.53, 2.44, 11.06

 

CMYK 0 / 88 / 89 / 33

HEX #AA1513

RGB 170 21 19

HSL 0.79, 0.8%, 0.37%

LAB 36.23, 56.37, 42.28

 

CMYK 0 / 64 / 89 / 33

HEX #AA3E13

RGB 170 62 19

HSL 17.09, 0.8%, 0.37%

LAB 41.28, 42.45, 46.26

 

CMYK 0 / 40 / 89 / 33

HEX #AA6613

RGB 170 102 19

HSL 32.98, 0.8%, 0.37%

LAB 49.61, 21.59, 52.86

 

CMYK 0 / 16 / 89 / 33

HEX #AA8E13

RGB 170 142 19

HSL 48.87, 0.8%, 0.37%

LAB 59.83, -0.77, 60.99

 

CMYK 8 / 0 / 89 / 33

HEX #9DAA13

RGB 157 170 19

HSL 65.17, 0.8%, 0.37%

LAB 66.49, -21.32, 65.86

 

CMYK 0 / 40 / 89 / 62

HEX #603A0B

RGB 96 58 11

HSL 33.18, 0.79%, 0.21%

LAB 28.21, 12.81, 33.68

 

CMYK 0 / 40 / 89 / 48

HEX #85500F

RGB 133 80 15

HSL 33.05, 0.8%, 0.29%

LAB 39.17, 17.33, 43.59

 

CMYK 0 / 39 / 89 / 33

HEX #AA6713

RGB 170 103 19

HSL 33.38, 0.8%, 0.37%

LAB 49.85, 21.03, 53.05

 

CMYK 0 / 40 / 89 / 19

HEX #CF7D17

RGB 207 125 23

HSL 33.26, 0.8%, 0.45%

LAB 59.88, 25.12, 61.87

 

CMYK 0 / 37 / 83 / 9

HEX #E79228

RGB 231 146 40

HSL 33.3, 0.8%, 0.53%

LAB 67.8, 24.46, 64.42

 

CMYK 0 / 39 / 89 / 33

HEX #AA6713

RGB 170 103 19

HSL 33.38, 0.8%, 0.37%

LAB 49.85, 21.03, 53.05

 

CMYK 66 / 0 / 89 / 33

HEX #39AA13

RGB 57 170 19

HSL 104.9, 0.8%, 0.37%

LAB 61.37, -56.36, 59.5

 

CMYK 75 / 89 / 0 / 33

HEX #2A13AA

RGB 42 19 170

HSL 249.14, 0.8%, 0.37%

LAB 23.2, 54.12, -73.63

 

CMYK 0 / 39 / 89 / 33

HEX #AA6713

RGB 170 103 19

HSL 33.38, 0.8%, 0.37%

LAB 49.85, 21.03, 53.05

 

CMYK 89 / 0 / 40 / 33

HEX #13AA66

RGB 19 170 102

HSL 152.98, 0.8%, 0.37%

LAB 61.52, -52.2, 25.06

 

CMYK 40 / 89 / 0 / 33

HEX #6613AA

RGB 102 19 170

HSL 272.98, 0.8%, 0.37%

LAB 29.89, 59.59, -62.35

 

CMYK 0 / 39 / 89 / 33

HEX #AA6713

RGB 170 103 19

HSL 33.38, 0.8%, 0.37%

LAB 49.85, 21.03, 53.05

 

CMYK 66 / 0 / 89 / 33

HEX #39AA13

RGB 57 170 19

HSL 104.9, 0.8%, 0.37%

LAB 61.37, -56.36, 59.5

 

CMYK 89 / 49 / 0 / 33

HEX #1357AA

RGB 19 87 170

HSL 212.98, 0.8%, 0.37%

LAB 37.58, 12.19, -50.08

 

CMYK 22 / 89 / 0 / 33

HEX #8413AA

RGB 132 19 170

HSL 284.9, 0.8%, 0.37%

LAB 34.55, 63.86, -54.56

 

CMYK 0 / 39 / 89 / 33

HEX #AA6713

RGB 170 103 19

HSL 33.38, 0.8%, 0.37%

LAB 49.85, 21.03, 53.05

 

CMYK 89 / 0 / 85 / 33

HEX #13AA1A

RGB 19 170 26

HSL 122.78, 0.8%, 0.37%

LAB 60.75, -61.64, 57.13

 

CMYK 89 / 49 / 0 / 33

HEX #1357AA

RGB 19 87 170

HSL 212.98, 0.8%, 0.37%

LAB 37.58, 12.19, -50.08

 

CMYK 0 / 89 / 5 / 33

HEX #AA13A2

RGB 170 19 162

HSL 303.18, 0.8%, 0.37%

LAB 40.61, 69.08, -39.66

 

Description

Color code: RGB 170 103 19 | qconv.com Color code: RGB 170 103 19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 103 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 103 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 89 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 89% 33% C M Y K

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